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蒙克的素描是他艺术的基础。他几乎在任何地方都不停地画画:在旅行的时候，在咖啡馆里，在卡巴莱酒店里，在户外，在家里，显然包括在他的画室里。他画了家庭成员和朋友，孩子和工人，社会精英和波西米亚人的成员，美人鱼和圣母。 爱德华·蒙克的绘画作品首次在《葡萄干》数字目录中出版。它们中的绝大多数是完全不为人知的，只有一小部分在展览会上展出过。这些绘画作品提供了一个机会，让人们对蒙克的艺术有更深入的了解，并对他的艺术过程有更深入的了解。蒙克博物馆的工作正在进行中，并将增加和改变的图纸。该目录共包含7600多张图纸。 蒙克博物馆收藏的绘画作品，以及其他600多件收藏品，对我们了解这位艺术家做出了重要贡献。“你看，我从不使用废纸篓'我用我的行李箱。'他写给他的朋友Gierløff，他保留了一切，从最简单的涂鸦到最出色的绘画。他把一切都留给后代是别有用心的。 
THE SCREAM
signed E Munch (lower right) lithograph on wove paper Executed in 1895. A superb, richly inked impression. Woll's variation B with Geschrei printed under the image. image size: 41 by 25.2cm.; 15 7/8 by 9 7/8in.
sheet size: 45.9 by 37.7cm.; 18 1/8 by 14 7/8in.
Estimate 1,000,000 — 1,500,000GBP LOT SOLD. 1,388,750 GBP Private Collection (acquired from the artist circa 1930) Thence by descent to the present owners 
Angst, from Album des Peintres Graveurs
lithograph in red and black, on wove paper, 1896, Woll's second (final) state, signed in pencil, numbered 4 (the edition was 100), published by A. Vollard, Paris, with full margins, a very pale pinpoint rust spot in the center subject's right cheek, a minor loss at the tip of the lower right sheet corner, otherwise generally in good condition, framed
Image: 16 1/8 x 15 1/8 in. (412 x 385 mm.)
Sheet: 22 3/8 x 16 7/8 in. (570 x 431 mm.)
Price realised USD 831,000 Estimate USD 600,000 - USD 800,000 Provenance
Dr. Othmar Huber, Glarn, by 1979.
Helga Huber Martin, by descent from above.
Richard Cole, Geneva, acquired from the above.
Anonymous sale, Galerie Kornfeld, Bern, 16 June 2006, lot 113.
Anonymous sale, Grev Wedels Plass Auksjoner AS, Oslo, 24 November 2008, lot 16.
Acquired by descent to the present owner. 
Madonna
lithograph with woodcut in colors, on Japon paper, 1895, Woll's fourth state (of seven), signed in pencil, with wide margins, the lower and right sheet edges unevenly trimmed (presumably from the time of printing), in good condition, framed
Image: 21 7/8 x 13 ½ in. (557 x 343 mm.)
Sheet: 26 x 17 ¾ in. (660 x 451 mm.) Price realised USD 399,000 Estimate USD 300,000 - USD 500,000 
Madonna
lithograph, on Chine paper, 1895, Woll's first state (of seven), signed in pencil, the sheet trimmed slightly into the image, the upper right corner skillfully made up, otherwise in generally good condition, framed
Sheet: 23 5/8 x 17 ¼ in. (600 x 437 mm.)
Price realised USD 262,500 Estimate USD 120,000 - USD 180,000 Provenance
The Munch Museum, Oslo, 1963, with their stamps on the reverse 
The Girls on the Bridge
woodcut, 1918, on cream wove paper, signed in pencil, titled Madchen auf der Brucke, numbered No. 10 serie II at lower left corner, a fine and even impression of this rare and important subject, second state (after the removal of some of the marks within the white dress of the girl in the foreground), a rare variant of this state printed in black, printed by Nielsen, Norway, with wide margins, probably the full sheet, some light- and mount staining, generally in good condition
Block 500 x 428 mm., Sheet 710 x 545 mm.
Price realised GBP 125,000 Estimate GBP 70,000 - GBP 100,000 Provenance
Acquired directly from the artist by Dr. Heinrich Karl Wilhelm Becker (1881-1972) for the Städtisches Kunsthaus Bielefeld in 1931, for 100 kr. (according to a letter from Becker to Edvard Munch, dated 9 April 1931 [Munchmuseet MM K 3688]).
A gift by the Städtisches Kunsthaus Bielefeld to Heinrich Becker, on occasion of his dismissal as director of the Kunsthaus by the Nazi government in 1933 (according to a note attached to the back of the sheet: Als Dank für Ihre jahrelange selbstlose Arbeit/ für das Bielefelder Kunstleben/ überreicht vom/ “Freundeskreis des Bielefelder Kunsthauses”/ der Vorstand: [signed by] D. Emdenberg (?) Walther Delius Otto Lorenz/ September 1933); then by descent to the present owners. 
THE GIRLS ON THE BRIDGE (W. 628; S. 488)
Woodcut printed in teal blue with lithograph printed in dark blue, green and bright red-orange, 1918, Woll's variation III, with the dress on the central figure masked out, a good impression of this important subject, signed in pencil, on cream wove paper, framed
image: 500 by 425mm 19 3/4 by 16 3/4 in
sheet: 620 by 520mm 24 3/8 by 20 1/2 in Estimate 200,000 — 300,000GBP LOT SOLD. 221,000 GBP 
Mädchen auf der Brücke (The Girls on the Bridge)
woodcut in black with hand-coloring in red, yellow, blue and teal green, 1918, on tan textured paper, signed in pencil, with margins, otherwise in very good condition, framed.
Image: 20 5/8 x 17 in. (524 x 432mm.)
Sheet: 23 3/8 x 18½ in. (590 x 470 mm.) Price realised USD 845,000 Estimate USD 700,000 - USD 1,000,000 
Melancholy Man and Mermaid (Encounter on the Beach)
indistinctly inscribed (lower left)
pastel and wash on paper
10 x 13 3/8 in. (25.3 x 34 cm.)
Executed circa 1896-1902
Price realised GBP 505,250 Estimate GBP 120,000 - GBP 180,000 Provenance
Ingrid Munch, Oslo.
Berta Folkedal, Oslo.
Bellier Art Moderne, Paris.
Acquired from the above by the present owner in November 2002. 
Woman with long Hair
etching, 1896, on cream wove paper, signed in pencil, a very good impression of this rare print, with a light plate tone, printed and signed by Otto Felsing, Berlin, the full sheet, generally in very good condition
Plate 245 x 100 mm., Sheet 446 x 313 mm.
Price realised GBP 11,250 Estimate GBP 5,000 - GBP 7,000 Provenance
A gift by the artist to Dr. Heinrich Becker (1881-1972), Bielefeld (according to a letter from Becker to Edvard Munch, dated 9 April 1931 [Munchmuseet MM K 3688]); then by descent to the present owners. 
Vampire II (Sch. 34; W. 41)
lithograph, 1895-1902, on thin Asian paper, a very good impression, Woll's state I (of X), a monochrome version without the color woodblocks, signed in pencil within the subject on the woman's elbow, the full sheet, a tiny repaired hole with an associated pale foxmark at the man's temple, several additional pale foxmarks, the lower left re-attached, a small repaired loss at the left sheet edge, other minor defects mainly at the sheet corners (from former hinging), otherwise in good condition, framed
S. 15¼ x 21 7/8 in. (387 x 555 mm.)
Price realised USD 228,000 Estimate USD 200,000 - USD 250,000 Provenance
Galerie Graupe, Berlin, September 1925, lot 749 (195 RM.).
Museen der Stadt Lübeck; their stamp twice on the reverse (not in L.), acquired in the above sale.
Confiscated as 'degenerate art' by the German National Socialist regime (Entartete Kunst No. 11502).
Harald H. Halvorsen, Oslo (acquired together with all other confiscated works by Munch; for GBP 8.00); sold at auction Edv. Munchs malerier og grafiske arbeider fra tyske museer on 23 January 1939, lot 12. 
Vampire II
signed in pencil 'Edv Munch' (lower right)
lithograph and woodcut in colours, 1895-1902, a fine, velvety impression of the sixth state, the lithographic keystone printed in black, the second stone in orange, the sawn woodblock in ochre, dark blue and petrol green, on fine white oriental paper.
Image size: 385 x 552 mm.
Sheet size: 428 x 600 mm. Price realised GBP 337,250 Estimate GBP 250,000 - GBP 350,000 （2011）
Vampire II (W. 41; S. 34)
lithograph and woodcut in colors, 1895-1902, on tissue-thin Japon, an exceptionally fine, richly printed impression, Woll's sixth state (of ten), the lithographic keystone in black, the second stone in red and the sawn woodblock printed in blue, green and ochre, signed in pencil, with wide margins, pale light-staining, otherwise in very good condition, framed
B. 15 1/8 x 21 7/8 in. (384 x 556 mm.)
S. 20 3/8 x 27 1/8 in. (518 x 689 mm.)
Price realised USD 662,500 Estimate USD 500,000 - USD 700,000 （2010）
Vampyr II (Woll 41; Schiefler 34)
lithograph and woodcut in colors, 1895-1902, on heavy wove paper, a strong, vibrant impression, Woll's sixth state (of ten), the lithographic keystone in black, the second stone in red, and the sawn woodblocks printed in blue, green, and ochre, signed in pencil, with wide margins, unobtrusive very skillfully repaired tears at the upper sheet edge, the 'E' in the signature reinforced, otherwise generally in good condition, framed
L. 15¼ x 21 7/8 in. (387 x 556 mm.)
S. 20 x 26¾ in. (508 x 680 mm.) Price realised USD 338,500 Estimate USD 300,000 - USD 400,000 （2012）
Vampyr II (Vampire II)
lithograph and woodcut in colors, on Japon laid paper, 1895, Woll's sixth state (of ten), with wide margins, in very good condition, framed
Image: 15 x 21 ¾ in. (381 x 554 mm.)
Sheet: 22 3/8 x 27 1/8 in. (567 x 690 mm.)
Price realised USD 507,000 Estimate USD 200,000 - USD 300,000 （2019）
Døden og barnet (Death and the Child) (recto); Skog (Forest) (verso)
inscribed 'En figur høirød, andet sort grat' (upper right) and bears inscription 'Originalstudie av Edv Munch 'Morens død 1899. Bremen'
pencil on paper
10 x 14¼ in. (25.2 x 36.2 cm.)
Drawn circa 1899
Price realised USD 230,500 Estimate USD 100,000 - USD 150,000 Provenance
Inger Munch, Oslo.
Berta Folkedal, Oslo (acquired from the above).
Castberg Associates, London.
Private collection, New York (1992).
By descent from the above to the present owner.
Mondschien I (Moonlight I)
woodcut in colors, on thin laid Japan paper, circa 1896, presumably Woll's fourth (final) state, printed from three blocks in blueish black, grey, light brown, green and blueish green, signed in pencil, with margins, adhesive remains in places on the reverse upper sheet edge (showing through in the upper margin), otherwise in good condition, framed
Image: 15 ¾ x 18 ½ in. (400 x 470 mm.)
Sheet: 19 3/8 x 22 1/8 in. (492 x 562 mm.)
Price realised USD 212,500 Estimate USD 150,000 - USD 250,000
Separation II (Sch. 68; W. 78)
lithograph printed in midnight blue, 1896, on tissue-thin oriental paper, signed in pencil, a fine, rich yet transparent impression, with small margins at left and right, wider margins above and below, the sheet edges slightly uneven, in very good condition, framed
L. 412 x 643 mm., S. 472 x 650 mm.
Price realised GBP 91,250 Estimate GBP 50,000 - GBP 70,000
Selbstporträt (Self-Portrait)
lithograph, on Chine paper, 1895, Woll's second state (of four, before the removal of the arm), signed in pencil, slightly trimmed into the subject, framed
Sheet: 17 ¾ x 12 3/8 in. (451 x 313 mm.) Price realised USD 81,250 Estimate USD 70,000 - USD 100,000
Der Kuss (Sch. 102D; W. 204)
woodcut in black and greyish green, 1902, a richly printed impression of Woll's third state (of four), on tissue thin Japon, signed by the artist and indistinctly inscribed, signed by the artist and the printer Lassally on the reverse, with wide margins, generally in very good condition, framed
B. 18 3/8 x 18½ in. (467 x 470 mm.)
S. 20 3/8 x 23 1/8 in. (518 x 587 mm.) Price realised USD 135,750 Estimate USD 100,000 - USD 150,000
Das kranke Kind I (Schiefler 7; Woll 7)
drypoint with roulette and burnisher, 1894, on wove paper, signed in pencil, a very good, tonal impression, Schiefler's fifth, final state, Woll's sixth state (of seven), printed by Felsing, Berlin, with his signature, the full sheet, in very good condition, framed
P. 391 x 292 mm., S. 587 x 426 mm.
Price realised GBP 46,850 Estimate GBP 40,000 - GBP 60,000
Self-Portrait with Hat I
lithograph printed in bright red, 1927, on ribbed buff wove paper, signed in pencil, a very good impression, the present variant printed in red particularly rare, with wide margins, the upper sheet edge folded, pale light-staining, generally in very good condition
Image 202 x 185 mm., Sheet 492 x 335 mm.
Price realised GBP 18,750 Estimate GBP 7,000 - GBP 10,000 Provenance
Dr. Heinrich Karl Wilhelm Becker (1881-1972), Bielefeld, acquired directly from the artist in 1931, for 50 kr. (according to a letter from Becker to Edvard Munch, dated 9 April 1931 [Munchmuseet MM K 3688]); then by descent to the present owners.
Mélancolie: étude de rochers et bord de mer
pastel sur papier
25 x 35.5 cm. (9 7/8 x 14 in.)
Exécuté vers 1900
Price realised EUR 49,500 Estimate EUR 20,000 - EUR 30,000 Provenance
Inger Munch, Oslo.
Berta Folkedal, Oslo.
Kaare Berntsen, Oslo.
Acquis auprès de celui-ci par le propriétaire actuel, en 2003.
Der Kuss (Sch. 22; W. 23b)
etching and drypoint with burnisher, 1895, on wove paper, signed by the artist and the printer Wilhelm Felsing in pencil, with full margins, the palest mat staining, minor surface soiling in the lower margin, otherwise in very good condition, framed
P. 13 3/8 x 10 7/8 in. (340 x 276 mm.)
S. 23 1/8 x 17 in. (587 x 432 mm.) Price realised USD 182,500 Estimate USD 150,000 - USD 250,000
Das kranke Kind (Sch. 59; W. 72)
lithograph in colours, 1896, printed from four stones in dark grey, reddish-brown, yellow and red, the key-stone in the first version, before the signature, comparable to Woll's variant IV, on machine made cream wove, signed in pencil, several pin-holes, pale light-staining, several short creases in the left margin, a pale stain in the upper margin, some backboard staining, framed.
L. 420 x 570mm., S. 500 x 640mm.
Price realised GBP 139,650 Estimate GBP 60,000 - GBP 80,000
The Brooch. Eva Mudocci
lithograph in black, on smooth wove paper, 1903, Woll's fifth (final) state, signed in pencil, with wide margins (the sheet edges unevenly trimmed), light- and mat staining, foxmarks in places including one in the subject's face, three repaired tears at the upper and right sheet edges, framed
Image: 24 x 18 ¼ (610 x 464 mm.)
Sheet: 34 ½ x 23 5/8 in. (876 x 600 mm.)
Price realised USD 112,500 Estimate USD 100,000 - USD 200,000 Provenance
The Munch Museum, Oslo, 1968, with their stamps on the reverse
Die Sünde (The Sin)
lithograph in colors, on Japon paper, 1902, Woll's second state (of five), signed in pencil, with wide margins, in generally good condition, framed
Image: 27 ¼ x 15 ¾ in. (695 x 403 mm.)
Sheet: 36 1/8 x 23 5/8 in. (920 x 600 mm.)
Price realised USD 118,750 Estimate USD 40,000 - USD 60,000
Das Weib II (The Woman II)
etching with aquatint and drypoint, on heavy beige wove paper, 1895, Woll's eighth (final) state, signed in pencil by the artist and Felsing, the printer, with wide margins, the tips of the sheet corners detached, in generally good condition, framed
Image: 11 3/8 x 13 1/8 in. (290 x 335 mm.)
Sheet: 17 ¼ x 21 in. (437 x 533 mm.)
Price realised USD 75,000 Estimate USD 70,000 - USD 100,000
Asche II (Ashes II)
lithograph, on beige wove paper, 1899, Woll's second (final) state, signed in pencil, with wide margins, the sheet unevenly trimmed, otherwise in generally good condition, framed
Image: 13 7/8 x 18 in. (354 x 456 mm.)
Sheet: 16 x 20 1/8 in. (409 x 511 mm.)
Price realised USD 87,500 Estimate USD 70,000 - USD 100,000
Puberty
etching, 1902, on heavy wove paper, 1902, Woll's state a (of b), a very good, richly printed impression, signed in pencil and inscribed 'avante letter', printed by Felsing, Berlin, with his signature, with margins (slightly faded), otherwise generally in good condition, framed
Plate 178 x 152 mm., Sheet 343 x 292 mm. Price realised GBP 22,500 Estimate GBP 18,000 - GBP 25,000
A Mother's Joy (Woll 213)
drypoint in brownish black, 1902, from the Linde portfolio, on Japon, signed in pencil, a very good impression with rich burr and subtle plate tone, from the edition of 13, printed in 1906 by Felsing, Berlin, with his signature in pencil, the full sheet, with deckle edges on three sides, some pale time and light-staining, otherwise in very good condition, framed
P. 383 x 274 mm., S. 535 x 410 mm.
Price realised GBP 11,250 Estimate GBP 4,000 - GBP 6,000 Provenance
Dr. Max Linde, Lübeck; then by descent to the present owner.
Omega and the Flower, from Alpha and Omega (Sch. 318; W. 348) lithograph, 1908-9, on wove paper, a proof, from the edition of approximately 50 in 1910, with margins, a skillfully repaired tear at the lower sheet edge extending just into the subject, some minor skinning on the reverse, otherwise in good condition
L. 260 x 190mm., S. 310 x 238mm Price realised GBP 3,120 Estimate GBP 1,000 - GBP 1,500 .
Louise und Else Heyerdahl (Sch. 480; W. 643)
lithograph, 1920, van Gelder laid paper, numbered 'No 21', printed to or close to the full sheet as published, a few soft creases, otherwise generally in very good condition; and Junge Frau in Hut (Sch. 480; W. 643) lithograph, 1920, on wove paper, with margins, a crease at the upper and lower right sheet corners, otherwise generally in good condition, L. 300 x 292mm., S. 490 x 428mm.
L., S. 501 x 650mm. (2)
Price realised GBP 940 Estimate GBP 1,000 - GBP 1,500 Provenance
This and the following seven lots are from the family of Anton Peder Nielsen (later Kildeborg) (1828-?), the printer who worked with Munch after his return to Norway from Copenhagen in 1910. In 1912 Munch set up both a lithographic and an intaglio press in his house in Hvisten. According to Gerd Woll, Nielsen '...came down from Kristiania and helped with the printing at Hvisten and after 1916 was a frequent guest at Elkely...he was an invaluable assistant in printing lithographs and woodcuts..'
Harpy
lithograph, 1899, on Van Gelder laid paper, with a Fleur-de-Lys watermark, not signed, a good impression of this very rare print, trimmed slightly irregularly to or fractionally into the subject, a 10 mm. tear at the right sheet edge, mount- and tape staining along the sheet edges
Sheet 355 x 314 mm. Estimate: USD 6,000 - USD 8,000 Price Realised: USD 12,500 Provenance:
Christie's, London, 29 November 1988, lot 447 (£5,100)
To kvinner med hatt og yttertøy
black Conté crayon on paper
13 7/8 x 9 3/8 in. (35.2 x 23.8 cm.)
Drawn circa 1920
Price realised USD 50,000 Estimate USD 15,000 - USD 20,000 Provenance
Berta Folkedal, Oslo; sale, Christie's, London, 1 July 1980, lot 126b.
Dr. Anton C.R. Dreesmann, Laren, The Netherlands (acquired at the above sale); Estate sale, Christie's, London, 9 April 2002, lot 139.
Acquired at the above sale by the present owner.
The Girls on the Bridge (W. 232)
etching, 1903, on beige wove paper, a rich, atmospheric impression of the second, final state, printing with selectively wiped tone to produce strong contrasts, signed and inscribed Gedruckt in 6 Expl. in pencil (this impression cited in Woll), with wide margins, generally in good condition, framed
Plate 188 x 264 mm., Sheet 309 x 476 mm. Price realised GBP 144,500 Estimate GBP 60,000 - GBP 80,000
Munch und Direktor Ludvig Didrichsen (Sch. 461; W. 566)
lithograph in brown, 1916, on van Gelder laid paper, Woll's second (final) state, selectively printed to show only Director Didrichsen, inscribed 'Sch 461/1916', a deckle edge at the top and bottom, with margins, pale discoloration at the sheet edges, some creases in the margins and mainly in the upper right sheet corner, otherwise generally in good condition
L. 623 x 510mm., S. 750 x 564mm.
Price realised GBP 529 Estimate GBP 500 - GBP 700 Provenance
Nielsen Kildeborg, and thence by descent
Alfas Verzweiflung (Alpha's Despair), from Alfa und Omega
lithograph, on heavy wove paper, 1908-09, signed in pencil, from the edition of unknown size (Woll records between 80-90 impressions of each subject from this series), with wide margins, mat staining, creases at the sheet edges (with associated splitting and minor losses), framed
Image: 16 ½ x 13 ½ in. (419 x 343 mm.)
Sheet: 24 ¾ x 18 5/8 in. (629 x 473 mm.) Price realised USD 16,250 Estimate USD 6,000 - USD 8,000
Badendes Weib (Woman Bathing)
woodcut, on thin Japon paper, 1899, signed in pencil, with margins, pale mat staining (the sheet unevenly trimmed), an area of thinning in the upper right portion of the image, five pin holes towards the upper sheet edge and one towards the lower sheet edge, framed
Image: 16 5/8 x 20 3/8 in. (422 x 518 mm.)
Sheet: 18 x 22 in. (457 x 559 mm.)
Price realised USD 25,000 Estimate USD 20,000 - USD 30,000
Modellstudie (Study of a Model)
drypoint, on wove paper, watermark Holland, 1894, Woll's third (final) state, signed in pencil, with wide margins, pale light- and mat staining, otherwise in good condition, framed
Image: 11 1/8 x 8 ¼ in. (283 x 210 mm.)
Sheet: 19 7/8 x 13 5/8 in. (505 x 346 mm.)
Price realised USD 25,000 Estimate USD 20,000 - USD 30,000
Tigeren, from: Alfa og Omega
lithograph, 1908-09, on wove paper, signed in pencil, from the edition of unknown size, (Woll records between 50-80 impressions of each subject), with margins, foxing across the sheet, otherwise in good condition, framed
Image: 312 x 380 mm.
Price realised GBP 7,500 Estimate GBP 6,000 - GBP 8,000
Die Blume der Liebe (The Flower of Love)
lithograph, 1896, on bluish gray wove paper laid down to brown craft paper (as issued), signed in pencil on the support paper, with margins, two small holes at the upper image edge, otherwise generally in good condition, framed
Image: 24½ x 10¾ in. (622 x 273 mm.)
Sheet: 26 3/8 x 12 5/8 in. (670 x 321 mm.)
Price realised USD 20,000 Estimate USD 20,000 - USD 30,000
Neutralia (Sch. 459; W. 527)
lithograph in colors, 1915, on heavy wove paper, a rare impression from Woll's edition Ba, a proof without text, two tears at the left sheet edge with some associated creasing, several shorter repaired tears at the sheet edges, framed
L. 20 7/8 x 18 7/8 in. (530 x 479 mm.)
S. 35 x 28 3/8 in. (889 x 721 mm.)
Price realised USD 16,250 Estimate USD 15,000 - USD 20,000
Salomé (Schiefler 213; Woll 245)
lithograph, 1903, on tan wove paper, signed in pencil, with margins, laid down to board, otherwise generally in good condition, framed
L. 15½ x 12 3/8 in. (394 x 314 mm.)
S. 23¾ x 15½ in. (603 x 394 mm.) Price realised USD 37,500 Estimate USD 15,000 - USD 20,000
On the Waves of Love (W. 81)
lithograph, 1869, a strong, rich impression of Woll's fifth, final state, signed in pencil, on thin Chine, probably printed to the edges of the full sheet, the sheet laid down onto thin Japon, a small paper loss at the lower sheet edge not touching the subject, the signature slightly rubbed, the tip of the lower right corner repaired, the subject in very good condition, framed
L., S. 311 x 416 mm.
Price realised GBP 120,500 Estimate GBP 100,000 - GBP 150,000 （2008）
On the Waves of Love (Sch. 71; W. 81)
lithograph, 1896, on China paper, signed in red crayon, a good impression of Woll's fifth, final state, with wide margins, a repaired split in the subject at right, the signature faded, mount staining, framed
L. 320 x 430 mm., S. 560 x 680 mm.
Price realised GBP 61,875 Estimate GBP 50,000 - GBP 70,000 Provenance
An unidentified collector's mark, Initials PS (not in Lugt). （2013）
Mrs. Marie Linde (Woll 222; Schiefler 190)
lithograph, 1902, on thin beige coloured textured paper, signed in pencil, full sheet, top and lower margin with deckle edges, light and mount staining, two pinholes in the extreme corners of the top margin, 263 mm. diagonal crease in the right margin, otherwise in good condition, framed
L. 200 x 149 mm., S. 674 x 490 mm.
Price realised GBP 3,750 Estimate GBP 700 - GBP 1,000
The Woman and the Bear (Woll 362)
lithograph, 1908-09, on Japan wove paper, signed in pencil, from the edition of 15, with margins, some repaired tears at sheet edges, otherwise in good condition, framed
L. 200 x 210 mm., S. 325 x 250 mm.
Price realised GBP 10,625 Estimate GBP 3,000 - GBP 5,000
Anna und Walter Leistikow (Sch. 170; W. 196)
lithograph, 1902, on light brown wove paper, Woll's second state (of three), with wide margins, a 3/8-in. pale moisture stain at the right of the subject, an ink inscription at the lower left sheet edge, otherwise generally in good condition, framed
L. 20½ x 34 1/8 in. (521 x 867 mm.)
S. 25¼ x 36 1/8 in. (641 x 918 mm.)
Price realised USD 10,000 Estimate USD 8,000 - USD 12,000
Badende Frauen (Schiefler 14; Woll 18)
drypoint and aquatint in brown-black ink, 1895, presumably Woll's fourth state (of fifteen), on Arches laid paper, signed and dated in pencil, with wide margins, light-staining, a few areas of discoloration in the center subject, otherwise generally in good condition, framed
P. 8¾ x 12 5/8 in. (222 x 321 mm.)
S. 14 1/8 x 20¼ in. (359 x 514 mm.)
Price realised USD 13,750 Estimate USD 10,000 - USD 15,000 Provenance
Dr. Heinrich Stinnes (Lugt 1376)
Eifersucht (Sch. 395; W. 471)
etching and drypoint, 1914, on Van Gelder Zonen wove paper, a strong, richly inked impression of Woll's sixth, final state, signed and titled Jalousie in pencil, probably printed in a small edition by W. Scheel, Kristiania, with wide margins, a deckle edge to the right, light-and mount staining, an unobtrusive scuff in the lower right subject, framed
P. 200 x 275 mm., S. 405 x 558 mm.
Price realised GBP 8,750 Estimate GBP 8,000 - GBP 12,000
Attraction I (W. 75)
lithograph, 1896, on cream wove paper, signed in pencil, printed, inscribed and dated by Nielsen in pencil Ekely den 25/11 1916, with wide margins, some very minor pinpoint foxing in the margins, generally in good condition, framed
S. 696 x 526 mm., P. 472 x 355 mm. Price realised GBP 37,250 Estimate GBP 30,000 - GBP 50,000
Alfa und Omega, from Alfa und Omega (Sch. 310; W. 340)
lithograph, 1908-09, on stiff card, signed in pencil, from the planned edition of either 50 or 60 (Woll estimates between 80-90 were produced), with wide margins, light- and mat staining, two areas of minor skinning at the upper sheet edge each measuring ¾-in., creasing at the upper right sheet corner measuring approximately 2-in., framed
L. 10½ x 18 in. (267 x 457 mm.)
S. 18 x 25¼ in. (457 x 641 mm.)
Price realised USD 5,250 Estimate USD 6,000 - USD 8,000
Violin Concert (Sch. 211; W. 243)
lithograph, 1903, on Japon, Woll's fourth state (of six), signed in pencil, titled 'Violinkonserten', with wide margins, the palest light-staining, a few pale foxmarks, otherwise in very good condition, framed
L. 18¾ x 21½ in. (476 x 546 mm.)
S. 22 x 24¾ in. (559 x 629 mm.)
Price realised USD 30,000 Estimate USD 30,000 - USD 50,000
Woman Taking a Bath (Sch. 158; W. 180)
etching with drypoint in brownish-black, 1902, on cream wove paper, second, final state, signed in pencil, printed by Felsing, with his signature, with wide margins, mount and light-staining, pinholes at the sheet corners, a crease in the upper right margin, other minor defects, otherwise in good condition, framed
P. 258 x 180 mm., S. 510 x 349 mm.
Price realised GBP 9,375 Estimate GBP 7,000 - GBP 10,000
Christiana - Boheme I (Schiefler 10; Woll 15)
etching and drypoint, 1895, on wove paper, a very good impression, on cream-coloured wove, presumably Woll's second state, with margins, an old pencil inscription in the lower margin, pale spots of staining and a small tape stain at the lower sheet edge, further pencil inscriptions and minor staining verso, some back-board staining
P. 220 x 298 mm., S. 335 x 457 mm.
Price realised GBP 8,750 Estimate GBP 5,000 - GBP 7,000
Männerkopf (Sch. 243; W. 277)
drypoint, 1906, on wove paper, from one of two editions of approximately 2,000 each, published by C. Glaser, 1917-18, with margins, remains of old adhesive at the upper sheet edge (with associated pale staining), a very pale spot stain at the right sheet edge, with partially erased framers annotations in pencil in the margins, old adhesive remains at the reverse of the sheet corners (with associated minor skinning at the reverse of the upper sheet corners), otherwise in good condition
P. 4¾ x 3½ in. (120 x 88 mm.)
S. 10 x 7 in. (254 x 178 mm.)
Price realised USD 500 Estimate USD 800 - USD 1,000 Provenance
With 'The Dr. Leon and Hilda Kolb Educational Foundation' collectors stamp on the reverse.
Secret (Woll 436)
etching, aquatint and drypoint, 1913, on sturdy wove paper, a good impression of the fourth, final state, with the additional drypoint work in the upper right, printing with rich burr to the lower leg, signed in pencil, with margins, generally in good condition, framed
Plate 158 x 238 mm., Sheet 240 x 325 mm.
Price realised GBP 20,900 Estimate GBP 8,000 - GBP 12,000
Omega's Flight, from Alpha and Omega (S. 323; W. 353)
lithograph, 1908-9, on stiff wove paper, signed in pencil, from the total edition of approximately 80 or 90 impressions, with margins, pale mount and light-staining, two short, skilfully repaired tears at the upper sheet edge, otherwise in good condition, framed
L. 255 x 500 mm., S. 470 x 640 mm.
Price realised GBP 7,500 Estimate GBP 3,000 - GBP 5,000
The Sick Child (Schiefler 7; Woll 7)
drypoint and roulette, 1894, on Arches, signed and dated in pencil, Woll's VI (final) state, with full margins, the sheet resized?, pale light- and mat staining, a repaired split at upper left (within the platemark, but not within the image), a repaired tear in the lower left margin, otherwise in good condition, framed
P. 15 3/8 x 11½ in. (391 x 292 mm.)
S. 21½ x 14¾ in. (546 x 375 mm.)
Price realised USD 151,000 Estimate USD 90,000 - USD 120,000
Death in the Sickroom (W. 65)
lithograph, 1896, a fine, rich impression, on thin laid Japon, signed in purple crayon, with wide margins, a few small adhesive stains due to former hinging towards the sheet edges, showing throughrecto, very pale mount staining along the sheet edges, the subject in very good condition, framed
L. 387 x 554 mm., S 550 x 669 mm. Price realised GBP 168,500 Estimate GBP 30,000 - GBP 50,000
By the Deathbed (Woll 64)
lithograph, 1896, a good rich impression of Woll's fourth, final state, on greenish laid paper, watermarked M.B.M., signed in pencil, numbered No 4/30 (?), with margins, the paper described by Woll as originally blueish grey, but faded as usual to a pale green, the numbering rubbed and somewhat indistinct, some minor, flattened creases in the lower right and upper left corners, some soft creases below the subject, generally in good condition, framed
L. 392 x 501 mm., S. 451 x 544 mm.
Price realised GBP 204,500 Estimate GBP 30,000 - GBP 50,000
The Garden at Night (W. 221)
etching and aquatint with drypoint printed in dark brown, 1902, from the Linde portfolio, on Van Gelder laid, from the edition of 13 impressions, printed in 1906 by Felsing, Berlin, with his signature in pencil, the full sheet, with deckle edges on all sides, in excellent condition
P. 495 x 645 mm., S. 587 x 800 mm.
Price realised GBP 10,000 Estimate GBP 7,000 - GBP 10,000 Provenance Dr. Max Linde, Lübeck; then by descent to the present owner.
Professor Kristian Schreiner (W. 687 III)
lithograph, 1928, on wove, Woll's third state (of five), before the additional diagonal lines in the blank area at the right, signed in pencil, with wide margins, some light-staining, a diagonal scuff at upper left mainly in the raking light, laid onto board, framed
L. 600 x 497 mm., S. 878 x 684 mm.
Price realised GBP 1,500 Estimate GBP 1,500 - GBP 2,500 Provenance
Dr. Max Linde, Lübeck; then by descent to the present owner.
On the Bridge (W. 416)
lithograph in dark grey, 1912-13, on stiff cream wove, signed in pencil, inscribed in pencil in the lower left corner (by the artist?) P 13, a good impression of this very rare print (Woll records a total number of 14 impressions, eight of which are in public collections), with wide margins, possibly the full sheet, some tack holes with small associated stains in the upper sheet corners, another tack hole in the lower left sheet corner, some pale staining mainly in the margins, otherwise in good condition
L. 380 x 543 mm., S. 470 x 627 mm.
Price realised GBP 90,500 Estimate GBP 70,000 - GBP 100,000 Provenance
Dr. Max Linde, Lübeck; then by descent to the present owner
The Urn (Schiefler 63; Woll 67)
lithograph, 1896, on heavy wove paper, Woll's third (final) state, printed by Lassally circa 1913, with wide margins, a 6-in. pressure mark in the lower margin, a few soft handling creases, minor surface soiling and a few pale foxmarks, a small loss at the lower right corner, otherwise in good condition
L. 18 1/8 x 10 3/8 in. (460 x 264 mm.)
S. 31 3/8 x 23¼ in. (797 x 591 mm.)
Price realised USD 13,145 Estimate USD 8,000 - USD 12,000 Provenance
Munch-Museet, 1968 (their ink stamps on the reverse)
Das Kranke Mädchen (klein) (S. 60, W. 47)*
etching with drypoint, 1896, on wove paper, a very good impression, signed in pencil, with wide margins, a small inconspicuous crease just to the right of the subject's shoulder, pale mat staining, time staining at right margin edge, a small tear at the lower left margin edge, remains of old hinges and minor surface soiling on the reverse, otherwise in good condition, framed
P. 5¼ x 7 in. (138 x 178 mm.)
S. 14¾ x 19 5/8 in. (374 x 498 mm.)
Price realised USD 9,988 Estimate USD 8,000 - USD 12,000 Provenance
The Munch Museum, Oslo, duplicate, 1968, with their stamps on the reverse
Tête-à-Tête (S. 12; W. 11)*
etching and drypoint with aquatint, 1895, on heavy cream wove paper, Schiefler's IIIa state (of IIId), Willoch's II (final) state, signed in pencil, bears inscription 'Bei den Glassern' along the lower left margin edge, with margins, a few minute stains, pale light-, mat and time staining, ½-inch repaired tears at the center left and right margin edges, minor surface soiling in the margins, otherwise in good condition, framed
P. 8¾ x 13 in. (223 x 330 mm.)
S. 13¾ x 20 1/8 in. (349 X 510 mm.)
Price realised USD 7,050 Estimate USD 6,000 - USD 8,000 Provenance
The Munch Museum, Oslo, duplicate, 1968, with their stamps on the reverse
Christiania-Bohême II (S. 11; W. 10)*
etching, drypoint and aquatint, 1895, on heavy cream wove paper, Schiefler's III (final) state, Willoch's V (final) state, signed in pencil, titled in pencil at the lower margin edge, with wide margins, minor surface soiling in the margins, several pinholes at the upper and lower sheet edges, small remains of old glue at the upper sheet edge, a tiny soft crease at the lower left corner, extremely minor staining on the reverse, otherwise in very good condition, framed
P. 11 5/8 x 15½ in. (295 x 293 mm.)
S. 17 3/8 x 23 5/8 in. (441 x 600 mm.)
Price realised USD 7,638 Estimate USD 7,000 - USD 10,000 Provenance
The Munch Museum, Oslo, dulpicate, 1968, with their stamps on the reverse
Christiana-Bohême I (Schiefler 10; Willoch 9)*
etching with drypoint and aquatint in brownish-black, 1895, on heavy cream wove paper, Schiefler's IIa state (of IId), Willoch's III (final) state, signed in pencil, with wide margins, pale light-staining, minor soiling in the margins, one pale foxmark in the left margin, two ¼-inch tears at the right margin edge, slight paper deterioration at the lower margin edge, soft creasing in the left margin and top left margin corner, remains of old glue at the reverse of the top margin edge, otherwise in good condition, framed
P. 8 5/8 x 11¾ in. (219 x 299 mm.)
S. 17¼ 23½ in. (439 x 597 mm.)
Price realised USD 5,875 Estimate USD 6,000 - USD 8,000 Provenance
The Munch Museum, Oslo, duplicate, 1968, with their stamps on the reverse
Portrait of a woman
signed 'E Munch' (lower right)
watercolour on paper
17 7/8 x 10¾in. (45.5 x 27.4cm.)
Executed circa 1930
Price realised GBP 13,145 Estimate GBP 12,000 - GBP 18,000 Provenance
Acquired from the artist by the father-in-law of the present owner.
Thence by descent to the present owner.
Zwei Menschen. Die Einsamen (Sch. 20; W. 13)
drypoint, 1894, a good impression of the sixth (final) state, on wove paper, signed in pencil, also signed by the printer Felsing, inscribed 'Zwei Menschen kaltes nadel und akva tinto' on the reverse, with wide margins, some minor handling creases, otherwise in good condition, framed.
P. 167 x 227mm., S. 266 x 429mm.
Price realised GBP 17,925 Estimate GBP 12,000 - GBP 18,000 Provenance
A gift from the artist to the present owner's grandfather, and thence by descent.
TWO HUMAN BEINGS (THE LONELY ONES) (W. 13; S. 20)
Drypoint printed in brownish-black, 1894, a very fine impression printed with plate tone with rich burr, signed in pencil, also signed by the printer, Felsing, on wove paper, framed
plate: 169 by 230 mm 6 5/8 by 9 in
sheet: 317 by 459 mm 12 1/2 by 18 in Estimate 30,000 — 50,000USD LOT SOLD. 112,500 USD
TWO HUMAN BEINGS. THE LONELY ONES (W. 157; SCH. 133)
The very rare woodcut printed in black and charcoal grey, 1899, a fine and richly inked impression with strong contrast, with the additional work on the rocks in the foreground, and the vertical cut in the block above the woman's head, signed in pencil, on wove paper, framed
image: 393 by 555mm 15 1/2 by 21 7/8 in
sheet: 486 by 641mm 19 1/8 by 25 1/4 in Estimate 250,000 — 350,000GBP LOT SOLD. 290,500 GBP
THE TWO HUMAN BEINGS. THE LONELY ONES (WOLL 157; SCHIEFLER 133)
The important and rare woodcut printed in marine-blue, black, ochre and red, from three blocks, the woman's hair printed in the manner of monotype and strengthened with additional rich red colour, 1899, a fine impression of Woll's fourth state (of eight), stamped verso 'Fra Edvard Munchs testamentariske gave. OSLO KOMMUNE' (From the bequest of Edvard Munch. City of Oslo), printed by the artist or Nielsen circa 1917, printing with relief verso, on cream wove paper, framed
image: 443 by 725mm 17 1/2 by 28 1/2 in
sheet: 391 by 555mm 15 1/2 by 21 7/8 in Estimate 500,000 — 800,000GBP LOT SOLD. 1,209,000 GBP From the Collection of Dr. Kristian Emil Schreiner; thence by descent to the present owners
TWO HUMAN BEINGS. THE LONELY ONES (W. 157; SCH. 133)
The rare woodcut printed in turquoise-blue, black, reddish-orange, yellow, brown and green from three blocks and a stencil, the stencil forming the central part of the foreground and printed in brown and green in the manner of a monotype, 1899, Woll's state V of VIII, signed in pencil, printed by the artist or Nielson circa 1917, on cream wove paper, printed with relief verso, framed
image: 393 by 555mm 15 1/2 by 21 7/8 in
sheet: 468 by 598mm 18 1/2 by 23 5/8 in Estimate 400,000 — 600,000GBP LOT SOLD. 1,565,000 GBP Acquired directly from the artist by Harald Holst Halvorsen on 23 February 1942 according to an ink inscription in the lower margin recto; acquired by the present owner from Gallery Haaken, Oslo in the 1970s
TWO HUMAN BEINGS. THE LONELY ONES (W. 157)
The very rare, early woodcut printed in pale blue, black, green, yellow and orange, the streaks in the woman's hair strengthened in rich red and brown with monotype printing, 1899, Woll's first state (I.2) (of eight), before the additional work in the rocks in the foreground and before the vertical cut in the block from the top edge to the woman's head, printing with strong relief verso, signed in pencil, printed by Nielsen in circa 1914-17, on thick wove paper
Image: 396 by 555mm; 15 5/8 by 21 7/8 in
Sheet: 467 by 696mm; 18 3/8 by 27 1/2 in Estimate 250,000 — 350,000GBP LOT SOLD. 986,500 GBP
Munch
Mondschein (S. 13)
etching, 1895, on wove paper, a good impression of Schiefler's third (final) state, with wide margins, generally in very good condition, framed
P. 12.1/8 x 10 in. (306 x 253 mm.) Price realised USD 10,350 Estimate USD 5,000 - USD 7,000
The Sick Child I (Schiefler 59; Woll 72)
lithograph in colors, 1896, on greyish-white Chine, Woll's state Xa, impression from four stones (A2, B, C, F) in two reds, blue and yellow (the blue and yellow intermingled and altered to a 'faint green tone' as described by Woll in note for state IX), signed in pencil 'Edv Munch,' with margins (trimmed), four backed pinholes within the image, an unobtrusive ¼-in. dark vertical line at the extreme center left image (apparently a pencil or charcoal mark), the palest mat staining, occasional minor creasing and paper losses at the sheet edges (backed), otherwise in very good condition, laid down to Chine, framed
L. 16 5/8 x 22 1/8 in. (422 x 562 mm.)
S. 19½ x 24½ in. (495 x 622 mm.) Price realised USD 668,200 Estimate USD 200,000 - USD 300,000
THE DAY AFTER (WOLL 10)
Drypoint, 1894, the sixth state (of seven), signed in pencil, printed by Felsing, Berlin, on sturdy wove paper, framed
plate: 210 by 298mm 8 1/4 by 11 3/4 in
sheet: 309 by 418mm 12 1/8 by 16 1/2 in Estimate 20,000 — 30,000GBP LOT SOLD. 32,500 GBP
CONSOLATION (W., SCH. 6)
Etching and drypoint printed in black, 1894, printing with burr, the fifth state (of six), signed in pencil by the printer, Felsing, inscribed 'Berlin', on sturdy cream wove paper, framed
plate: 218 by 321mm 8 5/8 by 12 5/8 in
sheet: 332 by 495mm 13 1/8 by 19 1/2 in Estimate 6,000 — 8,000GBP LOT SOLD. 12,500 GBP
WOMAN (DAS WEIB) (W. 147; S. 122)
Lithograph, 1899, Woll's II of III, on heavy buff wove paper, printed by Petersen & Waitz, framed
image: 463 by 597 mm 18 1/4 by 23 1/2 in
sheet: 504 by 651 mm Estimate 60,000 — 80,000USD LOT SOLD. 85,000 USD
STUDY OF A MODEL (SCHIEFLER 9; WOLL 8)
Drypoint, 1894, signed in pencil, on Van Gelder Zonen wove paper, presumably printed by Otto Felsing, Berlin, framed
plate: 285 by 210 mm 11 1/4 by 8 1/4 in
sheet: 492 by 340 mm 19 3/8 by 13 3/8 in Estimate 20,000 — 30,000USD LOT SOLD. 25,000 USD
ATTRACTION II (W. 20; S. 18)
Etching and drypoint printed in dark brown with plate tone, 1895, Woll's II of IV, signed in pencil, also signed by the printer, Felsing, on wove paper, framed
plate: 269 by 336 mm 10 5/8 by 13 1/4 in
sheet: 446 by 601 mm 17 1/2 by 23 5/8 in Estimate 40,000 — 60,000USD LOT SOLD. 45,000 USD
AUGUST STRINDBERG (WOLL 66; SCHIEFLER 77)
Lithograph, 1896, Woll's fourth state (of five), signed in pencil, inscribed 'An Frau Förster Nietzsche', printed by Clot, Paris, on greyish white China paper, framed
image: 500 by 376mm 19 3/4 by 14 5/8 in
sheet: 636 by 436mm 25 by 17 1/2 in Estimate 30,000 — 50,000GBP A gift from the artist to Elisabeth Förster-Nietzsche (Elisabeth was the sister of Friedrich Nietzsche, the German philosopher); Norwegian Private Collection; Sotheby's, London, 30 May 2008, lot 221; acquired directly from the above.
JEALOUSY I (W. 68; S. 57)
Lithograph, 1896, Woll's b, on wove paper, framed
sheet: 338 by 464 mm 13 1/4 by 18 1/4 in Estimate 30,000 — 50,000USD LOT SOLD. 43,750 USD Possibly from the estate of the artist and a duplicate from the Munch Museum (however no stamps on the verso); Alan and Dorothy Press; Sold Sotheby Parke Bernet, February 13, 1970, lot 280; David Tunick, Inc., New York
THE WOMAN AND THE HEART
signed in pencil; signed by the printer Felsing
etching and drypoint on wove paper
sheet: 59.6 by 42.6cm.; 23 1/2 by 16 3/4 in.
image: 24.5 by 24cm.; 9 5/8 by 9 3/8 in.
Executed in 1896. Woll's final state (of four).
MAN AND WOMAN (W. 156; SCH. 132)
The very rare woodcut, 1899, a fine impression of Woll's first state (of two), signed in pencil, on thin laid Japan paper, framed
image: 410 by 508mm 16 1/8 by 20in
sheet: approx. 480 by 670mm 18 7/8 by 26 3/8 in Estimate 90,000 — 100,000GBP
SEPARATION (W. 78)
Lithograph, 1896, signed in pencil, on stiff wove paper
Image: 412 by 639mm; 16 1/4 by 25 1/4 in
Sheet: 594 by 789mm; 23 3/8 by 31in Estimate 50,000 — 70,000GBP LOT SOLD. 57,500 GBP
STREET IN COMO (WOLL 674)
Lithograph, 1922, signed in pencil, inscribed 29/8-1922 and N. 13, printed by Nielsen, on cream wove paper
Image: 352 by 253mm; 13 7/8 by 10in
Sheet: 496 by 350mm; 19 1/2 by 13 3/4 in Estimate 4,000 — 6,000GBP LOT SOLD. 4,500 GBP
VIGNETTE: AMARYLLIS (W. 339)
Lithograph, 1908-09, from Alpha and Omega, signed in pencil, on sturdy wove paper
Image: 300 by 190mm; 11 3/4 by 7 1/2 in
Sheet: 350 by 231mm; 13 3/4 by 9 1/8 in Estimate 8,000 — 12,000GBP
SELF-PORTRAIT WITH A BOTTLE OF WINE (WOLL 712)
Lithograph, 1930, signed in pencil, inscribed Tyrk nr. 9 / Kildeborg by the printer Nielsen, from the edition of approximately 30 impressions, on cream textured wove paper
Image: circa 425 by 515mm; 16 5/8 by 20¼in
Sheet: 494 by 627mm; 19½ by 24¾in Estimate 8,000 — 12,000GBP LOT SOLD. 18,750 GBP
NUDE RECLINING II (W. 658; SCH. 501)
Lithograph printed in green, 1920, signed in pencil, on cream wove paper, printed by Anton Peder Nielsen, Norway, framed
sheet 602 by 754 mm 23 3/4 by 29 3/4 in Estimate 70,000 — 100,000USD LOT SOLD. 74,500 USD
THE LION TAMER (SCH. 456; W. 598)
Lithograph, 1916, a strong impression of state A (from A-D), signed in pencil, from the approximate edition of 50, printed by Nielsen, on smooth wove paper
Image: 495 by 663mm; 19 1/2 by 26 1/8 in
Sheet: 561 by 736mm; 29 by 22 1/8 in Estimate 3,000 — 5,000GBP LOT SOLD. 7,500 GBP
Self-Portrait with Pastel Crayon1943 ( plausible) crayon on canvas lerret. 80 × 60 cm (h × b)
When We Dead Awaken: Irene, Maia and the NunCrayon, multicoloured 1920-1925 Velinpapir. 407 × 269 × 0,09 mm (h × b × t)
The Pretenders: Dagfinn Bonde and Bishop Nicholas1917 ( plausible) Crayon, black Velinpapir. 265 × 208 × 0,1 mm (h × b × t) Bibliography:Eggum, Arne, 'The Theme of Death' i Edvard Munch: Symbols and Images, utst. kat. National Gallery of Art, Washington, 1978, ill. s. 174
Peer Gynt: Peer Being Chased by the Villagers1930 ( plausible) Pen, brush Velinpapir. 214 × 276 × 0,09 mm (h × b × t)
When We Dead Awaken: Ulfheim and Maia in the Park1932-1933 ( plausible) India ink brush and wash Velinpapir. 500 × 650 × 0,65 mm (h × b × t)
The Pretenders: The Battle in Oslo. Skule on His White Horse1917 ( plausible) Crayon, black Velinpapir. 357 × 253 × 0,1 mm (h × b × t) 在他的一生中，爱德华·蒙克非常尊敬剧作家易卜生。在他童年的画作中，我们发现了伪装者的插图，1884年，他的妹妹英格在日记中写道，她从图书馆借了皇帝和伽利略给卧病在床的哥哥。1895年，易卜生公开参观了蒙克在克里斯蒂亚尼亚的有争议的展览，这给蒙克留下了深刻的印象。易卜生对他说:“你的经历和我的一样，敌人越多，朋友就越多。”1899年，易卜生出版了他的最后一部戏剧《当我们死后觉醒》(When We Dead)。 蒙克与剧院的关系很亲密。在巴黎，他为两出易卜生的戏剧在卢格涅坡剧院(Lugne Poes Theatre de L ' euvre)制作了节目海报。导演马克斯·莱因哈特也请求蒙克在次年协助他制作《黑达·加布勒》。 许多印刷品、一些绘画作品和350多幅素描被注册为与易卜生有关。易卜生的文本和蒙克的主题之间的关系是复杂的，从纯粹的插图到更多有争议的灵感。在很多情况下，这些角色都是可以认出来的，要么来自现实生活，要么来自蒙克自己创造的主题世界。当伊卜生笔下的人物充满了蒙克自己的特色时，个人与文学之间的界限就变得模糊了。例如，他在《鬼魂》中强烈地认同奥斯瓦尔德，他甚至将自己的生命历程描述为一种奥斯瓦尔德情绪的主宰。戏剧《皮尔·金特》(Peer Gynt)是令人愉悦的小品的来源(mmt . t .00203-08)，而与伪装者有关的主题被第一次世界大战的暴行渲染得色彩斑斓。
The son 1906 ( plausible) Brush, wash, crayon, black Velinpapir.. 493 × 612 × 0,19 mm (h × b × t)
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