小马库斯·吉拉特
作品介绍
Catherine Killigrew (1618–1689) was the daughter of Sir Robert
Killigrew and Mary Woodhouse.
Killigrew died in 1689 in Cumberlow, Hertfordshire, although
some reports erroneously have her dying at Spa, Belgium in August
1654, as maid of honour to the Princess of Orange.
Killigrew is presumed to be the mother of George Elliott, the
illegitimate son of Richard Eliot. Her great-grandson, Granville
Elliott, spent much time and trouble trying to prove Killigrew had
married Richard prior to George's birth, making him a legal heir.
However, Granville was unable to show this formally. It is known
that Catherine was legally single when she was executor to her
mother's will in December 1656, and Richard appears in visitations
as ob cael (died a bachelor). Given the amount of effort expended,
and the closeness in time, it remains probable that George Elliott
was the illegitimate son of Richard and Catherine.Catherine married
the widower Sir Thomas Stanley at some point after 1656, with no
issue.
小马库斯·吉拉特
参考译文
凯瑟琳·基利格鲁(Catherine Killigrew,1618-1689)是Robert
Killigrew爵士和Mary Woodhouse
爵士的女儿。基利格鲁于1689年死于赫特福德郡坎伯洛,尽管有些报告错误地认为她死于比利时的温泉。1654年8月,她担任过奥林奇公主的伴娘。基利格鲁被推定为母亲乔治·艾略特,私生子理查德·艾略特。她的曾孙格兰维尔艾略特花了很多时间和麻烦试图证明基利格鲁在乔治出生之前与理查德结婚,使他成为合法的继承人。但是,格兰维尔无法正式表明这一点。据了解,凯瑟琳在法律上是单身,当她于1656年12月执行了她母亲的遗嘱,表明理查德死于'
ob cael
',即单身汉。考虑到花费的努力量和时间的接近程度,乔治·艾略特很可能是理查德和凯瑟琳的私生子。凯瑟琳在1656年之后的某个时刻与鳏夫托马斯·斯坦利爵士结婚,没有任何问题。
作品细节
小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特 小马库斯·吉拉特
画家简介
小马库斯·吉拉特(Marcus Gheeraerts the
Younger,亦作Gerards或Geerards,1561-1636)是16-17世纪欧洲著名宫廷画家。出生于布鲁日,父亲老马库斯·吉拉特(Marcus
Gheeraerts the
Elder)也是著名画家。小时候被父亲带到英格兰,后进入都铎宫廷工作,成为伊丽莎白一世统治的最后十年最有名的时尚肖像画家,也是詹姆斯一世和丹麦女王安妮最喜欢的肖像画家。虽然他作为版画家在欧洲很有名,但几乎找不到他的作品记载。不知道年轻的马库斯是受过谁训练,很可能是他的父亲,但他也可能是卢卡斯·海尔
(Lucas de Heere,1534-1584) 的学生。
吉拉特是最早在画布而不是木板上绘画的英国艺术家之一。从1590年左右开始,他在英国肖像画中引领了一场“革命”。他在英国宫廷绘画中引入了一种新的美学,通过新的方法密切观察和捕捉模特的本质特征,并使用深沉的颜色和背景表现绘画对象的性格。他通过色调和阴影实现逼真的形象,成为第一位以三维方式进行创作的英国艺术家。
(阴山工作室综合整理编写)
作品资料
Creator
Title
Date
Medium
Dimensions
Inscription(s)/
Marks/
Lettering
Credit Line
Accession Number
Collection
Link to This Record
People Represented or Subject
Subject Terms
Publications
Paul Mellon's Legacy, a passion for British art. [large print
labels], Yale Center for British Art, New Haven, CT, 2007, v.3,
N5220 M552 +P381 2007, Mellon Shelf (YCBA)
Ellis Waterhouse, The Dictionary of 16th & 17th Century
British Painters, Antique Collectors' Club, Woodbridge, Suffolk,
1988, p. 106, ND464 W38 1988 (LC) (YCBA)
Aileen Ribeiro, Fashion and fiction, dress in art and
literature in Stuart England, Yale University Press, New Haven,
2005, p.69, no. 34, NX650 C663 R53+ (YCBA)
Karen Hearn, Dynasties, painting in Tudor and Jacobean
England, 1530-1630, Tate Publishing, London, 1995, no. 132, N6765
D95 1995 + (YCBA)
Roy C. Strong, The English icon, Elizabethan & Jacobean
portraiture, Paul Mellon Foundation for British Art, London New
York, 1969, p. 285, no. 278, ND1314 S77 +
(YCBA)
Edmund Farrer, Portraits in Suffolk houses (West), B.
Quaritch, London, 1908, pp. 297-98, no. 28, N7598.2 F37 +
(YCBA)
Ellis Waterhouse, An Impressive Panorama of British
Portraiture, Apollo, v. 105, no. 182, April 1977, pp. 238-40, fig.
3, N1 A54 + (YCBA) , Another copy of this article may be found in a
separately bound and catalogued copy of this issue located on the
Mellon Shelf [call number : N5220 M552 A7 1977 +
(YCBA)]
English pictures prints and drawings, c. 1650 - c. 1950,
Christie's, London, November 22nd, 1963, p. 13, lot no. 39, Sales
Catalogues (YCBA)
Oliver Millar, Marcus Gheeraerts the Younger: A Sequel Through
Inscriptions, Burlington Magazine, vol. 105,no.729, December 1963,
pp. 534-6, fig. 12, N1 B87 + (YCBA) , Available online through
JStor.
British Art at Yale, Apollo, v.105, no. 182, April 1977, pp.
238-40, fig. 3, N5220 M552 A7 1977 OVERSIZE (YCBA) , Published as
April 1977 issue of Apollo; all of the articles may also be found
in bound Apollo Volume [N1 A54 105:2 +]
Lena Dahren, Med kant av guld och silver, en studie av
knypplade bêarder uddar av metall, 1550-1640, 2010, pp. 202-3, fig.
264, TT805 D34 2010A (YCBA)
Ian Tyers, The tree-ring analysis of 23 panel paintings from
the Yale Center for British Art , New Haven, dendrochronological
consultancy report 470, Yale Center for British Art, New Haven,
2011, pp. 13, 14, 16, 69-71, fig. 40, CC78.3 .T94
2011
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