 尤金·德·布拉斯（Eugene de Blaas），又名Eugene von Blaas或Eugenio Blaas（1843-1931-）意大利画家，在学院派古典主义学院（Academic Classicism）工作。 他出生在罗马附近的阿尔巴诺，父母是奥地利人。他的父亲卡尔也是个画家，是他的老师。卡尔成为威尼斯学院教授后，全家搬到了威尼斯。他经常在威尼斯画风景画，也画肖像画和宗教画。 与现代威尼斯庭院、阳台和运河的精致粉彩和蚀刻画相比，他笔下描绘的威尼斯平民生活多姿多彩且相当戏剧化，如《阳台上》（On the Balcony，1877年，（私人收藏）截然不同。 尤金·德·布拉斯的画作曾在伦敦皇家学院、美术协会、新画廊和亚瑟·图森画廊展出，也在利物浦的沃克美术馆展出。  Eugene de Blaas, also known as Eugene von Blaas or Eugenio Blaas, was an Italian painter in the school known as Academic Classicism.  He was born at Albano, near Rome, to a Tyrolean father and Italian mother. His father Karl, also a painter, was his teacher. His mother, Agnesina Auda, was a well-to-do Roman woman. The family moved to Venice when Karl became Professor at the Academy of Venice. He often painted scenes in Venice, but also portraits and religious paintings.  Among his works are La forma nuziale in sacrestia; La tombola in Campielo a Venezia; Una scena di burattini in un educanciatu; and La Ninetta. The art critic Luigi Chirtani, when the painting was displayed at the Mostra Nazionale di Venezia, described it as Beautiful, flattering, pretty, caressed, cleaned, polished, laundress in a painting by Mr. Blaas, the favorite portraitist of great Venetian aristocrats, dressed in gala satins, shining jewelry, hairstyles of the rich.  His colorful and rather theatrical period images of Venetian society, e.g. On the Balcony (1877; Private Collection), were quite different compared to delicate pastels and etchings of the courtyards, balcony and canals of modern Venice.  Eugene de Blaas' paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool.     《在阳台上》（1877 年;私人收藏） 
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