 “The Pilot” (2015), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm 墨尔本 Daniel Agdag (previously here and here) 产生幻想的机器模型来探索自己的白日梦。Agdag想关注每天的复杂性,突显出齿轮和系统内部的对象让我们的生活更方便。Agdag构建这些想象的玩意儿是纸板而不是金属,精心构建的对象显得比实际更耐用的材料。“审美,我作品的创作背后的驱动力源于需要看到和想象对象,机器和环境的方式让我想看到他们,想象我认为他们工作和暴露其内部工作原理,“Agdag说。“通常,最惊人的人体工程学都隐藏和伪装在闪亮的外观或钢筋混凝土。这些雕塑浪漫化的感觉独自一人在天空中,不确定的可能会冒险。Agdag最后的展览“模范城市”在澳大利亚曼宁厄姆美术馆,去年秋天,和他与火星画廊参展9月在悉尼的当代艺术博览会。你可以看到更多他的详细的纸板Instagram雕塑和正在进行的工作。  “The Pilot” (2015), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm  “The Pilot” (2015), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm  “The Editor” (2015), boxboard, paper, mounted on wooden base (Victorian Ash) under low iron glass,30 x 30 x 65 cm (including glass vitrine)  “The Editor” (2015), boxboard, paper, mounted on wooden base (Victorian Ash) under low iron glass,  “The Southerly” (2015), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm  “The Northerly” (2016), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm  “The Northerly” (2016), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm  “The Hunted” (2016), cardboard, trace paper, mounted on wooden base with hand-blown glass dome, 58.5 x 30.5 cm
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