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2020年迪拜世博会意大利馆 就在2020年迪拜世博会开幕的前一年，意大利公布了其国家馆的最终设计方案，由carlo ratti associati （CRA）、Italo Rota建筑事务所、Matteo Gatto&Association和F&M Ingegneria设计。 这项设计在这里的designboom上举办了预展，由三艘船组成，它们将开启一段象征性的迪拜之旅，然后被改造成建筑的屋顶。 活动结束后，这些船只——被认为是对再利用、循环和数字化可重构体系结构的探索——同时将继续并在其他地方重新使用。 exactly one year before the opening of expo 2020 dubai, italy has unveiled the final design for its national pavilion, conceived by carlo ratti associati (CRA), italo rota building office, matteo gatto & associati, and F&M ingegneria. the design, which was previewed on designboom here, comprises three boats that will embark on a figurative journey to dubai before being converted to form the structure’s roof. after the event is over, the boats — considered an exploration of recycling, circularity and digitally reconfigurable architecture — will move on and be reused elsewhere. 展馆的设计采用桔皮、咖啡渣、菌丝体和从海洋中提取的再生塑料等材料作为建筑元素。展馆暴露在空气中，使用自然气候控制策略取代空调。由LED屏幕和航海绳索组成的适应性立面分隔了空间，这将创建一个能够播放多媒体内容的科技数据层面。 the design of the pavilion uses materials such as orange peels, coffee grounds, mycelium, and recycled plastic extracted from the ocean, as construction elements. the pavilion is exposed to the atmosphere, using natural climate control strategies instead of air conditioning. space is delimited by an adaptable facade made of LED curtains and nautical ropes, which will create a digital layer able to broadcast multimedia content. “我们认可这样一个展馆的设想，它会不断地变换成不同的形式，” carlo ratti说。‘从长期来看，由于其循环性，以及从短期来看，由于数字技术的发展，这两种模式都可以重新配置，这是我们追求的一种体系结构。 we liked the idea of a pavilion that would continuously mutate into different forms,’ explains carlo ratti, founding partner of CRA and director of the MIT senseable city lab. ‘we pursued a kind of architecture that could be reconfigured both in the long term — because of its circularity — and in the short term — thanks to digital technologies.’ 展馆的屋顶是一个蜿蜒的表面，让人联想起大海和沙漠的波浪。同时，展馆的底部由一个巨大的沙丘雕刻而成，人们可以进入。该项目有意识地努力整合迪拜当地地理环境的材料，以及有机废物，以试验更可持续的建筑实践，并参与循环经济。例如，展览将延伸到一个由沙子组成的沙丘上，而天桥将覆盖从废弃的橘皮和使用过的咖啡渣中获得的材料。 the pavilion’s roof is a sinuous surface that recalls sea and desert waves. meanwhile, the base of the pavilion is carved out of a giant sand dune, accessible to people. the project makes a conscious effort to integrate materials that hint at dubai’s local geography, as well as organic waste to experiment with more sustainable building practices and engage with the circular economy. for instance, the exhibition will stretch over a dune made with real sand, while the skywalk will be clad in materials obtained from discarded orange peels and used coffee grounds. 展馆是圆形的。材料会再利用，重新设想其用途。’italo rota补充道。“海洋将通过其一种有机物“海藻”进入结构，海藻将被用于生产能源和食物。”该展馆以及其他2020年世博会的建筑将在2020年10月20日开放，并将 一直开放到2021年4月10日。 the pavilion is circular in nature. nothing goes to waste; instead, we reclaim it and reimagine its purpose,’ adds architect italo rota, founding partner of italo rota building office. ‘the sea will figuratively enter the structure through one of its living organisms, seaweeds, which will be used to produce energy and food.’ the pavilion, along with expo 2020’s other buildings, will open its doors on october 20, 2020, and will remain on view until april 10, 2021. 建筑师：CRA-carlo ratti associati and italo rota building office, with matteo gatto & associati and F&M ingegneria 地点：意大利 年份：2020年 |
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