   Alias（化名） 导读：今天开始，我们将不定期为大家连载古尔德官网上的《古尔德的A~Z》（GLENN GOULD FROM A TO Z ，BY MICHAEL STEGEMANN，网站地址请点击阅读原文）。有些内容可能会枯燥，但希望大家跟我们一起坚持阅读！或许会有很大收获。大家如果需要进入音乐英语学习群，可添加我们的微信：yufreegu，我们会在群里与大家一起提高英语阅读与翻译技巧。记得关注我们的古典音乐日课公众号，我们即日起，会努力做到日更！ 原文：A New York taxi driver by the name of Theodore Slutz, a half-Italian, half-Canadian boxer called Dominico Pastrano, a German composer rejoicing in the name of Karlheinz Klopweisser, an English conductor named Sir Nigel Twitt-Thornwaite, a Scottish sound engineer hight Duncan Haig-Guinness … In the course of his life, Glenn Gould hid behind some two dozen aliases – in make-up and costume before the camera, with a distinctive accent before the microphone and with a choice use of words on paper. ' 译文：一个名叫西奥多·斯鲁兹的纽约出租车司机，一个名叫多米尼克·帕斯特拉诺的意大利加拿大混血的拳击手，是一个名叫卡尔海因兹·克洛普魏瑟的德国作曲家，一个名叫奈杰尔·特威特·索恩韦特爵士的英国指挥家，还有苏格兰录音师海特邓肯……在他的一生中，格伦·古尔德曾在摄像机前化妆，化装，穿着戏服饰演了二十几个化名角色。古尔德或在麦克风前用他独特的口音说话，或在纸上用化名写下自己的感受。  原文：The results are a gift to any psychoanalyst. Gould himself admitted that he was “incapable of writing in a sustained humorous style until I developed an ability to portray myself pseudonymously”. The first blow in this respect was struck by the conductor Dr Herbert von Hochmeister, who made his literary début in High Fidelity in 1965: once Gould had got inside the character, he “found it no problem at all to say what I wanted to say in a humorous style. Until then, there was a degree of inhibition that prevented me from doing so. But then the floodgates were open, and subsequently I developed a character for every season.” 译文：这些（影视）作品对任何一位精神分析学家来说都是一份礼物。古尔德自己也承认，他“我无法在写作时保持长久的幽默感，直到我拥有用化名来描绘自己的能力。”第一次突破这个瓶颈是他扮演指挥家赫伯特·冯·霍赫梅斯特博士时，这个角色曾在1965年首次以Hifi的形式发布唱片：当古尔德进入了角色扮演状态时，他“发现用幽默的方式说我想说的话一点问题都没有。但在那之前，这样做对我来说有点别扭。但后来我的话匣子打开了问题就迎刃而解，随后我为每一季都设计了一个角色。”
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