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惊绝:印度小叶紫檀仙作(历年回顾)大口径极致精工,单作耗时多则上年,初心不改只为匠心!

 惊绝雕刻 2024-03-23 发布于广东

本文作品十多年来的历史回顾真工匠,以初心,学匠心,用真心,创匠心!精选大口径印度小叶紫檀原材,历史几月,多则上年,一木一刻,一刀一人,工精刀古,莫问收获,但为耕耘,虔诚造像,极致精工,只为雕刻出更美、更具观赏性、更具市场竞争力、更具收藏价值、更具升值空间的艺术臻品!
小叶紫檀的颜色很讨喜,颜色红润,因红色喜庆,更符合中国人心中的品味,更容易受到广大玩家的喜欢。这也是古代帝王为什么都喜欢用小叶紫檀来做家具的一个原因。
印度早已经在严厉控制砍伐和打小叶紫檀原材走私上山砍树或交易的木材商被抓后,将受到重罚从一开始只通过海关控制,发展到封山,甚至在原材山脚派驻军事部队。对于印度的严格管控,木材商除了通过印度政府举办的国际拍卖获得原材料外,只能冒险选择“迂回”路线,如将原材料从印度一路向西运至迪拜自由贸易港,再辗转至中国。这样一来,小叶紫檀的运输成本随之上涨,国内交易原材也随之大涨,再加上纯手工雕刻,耗时耗力耗心,雕刻成品自然过万,甚至上十万皆属于正常!
现在,国内印度小叶紫檀原材越来越少,大口径更是稀缺,好不容易得到一大口径原料,如果不雕刻出好作品,那就真的令人心痛了!
True craftsman, with original intention, learn craftsmanship, use sincerity, create craftsmanship! Selected large-diameter Indian small leaf rosewood raw materials, with a history of several months, mostly from the previous year, each wood is carved, each knife is cut, and the craftsmanship is ancient. Do not ask for harvest, but for cultivation, devout statue making, and ultimate precision, only to carve out more beautiful, ornamental, market competitive, collectible, and appreciation worthy artistic masterpieces!
The color of red sandalwood is very pleasant. The color is ruddy. Because of the red celebration, it is more in line with the taste of the Chinese people, and is more likely to be liked by the majority of players. This is one reason why ancient emperors like to use red sandalwood as furniture.
India has long been rigorously controlling logging and cracking down on smuggling of small leaved rosewood raw materials. After being caught, timber merchants who go up the mountain to chop trees or trade will be punished severely. From initially only being controlled by customs, it has evolved to sealing off mountains and even deploying military forces at the foot of raw material mountains. For strict control in India, timber merchants can only take risks by choosing a "detour" route, such as transporting raw materials from India all the way west to Dubai Free Trade Port and then to China, in addition to obtaining raw materials through international auctions organized by the Indian government. As a result, the transportation cost of small leaf rosewood has increased, and domestic trading raw materials have also skyrocketed. In addition, pure manual carving is time-consuming, labor-intensive, and labor-intensive. The finished carving products naturally exceed ten thousand, or even hundreds of thousands, which is normal!
Nowadays, the raw materials for Indian small leaved rosewood in China are becoming increasingly scarce, and large caliber materials are even more scarce. It is difficult to obtain a large caliber raw material. If good works are not carved, it will be truly heartbreaking!

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