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西班牙画家索莱达·费尔南德斯这位来自马德里的画家被评论家认为是当下最好的现实主义画家之一，她最喜欢的题材之一是人体，尤其是总是用纸或织物包裹的女性裸体，这给作品带来了一定的魔力和神秘感。  ··········································································································································· ··················································································· ················································································································································································································
索莱达 出生于马德里。1949 年，他搬到了目前居住的科拉多 维拉尔巴。1960 年，他在塞维利亚学校何塞·古铁雷斯·瓦莱的画家工作室学习了七年。因此，她是“车间”画家。后来，他继续在马德里的艺术圈活动，并参加了几场当代艺术比赛。
 ················································································································································································································1980年代，他在巴黎、伦敦、罗马和威尼斯访问和学习艺术，每天深入研究在马德里已经学到的技巧。在几次不太重要的展览之后，他于 1987 年在伦敦的萨默画廊展出，后来又在马德里、埃斯科里亚尔、巴塞罗那、马略卡岛帕尔马、萨拉戈萨等地展出。它还参加华盛顿（美国）、芝加哥（美国）、桑坦德（西班牙）、瓦伦西亚（西班牙）、迈阿密（美国）等国内和国际展会。  ···································································································································································································································································································································································································································  ······················································································································································································································ ···················································································································································································································· ·········································································································································································································································································································································································································································
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