尼科洛·迪·塞格纳《圣露西》（Saint Lucy，美国沃尔特斯艺术博物馆）

阴山工作室 2018-09-23

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尼科洛·迪·塞格纳圣露西 Saint Lucy 美国沃尔特斯艺术博物馆

作品介绍

Following her conversion to Christianity, Lucy (d. 304) was subjected to a series of tortures, all of which she miraculously survived. Here, the saint holds the dagger with which she was ultimately executed and the lamp, her attribute. This painting originally was on the left side of an altarpiece that consisted of a central image of the Virgin and Child flanked by saints.

The ornate details and delicate gold surfaces enlivened by punch-marks are characteristic of the refined style of mid 14th-century Sienese painting.

参考译文

在她皈依基督教之后，露西（第304页）遭受了一系列折磨，所有这些折磨都奇迹般地存活下来。在这里，圣徒露西拿着她最终被执行的匕首和灯，这是她的属性。这幅画原本位于祭坛的左侧，其中包括圣母和儿童的中央图像，两侧是圣徒。

华丽的细节和精致的金色表面由打孔标记活跃，是14世纪中期耶锡纳绘画精致风格的特征。

作品细节

尼科洛·迪·塞格纳圣露西 Saint Lucy 局部

画家简介

尼科洛·迪·塞格纳（Niccolò di Segna，死于1348年左右）意大利文艺复兴早期画家，耶锡纳画派的代表人物。他的父亲塞格纳·迪·博纳文图拉（Segna di Buonaventura，1298-1326）也是文艺复兴早期著名画家。他的活动记录从1331年开始，最初在他父亲的工作室开始他的职业生涯。在父亲的讲习班里，尼科洛深入研究了戈利诺·迪·内里奥（Ugolino di Nerio，约1280-1349）、西蒙·马丁尼（Simone Martini，约1284-1344）和杜乔·迪·博宁塞纳(duccio di buoninsegna，1255 - 1319)的绘画语言，很快形成了独特的个人风格。他与彼得罗·洛伦泽蒂(Pietro Lorenzetti,1280-1348）合作创作了锡耶纳圣母忠仆圣殿（Santa Maria dei Servi）的壁画。修长的人物形象，精致优雅的韵味，线性哥特式的节奏和对装饰性细节的关注，凸显了耶锡纳画派特有的风格特征。而更为细致的明暗对比，在粗糙表面运用膏状笔触表现出的釉面般的细腻，则显示出他与其他耶锡纳画家的不同。他的代表作圣塞波尔克罗大教堂高坛后面的《基督复活多联画》的基督复活场景深刻影响了皮耶罗·德拉·弗朗西斯卡（Piero della Francesca，1420 - 1492）现藏于锡耶纳市立博物馆的著名版本。（阴山工作室综合编写）

作品资料

Niccolò di Segna (Italian, active 1331-1345) (Painter)

PERIOD：ca. 1340 (Medieval)

MEDIUM：tempera and gold leaf on panel (Painting & Drawing)

ACCESSION NUMBER：37.756

MEASUREMENTS

H of panel excluding modern peripheral strips: 27 3/4 x W: 17 3/16 x D: 1 1/4 in. (70.5 x 43.7 x 3.1 cm); Framed H: 29 1/4 × W: 19 1/2 × D: 2 3/4 in. (74.3 × 49.5 × 7 cm)

GEOGRAPHIES：Italy, Siena (Place of Origin)

LOCATION WITHIN MUSEUM

Charles Street: Third Floor: 13th-15th Century Italian Art

Current location Walters Art Museum Blue pencil.svg wikidata:Q210081

Object history

Don Marcello Massarenti Collection, Rome [date of acquisition unknown], by purchase [1881 catalogue: no. 23

1897 catalogue: no. 47, as Simone Martini]

1902: purchased by Henry Walters, Baltimore

1931: bequeathed to Walters Art Museum by Henry Walters

相关文献

^ One or more of the preceding sentences incorporates text from a publication now in the public domain: Bridge, James (1910). "St. Lucy". In Herbermann, Charles. Catholic Encyclopedia. 9. New York: Robert Appleton.

^ Calendarium Romanum (Libreria Editrice Vaticana, 1969), p. 139

^ Findlay, Allison. Women in Shakespeare: A Dictionary 2010 p. 234 "(b) The play's setting in Ephesus and its links to Syracuse suggest that, in addition to its associations with light, Luciana's name might invoke memories of St Lucia of Syracuse, who remained a well-known saint in early modern England..."

^ "About St. Lucy", St. Lucy Catholic Parish, Campbell, California

^ Miller OFM, Don. "Saint Lucy", Franciscan Media

^ Blunt, John Henry Blunt. The Annotated Book of Common Prayer, London, 1885:176

^ "SAINT LUCY'S CHURCH: The Mother Italian Church of The Diocese of Scranton. Home to All! Ministered to by Saint Frances Xavier Cabrini".

阴山工作室

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