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安妮·克里斯汀·罗达 (Anne Christine Roda，1974-)，法国超写实主义女画家。她对肖像画进行了高度原创性的诠释：在她的作品中，绘画完全屈从于对人脆弱性的描绘。她的画作，从模特的姿势选择和背景的中性处理来看，都扎根于传统，而主题则明确地来自于我们的当代。她选择的主题直接指向我们的日常生活。由于她接受过图片修复师的培训，安妮·克里斯汀在每一层精心涂抹的颜料中，逐渐揭示出画中人物的所有裸露的私密性。五官以精确和真实的方式出现。一条细小皱纹的柔和凹陷，一缕头发的纹理，甚至是一只闪闪发光的眼睛的湿润：正是在这种对精确性和忠实于她的主题的追求中，个人被揭示出所有的敏感性。 对中性表达方式的选择是故意的，这样做是为了让画像对站在它面前的每个人的个人解释开放。 在处理每张脸的过程中，精确的技术也延伸到了坐着的人的身体和衣服。后者通过一件皱巴巴的T恤衫的褶皱、衣服上精致的刺绣或一个简单的纹身，将构图牢牢地固定在我们的时代。
摄影的出现预示着绘画肖像的衰落，然而，她的作品正是来自于一张照片，最终证明在深入挖掘艺术形式传统的同时，她与这种传统保持距离，在她的表现中寻求一种赤裸裸的原始性。艺术家对她的主题的视觉解释，观众对艺术作品的注视，对现实的表现提出了质疑——当绘画成为人类的反映和片段。···························································································································· ·····················································································
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