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涂志伟 美国油画家协会大师级会员 美国印象派协会大师级会员 1951年生于中国广东省 2015年获德国纽伦堡笫八届世界创造节“金奖” 2014年获世界首届美国油画家协会大师作品大展”最高奖” 2013年获美国油画家协会” 终身成就奖” 2011年获美国印象派协会年会大展“大师优秀奖” 2007年美国印象派协会授予“大师” 称号 2006、2007、2008、2009年连续四年获美国油画家协会“大师金奖” 2006年广东省韶关市设立“涂志伟美术馆” 2002年获美国油画家协会第十一届年会大展的“大师金奖” 2000年被中国人民日报海外版授予《世纪之光》英才称号和被中国人才研究会艺术家学部 委员会等四个单位评定为新世纪优秀人才 1999年被美国油画家协会授予“大师”会员 1998年获美国油画家协会年会大展金奖__国家优秀奖 1996年被中国列入“世界华人美术名家” 1994年获美国油画家协会举办的中西大展金奖 1993年加入美国油画家协会，并获该年会大展银奖 1990年获美国IOWA美术沙龙金奖 1987年获阿尔及利亚文化荟翠集体金奖 1985年加入中国美术家协会 1984年《七步诗》入选全国美展并评为优秀作品 1980年获广东省青年美展一等奖 涂志伟举办过30多次个展和100次联展，其作品除在中国的北京, 广州, 台湾, 香港展出外, 还在日本、南韩、泰国、马来西亚、新加坡、法国、英国、 加拿大和美国展出。 ZHIWEI TU MASTER OF OIL PAINTERS OF AMERICA MASTER OF AMERICAN IMPRESSIONIST SOCIETY Zhiwei Tu born in Guangdong China 1951 Gold Prize in the Eighth World Creative Festival in Nuremberg, Germany, 2015 Best of the First Show in the World Master Signature of Oil Painters of America, USA, 2014 Lifetime Achievement Award, Oil Painters of America, USA, 2013 Excellence of Masters in the Exhibition of American Impressionist Society USA, 2011, Gold Medal of the Master Signature Members, the OPA Eastern Regional Exhibition, Oil Painters of America, USA, 2006, 2007, 2008 and 2009, Master of American Impressionist Society 2007, Gold Medal of the Master Signature Members, the OPA Western Regional Exhibition, Oil Painters of America, USA, 2006 and 2007, “Zhiwei Tu Art Museum” opened by Shiaoguan City Government of China in February 2006, Gold Medal of the Master Signature Members, the National Exhibition of the Oil Painters of America, USA, 2002, Person of Outstanding Ability of “Light of the Century”, China, 2000, Excellence Person of Ability in New Century by Chinese Outstanding-Artist Research Society China, 2000, Master Signature Member, the Oil Painters of America, USA, 1999, Gold Medal ( National Award of Excellence) of National Show of the Oil Painters of America, USA, 1998, Name in the Directory of Chinese Famous Artist in the World 1996, Gold Medal in the Midwest Show of the Oil Painters of America, USA, 1994, Silver Prize in the National Show of the Oil Painters of America, USA, 1993, Best Award in Show for the Exhibition Iowa College Salon XII USA, 1990, The Gold Prize at the World Cultural Convention, Algiers, 1987, First Prize at Guangdong Artistic Work Show, China, 1980. Tu has had more than 30 one-man shows and 100 group shows extensively in Beijing, Hong Kong, Taipei and Guangzhou of China, Tokyo of Japan, Korea, Tai, Singapore, Malaysia, Algeria, Canada, England, France and the United States from New York to California. 1980年涂志伟( 中) 与司徒绵( 左一) 黄中羊( 左二) 与导师徐坚白、陈秀娥在敦煌研究传统艺术. 1980 Zhiwei Tu(center) studying Chinese art at Dunhua with Mian Situ, Zhongyang Huang and profersors Jianbai Xu and Xiuee Chen 2011年涂志伟在敦煌画主要演员. Zhiwei Tu painting a model in 2011 1978年编钟出土时涂志伟亲临现场 Bells were discovered in 1978 and Zhiwei Tu visited 2011年涂志伟在永乐宫研究传统艺术 Zhiwei Tu visited Yonle palace to study Chinese art on mural in 2011 敦煌壁画反弹 琵琶双人舞 Double Dancing on Dun huang Mural 名家点评： 涂志伟是一位在国际上相当杰出、备受赞誉的艺术家。 涂志伟将中国历史上最光辉灿烂的文化历史、经过他多年的研究，创作成巨幅油画。他曾经到中国各地考察出土文物，研究文明的历史，1978 年到湖北隋县参观刚出土的大型编钟； 1980 年到西北的敦煌莫高窟，一待就好几个月，对着那些壁画进行精细的分析、研究和临摹；同时，他也对众多历史博物馆做了详尽考察，从而使他产生并创作了如此生动壮观的画面，将它们带进了21 世纪。 敦煌洞窟的壁画，展现了半裸舞者和乐手在壮丽的环境中表演出那种活泼奔放的舞姿。而涂志伟又以饱满的色彩变化和巧妙的明暗对比，在画面上营造了一个完美的三度空间，创作了辉煌壮观的画面。我们可以从《反弹琵琶》、《敦煌乐舞》、《唐代舞乐》、《博大与和谐》和《歌舞升平》等画中看出，舞者穿着几近透明的轻纱，梳着古典的发饰，鬓边簪了一朵朵盛开绽放的大玫瑰，她们在舞蹈中所展现的姿态美妙无比。在《唐代舞乐》一画中，可以看到画家以精湛的技巧营造出来的氛围。画面中那些正在弹着琵琶、和着鼓声起舞的人物；两名舞者舞动着轻盈地在空间中穿梭着；画面左右两边的乐队和大型编钟在为他们伴奏，这些使观众似乎回到那辉煌的文化历史中去。 涂志伟的每一幅作品的重心，都是其本人强烈的人文思想的表现。当从画面上感受到画家这种巨大的人文精神时，观众也被吸引到画中去，并成为画家所呈现的主题和时空中的一员，这体现了画家真正的伟大之处和天分所在。当欣赏他的作品时，我们的灵魂被触动了，我们的内在精神被感化着。 美国油画家协会主席(2000-2002)__ 露丝·夏拉柯姆 Zhiwei Tu is an international distinguished, highly awarded artist. Zhiwei Tu has brought the great-the most glorious ages in Chinese culture and history-into the 21st century thought his dynamic canvases based on his many years of research. He spent a lot of his time in visiting many places to study the cultures of Chinese history. In 1978 he went to Sui County in Hebei Province of China to see the Bells which is the largest-size and richest-sound music instrument in the World and was just discovered a few days before he arrived. He also spent many months in the Dun Huang Caves in Northwest China doing detailed drawings and color studies of the murals. Research also took him to numerous museum collections. Since that time, he has begun to create many breathtaking murals to show in this new century.The cave murals display the vitality of the half-nude dancers and musicians in the lavishsurrounding in which they performed. Tu has given a full three-dimensional interpretation with richness of color and depth of value. We can see from these paintings: “Dancing While Playing Pipa”, “ Dance and Music of Dun Huang”, “Dance and Music in Tang Dynasty”, “Expansiveness and Harmony” and “Peaceful Life Marked by Dance and Music”, Dancers’ costumes, in a semisheer fabric, adorn exceptionally beautiful performers with classical designs, each augmented by a large, perfect hibiscus or rose in full bloom. The various delicate postures of the body and gesture of hands in hand dancing are indeed remarkable as shown in the beautiful figures. In the painting titled “ Dance and Music in Tang Dynasty” again the meticulous, detailed research by the artist invites the viewer back to the historical period with understanding of figures performing dancing while playing the pipa, while provided with drum rhythms. Figures in left and right side of the painting involve gossamer space. The bells in the left background are also providing accompaniment. The keynote of each painting is the intense humanity of the artist. As the viewer senses the artist’s great humanity, that the paintings bring forth, it allows us to become one with the subject, place and time thus the true greatness and genius of the artist. He has reached our soul, our inner spirit. Ruth Dyke Challacombe President of Oil Painters of America (2000-2002) 读涂志伟的历史画，我们为他的出色的艺术构思、形象塑造和气氛渲染的能力所感佩，如《七步诗》中曹植、曹丕及周围人在这特定时刻复杂心理的微妙描绘，很有艺术震撼力；《虞姬舞剑》中传达的悲剧色彩，有很深的艺术感染力；《昭君叙汉》和《文成公主》中的“和亲”主题被涂志伟别出心裁地演绎为充满和谐与爱的场面，予人感觉耳目一新……灵动而厚实的笔触，丰富而微妙的色彩与色调，真实性与生动性的统一，是涂志伟油画语言的重要特色。油画语言真实性和生动性的基础不仅是结构的严谨，而且还需要与之相应地处理光的明暗和色彩冷暖关系，解决空间氛围的难题。这些，往往是“先天不足”的中国写实油画所缺乏的。涂志伟通过长期的磨练，逐渐解决了这一问题，他塑造的人物是厚重、立体的，他笔下的色彩是绚丽、丰富的，他创造的画面有可感知的空间氛围。还需指出的是，他重视中国绘画中的写意传统，也思考和研究如何从民族传统的写意手法中吸收养料，并将其用于油画艺术。他的想法似乎不是用写意的方法来创作油画，而是在写实的油画中加强写意性，如注意笔触的曲折变化，以加强主观感情的表达；适当用色彩渲染的方法来减弱形的写实；注意人物动作、表情和画面神韵的表现；适当采用中国传统绘画（如敦煌壁画）中的一些写意绘画技巧，等等。 说到敦煌壁画，涂志伟有特别的感情，1980 年他到敦煌考察，临摹了不少石窟壁画。尤其是莫高窟第112 号石窟的“西方净土变”结他留下很深的印象。他的《反弹琵琶》《唐代乐舞》就是根据他对敦煌壁画以及许多古代历史文物的研究结果创作出来的宏大歌舞场面，生动地再现了唐代宫廷盛会的情景。 涂志伟的艺术创造在美国油画界得到了承认，屡屡获得油画创作大奖和其他殊荣，并于2004 年被选为美国油画家协会主席。涂志伟之所以能在写实油画中取得如此成就，除了他的聪明才智、他的勤奋与钻硏精神外，还得益于他的全面艺术修养，特别是中西两种文化的修养。他善于在自己的油画创作中融合中西文化艺术的成果，通过取材中国历史和吸收民族绘画技巧赋予写实油画以新的精神。他的历史画不论写悲剧性场面还是描绘欢乐性的歌舞升平的景象，都渗透着一种人文气息和仁爱精神。因此，在他的这些作品前面，我们在赞叹他高超艺术技巧和他敬业精神的同时，也会从一幅幅精彩的历史画面中自然地引发出许多思考，并从中领悟到一些人生哲理。 中央美术学院教授_邵大箴 Looking at Tu’s historical paintings, the audience is affected by the composition and the atmosphere he has created. His ability is admirable. In the “Seven-Step Poem”, he delineates the subtle relationship and complicated mood of Cao Pi and Cao Zhi. In “Dancing with his Aword”, he fully transmits the sadness of his tragedy. Wang Zhaojun and princess Wen-Cheng, two girls married off to the rulers of monority tribes by the Han court in order to relieve the threats from the tribes. Under Tu’s hands, their love and sorrow are vividly expressed by his delicate strokes and subtle coloring. Tu made the figures so real on the canvas. To achieve his, apainter not only has to have good composition, but also good lighting and coloring that decide the cold or warm hue of a painting. Such skills are rarely seen in Chinese realistic painters. Tu’s accomplishment is based on many year of training. He found solutions for each difficult technique and is finally able to shape the lively characters so the audience can actually feel the space of the background. Though working hard on improving skills, Tu never ceases contemplating how to absorb the nutrition from the traditional Chinese Imagist painting and apply it to oil painting, making oil painting more imagist in style by means of brushstrokes. Tu has special attachment to the Dunhuang Cave Art. He went there in 1980 and studied the mural paintings. He was especially impressed by the No. 112 Mogao Cave, a painting titled “The Western Aradise of Amitabha”. His “dancing While Playing Pipa” and “Music and Dance in Tang Dynasty”, the grandiose of the dancing scenes in the Tang Court, all came from his studies in Dunhuang. Tu’s achievement is widely recognized in the U.S., he has been awarded many art prizes and was elected as president of the Oil Painters of America in 2004. He is talented and diligent, and he has committed himself to absorbing Western art and Eastern art. No matter whether they are cheerful or tragic themes, through his integration of Eastern and Western culture, Tu’s paintings are transmitting his humanistic concerns and mercy. While admiring his art, we are inspired by his thoughts and his philosophy of life as well. Shao Dazhen, Professor of the Central Academy of Fine Arts 涂志伟的才能在于用感情来创作和表现人物，这使得他的人物肖像画栩栩如生，让人以为是在看一个活生生的、在呼吸着的人。无论是一个吹奏乐器，或是用真实得有如在移动着优雅手势的美丽女性的手；或是一位饱经风霜、焕发着生命光辉的劳动者；或是一个漂亮小孩的小脸，都让观众想起生活中的亲人和朋友。用富有技巧的笔触讲一个无需借助语言的故事，把静淡转变成歌曲；用光与色的绘画要素，去创造一种光的幻觉空间，使观者在观看他的杰作时凝神屏息，这就是大师涂志伟的伟大才能。 当去年我去访问涂志伟同他的太太丹妮时，我有幸看到了这位画家献给他的文化与整个艺术世界所创作的许多巨幅历史杰作。我从未见过比这些更感人更美的艺术。从身披绚丽服装跳舞给当年的君王观赏的舞者，到古代中国历史上的许多故事，每一个故事都巧妙地运用真实感人的手法表现出来。这些杰作是涂志伟留给世界的真正财富。 全美油画家协会大师级会员、大师评选委员会主任_ 乔伊絲·派克 Few reach the level of professionalism that Zhiwei Tu has achieved. His ability to create the human form with such emotion that his portraits come alive evoking the illusion of a living, breathing person such as a beautiful woman playing a musical instrument or making a graceful gesture with hands so real they appear to be in motion. The weather face of an outdoorsman or the beautiful little face of a child glowing with the light allowing the viewer to reminisce family and friends and just good art. When a story can be told without the verbal use of wards, when silence can be changed to song thru the use of a well directed brush stroke, this is the great talent of master painter of Zhiwei Tu. Light and color are essential to any painting. Zhiwei Tu has mastered the ability to create the illusion of light so beautifully that it leaves the viewer breathless in viewing his masterful work. When I visited Tu and his wife Danni last year, I had the privilege of seeing many mural size historic masterpieces of art done by this great artist as a legacy to his culture as well as to the entire art world. I have never seen art more moving or more beautiful. The subjects vary from beautiful dancers with glowing fabric draped on their perfectly shaped bodies as they entertain royalty of the day, to the stories being told on canvas of ancient Chinese history. Every story is beautifully told in complete detail. These master works are a true legacy of the great painter Zhiwei Tu. Joyce Pike OPAM, Chair of Master Signature Advisory Committee of the Oil Painters of America 1、1980 为研究敦煌传统艺术, 在莫高窟外景与老师和同学合影( 左二为涂志伟)。 Zhiwei Tu (left 2) was at Dun Huang to study the mural art with artists and teacher in 2、1980涂志伟在洞窟里体验佛意 Zhiwei Tu posing to feel like Buddha 3、涂志伟考察洛阳大佛 Zhiwei Tu visited big Buddha at Luoyang 4、探究壁画艺术 Studying mural art in caves 5、在永乐宫研究室 In Study room at Yongle Plalace 6、2011 涂志伟写生敦煌莫高窟 Zhiwei Tu painting At Dunhuang Mogaoku 7、研究壁画 Studying the mural 8、大佛雕像 Big Buddha Sculpture 9、画敦煌月儿湾 Tu painting Moon -lake at Dunhua 10、画敦煌榆林窟外景 Paiting Yulin Caves 11、画函谷关 Painting Hangu Gate 12、写生永乐宫壁画 Painting the mural wall at Yongle palace 13、考察函谷关古迹, 老子在这里骑着牛从云雾中不知所终。 Tu visiting the historic site of Hangu Gate that Laozi was gone while riding on a buffalo in fog 14、在敦煌郊外画能歌善舞的哈沙克妇女 Painting A Kazakh woman at suburb of Dunhua 15、涂志伟参观许多中外博物绾, 2005 在纽约大都会美术馆探究中国壁画艺术。 Zhiwei Tu have visited many Muaeums. 2005 he was seeing Chinese mural art in Metropolitan Museum of Art 《敦煌光华》 油画 53cm×38cm 1980 年 Sun Shining on Dunhuang oil 15in×21in 1980
《 敦煌莫高窟》 油画 40cm x 30cm 2011 年 Mogaoku Grottoes of Dunhuang oil 11in×16in 2011
《佛洞》 油画40cm×54cm 1980 年 The Caves oil 21in×16in 1980 
《唐代乐舞》 油画 396cm×178cm 1980-1996 年 ( 英国私人收藏) Dance and Music in Tang Dynasty oil 70in×156in 1980-1996(Collected by private in UK)
《敦煌壁画—反弹琵琶》 油画 Dun huang mural-Dancing While Paying Pi -Pa oil
《敦煌序曲》 油画 64cm×142cm 1995-1996 年 ( 中东私人收藏) Song of Dunhuang oil 56in×25in 1995-1996 (Collected by private in Middle East)
《音乐沉睡三千年》 油画 76cm×143cm 1996 年 ( 美国私人收藏) Music Sleeping for 3 Thousand Years oil 56in×30in (Collected by private in US)
《一江春水》 油画 76cm×142cm 2008 年 ( 中国私人收藏) Spring River oil 56in×30in 2008 (Collected by private in China)
《歌舞升平》 油画 345cm×114cm 1985-1995 年 ( 美国私人收藏） Peaceful Life Marked By Dance and Music oil 45in×136in 1985-1995 (Collected by private in US)
《光下》 油画 76cm×142cm 2013 年 Under the Light oil 56in×30in 2013
《手之舞》 油画 76cm×142cm 2000 年 ( 印度尼西亚私人收藏) Hand Dancing oil 56in×30in 2000 ( Collected by private in Indonesia)
《三人和舞》 油画 234cm×183cm 2007 年 ( 涂志伟美术馆藏) Three Girls Dancing oil 72in×92in 2007 (Collection of Zhiwei Tu Art Museum)
《等》 油画 91cm×122cm 1998 年 ( 香港私人收藏) Waiting oil 48in×36in 1998 (Collected by private in Hong Kong)
《手鼓舞》 油画 76cm×142cm 2007 年 ( 中国台湾私人收藏) Hands Dancing While Playing Drum oil 56in×30in 2007 (Collected by private in Taiwan, China)
《琵琶舞》 油画 76cm×142cm 2010 年 ( 中国台湾私人收藏) Playing Pi-Pa oil 56in×30in 2010 (Collected by private in Taiwan, China)
《双人舞》 油画 76cm×142cm 2004 年 ( 美国私人收藏) Two Girls Dancing oil 56in×30in 2004 (collected by private in US)
《思 》 油画 61cm×122cm 1997 年 ( 中国台湾私人收藏). Thinking oil 48in×24in 1997 (collected by private in Taiwan, China)
《间休》 油画 91cm×122cm 2010 年 ( 美国私人收藏) A Rest in Between oil 48in×36in 2010 (collected by private in US)
《乐舞, 编钟, 古音》 油画 793cm×229cm 1978-1996 年 ( 涂志伟美术馆藏). Dancers, Bells, Ancient Music oil 90in×306in 1978-1996 (Collection of Zhiwei Tu Art Museum)
《前奏曲》 油画 76cm×142cm 2007 年 ( 涂志伟美术馆藏) Listening the Music oil 56in×30in 2007 (Collection of Zhiwei Tu Art Museum)
《云舞》 油画 142cm×76cm 2007年 ( 台湾私人收藏) Cloud Dancing in Tang Dynasty oil 56in×30in 2007 (collected by privatr in Taowan,China)
《贵妃醉酒》 油画 251cm×165cm 1997-2000 年 ( 台湾私人收藏) Concubine Yang Dancing with Whine oil 65in×99in 1997-2000 ( collected by privatr in Taowan, China)
《新娘》 油画 61cm×91cm 2007 年 ( 美国私人收藏) New Bride oil 36in×24in 2007 (collected by private in US)
《唐代杂技表演》 油 画 351cm×118cm 2004 年 Acrobatics Show in Tang Dynasty oil 46.5in×138in 2004
《绸舞》 油画 76cm×142cm 2008 年 ( 中国台湾私人收藏) Dancing While Playing Ribbon oil 56in×30in 2008 (Collected by private in Taiwan, China)
《书》 油画 76cm×142cm 2002 年 ( 涂志伟美术馆藏) Writing oil 56in×30in 2002 (Collection of Zhiwei Tu Art Museum)
《琴》 油画 76cm×142cm 2014-2015 年 Playing Music oil 56in×30in 2014-2015
《画》 油画 76cm×142cm 2000 年 ( 中国台湾私人收藏) Painting oil 56in×30in 2000 (Collected by private in Taiwan, China)
《唐代燕舞》 油 画 582cm×151.5cm 2003 年 ( 涂志伟美术馆藏) A Group Dancing in Tang Dynasty oil 59.5in×299in 2003 (collection of Zhiwei Tu Art Museum)
《唐代舞女》 油画 91cm×122cm 2006 年 ( 美国私人收藏) Dancer of Tang Dynasty oil 48in×36in 2006 (collected by private in US)
《劲舞》 油画 76cm×153cm 2006-2007 年 ( 香港私人收藏) Dancing Emotionly oil 60in×30in 2006-7 (Collected by private in Hong Kong)
《昭君叙汉》 油画 257cm×175cm 1985-1996 年 ( 中国台湾私人收藏) Wang Zhaojun, the Peacemakker oil 69in×110in 1985-1996 (collected by private in Taiwan, China)
《唐代剑舞》 油画 234cm×183cm 2008 年 ( 南韩私人收藏) Dancing with Double Swords of Tang Dynasty oil 72in×92in 2008 (Collected by private in South Korea)
《李白醉酒》 油画 234cm×183cm 2010-12 年 ( 涂志伟美术馆藏) Li Bai Drunk oil 72in×92in 2010-12 (collection of Zhiwei Tu Art Museum)
《醉酒长河》 油画 200cm×200cm 1985 年 ( 涂志伟美术馆藏) Drunk by Yangtze River oil 79in×79in 1985 (collection of Zhiwei Tu Art Museum)
《李白与贵妃》 油画 246cm×173cm 2004-2005 年 ( 中国台湾私人收藏) Libai and Concubine Yang oil 69in×97in 2004-2005 (collected by Taiwan, China)
《鸿门宴》 油画 244cm×102cm 2010 年 ( 涂志伟美术馆藏) Dancing with Swords in Hongmen Party in Qing Dynasty oil 40in×96in 2010 (collection of Zhiwei Tu Art Museum) 《和氏壁》 油画 234cm×182cm 2008-2009 年 ( 晴山艺术中心收藏) The Story of the Jade oil 72in×92in 2008-2009 (collected by Qing Shan Art Center)
《七步诗》 油画 198cm×153cm 1980-1983 年 ( 美国私人收藏) Seven- Step Poem oil 60in×78.5in 1980-1983 (Collected by privatr in US)
《虞姬舞剑》 油画 251cm×165cm 1984-1995 年 ( 美国私人收藏) Dancing with His Sword oil 65in×99in 1984-1995 (collected by private in US) 请继续关注我们 带你走进大师们的书画人生 |
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