草書耿湋《題清源寺詩》 (軸) Poem by Geng Wei in cursive script 草書耿湋《題清源寺詩》 (軸) Bada Shanren (Zhu Da) (1626-1705) 八大山人 (朱耷) China, Qing dynasty, ca. 1699 Hanging scroll, ink on paper H x W (image): 154.8 x 75.1 cm Bequest from the collection of Wang Fangyu and Sum Wai, donated in their memory by Mr. Shao F. Wang. Freer Gallery of Art, Smithsonian, F1998.42
朱耷 对联 Couplet in running script对联 Maker(s) Artist: Bada Shanren (Zhu Da), 1626-1705 Medium: Pair of hanging scrolls; ink on paper Dimensions: H x W (image, each): 140.8 x 30.4 cm (55 7/16 x 11 15/16 in) Date: ca. 1702 Period: Qing dynasty Accession Number: F1998.39.1-2 朱耷 行楷書孫逖《奉和李右相中書壁畫山水詩》 (巨軸) Poem by Sun Ti in running-standard script 行楷書孫逖《奉和李右相中書壁畫山水詩》 (巨軸) Bada Shanren (Zhu Da) (1626-1705) 八大山人 (朱耷) China, Qing dynasty, ca. 1698 Hanging scroll, ink on paper H x W (image): 205.4 x 73 cm Bequest from the collection of Wang Fangyu and Sum Wai, donated in their memory by Mr. Shao F. Wang Freer Gallery of Art, Smithsonian, F1998.43 八大山人 书内景经
Scripture of the Inner Radiances of the Yellow Court in running-standard script Maker(s) Artist: Bada Shanren (Zhu Da), 1626-1705 Medium: Ink on paper Dimensions: H x W (avg. leaf, image): 22 x 11.7 cm (8 11/16 x 4 5/8 in) Date: 1684 Period: Qing dynasty Accession Number: F1998.29.1-12 朱耷 书法作品 Excerpt from the 'Preface to the Sacred Teachings' in running-standard script Maker(s) Artist: Bada Shanren (Zhu Da), 1626-1705 Medium: Ink on paper Dimensions: H x W (image): 26.5 x 14.3 cm (10 7/16 x 5 5/8 in) Date: ca. 1693 Period: Qing dynasty Accession Number: F1998.28 .
朱耷 草书作品 Tang Poem in running-cursive script Maker(s) Artist: Bada Shanren (Zhu Da), 1626-1705 Medium: Ink on paper Dimensions: H x W (image): 176 × 44 cm (69 5/16 × 17 5/16 in) Date: 1702-03 Period: Qing dynasty Accession Number: F1998.44.1 八大山人 书法作品
Copy of the 'Half-Stele of Xingfu Temple' in running-standard script Maker(s) Artist: Bada Shanren (Zhu Da), 1626-1705, Tang Yunsong, jinshi 1840 Medium: Ink on paper Dimensions: H x W (max. image): 25.3 x 8.8 cm (9 15/16 x 3 7/16 in) Date: 1699 Period: Qing dynasty Accession Number: F1998.40.1-20 八大山人(朱耷)书法作品
八大山人(朱耷)书法作品
朱耷(1626-1705) 原名统,又名朱耷,号八大山人、雪个、个山、个山驴、人屋、良月、道朗等。江西南昌人,为明朝皇族江宁献王朱权的后裔,是第九世孙。明亡后,遭国毁家亡之难,心情悲愤,便装哑扮傻,在门上贴个大哑字,不与人语。23岁削发为僧,取法名传綮。由于长期积忧抑郁,遂患颠狂之疾,颠态百出。清代著名画家,清初画坛“四僧”之一,八大山人是他名号之一。 朱耷是清代著名的书画家。他的简笔写意花鸟画,以独特的面貌,开一代新风。他的书法亦与他的绘画风格相似,极为简练,到晚年喜用秃笔,一变锐利的笔势而变成浑圆朴茂的风格。 近人研究八大书法,追其师承渊源众说纷纭。或曰宗二王、宗董其昌、宗王宠等等,终如寻其书画师承,至今无一定论一样。据王方宇先生考证,最初,八大山人受欧阳询的影响很深,稍后学董其昌的行草,又转入黄庭坚的夸张开阔等,多方探索,再追寻魏晋人书法的气质,终于参用篆书笔法,形成自己独特的风格:中锋圆润,又婉约多姿且厚重浑成,富有晋人气度。他的书法的成就,主要是笔法的改变。 八大山人在许多绘画作品上的款跋,相当精彩奇巧。如在绘画布局上发现有不足之处,有时用款书云补其意。八大山人也能诗,所以他的画即使画得不多,题上自己随兴发挥的诗,意境就充足了。
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