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艺术家不创造物,而是创造神话

 一甸艺术 2020-08-30

Sky Mirror, 2018, stainless steel. Eight Eight, 2004, onyx. Courtesy the artist and Lisson Gallery. © Anish Kapoor. All rights reserved DACS, 2020 Photo: Pete Huggins

安尼施·卡普尔的漩涡——你需要知道的一切Whirlpool – Everything you need to know

▲ 安尼施·卡普尔(Anish Kapoor)纪录片《下沉》安尼施·卡普尔的“下沉”是什么?Anish Kapoor的这个装置作品描绘了水作为一团液体的流动性和运动,以及它下降后进入的空间。“下沉”是一座令人印象深刻的雕塑,它描绘了水从直径8米(26英尺)的漩涡中冲下来时的持续漩涡运动,代表了一种被吸入地球的强大物理形式。当观众看到永恒的黑色海水被拉下进入一个未知的内部时,这件艺术作品引起了一种催眠的感觉。

Anish Kapoor – Descension, 2014, Brooklyn Bridge Park, Pier 1, New York, 2017, photo: James Ewing/Public Art Fund

艺术作品的不同含义下降也会引起一种发自内心的感觉,就像中心是一个无底深渊,它吸收旋转成漩涡的水,因为它下降到这个深渊。因此,这个装置根据观众自身的体验传达了不同的意义和感受。例如,虽然有些人可能认为它是人类存在的短暂性,但对另一些人来说,它看起来像是通往另一个世界的入口,甚至是通往过去或未来的一扇窗户。

Anish Kapoor – Descension, 2014, Brooklyn Bridge Park, Pier 1, New York, 2017, photo: James Ewing/Public Art Fund

漩涡与政治根据卡普尔的说法,这个游泳池也代表了他所谈论的美国政治的现状。事实上,这位艺术家已经成立了一个由200多名创意人士组成的联盟,参与旨在对抗右翼民粹主义的艺术展览。这个名为“别碰我们的革命”的联盟将在其展览中使用当代艺术形式。

Anish Kapoor – Descension, 2015, Steel, water, motor, 500 x 500 cm, Galleria Continua, San Gimignano, Italy, 2015, photo: Ela Bialkowska

ANISH KAPOOR AT VERSAILLES

Every summer the gardens of Versailles are transformed with art installations, and often a bit of controversy. This year six contemporary pieces by English artist Anish Kapoor's changed the landscape. The large scale works which have been up since June will be on display until November 1st.

I had a chance to visit earlier this fall when my friends Ashley and Cydney were in town. Ironically the threat of rain that day led to dramatic skies, and even more beautiful installations in a magical place.

Dirty Corner covered in vandalism. The piece was controversial from the beginning as it disrupted the sight line down the gardens. After the graffiti, initially it was a conscious decision not to remove it (although it was condoned), but the controversy was heightening and has been since painted over.

Dirty Corner covered in vandalism. The piece was controversial from the beginning as it disrupted the sight line down the gardens. After the graffiti, initially it was a conscious decision not to remove it (although it was condoned), but the controversy was heightening and has been since painted over.

安尼施·卡普尔(Anish Kapoor)

1954年出生于印度孟买,并于上世纪70年代初搬到伦敦 。卡普尔的创作是形而上学的,超自然层面的探讨,涉及物质和非物质,存在和消逝,空间和非空间等玄学问题。印度的哲学和宗教思考、荣格的心理分析理论,以及西方艺术的形式和观念的表达,等几方面的合一造就了这位备受瞩目的艺术家。

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