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爱丁堡大学展出一组中国海报和广告作品

 率我真 2014-08-06
Horror: Achieve Great Harvest Every Year (1964) pictured citizens beaming surrounded by a feast of vegetables even as the Great Famine killed tens of millions of people
Propaganda: This 1959 poster was called Communism is Heaven, the People's Commune is the Bridge. The text on the bridge reads: The People's Commune is Good
Ballerinas: This 1971 poster of the Women's Detachment of the Red Army managed to combine the aggression of war and the poise of traditional womanliness

Modernisation: Women were pictured as strong and confident to promote sport in the 1972 poster A Silver Ball Conveys Friendship, by the Shanghai Sports Committee

This 1960 poster was called 'Borrowing the Blue of the Sky to Write Poems, Relying on the Earth to Draw Pictures, Describing the Good Points of the General Line - Painting the Happiness of the Commune'

Goading the British: A 1958 poster at the beginning of Mao's great and devastating modernisation plan declared: 'With John on the Bull and Me on the Horse - How Could I Not Win the Race? Catch Up With and Surpass England Within 15 Years'

Personality cult: This poster was called The Sun is Chairman Mao, the Sun is the Communist Party and was produced for the 46th anniversary party's founding in 1967

This poster featuring Mao was called Fight for the Overall Completion of the Five Year Plan Ahead of Time and Exceeding Target Numbers. Published in 1956, it had a circulation of 170,000

Produced in 1913, this advert for London-made Doan's Ointment - for 'enriching blood' - featured a typical early Shanghai beauty between a solar and lunar calendar
Seductive: A woman advertised the China Fuxin Tobacco Co in 1935 at a time when women's education was supported in China. Western influences are clear

Comics and cartoons were very popular in Shanghai in the 1920s and 30s. There were dozens of such publications in magazines. The major publication was called Modern Sketch and combined Chinese styles with western art forms including Fauvism, Cubism, ism, Dadaism and Surrealism. Only a few of the magazine covers remain

Comics and cartoons were very popular in Shanghai in the 1920s and 30s. There were dozens of such publications in magazines. The major publication was called Modern Sketch and combined Chinese styles with western art forms including Fauvism, Cubism, ism, Dadaism and Surrealism. Only a few of the magazine covers remain

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