| 共 29 篇文章 |
|
These spaces create a sense of vulnerability in the player’s inability to properly defend themselves. These spaces are a staple of survival horror games like Resident Evil and Dead Space, the latter featuring areas where the player must crawl through confined ventilation shafts where no weapons or items may be used w... 阅302 转1 评0 公众公开 16-06-24 23:06 |
If you caught the player in such a corridor you can smoothly change its angle to guide the player to the composition’s dominant. This method works perfectly on linear levels, you’re able to design the composition’s frame and make sure that the player will see your composition as you wanted to. The place where playe... 阅465 转0 评0 公众公开 16-06-24 23:06 |
建筑空间布置——章节3：基本游戏空间。Frederick also points out that when utilizing figure-ground, both figural elements and spaces can be implied[xvii], either by demarcating a space with structural elements or by creating negative spaces that resemble the form of nearby figures (figure 3.5.) This echoes theoretical n... 阅739 转5 评0 公众公开 16-06-24 23:05 |
《风之旅人》设计师分享团队开发游戏的过程 | GamerBoom.com 游戏邦。在过去20年里，游戏变得越来越大，尤其是主机游戏，以青少年和年轻男性玩家为主流受众。My habit with previous games is to try to make emotion that’s stronger and different. I really know that it’s some emotions there that gonna bind people. They’re gonna h... 阅173 转2 评0 公众公开 16-06-24 23:05 |
玩家最初5秒的游戏体验如何？我坚信，如果游戏对于玩家来说具有价值，如果玩家真的喜欢游戏体验，那么他们便会愿意以某种形式去支付游戏。现在，对任何一款已发行的游戏来说，最重要的工作之一就是社区管理，包括倾听玩家的意见、了解玩家的需求和反馈玩家、关心和培养玩家社区。I think that Sid Meier said once that sometimes game designe... 阅143 转0 评0 公众公开 16-06-24 23:03 |
游戏之柱会定义玩家能够做的一些基本内容，所以为了将设置组件和情感场景整合到关卡中，他们必须与玩家的能力相匹配，否则便会让玩家感到混乱。In our case we have puzzle levels late in the game that are clearly going to slow the pace where we want people to be experiencing “mounting triumph.” By reordering levels, or shiftin... 阅131 转0 评0 公众公开 16-06-24 23:02 |
Seth Marinello：艺电/Visceral Games关卡设计师。Jim Brown – I think that level design — in the classic sense — is an endangered craft. The concept of level design first came into being with the advent of online gaming. People could make self-contained levels that they worked on from beginning to end. We made our own... 阅634 转2 评0 公众公开 16-06-24 22:51 |
游戏是构建在规则和玩家的行动（游戏邦注：这些是游戏的基础机制和P&R系统）之上，但是玩家的游戏体验就 与游戏内容相关。像《Spore》或 《Flow 》这类目标（游戏邦注：通关+获取信息）相似的游戏，却很少向玩家透露长期动机，而是让玩家自己去寻找 目标，从而产生一种他们是沿着自己的道路玩游戏的感觉。玩家行为塑造法。务必协调好游戏的... 阅76 转0 评0 公众公开 16-06-24 22:34 |
核心体验-玩家在玩游戏时有何体验？当你完成了一款游戏并打算将其投放市场供全球的玩家下载时，你应该回答玩家一个问题，即“游戏的核心体验是什么？”如果玩家听说一款游戏很“优秀”，那么他们也不会仅 仅依靠这种评价便去购买游戏。美学布局给予玩家行为此刺激因素：当玩家以正确顺序完成操作时给予玩家漂亮的“结合物！”所有这些要素都同... 阅74 转0 评0 公众公开 16-06-24 22:29 |
有意义体验是优秀设计的最基本法则，是指游戏输入内容（玩家同游戏间的互动）和输出内容（互动的视觉和音效反馈）对玩家来说都具有意义。按照这种方法，不论好坏玩家都受到 激励而继续游戏，而当玩家为了提高游戏成绩更加投入于游戏时，游戏的寿命也就有了保障。无需玩家操作而让游戏角色移动。游戏不会要求玩家长途跋涉，这样会让他们感到厌倦... 阅56 转0 评0 公众公开 16-06-24 22:20 |
