 博尔特拉菲奥 持箭青年肖像 Portrait of a
Youth Holding an Arrow
美国圣迭戈铁姆肯艺术博物馆
作品介绍
Born in Milan to a noble family, Boltraffio entered the school
of Leonardo da Vinci in 1491 and remained with him until around
1498 or 1499. This work, once erroneously attributed to Leonardo,
reveals an aristocratic refinement that derives as much from
Boltraffio's own artistic gifts as from Leonardo's influences. The
sitter may be Girolamo Casio, a well-known Bolognese poet who was a
close friend of the artist. He is shown wearing a narrow headband,
called a fillet, intertwined with laurel leaves and holding an
arrow - both symbols of Apollo, the patron of poetry and leader of
the Muses.
参考译文
博尔特拉菲奥出生于米兰一个贵族家庭，于1491年进入莱昂纳多·达芬奇学校并一直陪伴他到1498年或1499年左右。这件作品曾被错误地归于达芬奇，它揭示了一种贵族的精致，同样来自博尔特拉菲奥自己的艺术礼品。来自莱昂纳多的影响。画像的模特可能是吉罗拉莫·卡西欧（Girolamo
Casio），一位着名的博洛尼亚诗人，是艺术家的密友。他穿着一条狭窄的头带，称为圆角，与月桂叶交织在一起，手持箭头 -
这两个符号都是阿波罗，诗歌的赞助人和缪斯的领袖。
作品细节
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Arrow
画家简介
乔瓦尼·安东尼奥·博尔特拉菲奥（Giovanni Antonio
Boltraffio或Beltraffio，1466或1467-1516），意大利文艺复兴时期画家，在达芬奇工作室工作。博尔特拉菲奥和贝纳迪诺·卢尼（Bernardino
Luini）是达芬奇工作室中最强大的艺术人物。根据Giorgio Vasari的说法，他出生在米兰的一个贵族家庭。
博尔特拉菲奥是达芬奇的主要学生。他于1491年首次出现在达芬奇工作室的记录中。和卢尼一样，虽然他的一些作品与达芬奇的设计密切相关，但博尔特拉菲奥也以新方式开发了源自达芬奇的创意。
到1498年，博尔特拉菲奥已经开始了一个独立的实践，制作祭坛画、肖像和小型灵修画。他的第一份文件记录是1502年。与其他达芬奇的同事，如Ambrogio
Preda不同，博尔特拉菲奥拥有广泛的设计，与16世纪早期意大利其他地方的发展相对应。（英国伦敦国家美术馆及维基百科）
作品资料
ARTIST：Giovanni Antonio Boltraffio
TITLE：Portrait of a Youth Holding an Arrow
DATE：ca. 1500-1510
CULTURE：Italian
MEDIUM：Oil on panel
DIMENSIONS：19 5/8 x 14 in (49.7 x 35.4 cm)
ACCESSION NUMBER：1964:001
Provenance
The marquis de Gallo; Purchased in Paris by the seventh earl
of Elgin, 1806; Earls of Elgin and Kincardine; Acquired by the
Putnam Foundation, 1964
美国圣迭戈铁姆肯艺术博物馆
展览历史
Manchester, England, 1.857, Catalogue of Art Treasures of the
United Kingdom, p. 23, no.143, as Leonardo da Vinci but with the
notation, "the work, most probably, of Antonio Boltraffio"; London,
Burlington Fine Arts Club, 1898, Illustrated Catalogue of Pictures
by Masters of the Milanese and Allied Schools of Lombardy, no. 47,
pl. X, attributed to Leonardo da Vinci; London, Royal Academy of
Arts, Burlington House, 1930, Exhibition of Italian Art,
1200-1.900, p. 186, no. 320; London, Royal Academy of Arts, Diploma
Gallery, 1952, Leonardo da Vinci Quincentenary Exhibition, p. 70
no. 256.
相关文献
G. F. Waagen, Galleries and Cabinets of Art in Great Britain
(supplement to his 1854 Treasures of Art in Great Britain), 4 vols.
(London,1857), 4:444; Bernard Berenson, North Italian Painters of
the Renaissance (New York, 1907), p. 172; Gardner Teall, "Giovanni
Antonio Boltraffio," International Studio 85 (October 1926): 25;
Wilhelm Suida, Leonardo und sein Kreis (Munich, 1929), p. 287, as a
half-figure of a youth; Italian Art: An Illustrated Souvenir of the
Exhibition of Italian Art at Burlington House London (London,
1930), p. 54, no. 91, ill.; Enrico Mauceri, "Dipinti di raccolte
inglese alla mostra d'arte italiana a Londra," Dedalo 10 (May
1930): 755,758, ill.; Agnes Mongan and Elizabeth Mongan, European
Paintings in the Timken Art Gallery (San Diego, 1969), pp. 28,
29,109-10, no. 6, ill.; Burton Fredericksen and Federico Zeri,
Census of Pre-Nineteenth Century Italian Paintings in North
American Public Collections (Cambridge, Mass., 1972), pp. 30, 524,
632; Martin E. Petersen, "Three Centuries of European Paintings,
1300-16oo," Apollo 115 (June 1982): 447, fig.11; Timken Art
Gallery: European and American Works of Art in the Putnam
Foundation Collection (San Diego, 1983), pp.16-1.y, 1.15, no. 1,
ill.
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