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2010年国际水生植物造景比赛前25名

 七紫 2011-07-05

 

Since 2001, the International Aquatic Plant Layout Contest (IAPLC) has been the largest planted aquarium design competition in the world.自2001年以来,国际水生植物造景比赛(IAPLC)一直是世界上最大的种植水族馆设计比赛。 Hobbyists from all over the globe enter their aquariums in hopes of winning the grand prize of 1 million Yen (approx. $12K USD).来自世界各地的爱好者请在赢得100万巨奖日元(约$ 12K美元)希望他们的水族馆。 However, more important than the monetary reward is the global ranking granted to each contestant.然而,比金钱奖励重要的是,全球排名给予每名参赛者。 With over 1,819 applications from 55 countries, the competition is fierce.拥有超过1819来自55个国家的申请,竞争非常激烈。

2010 marked the most successful year to date for total submissions as well as number of participating countries around the world. 2010年标志着最成功的一年总提交日期,以及世界各地的参加国的数量。 Below you will find highlights of the top 25 ranks freshwater aquariums in 2010 along with an explanation about the judging criteria/process.下面你会发现以及一个关于判断标准/过程解释了前25名行列,2010年淡水水族馆亮点。

Every year the Sifter is completely blown-away by these living artworks.每年筛是完全成熟,远离这些生活的艺术作品。 Maintaining the aesthetic (and sustainable) beauty of these aquariums requires incredible skill and dedication.维护审美(可持续)这些水族馆美需要令人难以置信的技巧和奉献精神。 All of the 'aquascapists' deserve tremendous credit for their incredible work.的“aquascapists”所有值得为他们的工作令人难以置信的巨大功劳。 The Sifter salutes you and your craft!该筛赞扬你和你的手艺!

 

1. 1。 Grand-Prix winner – Paul Boutin (Russia)盛大的大奖赛冠军保罗 - Boutin(俄罗斯)


150x50x50 cm “Forest Scent” 150x50x50厘米“森林香气”

 

2. 2。 Gold Prize – Zhang Jian Feng (Macau)金奖 - 张健丰(澳门)


90x45x45 cm “Loess plateau” 90x45x45厘米的“黄土高原”

 

3. 3。 Silver Award – Xuan Thuy Nguen Thi (Vietnam)银奖 - 轩翠Nguen氏(越南)


120x45x40 “Colour of life” 120x45x40“彩色的生活”

 

4. 4。 Silver Award – Yutaka Kanno (Japan)银奖 - 菅野裕(日本)


120x45x45 “The view” 120x45x45“的意见”

 

5. 5。 Bronze Award – Zeng Qing Jun (China)铜牌奖 - 曾戚嗯军(中国)


150x60x60 “Karst” 150x60x60“喀斯特”

 

JUDGING CRITERIA评审标准

 

- The highest score of grading is 200 points; judging criteria mainly consists of “Artistic Impression Point” (maximum 100 points) and “Technical Point” (maximum 100 points divided into 5 categories for 20 points) - 分级的最高分是200分;判断标准主要是“艺术印象点”(最高100分)和“技术点”(最高分为5类100分20分分)组成
- In 2010, the judging panel consisted of 18 esteemed experts from around the globe - 2010年,评审团由18尊敬的专家来自世界各地的
- In this contest, aquascapist's skill of a long-term maintenance of layout is also in judges' great concern - 在这次比赛,aquascapist的一个布局长期维护技能也是在法官的高度关注
- Since the planted aquarium hobby involves various forms of life, judges don't just appreciate the beauty of a layout shown right after its completion, they also pay careful attention to observe how long the layout has been kept in a healthy condition - 由于种植水族涉及生活中的各种形式,法官不只是欣赏其完成之后呈现出布局的美,他们还特别注意观察多久的布局一直处于健康状态保持
- In that context, the following aspects of layout were, especially, strictly screened by the judges: The use of emerged plants and house plants which hardly survive in the water becomes the subject of point deduction - 在这方面,以下几个方面进行布局,特别是严格法官筛选:对出现的植物和植物的房子很难生存的水的使用变成了扣点主题
- In order to avoid misuse of plants in a layout, one needs not only the composition skill but a good deal of correct knowledge about aquatic plants - 为了避免在布局植物滥用,人们不仅需要技巧的成分,但约水生植物正确处理好知识
- Moreover, it requires a higher level of technique to grow plants healthfully. - 此外,它需要大量的技术来种植植物healthfully更高的水平。 These aspects of layout are judged under the criterion of “Creativity”布局这些方面判断下的“创意”的标准

 

6. 6。 Bronze Award – Chen I Sheng (Taiwan)铜奖 - 陈一胜(台湾)


210x60x60 “A day when walk on a jungle trail” 210x60x60“有一天走在丛林小径”

 

7. 7。 Bronze Award – Gregory Polishchuk (Ukraine)铜奖 - 格雷戈里舒克(乌克兰)


120x50x50 cm “Forest silent” 120x50x50厘米“森林沉默”

 

8. 8。 Long Tran Hoang (Vietnam)龙陈晃(越南)


155x81x50 cm “Into the green” 155x81x50厘米“走进绿色”

 

9. 9。 KP Wong (Hong Kong) KP黄(香港)


120x45x45 cm “Infinite Wonder” 120x45x45厘米“无限奇迹”

 

10. 10。 Li Da Wei (China)李达伟(中国)


120x50x50 cm “Whitehead Gap” 120x50x50厘米的“白石沟”

 

JUDGING CRITERIA Continued评审标准续

 

- There was a debate over the use of very fine white cosmetic sand, such as Rio Negro sand - 有一个以上的沙很细的白色化妆品使用里奥内格罗辩论,如沙,
- Due to the nature of this type of sand, excretions of fish and shrimps become more recognizable. - 由于这种砂类性质,鱼虾排泄物变得更加辨认。 The color of the sand turns more easily to a unpleasant greenish or blackish color because of the growth of algae and the spread of anaerobic bacteria inside an aquarium在沙色更容易变成一个不愉快的绿色或黑色的颜色因藻类生长的厌氧细菌的传播内的水族馆
- It was pointed out that it's hardly kept brightly clean for a long period of time - 有人指出,这是难以保持鲜艳的相当长的时间内干净
- Although the cosmetic sand used in the layout looks elegantly beautiful in the picture, the layout receives a tough evaluation from the judges - 虽然化妆品砂在布局中使用的图片看起来典雅优美,布局接收来自法官强硬的评价
- The layouts were evaluated by 18 judges chosen internationally - 在布局的评审工作由18名法官选择了国际
- The grading process was conducted impartially by the judges and so was the counting of scores by the contest committee - 在分级过程进行公正的法官,因此获得的分数由竞赛委员会计数
- However, the evaluation of each judge primarily relies on his/her personal preference of the types of aquatic plant layout. - 然而,每个法官的评价主要依赖于他/她对水生植物布局类型的个人偏好。 It doesn't necessary become an absolute account of the layout它没有必要成为一个布局绝对帐户

 

11. 11。 Wang Chao (China)王超(中国)


120x55x50 cm “Drizzle” 120x55x50厘米的“毛毛雨”

 

12. 12。 May Kwan (Hong Kong)五月群(香港)


150x50x55 cm “Shou Stone Ridge” 150x50x55厘米的“寿石岭”

 

13. 13。 Chonladar Rattanawichien (Thailand) Chonladar Rattanawichien(泰国)


200x40x40 cm “Mountain of Imagine” 200x40x40厘米“山的想象”

 

14. 14。 Zheng Ren Chao (China)郑任超(中国)


168x60x60 cm “Sado Story” 168x60x60厘米的“佐渡的故事”

 

15. 15。 Quoc Hung Vu (Vietnam)祖国阵线红武(越南)


120x45x40 cm “Memory area” 120x45x40厘米的“记忆区”

 

JUDGING CRITERIA & GUIDELINES评审标准与准则

 

ARTISTIC IMPRESSION POINT (Maximum 100 points) ARTISTIC IMPRESSION点(最高100分)
Evaluate the beauty and sophistication as a piece of art.评估作为一件艺术品的美丽和复杂性。

TECHNICAL POINT (Maximum 100 points) 技术角度(最大100分)

Creativity (Maximum 20 points) 创意(最高20分)
The overall completeness of the layout and its originality are evaluated.布局和独创性的整体完整性进行评估。
The use of house plants or emerged plants, which hardly survive under water, becomes a subject of point-deduction.众议院植物或植物的出现,这很难生存在水中,使用变成了扣分的问题。

Composition / Arrangement of plants (Maximum 20 points) 构成/植物安排(最高20分)
Is the composition of the layout well developed?是发达的布局组成?
Are the aquatic plants appropriately positioned within the aquascape?得到适当的位置内的水草造景?
Is there a balance within the layout in terms of the colors and shapes of aquatic plants?有没有在布局中的颜色和形状的水生植物方面的平衡?

Balance between the fish and the layout design (Maximum 20 points) 鱼之间的平衡和布局设计(最高20分)
Creator's choice of fish for his/her layout is evaluated.造物主对他/她的布局鱼的选择进行评估。
Do the color, size, swimming method and ecology of the fish match the layout?你的颜色,大小,游泳方法的鱼类和生态相匹配的布局?

Natural atmosphere (Maximum 20 points) 自然的气息(最高20分)
Does the layout clearly tell you the creator's idea of nature?布局是否清楚地告诉你创作者对自然的想法?
How is the methods and techniques that the creator uses to render a natural feel in his/her layout?怎样的方法和技术,创建者使用呈现在他/她的布局自然的感觉?

Aquatic plants' conditions and Time Progress of layout (Maximum 20 points) “水生植物的条件和时间布局进展(最高20分)
The condition of the aquatic plants in the layout is evaluated.在布局中的水生植物的条件进行评估。
The time progress of the layout based on the types of plants used and their conditions are evaluated.关于使用的植物及其条件类型为基础的布局时间进度进行评估。
Is the layout maintainable over a long period of time?是布局维护多长时间?

 

16. 16。 Kazutaka Murase (Japan)村濑和孝(日本)


180x60x60 cm “After a long time” 180x60x60厘米“经过很长一段时间”

 

17. 17。 Koji Nakamura (Japan)中村浩二(日本)


180x80x60 cm “Rio Negro II – the inland of Igarape” 180x80x60厘米“里奥内格罗II - 内陆的Igarape”

 

18. 18。 Chow Wai Sun (Hong Kong)周维新(香港)


200x66x66 cm “Lofty spirit” 200x66x66厘米“的崇高精神”

 

19. 19。 Lin Ting Quan (Taiwan)遴锑嗯泉(台湾)


127x60x50 cm “Whisper of Mountain – Rising to the Summit” 127x60x50厘米的“护舒宝的山 - 瑞星峰会”

 

20. 20。 Gary Wu (Hong Kong)加里武(香港)


152x51x58 cm “Vine” 152x51x58厘米的“藤”

 

SOURCES来源

- For more information on the IAPLC please visit their OFFICIAL SITE -请更多关于IAPLC信息访问他们的官方网站
- All pictures via AQUAJOURNAL.RU -所有图片通过AQUAJOURNAL.RU

 

21. 21。 Jiang Wei (China)江伟(中国)


130x50x55 cm “Knot” 130x50x55厘米的“结”

 

22. 22。 Michael GW Wong (Hong Kong)迈克尔毛黄(香港)


120x60x60 cm “Enchanted Forest” 120x60x60厘米的“魔法森林”

 

23. 23。 Hironori Handa (Japan)弘半田(日本)


120x45x45 cm “A sheer morning” 120x45x45厘米“一个纯粹的早晨”

 

24. 24。 Lee Do Jae (Korea)李不要宰(韩国)


100x50x50 cm “Profound” 100x50x50厘米的“深刻”

 

25. 25。 Junichi Itakura (Japan)板仓纯一(日本)


120x45x45 cm “Green breeze in May” 120x45x45厘米“五月绿色清风”

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