 Amelia Bauer American, b. 1979, based in New York, USA Burned Over #1, 2012 Series One #2, 2010 Burned Over #6, 2012 Burned Over #8, 2012 Series One #6, 2010 Burned Over #3, 2012 Burned Over #5, 2012 Series One #1, 2010 Burned Over #7, 2012
Series One #9, 2010
Series One #3, 2010
To Increase Fertility, 2013
Invisibility, 2013
To See Spirits, 2013
For a Woman to Attract a Man She Desires, 2013
For a Man to Attract a Woman He Desires, 2013
For Confidence in Social Situations, 2013
For Protection from Evil, 2013
To Break a Spell You've Cast, 2013
For Safety in Travel, 2013
To Draw Money, 2013
Portrait With Headdress, 2017
A Hunter / A Blind, 2017
A Ghost (Standing), 2016
A Ghost (Portrait) , 2015
Quilt #2, 2016
A Medium, 2016
Portrait With Mask, 2016
Totem, 2016
Totem, 2016
The Hermit, 2017
Portrait (Seated)
Ghillie Suit, 2017
Explosion Pillow: Blood Diamond, 2009
Explosion Pillow: The Departed, 2009
Explosion Pillow: Dirty Mary Crazy Larry, 2009
Explosion Pillow: The Godfather, 2009
Explosion Pillow: Groundhog Day, 2009
Explosion Pillow: Jacob's Ladder, 2009
Explosion Pillow: The Matador, 2009
Explosion Pillow: Mission Impossible, 2009
Explosion Pillow: Night Of The Living Dead, 2009
Explosion Pillow: Syriana, 2009
Explosion Pillow: Top Secret, 2009
Explosion Pillow: Traffic, 2009
Explosion Pillow: Zoolander, 2009
Explosion Pillows (install), 2009
Explosion Pillows (install), 2009
Explosion Pillows (install), 2009  醒芷笔记：
神秘气息是Amelia Bauer的作品最令我着迷的特质。 Amelia Bauer很擅长布置灯光和调控色彩，给自然营造精神性的、魔法的氛围，并视觉化她感受到的而不是看到的、想揭示又害怕完全揭示的东西，连接自然与人类文明。她拍摄的植物带有明显的人工加工痕迹，延续了美国的按人类意愿改造自然的传统，同时探询着该传统潜藏的心理的与历史的动机。 关于装饰性，她的理解也独树一帜。她认为明亮的花式爆炸和玻璃碎片是许多好莱坞电影的装饰性元素，所以把包含这些元素的、像绘画似的电影剧照印在十字绣布枕套上进行展示，强调其装饰性。 醒芷斋 不功利地看待文学艺术时尚 微信号:xz_zhai |
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