Len Prince's later works transcend into the fashion and commercial worlds, he has photographed window displays for Bergdorf Goodman, advertisements for Estee Lauder with Elizabeth Hurley, Kate Hudson's first Glam Shoot for Interview Magazine, Spike Lee, Missy Elliot, Ian Somerhaulder, Faye Dunaway, and others. Additional commercial works that he has participated in include editorials for Saks Fifth Avenue in Beverly Hills, Aperture, Paper, Out, and Vanity Fair. Prince's commission for Saks Fifth Avenue later turned into an instant sold-out book called About Glamour in 1997 with a foreword from Dominick Dunne. Prince's works were also included in books such as Underworld by Kelly Klein and Makeover your Man by Lloyd Boston. Prince is also associated with the entertainment industry. He was part of a few Broadway show campaigns such as The Graduate and Chicago. 2008: “Masks & Identity: Len Prince in the Collection of William K. Zewadski.” 2008年,佛罗里达摄影艺术博物馆为 Len Prince 举办了面具摄影展。这个展览展示了帕蒂·拉贝尔、德鲁·巴里摩尔、帕特里克·斯图尔特和凯文·斯派西等名人的肖像,他们通过为公众创造和完善的面孔或所谓的“公众面具”而获得名声。与将其视为媒体工具不同,Prince 着迷于面具的魔力。过去,猎人戴上面具是为了获得信仰的神的力量。今天,人们崇拜名人。 In 2008, the Florida Museum of Photographic Arts held an exhibition for Len Prince on masks. This exhibition displayed portraits of celebrities such as Patti LaBelle, Drew Barrymore, Patrick Stewart, and Kevin Spacey among others who obtained fame through faces they created and perfected for the public, or what is called 'public masks'. Different from viewing it as a media tool, Prince is fascinated by the power of masks' magic. In the past, hunters put on masks to obtain the strength of their gods. Today, people worship celebrities. 他与缪斯杰西·曼 (Jessie Mann) 的合作提高了他对面具的投入。在整个童年时期,Jessie 的母亲拍摄了她和她的兄弟姐妹,拍下了美丽、强烈但有时令人不安的照片,因为孩子们在镜头前毫无防备。孩子们可以用来抵御母亲相机带来的侵扰的唯一方法是表达愤怒,或者在镜头和灵魂之间设置一道屏障。虽然可能没有直接联系,但 Mann 的过去和 Prince 的关注是卓有成效且强有力的合作。 His collaboration with his muse, Jessie Mann, has heightened his engagement in masks. Throughout childhood, Jessie's mother photographed her and her siblings, creating photos that are beautiful, intense, and sometimes disturbing, as children are defenseless in front of cameras. The only way kids can use to wall off the intrusion brought by their mother's camera is to express anger or put a barrier between the lens and the soul. Though there might not be a direct connection, Mann's history and Prince's preoccupation collaborated fruitfully and powerfully. END 整理/ Organize: Lisa & Mary 编译/ Cindy & Mary 审核/ Celine & Louis 制作/ Produce:AIPU AIPU工作微信 /Work WeChat:AIPU-2015 欢迎加入美国国际摄影师联盟会员 Welcome to join the membership of the American International Photographer Union (AIPU) |
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