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"Crossing" image development: Narrative as an image text策 展 人 Curator | 惠书文 Hui Shuwen陈清勇，黄守义，潘峰，王小双，王录山，于南澄，翟轩弘，赵兵Chen Qingyong,Huang Shouyi, Pan Feng,Wang Xiaoshuang,Wang Lushan,Yu Nan cheng,Zhai Xuanhong,Zhao Bing展 期 Duration | 2020.08.28 - 09.13地 点 Venue | 上海长三角路演中心·8342艺术空间
“渡”像显影，意指对真实或虚拟之物象的信息表述，它所包含的具态文本，不仅反映在艺术家作品的个性语言上，还影射着异质个体在同一社会环境中生长和溢显的独特面貌。本次展览特邀八位艺术家参与，以此探讨在中国当代艺术语境下的今天：作为图像文本叙事的绘画艺术，个体作品差异的语言结构和精神内核。翟轩弘·《衍之五十》，60×60cm，油画（绘画装置）"Crossing" image development refers to the expression of information about real or virtual objects. The embodied text it contains is not only reflected in the individual language of artists' works, but also reflects the unique appearance of heterogeneous individuals growing and appearing in the same social environment. Eight artists are specially invited to participate in this exhibition to explore today's painting art in the context of Contemporary Chinese art: the language structure and spiritual core of individual works' differences as pictorial texts and narratives.陈清勇·《制造山水13》，35×55cm，古砖综合
在艺术创作上，他们的语言线索各异。除却画面本身显现的图像以外，也赋予着他们在主体意志表征中的另一层观念释义，即是景观图像在自我表现中的内在语义：景观带来的是一种被物化的世界观 。它的出现，伴随着世界的分离，真实事件与影像的分离。无疑，我们的时代……偏爱图像而不信实物，偏爱复制本而忽视原稿，偏爱表现而不顾现实，喜欢表象甚于存在……对这个时代而言，神圣之物仅仅是个幻觉，而世俗之物才是真理。更有甚之，在它眼中，神圣之物随着真相的减少而变大，随着幻觉的增大而变大，于是幻觉的顶峰对它来说也是神圣的顶峰。王小双·《光NO.22》，50×70cm，布面油画
In artistic creation, their linguistic clues vary. In addition to the images themselves, they are endowed with another layer of conceptual interpretation in the representation of the subject's will, that is, the internal semantics of landscape images in their self-expression: what landscape brings is a materialized world view. It comes with the separation of the world, the separation of the real event from the image. Undoubtedly, in our times... A preference for images over objects, a preference for copies over manuscripts, a preference for representation over reality, a preference for appearances over existence... For this age, what is sacred is merely an illusion, while what is profane is truth. What is more, in its eyes, the divine becomes greater as the truth diminishes, as the illusion becomes greater, and the peak of the illusion becomes for it the peak of the divine.
中国独立策展人、艺术写作者。CONUTER-FEIT 猎质当代艺术双年展品牌创办人，猎质当代艺术展总策展人。8342艺术空间策展人，Rainbow box project发起人，An Art Space策展人。主要从事中国当代艺术史论研究与写作、当代艺术批评实践、展览策划及独立艺术空间的创建与运营等工作。主要讲座与艺术项目包括：清华大学美术学院（惠书文：猎质行动——青年策展实践与思考）；鲁迅美术学院（惠书文：策展年记——关于艺术家的成长与自我塑造）；西南大学美术学院·学术讲座（惠书文：行动中的猎质——策展实践与思考）；中国当代艺术权力资本与市场·学术论坛（论坛主持：惠书文）；《2020 我们如何面对今天的艺术？》艺术项目总策划；中国商丘抽象国际邀请展联合策展人，首届夜郎谷现场艺术周学术观察。曾策划与合作个展的艺术家包括：黄鹿、杨加勇、曾朴、刘亭君、鲍贤杰、罗天志、曹亮、陈清勇、陈蜀、董冰清、黄凌云、蒋佑胜、李浩、李勇、林惠兴、刘强、米小西、邱兴健、石东旭、时永华、孙小川、王朝、王琳、王韦、王文聃、王旭、吴江涛、谢蓓、谢珍良、杨涛、曾臻、张丹、张术利、张海君、郑大弓、郑龙一海、朱峰等。
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