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A SURVEY OF THE ART A T R I B E O F S O U L P A I N T E R S A R T A N FANG SHENGYI PART ONE : Geomancy research series × Paper colour ink ● 第一部分：风水研究系列 · 纸本彩墨 PART TWO : Device art ● 第二部分：装置艺术 PART THREE : Programs of monuments series ● 第三部分：程式碑系列 A R T I S T R E S U M E 房圣易 ｜FANG SHENGYI Born in 1979, Chifeng, Inner Mongolia 毕业于哈尔滨师范大学艺术学院 Graduated from the school of art of Harbin Normal University 曾任《当代艺术》杂志主编，第二、三届五四国际青年艺术节策划人，首届798艺术博览会策划人。 Now lives and works in Beijing ◎ The research works of Feng Shui is Fang Shengyi a few years ago the two-dimensional painting extended again and its variants, features a Chinese literati painting gas gods in the ink combination techniques to strengthen the halo with the image itself is interesting, the basis of the basic theory system of hills and water, trees and other surface shows "override" in the western traditional realistic painting objective nature, the shape of the temperament is independent of the whole picture, in which charm overflow. In the color layout, he will be every object in the environment was the percentage of color gamut and color saturation deep image into a new way, this is the reaction of the arm is the artist to the traditional art form combing and analysis of the root of life into absorption and transformation of language purification. From the material selection to the shape of the device, the art of installation is the artist's keen grasp and deep understanding of the Chinese landscape culture and the Western modeling system. A series of works of art form tablet program combines multiple areas China culture method and traditional Chinese painting inscription rubbing vertical mounting painting in the form of Western astronomy, science, mathematics and other equations for misappropriation and reconstruction of the works. - Hui Shuwen 风水研究系列作品是房圣易前几年二维绘画的再次延伸和变体，其风貌特征大有中国文人画的逸气之神于其中，笔墨的点染晕合技法效果强化了形象本身的趣味性，山、水、树等面相的呈现“凌驾”于西方传统写实绘画客观自然性的基本理论体系之上，形似的气质独立于整幅画面，神韵溢于其中。在色彩布局上，他将色域的百分比笼罩于环境中的每一个物象，饱和深沉的颜色为形象注入了一股新的强心剂，这种强心剂生成的反应莫过于是艺术家对传统绘画形式脉络的梳理分析和对生命之根源的探究吸收及语言的转换提纯。 装置艺术从材料的选取到形体的具化，是艺术家对中国山水文化和西方造型体系的敏锐把握和深刻认识。程式碑系列作品的艺术形式结合了中国碑帖文化的拓印方法和国画立轴装裱绘画的形式及西方天文、科学、数学等多个领域的方程式对作品进行多次挪用和重构。 ——惠书文 ◎ PART ONE Geomancy research series｜Paper colour ink ◎ 风水研究系列 No.30 Geomancy research series No.30 2013 105 x 188 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列 No.24 Geomancy research series No.24 2013 38 x 56 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列 No.27 Geomancy research series No.27 2013 188 x 105 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列 No.37 Geomancy research series No.37 2016 105 x 188 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列－串珠龙图式 Geomancy research series －Beaded dragon schema 2017 100 x 50 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列 No.11 Geomancy research series No.11 2013 98 x 105 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 风水研究系列－卯龙入水图式 Geomancy research series －Mao dragons into the water schema 2017 100 x 50 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨
风水研究系列 No.12 Geomancy research series No.12 2013 98 x 105 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨
风水研究系列－仙人仰卧图式 Geomancy research series －Cactus supine pattern 2017 100 x 50 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨
风水研究系列 No.39 Geomancy research series No.39 2017 105 x 188 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨
风水研究系列－坐虚向实图式 Geomancy research series －Sitting virtual diagram 2017 100 x 50 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨
风水研究系列 No.25 Geomancy research series No.25 2013 105 x 188 cm Signature: Fang Shengyi Paper colour ink 纸本彩墨 PART TWO Device art ◎
With the imitation of Hearst diamond Skull 仿赫斯特笔意之水钻头骨 2010 2000 x 1200 × 50 cm Signature: Fang Shengyi Device art, Czech crystal drill, zinc tin alloy, zircon, pear tree 装置艺术，捷克水晶钻，锌锡合金，锆石，花梨木
With the imitation of Hearst diamond Skull 仿赫斯特笔意之水钻头骨（局部） 2010 2000 x 1200 × 50 cm Signature: Fang Shengyi Device art, Czech crystal drill, zinc tin alloy, zircon, pear tree 装置艺术，捷克水晶钻，锌锡合金，锆石，花梨木
With the imitation of Hearst diamond Skull 仿赫斯特笔意之水钻头骨 2010 2000 x 1200 × 50 cm Signature: Fang Shengyi Device art, Czech crystal drill, zinc tin alloy, zircon, pear tree 装置艺术，捷克水晶钻，锌锡合金，锆石，花梨木
With the imitation of Hearst diamond Skull 仿赫斯特笔意之水钻头骨（局部） 2010 2000 x 1200 × 50 cm Signature: Fang Shengyi Device art, Czech crystal drill, zinc tin alloy, zircon, pear tree 装置艺术，捷克水晶钻，锌锡合金，锆石，花梨木
Gold literati stone No.4 黄金文人石 No.4 2017 18 x 37 × 8 cm Signature: Fang Shengyi Device art, Stone, wood, gold foil 装置艺术，石，木，金箔
Gold literati stone No.1 黄金文人石 No.1 2017 10 x 45 × 10 cm Signature: Fang Shengyi Device art, Stone, wood, gold foil 装置艺术，石，木，金箔
Gold literati stone No.7 黄金文人石 No.7 2017 33 x 12 × 9 cm Signature: Fang Shengyi Device art, Stone, wood, gold foil 装置艺术，石，木，金箔
Gold literati stone No.5 黄金文人石 No.5 2017 22 x 65 × 16 cm Signature: Fang Shengyi Device art, Stone, wood, gold foil 装置艺术，石，木，金箔
Gold literati stone No.3 黄金文人石 No.3 2017 12 x 33 × 10 cm Signature: Fang Shengyi Device art, Stone, wood, gold foil 装置艺术，石，木，金箔 PART THREE Programs of monuments series ◎
程式碑·爱因斯坦质能方程 The equation of the stele Einstein mass energy 2017 50 x 110 cm Signature: Fang Shengyi Paper spool 宣纸卷轴
程式碑·高斯“一个可测的无穷大” Program Tone Goss "a measurable infinity" 2017 50 x 110 cm Signature: Fang Shengyi Paper spool 宣纸卷轴
程式碑·开普勒第一定律 The first law of program Tone Kepler 2017 50 x 110 cm Signature: Fang Shengyi Paper spool 宣纸卷轴
程式碑·普朗克单位 Stele Planck unit 2017 50 x 110 cm Signature: Fang Shengyi Paper spool 宣纸卷轴
程式碑·理想气体定律 Ideal gas law 2017 50 x 110 cm Signature: Fang Shengyi Paper spool 宣纸卷轴 ○ 上 下 滑 动 查 看 展 览 信 息 ○ Slide up and down Artist Exhibition Information 艺术家展览 个人展览 2001“视觉发言权”哈尔滨师范大学美术馆 2009“房圣易作品展”百年印象画廊 2010“原罪Original sin”9艺术中心 2012“房版山海经”北京库布里克书店 2012“渺小的崇高”北京库布里克书店 2013 “FINDHOME”北京798艺术中心壹梵画廊 获【2015年Artand年度艺术探索奖】 获【Artand 2016年度影响力大奖】版画类金奖 群展 2002“春季·四人实验艺术展” 2004第十届全国美展 2010国家会议中心“改造历史”中国新艺术展览 2010“艺术北京”青年艺术突破展览 2010白盒子艺术馆“生产力与复制”展览 2014收藏家俱乐部转转会“今古对话”北京设计周展览 2015“中国创造力”新加坡美术馆跨年展 2016“朝阳艺象”美术作品展 2016“钱来了”【金融博物馆艺术中心主题作品全国巡展｜北京、上海、苏州】 2017“碰撞，交融——中国，意大利”艺术交流展，圣之空间 2017 西班牙皇家艺术家协会中国当代青年艺术家邀请展
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