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李景安七岁跟母亲学习国画，感觉进入了一个全新的世界，它的美与意境让人深陷其中，自此绘画便成了他生活的一部分。
国画从题材上分为人物、山水、花鸟三类，李景安尤其喜爱山水。随着年龄的增长，对中国传统文化的不断学习，发现要画好山水画不仅要掌握好传统绘画技巧，更要亲近自然，从自然中获取灵感，因为山水画本身就是从大自然的名山大川演变而来，所以李景安游遍了各地的大山，进行了大量的写生，亲身感受自然山川的魅力。
国画是形与意的完美结合，形与意密不可分，缺一不可。形聚意，意附于形。没有形的意，就如沙子垒起来的雕塑，会散掉。同样，没有意的形，就像行尸走肉，没有灵魂。
我们在画山水画的时候，不仅要注意形，更要倾注情感。米开朗基罗说过：一个人不能永生，但如果把自己的灵魂注入画中，让画流芳，却也是另一种永生！画画时把感情投入进去，才能让画有灵气，也才能让观画的人产生共鸣。 李景安更多作品欣赏： 春山凝翠最终 ···················································································································································· 大山晨风最终 ···················································································································································· 大山秋韵 ··················································································································································· 古塬春色 ······················································································································································ 古塬秋意浓 ····················································································································································· 故园山水情 ·····················································································································································
荷花 ·······················································································································································
绿水青山 ······················································································································································
烟雨江南 ····················································································································································
云山溪泉 ······················································································································································
云霞映秋山 |
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