【原】流动的艺术 | 德·凯泽 Raoul De Keyser

Culture Sower

“就德·凯泽而言，绘画的自主性并不是需要迂回曲折或背道而驰才能达到的包罗万象的终极目标。相反……德·凯泽成功地抵达了某种状态，他的绘画摆脱了纯粹主观的建构，并且经由模仿，使得绘画可以捕捉到独立于其自身之外的现实……通过对绘画创作本身的探求，他设法在图像的描绘与其自主性之间达成了平衡，避免了折中。” 

—— 乌尔里希·洛克（Ulrich Loock）

拉乌尔·德·凯泽（Raoul De Keyse）

已故比利时画家拉乌尔·德·凯泽（Raoul De Keyser，1930—2012），在艺坛有着“艺术家中的艺术家”之美誉。

德·凯泽以其画面简约、色彩内敛、笔触涂层变化丰富的绘画而闻名于世。在“抽象”和“风景”之间，德·凯泽创造了一种新的类型——疏松的构图、简洁的色块，既投射了艺术家本人的心境，亦反映了他终其一生经历探究的周遭风景和生活空间。在绘画发展滞缓的八九十年代，他为不少同代人与后来者打开了绘画新的方向。

“我并不想做一个'漂亮’的画家，反倒是希望能粗糙且无所顾忌地创作。”

——拉乌尔·德·凯泽（Raoul De Keyser）

70年代

Vóór het vlakke groen, 1964

oil on canvas

122 x 90 cm

Sportveld, 1965

oil on canvas

105 x 79.5 cm

Nogmaals, vele groeten uit Astene, 1967-1968

acrylic on canvas

200 x 134.5 cm

COMPOSITIE, 1969

Acrylic on paper

72.7 x 54.8 cm

Untitled, 1969

Acrylic on paper

73 x 55 cm

Afgeknotte Wolk, 1966

acrylic on paper

49.5 x 69.8 cm

Camping (Test III), 1969

Canvas

70 x 70 cm

Gampelaere omgeving, Painted in 1967

acrylic on canvas

120 x 150 cm

Sans titre, 1968

Silkscreen in colors

75,5 x 56,5 cm

Dooswolk in landschap, 1970

Acrylic on canvas

114 x 90 cm

Zonder titel, 1970

Screen printing

69.5 x 52.5 cm

Kalklijnen en twee groenen (Chalk lines and two greens), 1970-1971

Acrylic on canvas

150 x 120 cm

Eigen haard (Hearth of Our Own), 1971

Colour serigraph

24,3 x 31 cm

Abstract, 1972

oil on canvas

156 x 156 cm

Cinq sérigraphies, 1973

Serigraph

50 x 50 cm

Untitled (Football Field Deinze), 1975

Colour lithograph

65 x 65 cm

90年代

Tornado, 1981

Oil on canvas

13 7/8 x 13 7/8 inches (35.2 x 35.2 cm)

Hellepoort 8 (Gates of Hell 8), 1985

Oil on canvas

19 3/4 x 15 3/4 inches (50 x 40 cm)

Zeven voor Jeanne 2 (Seven for Jeanne 2), 1980

oil on canvas

52 x 52 cm

Hellepoort 5 (Gates of Hell), 1984-1985

Oil on canvas.

19 5/8 x 15 3/4 in. (49.8 x 40 cm)

Twaalf, 1987

Oil on canvas

82 x 67 cm

Untitled, 1988

Oil on cardboard

75,5 x 58,5 cm

Front, 1992

Oil on canvas

64 7/8 x 48 3/8 inches (164.8 x 122.9 cm)

Bern-Berlin hangend, 1993

Oil on canvas

33 3/8 x 47 1/4 inches (84.8 x 120 cm)

Untitled (Blurs), 1995

Oil on canvas

26 1/2 x 32 1/2 inches (67.3 x 82.5 cm)

Untitled (Suggestion), 1995

Oil on canvas

27 9/16 x 19 11/16 inches (70 x 50 cm)

Closerie I (Berliner Ensemble), 1998

Oil on canvas

70 7/8 x 47 1/4 inches (180 x 120 cm)

Retour 2, 1999

Oil on canvas

65 9/16 x 43 5/16 inches (166.6 x 110 cm)

Framed: 67 1/16 x 44 11/16 inches (170.3 x 113.5 cm)

千禧年：

Siesta, 2000

Oil on canvas

74 x 55 1/8 inches (188 x 140 cm)

Across, 2000/2009

Oil on canvas

19 5/8 x 27 5/8 inches (49.8 x 70.2 cm)

Come on, play it again nr. 1, 2001

Oil on canvas

29.13 x 37.8 inches (74 x 96 cm)

Come on, play it again nr. 7, 2001

Oil on canvas

27.95 x 19.69 inches (71 x 50 cm)

Come on, play it again nr. 5, 2001

Oil on canvas

64.96 x 48.43 inches (165 x 123 cm)

Come on, play it again nr. 3, 2001

Oil on canvas

48.43 x 64.96 inches (123 x 165 cm)

Come on, play it again nr. 4, 2001

Oil on canvas

74 7/8 x 47 7/8 inches (190.2 x 121.6 cm)

Avondversie, 2003

Oil on canvas

25 9/16 x 19 15/16 inches (65 x 50.7 cm)

Recover, 2003

Oil on canvas

32 1/3 x 26 3/8 inches (82 x 67 cm)

Three Scarecrows in a Gale, 2006

Oil on canvas

35.43 x 49.21 inches (90 x 125 cm)

Trio in Red, 2006

Acrylic on canvas

26 3/4 x 39 3/8 inches (67.9 x 100 cm)

       他触碰到了生活中的点点滴滴，于是用了现代主义的形式呈现并表达，出现一些支离破碎的细节，也出现一些生活里的几何抽象意味。

                       

—林子呓语

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