【原】“不经意的狂喜”-【浅山小组】微展呈现 · 第1季

一甸艺术 2020-08-30

展开全文

▲ 浅山小组（Qianshanxiaozu）｜2018年诞生于中国商丘，艺术团体主要成员：李峰（导师）、翟志程、张硕、李瀚然、石坚。（由浅山小组工作室供图）

“浅山小组”是由艺术家李峰领衔的五人艺术团体，他们的艺术语言彼此相异，却又同质相连。在这个意欲纷乱、嘈杂迷幻的社会情态下，他们坚守着对于艺术原初理想的恒定修习，并在各自的语言体系中寻找与这个时代可以共振的心灵图景和观念态度。
——惠书文

■ “浅山小组” - 纪录片

Qianshanxiaozu Documentary

“不经意的狂喜”-【浅山小组】

微展呈现·第1季

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Careless ecstasy

艺术团体主要成员：

翟志程、张硕、李瀚然、石坚、李峰（导师）

（文/惠书文）

ARTIST·ZHAI ZHICHENG

艺术家-翟志程

翟志程的绘画艺术，基以水墨这一媒介传递自我对这个世界的认知，在相对开放的纸面边缘间，清晰地表述了他对水墨特性内在温度的自信把控。灰暗幽深的色层叠加，隐匿着晕染的氤氲气息，一定空间下的光晕在画面中自由散布；空间的颗粒密度，在色彩的饱和和生涩之间游离四周；灵动的笔触铺设，不断地交织着我们不安的心境；继而在翟志程所叙述的情境文本中，图像的力量愈发饱满和深邃。

——惠书文

Zhai zhicheng's painting art, based on the medium of ink transfer of self-cognition of the world, in the relatively open paper edge, clearly expressed his confidence in ink characteristics of the internal temperature control. The dark and deep color layer overlay, concealing the faint and dense breath, the halo in a certain space in the picture spread freely; The particle density of space, in the color of saturation and astringency between the free around; Clever brushwork laid, constantly intertwined with our restless mood; Then in the context text described by zhai zhicheng, the power of images becomes more and more full and profound.

——Hui Shuwen

©翟志程，《阿建》，14x63cm，纸本水墨，2018

©翟志程，《人世的美德》，79x79cm，绢本水墨，2018

©翟志程，《一池》，64x52cm，纸本水墨，2017

©翟志程，《牡丹厅的早晨》，55x63cm，纸本水墨，2018

©翟志程，《X-真相》，160x160cm，绢本水墨，2018

ARTIST·ZHANG SHUO

艺术家-张硕

从张硕的绘画语言来看，他有着对于既定空间中线性编织的理性思维的输出，植入的多个大小方块，在横向与纵向的轨迹中均匀密布。逐渐递变的色彩深度缓慢将同一介质物一一定格，如同《如此遥远》系列一般，近观之，物象的密集范围彼此相续，并在特定的景象状态下，蔓延至无垠的空际中；远观，自上而下、由左至右的色度变化，其暗含的温度症候丰富外放。

——惠书文

From the perspective of zhang shuo's painting language, he has the output of rational thinking of linear weaving in the given space, and the implanted squares of various sizes are evenly covered in the horizontal and vertical tracks. Gradually changing color depth slowly freezes the same medium one by one, just like the series of "so far away". When viewed closely, the dense range of images continues with each other and spreads to the infinite space in a specific scene state. From a distance, the color changes from top to bottom and from left to right.

——Hui Shuwen

©张硕，《如此遥远》，170x200cm，布面综合绘画，2019

©张硕，《如此遥远-2》，125x155cm，布面综合绘画，2019

©张硕，《如此遥远-3》，30x30cm，布面综合绘画，2019

©张硕，《如此遥远-4》，120x160.5cm，布面综合绘画，2019

©张硕，《如此遥远-5》，170x170cm，布面综合绘画，2019

ARTIST·LI HANRAN

艺术家-李瀚然

李瀚然善于运用日常之物的现成品导入已经“成型”的绘画图像，具有完备的语言特征被这些外来物品持续加强。直尺，或是剪刀……每一种材料的特性，都在相应的画面中自由融合，现有物的挪用和转换，释义着李瀚然对单一丛属语言的警惕，此时综合介质的选取和划分，更有力地阐述了他对于物与象、他者与自我的内在关联，以及物象在时域中是否可以附属另一类事物的可能性。

——惠书文

Li Hanran is good at using the ready-made products of daily objects to import the already "formed" painting images, which have complete language features and are continuously strengthened by these foreign objects. Ruler, scissors... Each kind of material properties, freedom of fusion in the corresponding picture, misappropriate or transformation of existing objects, meaning the Li Han ran to a single cluster of language alarm, integrated media selection and classification, more forcefully expounded his for like, the inner relation of otherness and ego, and the object in the time domain can is attached to the possibility of another kind of things.

——Hui Shuwen

©李瀚然，《守候·1》，32.7x35.1cm，综合介质，2019

©李瀚然，《守候·2》，31.7x34.3cm，综合介质，2019

©李瀚然，《守候·3》，34.1.x31.8cm，综合介质，2019

©李瀚然，《K》，62.7x83.5cm，综合介质，2019

©李瀚然，《第五交响》，62.7x83.5cm，综合介质，2018

ARTIST·SHI JIAN

艺术家-石坚

石坚通过水彩材料构成的造型在空间中进行“适度”分割，具象形体本身被他再次打破，只残留着一种看似“不完整”的制作属性。如果说几何图形的错位是石坚对绝对主义几何抽象理念的理解的话，那么结构主义形式的延展和提纯，我想，将在他的画面中有着逐步演进。《具象的形质》抹平了多余形象的棱角，一种尖锐，甚至是突兀的对比效果在石坚所设定的场域中越来越清晰可见。

——惠书文

Shi jian through the water color material modeling in the space to "moderate" segmentation, representational body itself was broken again by him, leaving only a seemingly "incomplete" production attributes. If the dislocation of geometric figure is shi jian's understanding of the absolute geometric abstract idea, then the extension and purification of structuralism form, I think, will have a gradual evolution in his picture. Figurative form smoothed out the edges and corners of redundant images, and a sharp, even abrupt contrast became more and more visible in the field set by shi jian.

——Hui Shuwen

©石坚，《具象的形质》，13x20cm，纸本水彩，2019

©石坚，《娜拉之旦》，13x20cm，纸本水彩，2019

©石坚，《思辨之旅》，13x20cm，纸本水彩，2019

©石坚，《冥想的意味》，13x20cm，纸本水彩，2019

©石坚，《共鸣》，13x20cm，纸本水彩，2019

©石坚，《悬浮色质》，20x17cm，纸本水彩，2019

©石坚，《滨海之城》，20x17cm，纸本水彩，2019

©石坚，《谈及》，13x20cm，纸本水彩，2019

ARTIST·LI FENG

艺术家-李峰（浅山小组导师）

相较于不是中国当代艺术的中心地域而言，艺术家李峰一直在中国商丘持续多年的艺术深耕，并成立五个人的艺术团体——“浅山小组”。作为“浅山小组”的导师，在李峰身上，我们可见一位成熟艺术家对于新生代艺术家在精神和创作上的双向引导及帮助，也从侧面体现了他对于青年艺术家的深度关注。换句话来说，“浅山小组”不仅仅是以他领衔的一个艺术团体，更是李峰在大时代背景中流露的真切的艺术使命感和责任担当。

——惠书文

Compared with the region that is not the center of Chinese contemporary art, the artist li feng has been deeply engaged in the art of shangqiu for many years, and founded a five-member art group, "shallow mountain group". As the tutor of "asakan group", li feng can be seen as a mature artist's two-way guidance and help to the new generation of artists in spirit and creation, which also reflects his deep concern for young artists from the side. In other words, asayama group is not only an art group led by him, but also li feng's real sense of artistic mission and responsibility in the context of the big era.

——Hui Shuwen

©李峰，《身份的焦虑·1》，160x150cm，布面综合绘画，2019

◐ 关于艺术家·李峰

C V

LI FENG

生于吉林洮南

毕业于河南大学艺术学院

中国美术家协会会员，诗人、画家

展览经历

个展

2017 “隐思”---《内伤的苹果》李峰诗集发布会暨油画作品微展郑州松社书店

2016 水深火热----李峰个人作品展正空间·徐州