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AN ART SPACE Art and artists Exhibitions and events Artist interview LIN XUHUI LIN XUHUI'S BIOGRAPHY ｜ 1978年生于浙江温州，毕业于中国美术学院 Born in Wenzhou, Zhejiang, in 1978，Graduated from The China Academy of Art Lives and works in Beijing The chamber of secrets ● 密室 / 2017 Oil on canvas / Lin Xuhui Living creatures image The chamber of secrets No.5 / 密室No.5 - 2017 Oil on canvas 50 x 40 cm ©Lin Xuhui © 通向抵牾的林中之路 文 / 惠书文 架上绘画似树林一般存于我们所在的集合生活概念当中，每一位从事架上绘画的工作者皆是这条路上的行人，而林中的路多半隐现于杳无人迹之处，林旭辉无疑是这树林的护林人，并且一直在林中的路上抵牾前行！ 林旭辉的艺术创作在绘画语言上是对20世纪初至30年代表现主义流派语境的逐步推进和递换，（“表现主义”一词源自拉丁文“expressus”，具有“抛掷出来”、“挤压出来”的意思。）表现主义运动的思潮是对传统艺术的反击，在创作的方法论上艺术家们背弃丢舍了十九世纪前在欧洲长期占有统治地位的“模仿论”或“反映论”的美学观念，从而崇尚“表现论”的美学特质。林旭辉的创作推进表现在他所建立的画面空间带有连贯的笔触肆意张狂的书写性和色彩飞扬跋扈的丰厚性，作品《未知－第6房间 七》正是赋予了此类气质：近景中堆砌的油画颜料如坚固的碉堡一样矗立于地表之上，中景中的椅子形象似被手术刀穿透过一般犀利稳坦，远景中的案台暗含于沉重色的背景前的雕塑之中，画面中的油性自然滴流分布。递换体现在他塑造的每一张面孔都是基于现实生活中人物形象特征的二次转化调停和抽离变体，他以某种人物类型的代表或某种抽象本质的体现代替有个性表征的人，他对细节的描写意在追求事物的深层“幻象”构成的内部世界的激情膨胀。他用直接而强有力的线条将对象既定的本体面貌进行反复叠加与变更，单刀直入的凌厉色彩肌理感更反应了当代众生相的精神气质：焦躁不安、惶恐麻木、愤懑疾世……表现主义作家、理论家品图斯说：“只有人变好了，世界才能变好”。这也是艺术家个体对现实生活处境及自我经历的反射与关照。 其作品在表达方式上并非是对客观事物的描摹临写，他不再停留于对现实环境暂时现象和偶然现象的记叙深入，而是在探寻突破自我个体的“秘密”成分以及我们所处的周遭环境中人的灵魂异样性，进而揭示表现人性本质存在的内在伤疤和结痂。个体基因的突变及生长状态在这个充满物质欲和大幻想的时代显得突兀庞穷，人格的力量被时代的发展不断消减变异，意识形态的方向被不断扭曲挤压，混淆沉罄过后只残留下人类漠视的目光以及焦虑的心灵，无论是从他前期的“未知系列”、“密室系列”、“有机面孔系列”开始，还是到现在的“有机面孔系列”、“密室系列”的延续，他一直在建构着属于自己的“未知”王国，芸芸众生就是这国度里真实的缩影。林旭辉正以自己的行为方式描绘着人类共通的病原体与画笔形成对峙共振的一幅生灵图像。 一个画家，一辈子，其实是在创作一件作品，而这件作品就是其本人。林旭辉，正是这样的艺术家。 Unknown-the Sixth Room－7 / 未知－第六房间 七 - 2016 Oil on canvas 200 x 150 cm ©Lin Xuhui © Article / Hui Shuwen Easel painting is like the general concept of set in our own life, each worker is engaged in printmaking pedestrians on the road, and the way most of the forest looms in space and traveled, xu-hui Lin is undoubtedly the trees of the forest protection person, and always on the way in the forest by wu forward! Xu-hui Lin on the painting language of art creation is the beginning of the 20th century 30 s expressionism context of gradual and pass in schools, (" expressionism "is a words derive from Latin" expressus ", "throw out", the meaning of "squeeze out".) Of expressionist movement is the traditional art, abandon throw on the methodology of creative artists left the 19th century in Europe before long the dominant theory of "imitation" or "theory of reflection" of aesthetic concepts, to advocate "performance" aesthetic qualities. Xu-hui Lin in the creation of the propulsion performance he had built up the wanton puffed up the writing space with a coherent picture of the brush and color rich sex of bossiness, works the unknown - 6 room seven is endowed with such temperament: close shot in packing oil paints such as bunkers generally stands on the surface of the earth, the chair image appears in the middle is general sharp knife cut temple, the vision of counter implied in heavy color before the background of the sculpture, oily nature drip distribution. Handed in in his every face shape is based on the characteristics of the secondary characters in real life into mediation and variant to pull away, he in some types of representative or reflected the nature of some abstract instead of the characterization of personality, his description of the details are in the pursuit of the deep "illusion" of things constitute the inner world of passion. He direct and powerful lines will be repeated superimposition and object established ontology face changes, straight texture sharp colour is more reflect the spirit of the contemporary various temperament: restless, fear numbness, the anger for the world... "The world can only get better if people get better," says the expressionist writer and theorist. This is also the reflection and care of the artist on the real life situation and self-experience. His works on the express way is not to write in the simulations of objective things, he no longer stay in the narrative of our temporary and accidental phenomenon, but in search of a breakthrough self individual "secret" ingredients as well as the soul of our surroundings in the different sex, and exposes scar and scabby within the human nature. Individual genetic mutation, and growth status in this era of full of material desire and great fantasy sharper pang poor and force of character is the development of The Times constantly to reduce variation, the direction of ideological distortion by continuous extrusion, confusion only after heavy Qing residue under the disregard for human eyes and anxious heart, whether it is from the early stage of the "unknown" series, series of "the chamber of secrets", "organic face series" to start, or to the current series of face "organic", the continuation of "the chamber of secrets series", he has been in the construction of the "unknown" of their own kingdom, sentient beings is a microcosm of the real in this country. In his own way, Lin xuhui is describing the images of human beings' common pathogens and brushes that form a confrontation resonance. A painter, a lifetime, is actually creating a work, and this work is himself. Lin xuhui is such an artist. 展 览 部 分 作 品 Part of the exhibition works LIN XUHUI ◎ ART AN SPACE 2018 © LIN XUHUI｜ The chamber of secrets No.7 2017 50 × 60 cm Oil on painting Artist / 林旭辉 《密室No.7》 布面油彩 ART AN SPACE 2018 © LIN XUHUI｜ The chamber of secrets No.3 2017 100 × 80 cm Oil on painting Artist / 林旭辉 《密室No.3》 布面油彩 ART AN SPACE 2018 © LIN XUHUI｜ The chamber of secrets No.6 2017 40 × 40 cm Oil on painting Artist / 林旭辉 《密室No.6》 布面油彩 ART AN SPACE 2018 © LIN XUHUI｜ Unknow-the Sixth Room－1 2016 150 × 180 cm Oil on painting Artist / 林旭辉 《未知－第六房间 一》 布面油彩 法国巴黎大皇宫 Grand palace, Paris, France
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The interior of the grand palais © Artist Studio
○ 上 下 滑 动 查 看 艺 术 家 展 览 ○ Slide up and down Artist EI 个 展 2016 《未知＆空间》 798艺典空间 北京 中国 群 展 2017 《初心》 1503艺术馆 北京 中国 2017 《“异”国际艺术家邀请展》 国中美术馆 北京 中国 2017 《“和而不同”当代艺术五人展》 和艺术空间 北京 中国 2017 《青年艺术新势力》 中粮艺术中心 北京 中国 2017 《肖像进行时》 时代美术馆 北京 中国 2017 《威尼斯双年展中国艺术家提名展》 云艺术中心 上海 中国 2017 《艺术北京》 农业展览馆 北京 中国 2016 《“秘密花园” 国际艺术展》 王府半岛画廊 北京 中国 2016 《破冰·时代》 水立方e美术馆 北京 中国 2016 《“秘密花园” 国际艺术展》 当代艺术馆 北京 中国 2016 《破冰·时代》 云艺术中心 上海 中国 2016 《破冰·时代》 厦门国际会展中心 厦门 中国 2016 《在现场—深处》 中捷当代美术馆 北京 中国 2016 《 纯粹·中国 》 泉国际美术馆，北京 中国 2016 《“TA时代”中间地带》 北京时代美术馆 北京 中国 2015 《美国当代艺术邀请展》 Sarasota Venice艺术中心，美国 2015 《 触碰---不同维度当代艺术展 》 行深艺术空间 北京 中国 2014 《亚洲青年艺术家提名展 》 今日美术馆 北京 中国 2018年法国对比艺术沙龙展中国区 《关注本土、关注当代》 邀请函
展览主题：2018年法国对比艺术沙龙展中国展区-《关注本土、关注当代》 开幕时间：2018年2月13日15时~22时 展览时间：2018年2月14日-18日 (11时—20时) 展览地点：法国巴黎大皇宫 主 办：法国政府文化部、法国国家博物馆 组织策展：九漆堂文化中心 法国大皇宫艺术财富沙龙展(Art Capital) 始于2006年，今年将迎来她的13岁生日。当时由四个历史悠久且曾经非常辉煌的沙龙联合发起而成立，即独立艺术家沙龙、对比沙龙、水介质绘画和素描沙龙及法国艺术家沙龙。四沙龙联展每年在艺术殿堂--巴黎大皇宫举行，算是艺术界的年度盛事，是今日艺术/当代艺术的年度约会和展现，自然也是世界最有影响力的国际艺术沙龙之一。每年的展览吸引艺、文、商、政等各界艺术爱好者、艺术评论家、画廊代表、媒体及收藏家四万多人参观。 Art Capital, the French grand palace, started in 2006 and will celebrate her 13th birthday this year. It was founded by four historic and once-splendid salons, independent artist salons, contrast salons, water dielectric paintings and sketching salons and French artist salons. Four salon exhibition held every year in artistic hall - the grand palais in Paris, is an annual event in the art world, today is the art/annual appointment and show of contemporary art, nature is also one of the world's most influential international art salon. The annual exhibition attracts more than 40,000 people from art lovers, art critics, gallery representatives, media and collectors. © This article is published by exclusive AN-ART SPACE, the artist authorized to publish, without permission, please do not reprint. AN ART SPACE DIGITALl MEDIA OPERATION PLATFORM Copyright © 2018 AN ART SPACE. All rights reserved. / Learn More About Art Information ▼ ABOUT AN ART SPACE The AN ART SPACE digital media operating platform is dedicated to the promotion of outstanding artists at home and abroad, art information and artists online and offline exhibition information. iOS 用 户 赞 赏 通 道 I O S U S E R S A P P R E C I A © AN ART SPACE © 2018 AN ART SPACE | Design by Think Web Strategy |
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