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Portrait with Blue Hair, 2013 Crescent Eyed Portrait (in Blue), 2013 Portrait in Yellow, Red and Blue, 2012 Portrait in Yellow, Orange and Blue, 2012 Crescent Eyed Portrait, 2012 Portrait, 2010 July 20, 2009 Tropical Still Life, 2013 Still Life with Lobster, 2012 Spring Onions, 2013
Artichokes and Oranges, 2013
Shadows and Pears, 2012
Still Life with Pitcher and Apples, 2013
July 23, 2009
Tulips, 2010
July 27, 2009
Lemons, 2013
Avocado, 2013
Watermelon, 2013
Apple, 2013
Artichoke, 2013
Bananas, 2013
Pomegranate, 2007
Orchid, 2009
Rainbow Portrait, 2009
Potatoes and Leeks, 2016
Still Life With Fish And Oysters, 2016
Still Life with Apple and Echinacea, 2016
Summer Fruit, 2014
Still Life with Fruit and Ficus, 2016
Still Life with Fish and Forsythia, 2013
July 19, 2009
Portrait with a Yellow Shoulder, 2013
Portrait In Orange And Blue, 2010
Salmon Skin And Shadow, 2010
Woman with a Blue Eye, 2011
Portrait In Yellow And Red, 2010
Red Eyed Woman, 2011  醒芷笔记：
倘若我们坦诚地承认，摄影是二维图像对三维世界的拙劣的模仿，而非记录“真实”或“现实”，那么我们便能让摄影迸发出振奋人心的创造力与魅力，拥抱更丰富的可能性。 Daniel Gordon先把纸质照片混合少量其它材质物品制作成立体场景，再进行拍摄，最终又以照片的形式呈现。他的作品视觉冲击力极强，在绘画、雕塑、拼贴之间游走，落脚于摄影，并由此揭示所谓的“真实”和“现实”的迷惑性。 |
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