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麦斯基演奏德沃夏克《b小调大提琴协奏曲》 音乐文献编译组编译 麦斯基访谈节选 'Cello has developed incredibly over the last half century or even earlier, since the great masters such Rostropovich and Casals, both of whom I had as teachers. Nowadays many young cellists prove that cello can find its own place and its own qualities. Maybe there is not as much great repertoire for cello as there is for violin and piano, but there is certainly enough.' “在过去的半个世纪甚至更早，大提琴都发展得令人难以置信，因为大师辈出，比如罗斯特罗波维奇和卡萨尔斯，他们都是我的老师。如今后辈涌现，证明了大提琴可以拥有自己的位置和音乐特点。也许大提琴演奏的曲目不像小提琴和钢琴那么多，但肯定足够多。”  'The best thing for me about music competitions is that they give you the stimulation to work very hard, to prepare and present your hard work. After playing in a competition, I always felt that I improved greatly, a major step in my development. Without this kind of motivation it is easy to postpone your work until tomorrow. This is a dangerous mentality because there will always be a tomorrow.' “对我来说，音乐比赛最有魅力的是，它本身就足够激励你努力地工作，而且可以充分展示你的辛勤成果。在比赛中，我总觉得自己进步很大，这也是促进我发展的重要基石。如果没有这种动力，工作很容易就被推迟到明天。明日复明日是种很危险的心态。”   |
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