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波提切利牺牲了从马萨乔以来所发展的“透视带来的真实感”，在某种程度上回到了哥特式的风格，以一种近乎平面的线性装饰来达到他所希冀的视觉审美意味。为了使这眼目的趣味达到某种高度，在题材上他甚至不惜挑战当时的权威。波提切利在其后继者看来，那种“自我”是他们所崇敬的，却不知在其晚年因反叛而遭遇到的煎熬。我想，每一个离经叛道者背后一定都有一段煎熬史。在波提切利那里是两种文化——世俗与宗教——的纠葛与争战。对于我们来说已经很难理解了，也许我们只有回到他的作品和时代中才能有所体会吧。
The Birth of Venus · 波提切利牺牲了一些他当初下苦工取得成就，取得了一些效果。他的人物看起来立体感并不强，他的构图中的优雅动作和具有韵律的线条使人想起吉尔伯蒂和安吉利科修士的哥特式传统，甚至更早的14世纪的艺术……人物体态轻柔袅娜，衣饰精巧飘落。 ——贡布里希《艺术的故事》
Adoration of the Kings 50.2 x 135.9 cm oil on panel ~1470s
← 左 右 滑 动 观看 → Adoration of the Kings（细节大图）
The Birth of Venus 278.5 X 172.5cm poplar wood, tempera ~1477 Florence, Galleria degli Uffizi
The Birth of Venus（Detail）
The Birth of Venus（Detail）
The Birth of Venus（Detail）
La Primavera (Spring) 203x 314cm poplar wood, tempera ~1481-82
Spring)（Detail）
Spring)（Detail）
Spring)（Detail）
Spring)（Detail）
Spring)（Detail）
Spring)（Detail）
Spring)（Detail）
Venus and the Three Graces Presenting Gifts to a Young Woman 211 × 283 cm Fresco, detached and mounted on canvas ~1483–86 Musée du Louvre, Paris
venus and mars 69 × 173 cm Tempera on panel ~1485 National Gallery, London · 波提切利为了达到轮廓线优美而更改了自然形象，增强了设计上的美丽与和谐。 ——贡布里希《艺术的故事》
the story of Nastagio Degli onesti 138.5 x 82.5 cm tempera on wood panel ~1483 Museo Nacional del Prado
the story of nastagio degli onesti 139 x 82.3 cm tempera on wood panel ~1483 Museo Nacional del Prado
the story of Nastagio Degli onesti 83.5 x 142.5 cm tempera on wood panel ~1483 Museo Nacional del Prado
Three Miracles of Saint Zenobius 64.8 x 139.7 cm Tempera on wood ~1500s The National Gallery
Four Scenes from the Early Life of Saint Zenobius 66 x 182 cm tempera on wood panel ~1500s
Four Scenes from the Early Life of Saint Zenobius 66.7 x 149.2 cm tempera on wood panel ~1500s
Three Miracles of Saint Zenobius 67.3 x 150.5 cm tempera on wood panel ~1500s
four panels depicting the miracies of saint zenobius tempera on wood panel ~1470s
← 左 右 滑 动 观看 → four panels depicting the miracies of saint zenobius（细节大图）
The Story of Lucretia Tempera and oil on wood 83.8 × 176.8 cm Isabella Stewart Gardner Museum, Boston ~1496–1504
the calumny of apelles62 x 91 cm tempera on woodpanel ~1484-85 Galleria degli Uffizi
scenes from the life of moses 558 x 348.5 cm poplar wood, tempera ~1481-82 Sistine Chapel
the temptation of christ 570 x 348.5 cm tempera on wood panel ~1481-82 · 波提切利为了达到轮廓线优美而更改了自然形象，增强了设计上的美丽与和谐。他的画确实形成了一个完美和谐的图案。 ——瓦萨里《著名画家、雕塑家、建筑家传》
Mary with the Child and Singing Angels tempera on wood panel ~1478 National Museumof Berlin
Probably Alessandro Filipepi Madonna and Child with St. John the Baptist tempera on wood panel 55.6 × 74.2 cm Louvre Museum, Paris, France ~1470–75
Madonna and Child with St. John the Baptist（detail）
Probably Alessandro Filipepi Madonna and Child tempera on wood panel 74.5 x54.5 cm National Gallery of Art ~1470s
The Virgin Adoring the Child tempera on poplar panel 58.9 × 58.9 cm National Gallery ofArt ~1480s
madonna with the child Tempera and oil on panel 40 x 58 cm Museo Poldi Pezzoli, Milan ~1483
madonna with the Child and the baby san giovannino，angeli tempera on wood panel ~1488
madonna with the Child and the baby san giovannino, angeli
madonna with the child Tempera and oil on panel ~1480s
madonna with the child Tempera and oil on panel ~1480s
madonna with the child Tempera and oil on panel ~1480s
Probably Workshop of Sandro Botticelli The Virgin and Child 83.2 x 64.8 cm tempera onwood panel ~1485 The National Gallery
The Virgin Adoring the Sleeping Christ Child tempera on wood panel ~1485
The Virgin and Child tempera on wood panel 29.5 x 19.7cm The National Gallery ~1485-1500
Probably Workshop of Sandro Botticelli The Virgin and Child 88.9 x 55.9 cm tempera on woodpanel ~1490s Harvard Art Museums
Virgin and Child with the Young Saint John the Baptist Tempera and oil on wood 68 × 68 cm the Cleveland Museum of Art ~1490s
Madonna and Child with Adoring Angel 88.9 x 68 cm tempera on wood panel ~1468 Norton Simon Museum
The Virgin and Child with Saint John the Baptist 95.3 x 94 cm Tempera and oil on wood ~1482-98 The National Gallery
The Virgin and Child with Saint John and Two Angels Tempera and oil on wood 114.3 x 113 cm The National Gallery ~1490s
The Virgin and Child with a Pomegranate tempera on wood panel 67.9 x 52.7 cm The National Gallery ~1490s
The Virgin and Child with Saint John and Two Angels Tempera and oil on wood 114.3 x 113 cm The National Gallery ~1490s
Madonna of the Magnificat 143.5 × 143.5 cm tempera on wood panel ~1483
Madonna and Child with Angels oil and tempera on poplar panel 86.7 x 57.8 cm National Galleryof Art ~1465-70
The Nativity tempera on wood panel Columbia Museum of Art (South Carolina) ~1473-75
Adoration of the Magi 111 cm × 134 cm poplar wood, tempera ~1475 Florence, Galleria degli Uffizi
The Adoration of the Magi tempera and oil on poplar panel 68 x 102 cm National Gallery of Art ~1478-82
The Adoration of the Kings Tempera on poplar 130.8 x 130.8 cm The National Gallery ~1470-75
mystic nativity 108.6 x 74.9 cm Oil on canvas ~1500 The National Gallery
The Bardi Altarpiece 185 x 180 cm tempera on wood panel ~1484–85
San Marco Altarpiece tempera on wood panel 378 x 258 cm Florence, Galleria degli Uffizi ~1490-93
Annunciation tempera onwood panel ~1490
Annunciation tempera on wood panel 49.5 × 58.5 cm Kelvingrove Art Gallery and Museum, Glasgow ~1490
Annunciation 19 x 31 cm tempera onwood panel ~1485 Metropolitan Museum of Art
Annunciazione di San Martino alla Scala 243 x 555 cm tempera on wood panel ~1481
Sandro Botticelli tempera on wood panel 107 × 71 cm Museo Poldi Pezzoli, Milan ~1490-95
The Mourning of Christ tempera on wood panel ~1490s Alte Pinakothek, Munich
Saint Francis of Assisi with Angels tempera on wood panel 49.5 x 31.8 cm The National Gallery ~1475-80
pallas and the centaur 148 x 207 cm tempera on wood panel ~1482
pallas and the centaur (detail)
the return of judith to bethulia 24 x 31 cm tempera onwood panel ~1472
the discovery of the murder of holophernes 63.5 x 77.5 cm temperaon wood panel ~1472
Judith Leaving the Tent of Holofernes tempera on wood panel 36 x 20 cm Rijks museum, Netherlands, Amsterdam ~1495-1500
The Last Communion of Saint Jerome Tempera and gold on wood 34.3 x 25.4 cm The Metropolitan Museum of Art ~1490s
Christ on the Cross tempera on wood panel · 波提切利在画中绘制的头像美得难以描述，姿态各异，或正视，或侧视，或四分之三侧，或低垂，种种不一。老少表情各异，所有异乎寻常的效果充分表明了他的精湛技艺。无论敷色、勾勒或构图均令当时的匠人自叹莫及。 ——瓦萨里《著名画家、雕塑家、建筑家传》
Christ Crowned with Thorns tempera on wood panel 48 x 32 cm Carrara di Belle Arti Bergamo Italy,Bergamo ~1500
Probably Workshop of Sandro Botticelli Salvator Mundi tempera on wood panel 57.2 x 34.9 cm Harvard Art Museums ~1490s
The Thorn Crown of Christ tempera on wood panel ~1500s
Saint George and the dragon tempera on wood panel 65.7 cm × 41 cm Location Victoria and Albert Museum, London ~1470s
portrait of a young man with a trecento medallion 58.7 x 39.4 cm tempera onwood panel ~1474-75
Portrait of a Man with a Medal of Cosimo the Elder tempera on wood panel 57.5 cm × 44 cm Uffizi, Florence ~ 1474-75
Allegorical Portrait of a Woman 58.5 x 40.5 cm tempera on wood panel Private collection
Salvator Mundi tempera on wood panel 54x 36 cm National Museum of Berlin ~1478
Giuliano de' Medici tempera on wood panel ~1478-80
Giuliano de' Medici 75.5 x 52.5 cm tempera on wood panel ~1478-80 National Gallery of Art
Portrait of a Youth 43.5 x 46.2 cm tempera on wood panel ~1482-85 National Gallery of Art
portrait of a young woman 35 x 47.5 cm tempera on wood panel ~1480s
Portrait of a Woman tempera on wood panel 49.5 x 35.6 cm Private collection ~1480-1485
la bella simonetta 41 x 61 cm tempera on wood panel ~1475
portrait of a woman 82 x 54 cm tempera on wood panel ~1480-85
A Lady in Profile tempera on woodpanel 59.1 x 40 cm The NationalGallery ~1490s
Portrait of a Young Man 37.5 x 28.3 cm tempera on wood panel ~1480-85 The National Gallery
Portrait of Lorenzo di Ser Piero Lorenzi tempera on wood panel 50 x 37 cm Philadelphia Museum of Art ~1490-1495
Portrait of Dante 54.7 x 47.5 cm tempera onwood panel ~1495 Private collection
La Carte de l'Enfer tempera on wood panel ~1482
part of the 8th circle of Hell. Dante and Virgil 32 x 47 cm tempera on wood panel ~1482 · 桑德罗·波提切利（Sandro Botticelli；Alessandro Filipepi 1446-1510）是15世纪末佛罗伦萨的著名画家，欧洲文艺复兴早期佛罗伦萨画派的最后一位画家。受尼德兰肖像画的影响，波提切利又是意大利肖像画的先驱者。在15世纪80-90年代，他是佛罗伦萨最出名的艺术家。人文主义思想明显，充满了世俗精神。后来的绘画中又增加了许多以古典神话为题材的作品，多为古希腊与罗马神话题材。风格典雅、秀美、细腻动人。他的反叛精神对以后绘画产生了极大的影响。《春》和《维纳斯的诞生》是最能体现他绘画风格的代表性作品。 |
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