  艺术家 / Artist 策展人/ Curato 王友江 Wang youjiang 2023年北上北艺术策划《非A》当代艺术对话国际展览，为期一年分集系列展，将邀请国内外具有影响力的当代艺术家参加，展览是无主题性多元化的状态，需要艺术家个体经验有态度的表达，在当下环境中发出自己独特的声音。 北上北艺术坚持倡导当代艺术精神，自由灵魂、独立思考、反叛陈腐、追求原创，思考生存空间给予生命的待遇和尊严，艺术家通过自己的艺术作品启迪人们去思考和觉醒。艺术家需要建立明确的态度及艺术主张，态度决定观念，观念决定语言 ，语言决定力量，没有态度的语言是苍白的。 当代艺术必须是具有国际视野下的艺术活动，只有站在人类文明理念去思考问题，才能认知文化语境独特性与国际性的关系，不是一枝独秀的自我欣赏，文化语境的跨越与融合是发展的必然。 In 2023, Beishangbei Art will plan the International Exhibition of Non A Contemporary Art Dialogue, which will be a one-year diversity series exhibition. Influential contemporary artists at home and abroad will be invited to participate in the exhibition. The exhibition is in a state of non thematic diversity, requiring artists to express their own experience and attitude, and make their own unique voice in the current environment. Beishangbei Art insists on advocating the spirit of contemporary art, free soul, independent thinking, rebelling against staleness, pursuing originality, thinking about the treatment and dignity of life given by living space, and artists inspire people to think and awaken through their own art works. Artists need to establish clear attitudes and artistic propositions. Attitude determines ideas, ideas determine language, and language determines power. Language without attitude is pale. Contemporary art must be an art activity with an international perspective. Only by thinking about issues from the perspective of human civilization can we recognize the relationship between uniqueness of cultural context and internationality. It is not a unique self appreciation. The leap and integration of cultural context is inevitable for development.   艺术家 / Artist 虞 村 Yu Cun 中国艺术家 1958年生于上海，艺术家，教授 1982年毕业于南京艺术学院 近些年来，虞村一直以人类文明史上的重大事件和重要人物为主题作出自己个人化的解读，而且 尺幅巨大，人物、文字处于一种无章法、无结构、接近童趣的语言状态，主题宏大而非“宏大叙 述”，值得关注！ —— 贾方舟（中国美术批评家年会名誉主席，艺术评论家） 虞村的画感觉是写出来的！这个我觉得很重要！我觉得是从关良到新文人画到虞村，现在就是虞 村把这个东西画出来了！这个就是虞村很大的一个价值！ —— 栗宪庭 （中国著名艺术评论家） 个人展览 2022《哥俩：南溪&虞村双个展》ARTL 画廊，上海 2020《另一个世界——虞村东京首展》熏依社东京馆，东京 2019《松动的螺丝：虞村，一了双个展全国巡展》悦.美术馆/秋水空间/岭南美术馆，北京/上海/东莞 2016《戏说人生——虞村作品展》朱屺瞻艺术馆，上海 2016《虞村艺术展》雅山画廊，伦敦 2014《瞧！这些人——虞村艺术展》苏州美术馆，苏州 2012《品味众生——虞村艺术展》悦·美术馆，北京 2008《虞村作品展》四方当代美术馆，南京 2005《“图像演义”虞村油画作品展》今日美术馆，北京 群体展览 2022《各境与相望》国际当代艺术交流展（线上）北上北艺术 北京 2021《墨相推演——当代水墨艺术展》觉苒空间，上海 2021《即时造像——当代水墨作品展》M50厘米空间，上海 2020《要有书——当代艺术文献主题邀请展·上海》上海浦东图书馆&金桥碧云美术馆，上海 2020《新海派水墨艺术文献展》淘艺术空间，上海 2019《相交的平行线：2019维也纳·第二届中欧国际艺术双年展》维也纳 2019《第三届独立品格提名展》大河湾美术馆，北京 2018《中国当代艺术年鉴展2017》民生美术馆，北京 2018《2018中国写意油画学派人物专题研究展》北京万荷美术馆，北京 2017《2017击鼓传花——关良，丁立人，虞村作品展》秋水空间，上海 《水墨论坛邀请展》南溪工作室，北京 2016《中国当代纸本绘画》Waterfront Gallery，伦敦 2016《漫游牡丹亭——纪念汤显祖逝世400周年2016中国戏曲人物画年展》上海朱屺瞻艺术，上海 2016《妈妈们的画——首届原生艺术展》悦.美术馆，北京 2015《2015美术批评家提名展》北京晋商博物馆，北京 2015《中国当代艺术年鉴展2014》民生美术馆，北京 2014《情境2014当代艺术邀请展》中捷当代美术馆，北京 2013《55届威尼斯双年展——未曾呈现的声音》威尼斯 2013《首届中国·捷克当代艺术展》中捷当代美术馆，北京 2012《闳约深美——南京艺术学院百年校庆美术作品展》中国美术馆，北京 2012《2012 当代最具学术价值与市场潜力的艺术家邀请展暨高峰论坛》中国国家画院美术馆，北京 2009《“中国情境重庆驿站〞当代艺术大展》黄桷坪 501当代美术馆，重庆 2008《艺术慈善中国——2008中国当代艺术国际巡回展》中国北京/日本东京/中国香港 2008《2008奥林匹克美术大会特邀作品展》中国/希腊/美国/中国展区 ：中国国际展览中心，北京 2008《艺术不是什么？中国当代艺术的 45 份问卷》798艺术区，北京 2007《后先锋：中国新艺术的四个方向 》安亭公司，香港 2007《2007中国当代艺术文献展——主题展:东方》雍和美术馆，北京 2006《2006中国当代艺术文献展 》中华世纪坛美术馆，北京 Chinese artists Born in Shanghai in 1958, artist and professor Graduated from Nanjing Academy of Arts in 1982 In recent years, Yu Village has been making its own personalized interpretation with the theme of major events and important figures in the history of human civilization, and the scale is huge. The characters and characters are in a language state without rules, structure and childlike interest. The theme is grand rather than "grand narration", which is worth paying attention to! ——Jia Fangzhou (Honorary Chairman of the Annual Conference of Chinese Art Critics, art critic) Yu Village's paintings are written! I think this is very important! I think it's from Guan Liang to the new literati to Yu Village. Now it's Yu Village that has painted this thing! This is a great value of Yu Village! ——Li Xianting (a famous Chinese art critic) Individual exhibition 2022 Brothers: Nanxi&Yucun Double Exhibition ARTL Gallery, Shanghai 2020 Another World - Yucun First Exhibition in Tokyo Xunyi Society Tokyo Pavilion, Tokyo 2019 Loose Screws: Yu Village, One Double Exhibition National Tour Yue. Art Museum/Qiushui Space/Lingnan Art Museum, Beijing/Shanghai/Dongguan 2016 Dramatic Life - Yu Village Works Exhibition, Zhu Qizhan Art Museum, Shanghai 2016 Yucun Art Exhibition Yashan Gallery, London 2014 Look! These People - Yucun Art Exhibition, Suzhou Art Museum, Suzhou 2012 Tasting All Beings - Yucun Art Exhibition, Yue · Art Museum, Beijing 2008 Yucun Works Exhibition, Sifang Contemporary Art Museum, Nanjing 2005 "Image Romance" Yucun Oil Painting Exhibition "Today Art Museum, Beijing Group exhibition 2022 International Contemporary Art Exchange Exhibition (Online) "All Scenarios and Facing Each Other" North to North Art Beijing 2021 Moxiang Deduction - Contemporary Ink Art Exhibition 2021 Instant Sculpture - Contemporary Ink Painting Exhibition M50cm space, Shanghai 2020 "To Have Books - Contemporary Art Literature Theme Invitational Exhibition · Shanghai" Shanghai Pudong Library&Jinqiao Biyun Art Museum, Shanghai 2020 "New Shanghai Style Ink Art Literature Exhibition" TaoArt Space, Shanghai 2019 Intersecting Parallel Lines: 2019 Vienna · The Second EU China International Art Biennale Vienna 2019 The Third Independent Character Nomination Exhibition, Dahewan Art Museum, Beijing 2018 China Contemporary Art Yearbook Exhibition 2017 Minsheng Art Museum, Beijing 2018 China Freehand Oil Painting School Character Research Exhibition, Beijing Wanhe Art Museum, Beijing 2017 "2017 Drum Beating to Pass Flowers - Guan Liang, Ding Liren, Yucun Works Exhibition" Autumn Space, Shanghai Invited Exhibition of Ink and Wash Forum Nanxi Studio, Beijing 2016 Chinese Contemporary Paper Painting Waterfront Gallery, London 2016 Wandering the Peony Pavilion - Commemorating the 400th Anniversary of Tang Xianzu's Death 2016 Chinese Opera Figure Painting Annual Exhibition, Shanghai Zhu Qizhan Art, Shanghai 2016 The Paintings of Mothers - The First Native Art Exhibition Yue. Art Museum, Beijing 2015 Art Critics Nomination Exhibition, Beijing Jinshang Museum, Beijing 2015 China Contemporary Art Yearbook Exhibition 2014 Minsheng Art Museum, Beijing 2014 Contextual 2014 Contemporary Art Invitational Exhibition, Zoje Contemporary Art Museum, Beijing 2013 The 55th Venice Biennale - The Voice Never Presented Venice 2013 The First China Czech Contemporary Art Exhibition, Zoje Contemporary Art Museum, Beijing 2012 "Hong Yue Shen Mei - Nanjing Academy of Arts Centennial Anniversary Art Exhibition", China National Art Museum, Beijing 2012 Invited Exhibition and Summit Forum of the Artists with the Most Academic Value and Market Potential in Contemporary China, Art Museum of the National Academy of Painting, Beijing 2009 "China Situations Chongqing Posthouse" Contemporary Art Exhibition Huang Jueping 501 Contemporary Art Museum, Chongqing 2008 Art Charity China - 2008 China Contemporary Art International Tour Exhibition Beijing, China/Tokyo, Japan/Hong Kong, China 2008 Exhibition of Specially Invited Works of the 2008 Olympic Art Conference China/Greece/America/China Exhibition Area: China International Exhibition Center, Beijing 2008 What is Art? 45 Questionnaires of Chinese Contemporary Art 798 Art District, Beijing 2007 "Post Pioneer: Four Directions of Chinese New Art" Anting, Hong Kong 2007 China Contemporary Art Literature Exhibition - Theme Exhibition: The Orient Yonghe Art Museum, Beijing 2006 2006 China Contemporary Art Literature Exhibition, China Century Monument Art Museum, Beijing   虞 村 / Yu Cun 珍珠港事件 / Pearl Harbor Incident 250x750cm 纸本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 纸本水墨 / Paper Ink 2020 艺术思考： 我的作品涉及到一些政治事件或政治人物或历史或新闻，这些是世界的重要组成部分，我当然感兴趣，感兴趣的就想画出来。 Artistic thinking: My works involve some political events or political figures or history or news. These are important parts of the world. Of course, I am interested in them.  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 纸本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 纸本水墨 / Paper Ink 2020  虞 村 / Yu Cun 珍珠港事件（局部） / Pearl Harbor Incident (Local) 250x750cm 纸本水墨 / Paper Ink 2020  艺术家 / Artist 江 海 Jiang Hai 中国艺术家 1986年毕业于天津美术学院绘画系版画专业，现居天津。 个人展览 1991 江海油画展，北京音乐厅画廊，北京 1992 江海油画展，北京音乐厅画廊，北京 1995 江海油画展，国际艺苑，北京 1999 变幻的技术——江海油画展，四合苑画廊，北京 2002 魔幻都市的现实与虚望——江海油画展，上海美术馆，上海 2006 女虚 女妄——江海油画作品展，3+3空间，北京 2011 异托邦——江海作品（1990-2010），上海多伦现代美术馆 异托邦——江海作品（2006-2010），北京今日美术馆3号馆 2014 江海·乌托邦，路德维希斯堡国立皇宫博物馆，斯图加特，德国 2016 膨胀的时代-江海油画展深圳圈子艺术中心 2019 狼藉艺术——江海作品废墟展，天津城市拆迁现场 2022 钢筋混凝脂——江海作品“虚拟”映出网络展，天津新港船厂旧址 团体展览 1987 BT.5画展，中央美术学院画廊，北京 1989 中国现代艺术展，中国美馆，北京 1993 中国油画双年展（获提名奖），中国美术馆，北京 中国油画年展，中国美术馆，北京 1994 第二届中国油画展，中国美术馆，北京 1995 《江苏画刊》20周年展（获该刊作品奖），江苏美术馆，南京 1996 第一届中国油画学会展，中国美术馆，北京 1997 中国当代油画展，刘海粟美术馆，上海 2003 第三届中国油画展，中国美术馆，北京 今日中国美术大展，中华世纪坛，北京 2004 首届中国壁画大展，中国美术馆，北京 2005 “世纪”与“天堂”：2005成都双年展，国际会展中心，成都 2006 此身·界外油画展，前波画廊, 纽约, 美国 艺术．北京，农展馆，北京 2006 中国当代艺术文献展，中华世纪坛，北京 2009 中国现代艺术展文献展，北京 2011 中国·视觉的记忆，瑞士伯尔尼 作品收藏 《溺水》 油画 中国美术馆收藏 《大机器--1》油画 上海美术馆收藏 《嬉水》 油画 上海美术馆收藏 《抛物线》 素描（4幅） 上海美术馆收藏 《至尊--1》 油画 广东美术馆收藏 《大食品》 素描 中国现代文学馆收藏 《印迹》 油画 中国现代文学馆收藏 Chinese Artists Graduated from the painting department of Tianjin Academy of Fine Arts in 1986, majoring in printmaking, and now lives in Tianjin. Personal exhibition 1991 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing 1992 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing 1995 Jianghai oil painting exhibition, international art garden, Beijing 1999 changing technology - Jianghai oil painting exhibition, Siheyuan Gallery, Beijing 2002 reality and illusion of magic city -- Jianghai oil painting exhibition, Shanghai Art Museum, Shanghai 2006 Women's emptiness and arrogance - Jianghai oil painting exhibition, 3+3 space, Beijing 2011 dystopia - Jianghai works (1990-2010), Duolun Modern Art Museum, Shanghai Dystopia - works of Jiang Hai (2006-2010), No. 3 Museum of today art, Beijing 2014 Jianghai Utopia, Ludwigsburg National Palace Museum, Stuttgart, Germany 2016 expanding era - Jianghai oil painting exhibition Shenzhen circle Art Center 2019 messy Art - Jianghai works ruins exhibition, Tianjin urban demolition site 2022 reinforced concrete -- Jianghai work "virtual" reflects the network exhibition, the former site of Tianjin Xingang shipyard Group exhibition 1987 bt.5 painting exhibition, Central Academy of Fine Arts Gallery, Beijing 1989 China modern art exhibition, China Art Museum, Beijing 1993 Chinese oil painting Biennale (nominated), National Art Museum of China, Beijing Chinese oil painting annual exhibition, China Art Museum, Beijing 1994 the second Chinese oil painting exhibition, China Art Museum, Beijing 1995 "Jiangsu pictorial" 20th Anniversary Exhibition (won the work award of the magazine), Jiangsu Art Museum, Nanjing 1996 the first China Oil Painting Society exhibition, China Art Museum, Beijing 1997 China contemporary oil painting exhibition, LiuHaisu Art Museum, Shanghai 2003 the third Chinese oil painting exhibition, China Art Museum, Beijing Today's China Art Exhibition, China Millennium Monument, Beijing 2004 first Chinese mural exhibition, China Art Museum, Beijing 2005 "century" and "paradise": 2005 Chengdu Biennale, International Convention and Exhibition Center, Chengdu 2006 this body · out of bounds oil painting exhibition, Qianbo Gallery, New York, USA Art. Beijing, agricultural exhibition hall, Beijing 2006 Chinese contemporary art literature exhibition, China Millennium Monument, Beijing 2009 China Modern Art Exhibition literature exhibition, Beijing 2011 China, visual memory, Bern, Switzerland Collection Drowning oil painting, collected by China Art Museum Big machine -- 1 oil painting collected by Shanghai Art Museum "Playing in the water" oil painting collected by Shanghai Art Museum Parabola sketch (4 pieces) collected by Shanghai Art Museum Supreme --1 oil painting collected by Guangdong Art Museum The sketch of "big food" is collected by the Museum of modern Chinese literature "Imprint" oil painting collected by China Modern Literature Museum 江 海 / Jiang Hai 根深蒂固-1 / Deeply ingrained - 1 600x480cm 油彩、丙烯、亚麻布 / Oil paint, propylene, linen 2008-2022 江 海 / Jiang Hai 根深蒂固-2 / Deeply ingrained - 2 600x480cm 油彩、丙烯、亚麻布 / Oil paint, propylene, linen 2008-2022 艺术思考： “现代艺术”是以开拓艺术语言形式为目，它试图解决艺术本质规律的问题，它抛弃了形式语言以外的外延功能，视为艺术而艺术为独尊。“当代艺术”应该是在保持“现代艺术”基本盘的基础上，增加社会批判属性，赋予艺术家对于社会现实的关注和对社会现象的敏感反思的能力，让这一切都能组成的一个实体。中国当代社会丰富多彩、结构复杂，奇葩的极具戏剧性的事件时常发生、往往超越人们的想象，这给艺术家提供了高饱和度的信息和资源，等待艺术家去关注表达。
Artistic thinking: "Modern art" is aimed at developing the form of artistic language. It tries to solve the problem of the essential law of art. It abandons the extension function outside the formal language, and regards art as art and art as exclusive. "Contemporary art" should be an entity that maintains the basic plate of "modern art", increases the attribute of social criticism, and endows artists with the ability to pay attention to social reality and reflect on social phenomena sensitively, so that all these can be formed. China's contemporary society is rich and colorful, with complex structure, and dramatic events often occur, often beyond people's imagination, which provides artists with highly saturated information and resources, waiting for artists to pay attention to expression.
江 海 / Jiang Hai 黄金时代｜脉 / Golden Age | Pulse 1800x440cm 油彩、丙烯、亚麻布 / Oil paint, propylene, linen 2016 江 海 / Jiang Hai 黄金时代｜冥显 / Golden Age | Mingxian 1800x540cm 油彩、丙烯、亚麻布 / Oil paint, propylene, linen 2016 江 海 / Jiang Hai 遗墙 / Bequeathed wall 1800x500cm 油彩、丙烯、亚麻布 / Oil paint, propylene, linen 2018 艺术家 / Artist 王友江 WangYoujiang 中国艺术家 1986年毕业于西安美术学院 1997年毕业于中央美术学院油画系第九届研修班 现在北京交通大学建筑与艺术学院 教授 中国美术家协会会员 主要展览： 1985年作品《奥运之火映照五大洲的心》，入选“首届体育美展”获三等奖，组办单位：中国奥林匹克委员会，中国美术家协会； 1989年作品《绿的使者、人类的朋友》入选“全国七届美术展”，组办单位：中华人民共和国文化部，中国美术家协会 1997年作品《敦煌印象》入选“走向新世纪——中国青年油画展”， 组办单位：中国油画学会 1997年作品《平房》入选“庆祝中华人民共和国成立五十周年写生展”， 组办单位：中国美术家协会 2001年作品《痕迹16》入选“研究与超越——中国小幅油画作品大展”，组办单位：中国油画学会 2002年作品《痕迹系列》入选美国沃蒙特艺术中心“国际交流展”获“全额奖” 2003年作品《痕迹20》入选“第三届全国油画大展”获“精品”奖，组办单位：中国美术家协会，文化部艺术司，中国油画学会 2005年作品《痕迹22》入选“自然与人——第二届当代中国山水画展”，组办单位：中国油画学会，中国画研究院 2011年8月12日三木画廊承办《一路行随笔——王友江油画写生作品展》，组办单位：甘肃省美术家协会 2012年《写生作品》参加台湾绘画交流展 2013年6月《王友江绘画作品展——零界》在北京798感叹号画廊举办 2014年12月《中法水墨交流展》在北京798感叹号画廊举办 2016年作品参加《中国印象—当代艺术家联展》在美国休士顿美术馆 2017年作品参加《久别回声——中央美术学院油画系第九届研修班作品展》中央美术学院油画系主办 2019年作品参加《时代光彩》2019津京油画家邀请展，西洋美术馆举办 2021年10月作品《虚幻与错位》参加在兰州举办的《北纬36°艺术展》 2022年参加《各境与相望》国际当代艺术交流展（线上），主办单位：北上北艺术，北京 作品收藏：中国、美国、印尼、中国台湾、丹麦 Chinese Artists Graduated from Xi'an Academy of Fine Arts in 1986 1997 Graduated from the 9th workshop of Oil Painting Department of Central Academy of Fine Arts Currently Professor at the School of Architecture and Art, Beijing Jiaotong University Member of China Artists Association Major Exhibitions. In 1985, the work "Olympic Fire Reflects the Hearts of Five Continents" was selected to win the third prize in the "First Sports Art Exhibition", organized by the China Olympic Committee and the China Artists Association. In 1989, the work "Green Messenger, Friend of Humanity" was selected for the " 7th National Art Exhibition", organized by the Ministry of Culture of the People's Republic of China and the China Artists Association. 1997 "Dunhuang Impression" was selected in "Towards the New Century - Chinese Youth Oil Painting Exhibition", organized by China Oil Painting Society. In 1997, the work " The Cottage" was selected in the "Celebration of the 50th Anniversary of the Founding of the People's Republic of China Sketching Exhibition", organized by the China Artists' Association. In 2001, the work "Traces 16" was selected in the "Research and Transcendence - China Small-Scale Oil Painting Exhibition", organized by the China Oil Painting Society. In 2002, the work "Traces Series" was selected for the "International Exchange Exhibition" of Vermont Art Center, USA, and won the "Full Award". In 2003, the work "Traces 20" was selected for the "3rd National Oil Painting Exhibition" and won the "Excellence" award, organized by the China Artists Association, the Art Department of the Ministry of Culture and the China Oil Painting Association. In 2005, his work "Traces 22" was selected in "Nature and Man - The Second Contemporary Chinese Landscape Painting Exhibition", organized by: China Oil Painting Association, Chinese Painting Institute. August 12, 2011, Sanmu Gallery hosted the "sketch along the way - Wang Youjiang oil painting sketching works exhibition", organizer: Gansu Provincial Artists Association. 2012 "Sketchwork" participated in the Taiwan Painting Exchange Exhibition. June 2013 "Wang Youjiang Painting Exhibition - Zero Boundary" held in Beijing 798 Exclamation Point Gallery. December 2014 " China-France Ink painting Exchange Exhibition" in 798 Exclamation Gallery, Beijing. 2016 works in "Chinese Impressions - Group Exhibition of Contemporary Artists" at the Museum of Fine Arts, Houston, USA. 2017 works participated in "Echoes of a Long Farewell - The Ninth Workshop Exhibition of the Oil Painting Department of the Central Academy of Fine Arts" organized by the Oil Painting Department of the Central Academy of Fine Arts; 2019 works participated in "The Glory of the Times" 2019 Invitational Exhibition of Oil Painters in Tianjin and Beijing, held at the Western Art Museum. In October 2021 the work "Illusion and Dislocation" participated in the "36° North Latitude Art Exhibition" held in Lanzhou. Works Collection: China, USA, Indonesia, China Taiwan, Denmark In 2022, he will participate in the International Contemporary Art Exchange Exhibition (online) of "All Scenarios and Facing Each Other", sponsored by Beishangbei Art, Beijing 王友江 / Wang Youjiang 虚幻与错位-2月24日梦中惊醒 / Illusion and dislocation - February 24th 200x142cm 布面油画 / Oil painting on canvas 2022 王友江 / Wang Youjiang 虚幻与错位-桌子上的摆件 / Illusion and dislocation - table ornaments 200x142cm 布面油画 / Oil painting on canvas 2022 艺术思考： 我的绘画采用象征性艺术手法来表达内心意愿，不是直接面对现实场景的描绘，是以感受到现实的虚幻与错位，以荒诞的表达方式指向主题的实质，让观众自己体会作品象征的含义，来启示对人性善恶、爱恨、欲望、真诚、虚伪的思考，去唤醒人性中的理想。作品对美好事物的赞颂，对理想境界的追求，或对旧恶事物的讽刺，抨击不合理的现象，还有对生存状态以及对个体意志尊重的思考。我们往往感知到的事物不一定是真实的，人们往往用鲜花来粉饰不堪的现实，用美丽的外表装扮不堪的灵魂，迷茫的人生分裂的人格，如同变色龙一般随着环境事态的变化而改变自己的意志，不考虑自己的灵魂应该在哪里。人性中的欲望与无奈，自私与贪婪、仇恨与卑劣，如果没有坚定的信仰或不去干预控制，人性就会堕落到野蛮。人性除了自我修道，还有环境的影响，环境的状态会造就人性特征，人性特征又反映社会特征，所以我们对人性的思考一定会影射对社会的思考。 Artistic thinking: My painting uses symbolic artistic techniques to express the inner will. Instead of directly facing the description of realistic scenes, it is to feel the illusion and dislocation of reality and point to the essence of the theme in an absurd way of expression, so that the audience can understand the meaning of the symbol of the work, to inspire the thinking of human nature's good and evil, love and hate, desire, sincerity and hypocrisy, and to awaken the ideal in human nature. The work praises the beautiful things, pursues the ideal realm, satirizes the old and evil things, attacks the unreasonable phenomena, and thinks about the living state and respect for individual will. The things we often perceive are not necessarily true. People often use flowers to whitewash the unbearable reality, beautiful appearance to dress up the unbearable soul, and confused life split personality. Like a chameleon, they change their will with the changes of environmental events, regardless of where their soul should be. The desire and helplessness, selfishness and greed, hatred and meanness in human nature will degenerate into barbarism if there is no firm belief or no intervention and control. In addition to self-cultivation, human nature also has the influence of the environment. The state of the environment will create human characteristics, and human characteristics reflect social characteristics. Therefore, our thinking about human nature must reflect our thinking about society. 王友江 / Wang Youjiang 虚幻与错位-塑料模特的质疑 / Illusion and dislocation - Query on plastic models 200x142cm 布面油画 / Oil painting on canvas 2019 王友江 / Wang Youjiang 虚幻与错位-倒立 / Illusion and dislocation - handstand 200x142cm 布面油画 / Oil painting on canvas 2022 王友江 / Wang Youjiang 虚幻与错位-想要飞翔 / Illusion and dislocation - Want to fly 200x142cm 布面油画 / Oil painting on canvas 2022 艺术家 / Artist 侯 伟 Hou Wei 中国艺术家 侯 伟，教授，画家。是当代具象写实画派主义的领军人物。精湛的坦培拉技法在中国独树一帜。“尘埃系列”作为侯伟教授独有的绘画语言，斩获国内外数项大奖。系享誉国内外著名的画家。 现任上海师范大学美术学院教授，硕士研究生导师，研究生专业学科带头人，中国美术家协会会员，上海美术家协会水彩协会艺委会委员，IMWA国际水彩大师协会会员。 Chinese artists Hou Wei, Professor, painter. He is the leading figure of contemporary representational realism. The superb Tampere technique is unique in China. As Professor Hou Wei's unique painting language, "Dust Series" has won several awards at home and abroad. He is a famous painter at home and abroad. He is currently a professor of the School of Fine Arts of Shanghai Normal University, a master's supervisor, a leader of the postgraduate discipline, a member of China Artists Association, a member of the Art Committee of Shanghai Artists Association Watercolor Association, and a member of IMWA International Watercolor Masters Association. 侯 伟 / Hou Wei 尘埃系列 / Dust series 60x90 纸本坦培拉、色粉 / Paper Tampere, toner 2017 侯 伟 / Hou Wei 尘埃系列 / Dust series 45x60 纸本坦培拉、色粉 / Paper Tampere, toner 2015 艺术思考： 艺术创作离不开技术、技巧，同样的技术到底是艺术性的，抑或是纯技术性的，在其精神与效用上颇有分别。“得之于手，应于心，口不能言，有数存焉于其间。”事实上在艺术创作过程中，隐藏于作品背后的精神、境界难以言说，除了自觉自证，别无坦途。“手”的技巧是否能够适应“心”所把握的内容，而将作品创作出来，对作者本人艺术修养的总和是一种试炼，有“技近乎道”的要求。若技巧的修养不是以审美和趣味为依据，则其技巧亦将被局限于实用目的范围之内，而难以由技以进乎道，即难进入于艺术的领域。 绘画不是对自然的简单复制，而是画家的价值体系和心灵感受以及技术要素的统一，在绘画中，我试图表达对佛学和老庄思想的感悟——画者何为？绘事何为？这些作品来自一个“尘埃”系列的创作构想。《金刚经》中有云：“一切有为法，如梦幻泡影，如露亦如电，应作如是观”，又云：“凡所有相，皆是虚妄。”《六祖坛经》中慧能偈云：“菩提本无树，明镜亦非台，本来无一物，何处惹尘埃？”《法华经》中提到，一微尘中有三千大千世界。 Artistic thinking: Art creation can not be separated from technology and skills. The same technology is artistic or purely technical, which is quite different in its spirit and effectiveness. "You should get it from the hand, but you can't say it, and there is something in it." In fact, in the process of artistic creation, the spirit and realm hidden behind the works are hard to say, and there is no smooth way except to consciously prove themselves. Whether the skill of "hand" can adapt to the content grasped by "heart", and creating works is a test of the total artistic accomplishment of the author, with the requirement that "skill is close to Tao". If the cultivation of skills is not based on aesthetics and interest, the skills will also be limited to the scope of practical purposes, and it is difficult to enter the realm of art from technology to Tao. Painting is not a simple copy of nature, but the unity of the painter's value system, spiritual feelings and technical elements. In painting, I try to express my understanding of Buddhism and Lao Zhuang's thoughts - what is the painter? What is a picture? These works come from the creative idea of a "dust" series. In the Vajra Sutra, it is said that "all actions are like illusions, bubbles and shadows, as well as dew and electricity, and should be observed as they are", and it is also said that "all appearances are illusory." Huineng said in the Six Ancestors' Jar Sutra: "Bodhi is not a tree, and a mirror is not a platform. There is nothing, so where can it cause dust?" It was mentioned in the Fahua Sutra that there are three thousand worlds in a tiny dust. 侯 伟 / Hou Wei 尘埃系列 / Dust series 60x45 纸本坦培拉、色粉 / Paper Tampere, toner 2021 侯 伟 / Hou Wei 尘埃系列 / Dust series 40x55 纸本坦培拉、色粉 / Paper Tampere, toner 2021 侯 伟 / Hou Wei 尘埃系列 / Dust series 45x60 纸本坦培拉、色粉 / Paper Tampere, toner 2021 艺术家 / Artist 丁一军 Ding Yijun 中国艺术家 1984年毕业于西安美术学院版画系，目前工作生活于上海、湖州两地。 主要展览： 1998年丁一军现代油画作品展，青海师范大学，西宁； 2000年丁一军油画作品展，浙江湖州师范学院，湖州； 2006年入境中国美学双年展，上海当代艺术博物馆，上海； 2009年生化虚实之间动漫展，今日美术馆，北京； 2013年寻常梦丁一军个展，翎艺馆，上海；2014年表情丁一军个展，M50，上海； 2015年任性丁一军个展，木田画廊，大理； 2016年姿态丁一军个展，湖州； 2016年重绘画博弈当代艺术困境群展，798白盒子，北京； 2019年乐园丁一军个展，湖州； 2019年并非丛林丁一军同城两地个展大浦当代艺术馆，成都；X空间，成都； 2020年202020 丁一军个展，西宁。 Chinese Artists He graduated from the printmaking department of Xi'an Academy of Fine Arts in 1984 and currently lives in Shanghai and Huzhou. Major works： 1998，DingYijun modern oil painting exhibition, Qinghai Normal University, Xining； 2000，Ding Yijun oil painting exhibition, Huzhou Normal University, Huzhou； 2006，China aesthetics Biennale, Shanghai Museum of contemporary art,Shanghai； 2009，Animation Exhibition between the real and the real, Today ArtMuseum, Beijing； 2013，Ordinary dream Ding Yijun solo exhibition, Lingyi Museum, Shanghai； 2014，Emoticon Ding Yijun solo exhibition, M50, Shanghai； 2015，Willful Ding Yijun solo exhibition, mudian Gallery, Dali； 2016，Posture Ding Yijun solo exhibition, Huzhou； 2016，Groupexhibition of contemporary art dilemma with emphasis on painting game, 798white box, Beijing； 2019，Individualexhibition of the first army of paradise, Huzhou； 2019,No jungle, Ding Yijun, two exhibitions in the same city, TaffContemporary Art Museum, Chengdu; X space, Chengdu； 2020， 202020 Ding Yijun Solo Show， Xining 丁一军 / Ding Yijun 一星期的表情 / A week's expression 布面丙烯 / Cloth faced propylene 150X150cm 2020 丁一军 / Ding Yijun 乐园 / RIZ-ZOAWD 装置 绘画 木质 丙烯 / Installation Painting Wood Propylene 500X500cm 2019 艺术思考： 在生活中寻找和发现一些非绘画材料进行再创作赋予材料新的意义是件有趣味的工作，也是我一直试图拓展艺术表达的方式，非绘画材料的绘画和装置的结合，呈现出了新的语言空间，寻找和选择适合创作的材料花去了很多时间和心思，木质材料的应用是一个阶段的爱好，发现不同材料的自然造型加以利用或组装成装置绘画形式，绘画不在受制于平面，我重视艺术语言和手法的多样性、开放性，意味单纯随性的幽默感是我作品的面貌，看似随意的组合实则是精心之处，作品表达出的意境隐含着我对这个世界的认知和态度。 Artistic thinking: It is an interesting job to find and re create some non painting materials in life and give them new meaning. It is also a way that I have been trying to expand artistic expression. The combination of painting and installation of non painting materials presents a new language space. It takes a lot of time and thought to find and select materials suitable for creation. The application of wood materials is a hobby at a stage, It is found that the natural shapes of different materials are used or assembled into the form of installation painting. Painting is no longer restricted by the plane. I attach importance to the diversity and openness of artistic language and techniques, which means that the simple and casual sense of humor is the face of my work. The seemingly random combination is actually elaborate. The artistic conception expressed in the work implies my understanding and attitude towards the world. 丁一军 / Ding Yijun 组合关系 /synthetic relation 木质 丙烯 / Wood propylene 60x8cm 2020 丁一军 / Ding Yijun 向阳花 / Sunflower 装置 绘画 木质 丙烯 / Installation Painting Wood Propylene 100X100cm 2019 丁一军 / Ding Yijun 表情 / expression 木质 绘画 丙烯 / Wood painting propylene 28X24cm 2020 艺术家 / Artist 于祖培 Yu Zupei 中国艺术家 1963年生，辽宁省葫芦岛人，先后毕业于辽宁省教育学院、中国艺术研究院油画研究生课程班。多次参加省、市全国大展并获奖。作品被炎黄艺术馆、北京中原文化公司画廊等多家机构和个人收藏。并在中国油画、中国艺术、艺术市场、中国当代艺术年鉴、中国当代艺术交流、鉴宝等多家刊物发表出版。 部分展览： 2005《穿越与融合》新年特展（北京） 2006年中国当代绘画交流展（北京） 2007年《散点的聚焦》中国当代油画作品展（北京红鼎画廊） 2010年《融合·同行》北京当代名家十人邀请展（上海） 2010年中国当代艺术年鉴展（北京上上美术馆) 2012年《如影随形》于祖培油画作品个人展（北京798熙丰艺术空间） 2013年《相约艺术》中国、西班牙艺术家联展（北京异述坊油画馆） 2013年 独立的品格——2013潜质艺术家年度提名展（北京大河湾美术馆) 2014年 中国当代油画家学术推介展（新疆乌鲁木齐美术馆） 2015年《时光的肖像》当代艺术展（北京松美术馆） 2015年 异述坊油画沙龙2015年度油画精品展（北京上上国际美术馆） 2016年《独立的品格——2016第二届提名展》（北京大河湾美术馆） 2017年《百年诗歌艺术大展》（北京） 2018年 《多彩中国艺术展》（意大利威尼斯） 2018年《坐标重置》上海当代艺术展（上海） 2019年 第三届《独立的品格提名展》（北京) 2019年 《精神肉体与生存的交织》于祖培个展（北京大河湾美术馆2019年 《精神肉体与生存的交织》于祖培个展（深圳招商创库） 2019年《涂鸦：自由的抒写》宋庄涂鸦队第八回展(北京中捷当代美术馆) 2020年《动物凶猛》于祖培当代艺术作品展（莱阳市具象1973画廊 2021年 人的生存状态——于祖培个展 柳州城市客厅 Chinese artists He was born in Huludao, Liaoning Province, in 1963. He graduated from Liaoning Education Institute and China Academy of Arts Oil Painting Postgraduate Course. He has participated in provincial and municipal national exhibitions for many times and won prizes. His works have been collected by Yanhuang Art Museum, Beijing Zhongyuan Culture Company Gallery and other institutions and individuals. It has been published in Chinese oil painting, Chinese art, art market, Chinese contemporary art yearbook, Chinese contemporary art exchange, treasure appreciation and other publications. Some exhibitions: 1995 Northeast Contemporary Oil Painting Exhibition (Hong Kong) 2000 Oil Painting Exchange Exhibition (South Korea) The 3rd Oil Painting Exhibition in Beijing (Beijing Central Academy of Fine Arts Museum) 2003 Creative Exhibition of Oil Painting Advanced Research Class of China Academy of Arts (Beijing Yanhuang Art Museum) August 2003 Nine People Painting Exhibition (Beijing Yanhuang Art Museum) 2005 New Year Special Exhibition of Crossing and Integration (Beijing) 2006 China Contemporary Painting Exchange Exhibition (Beijing) 2007 Focus of Scattered Points, China Contemporary Oil Painting Exhibition (Beijing Hongding Gallery) 2010 "Integration · Peer" Beijing Ten Contemporary Masters Invitational Exhibition (Shanghai) 2010 China Contemporary Art Yearbook Exhibition (Beijing Shangshang Art Museum) 2012 Personal Exhibition of Yu Zupei's Oil Painting Works, Like a Shadow (Beijing 798 Xifeng Art Space) The Art of Meeting, a joint exhibition of Chinese and Spanish artists in 2013 (Beijing Yishufang Oil Painting Museum) 2013 Independent Character - 2013 Annual Nomination Exhibition of Potential Artists (Beijing Dahewan Art Museum) 2014 Academic Promotion Exhibition of Chinese Contemporary Oil Painters (Xinjiang Urumqi Art Museum) 2015 Portrait of Time Contemporary Art Exhibition (Beijing Song Art Museum) 2015 Yishufang Oil Painting Salon 2015 Fine Oil Painting Exhibition (Beijing Shangshang International Art Museum) 2016 Independent Character - 2016 Second Nomination Exhibition (Beijing Dahewan Art Museum) 2017 Centennial Poetry Art Exhibition (Beijing) 2018 Colorful Chinese Art Exhibition (Venice, Italy) 2018 Coordinate Reset Shanghai Contemporary Art Exhibition (Shanghai) 2019 The Third Independent Character Nomination Exhibition (Beijing) 2019 Spiritual Body and Survival Interwoven Exhibition in Zupei (2019 Spiritual Body and Survival Interwoven Exhibition in Dahewan Art Museum in Beijing) 2019 Graffiti: Free Expression, the 8th exhibition of Songzhuang Graffiti Team (Beijing Zoje Contemporary Art Museum) In 2020, "Fierce Animals" in Zupei Contemporary Art Exhibition (Laiyang Juxiang 1973 Gallery People's Living Conditions in 2021 -- Yu Zupei's Personal Exhibition Liuzhou City Living Room 于祖培 / Yu Zupei 表达力提升 / Improved expressiveness 布面油彩 / Cloth paint 60×120cm 2022 于祖培 / Yu Zupei 要有光 / Have light 纸本丙烯 / Paper propylene 44×60cm 2021 艺术思考： 我的作品离生活较远，离生命、生存较近。如何对眼前的世界、事俗的世界、习以为常的世界再度审视，把表面的变成内在的，把熟视的变成陌生的，消除不必要的信息，将整个图像重新整理成我希望人们看到的部分，需要对眼前的现实重新定位，这才是当代艺术的思维。我以偶发的下意识直觉开启绘画，其间力求溶入观念与情感、人性与神性、戏谑与悲情、理性与荒诞，用这些元素去修改世界可见的显象，以便能够解脱自己进入更加自由的境界，一个思绪飞扬无拘无束的想象空间。 Artistic thinking: My works are far away from life and close to life and survival. How to re-examine the world in front of us, the secular world, and the world we are used to, change the surface into the inside, change the familiar into the unfamiliar, eliminate unnecessary information, and reorganize the whole image into the part I hope people can see. It is necessary to reposition the reality in front of us, which is the dimension of contemporary art. I started painting with occasional subconscious intuition, and tried to integrate ideas and feelings, human nature and divinity, banter and sadness, reason and absurdity. I used these elements to modify the visible images of the world, so that I could get rid of myself and enter a more free realm, a space of unrestrained imagination. 于祖培 / Yu Zupei 无序排列 / Unordered arrangement 纸本丙烯 / Paper propylene 60×60cm 2021 于祖培 / Yu Zupei 光中思绪 / Thoughts in light 纸本丙烯 / Paper propylene 60×60Cm 2022 于祖培 / Yu Zupei 遇见 / meet 布面油彩 / Cloth paint 120×110cm 2020 艺术家 / Artist 朴雄珪 Park,Woongkyu 韩国艺术家 1970 生于韩国 1996 韩国全南大学艺术学院美术系西洋画专业毕业 2001 中国北京中央美术学院油畵系硏究生毕业 现为定居北京，光州市立美术馆北京创作中心负责人，艺术家 个人展览 2015 一念，798韵画廊，北京，中国 2012 一念 · 一即多，多即一，一单元画廊，北京，中国 2004 画出心境 - 蛋彩画展，炎黄艺术馆，北京，中国 主要联展 2022 语言与言语 - 一个基于语言结构系统的展览实验，宋庄当代艺术文献馆，北京，中国 2020 地方 - 国际 515艺术创窟艺术季，515创窟美术馆，四川，中国 2019 东方冥想指南 - 中韩当代艺术交流展，远洋乐堤港空中美术馆，杭州，中国 2018 滚动中的雪球 - 南京，南京艺术学院美术馆，南京，中国 2018 第三届江西当代艺术展，景观 2018 国际艺术交流展，699文化创意园艺术中心，南昌，中国 2016 第三届南京国际美术展主题展 - HISTORICODE 萧条与供给，百家湖美术馆，南京，中国 2016 调和乐也 - 国际当代艺术展, 天津美术馆, 天津, 中国 2016 艺术巴黎 2016，巴黎大皇宫，巴黎，法国 2015 首届内蒙古当代国际艺术交流双年展，内蒙古大学南校区艺术学院展厅，呼和浩特，中国 2015 艺术家的办法 - 韩国当代艺术展，万营艺术空间，石家庄，中国 2013 方法之外，大象艺术空间馆 / 花莲文化创意产业园区展览馆 / 台北艺术博览会，台中 /花莲 / 台北，台湾 2012 桌子是桌子 - 光州双年展纪念展，光州市立美术馆常绿分馆，光州，韩国 2011 手头上的创造 - 第三届国际当代艺术光州艺术前途展，光州双年展展览馆，光州，韩国 2011 自然与现代形式，明园文化艺术中心，上海，中国 2007 第3届中国宋庄文化艺术节国际展，宋庄艺术区，北京，中国 2005 海外靑年艺术家展 2005，艺术的殿堂 - Hangaram美术馆，首尔，韩国 2004 韩国美术的办法及表现，中央美术学院美术馆，北京，中国 1999 十月谈 - 十人畵展，国际艺苑美术馆，北京，中国 Korean artist 1970 Born in Jindo, Chonnam, Korea 1996 B.F.A in Painting, Chonnam National University, Gwangju, Korea 2001 M.F.A in Oil Painting, Central Academy of Fine Art, Beijing, China Present; Manager of Beijing Residency Gwangju Museum of Art & Artist in Beijing, China Solo exhibitions 2015 One thought, Yun Gallery, Beijing, China 2012 One thought - One is all, All is on, Unit One Art Space, Beijing, China 2004 Draw the state of mind - Tempera Exhibition, YanHuang Art Museum, Beijing, China Selected Group Exhibitions 2022 Language and Speech – An Exhibition Experiment Rooted in Linguistic Structure, Songzhuang Contemporary Art Archive,Beijing, China 2020 Local - International 515 Creative Art Village Art Fair Opening Ceremony, 515 Art Museum, Sichuan, China 2019 Soul Meditation from the East - Contemporary Art Communicative Exhibition between China and Korea, Sky Line Museum, Hangzhou, China 2018 Rolling Snowball - Nanjing, AMNUA, Nanjing, China 2018 Spectacle 2018 International Art Exhibition, 699 Art Center, Nanchang, China 2016 The 3rd Nanjing International Art Festival - HISTORICODE: Scarcity & Supply, Baijia Lake Museum, Nanjing, China 2016 Harmony - International Contemporary Art Exhibition, Tianjin Art Museum, Tianjin, China 2016 Art Paris 2016, Grand Palals Paris, Paris, France 2015 Recombination and Motation of Gene – The 1st International Biennial of Contemporary Art of Inner Mongolia, Hohhot, Inner Mongolia, China 2015 Methods of Artists, Wanying Art Museum, Shijiazhuang, China 2013 Outside Method, Da Xiang Art Space/ Hualien Cultural Creative Industries Park/ Art Taipei2013, Taichung City/ / Hualien City/ Taipei, Taiwan 2012 A Table is a Table - An Anniversary Exhibition of 2012 Gwangju Biennale, Gwangju Museum of Art, Gwangju, Korea 2011 The 3rd International Contemporary Art Gwangju Art vision Exhibition, Gwangju, Korea 2011 Nature and Its Modern Forms, Mingyuan Art Center, Shanghai, China 2007 The 3rd China Songzhuang Culture & Art Festival, Songzhuang, Beijing, China 2005 The Young Korean Overseas Artists Exhibition 2005, Seoul Arts Center Hangaram Art Museum, Seoul, Korea 2004 Method and Expression of Korean Art, CAFA Gallery, Beijing, China 1999 Dialogue in October - Ten Men’s Exhibition, International Art Palace, Beijing, China 朴雄珪/ Park Woongkyu 一念20161115 / One thought20161115 100x100cm 布面丙烯， LED / LED, Acrylic on Canvas 2016 朴雄珪 / Park Woongkyu 一念·一即多，多即一201321 / One thought – One is All, All is One 201321 116.8x91cm 布面丙烯，香/ Incense, Acrylic on Canvas 2013 艺术思考： '一念’ 系列试图表达我对'一即一切，一切即一’的体会或感受。作品，通过在香上着色、裁断、焚烧、粘贴的简单的反复劳动过程而成，这种重复，因它的单调性使得我脑海空出，反而能够对某事物进行深思和冥想。原初我认为世上的一切，它的开端都有某'一’，这'一’会是固定不变的。但后来这'一即一切'变为’一即空'了。然后艺术就是我们日常生活中无法归纳的那部分东西，即空白部分了。 Artistic thinking: The 'One Thought' series tries to express my experience or feeling of 'One is everything, everything is one'. The work, made through the simple repetitive labor process of coloring, cutting, burning, and pasting incense, is a repetition that, because of its monotonous nature, makes my mind empty and allows me to ponder and meditate on something. Originally, I thought that everything in the world has a certain 'one' at its beginning, and this 'one' will be fixed. But then this 'one is everything' becomes 'one is empty'. Then art is the part of our daily life that cannot be summarized, that is, the blank part. 朴雄珪 / Park Woongkyu 一念201683 / One thought201683 90.9x72.7cm 布面丙烯，香/ Incense, Acrylic on Canvas 2016 朴雄珪 / Park Woongkyu 一念2017810 / One thought2017810 56x76cm 布面丙烯，香/ Incense, Acrylic on Canvas 2017 朴雄珪 / Park Woongkyu 一念201842/ One thought201842 布面丙烯，香，LED /LED, Incense, Acrylic on Canvas 60x60cm 2018 艺术家 / Artist 艾 伦 Alan Skalaskl 美国艺术家 教育背景 2023年春季艺术展中国艺术学院研究生 访问奖学金2016年秋季-2020年春季中央美术学院访问学者 2016年春季BFA芝加哥艺术学院本科生 精选展览 2022年12月芝加哥文化中心芝加哥邂逅 2022年9月独立形象重庆抽象新媒体 2022年8月奥弗莱厄蒂的纽约爱国者 2022年6月新泽西州特伦顿州立博物馆 2021 7月TopBidder Artbyss Cryptovoxels互联网后矩阵 2021 3月赤金博物馆密码体不在这里不在那里 2020年12月济南双年展在线家园 2019年12月VO美术馆北京教师展 2019年9月Buraby展览中心哈萨克斯坦Buraby传奇 2019年8月Visible Gallery北京出租车计划 2019年8月维度艺术中心重庆个展 2019年6月上海一诺美术馆上海夏季展 2019年3月奥地利大使馆北京马斯洛的梦想 2018年7月威尼斯自动售货机利物浦泰特利物浦 2018年5月北京炎黄美术馆《合法外国人》 2018年5月北京韩国文化中心 2017年10月RVCC画廊Branchberg校友展 2017年6月中国美术学院画廊杭州体验中国 2017年4月北京炎黄美术馆 2016年9月查理·詹姆斯画廊洛杉矶第四墙 2016年5月新日铁芝加哥评委会展览 American artist Education MFA Spring 2023 China Academy of Art(CAA) Visiting ScholarFall 2016 - Spring 2020 Central Academy of Fine Arts(CAFA) BFA Spring 2016 The School of the Art Institiute Of Chicago(SAIC) Selected Exhibitions December2022 Chicago Cultural Center Chicago Encounter September 2022 Independant Image Chongqing Abstract New Media August 2022 O’Flaherty’s New York The Patriot June 2022 NJ State Museum Trenton Re Emergence July 2021 TopBidder Artbyss Cryptovoxels Post-internet Matrix March 2021 Chi Jin Museum Cryptovoxels Not Here Not There December 2020 Jinan Biennial Online Home Realm of He December 2019 VO Art Museum Beijing Teacher’s Exhibition September 2019 Buraby Exhibition Center Kazakhstan Legends of Buraby August 2019 Visible Gallery Beijing Taxi Scheme August 2019 Dimensions Art Center Chongqing Solo Exhibition June 2019 Shanghai Yinuo Art Museum Shanghai Summer Show March 2019 Austrian Embassy Beijing Maslow’s Dream July 2018 Venice Vending Machine Liverpool Tate Liverpool May 2018 Yanhuang Art Museum Beijing Legal Aliens May 2018 Korean Cultural Center Beijing Se October 2017 RVCC Gallery Branchberg Alumni Exhibition June 2017 China Academy of Art Gallery Hangzhou Experience China April 2017 Yanhuang Art Museum Beijing Alienation September 2016 Charlie James Gallery Los Angeles The Fourth Wall May 2016 Nippon Steel Chicago Juried Exhibition 艾 伦 / Alan Skalaskl 嚎叫俱乐部 / Scream Club 焦油纸上的丙烯酸和蜡标记 / Acrylic and wax marker on tar paper 19 x 19.5cm 2022 艾 伦 / Alan Skalaskl 卢加别墅 / Luga’s Villa 焦油纸上的丙烯酸和蜡标记 / Acrylic and wax marker on tar paper 36.25 x 57cm 2022 艺术思考： 我在焦油纸上制作艺术品，这种纸通常用在屋顶瓦下面。我用丙烯酸颜料和蜡标记在这个黑色表面上形成一层发光的颜色。通过在黑暗中雕刻空间，我使用了与空白空间，空黑空间. 这些作品充满了对艺术史、电影和其他媒体的参考。我的工作受到支持这些空间的社会结构和建筑机构的影响。在西方绘画的传统层次中，我的作品属于历史绘画流派，但它是一种近现代的文化人类学文献。我最近的工作是研究北京的摇滚乐住宅，以及经常出现的社区。自从新冠肺炎大流行以来，许多场馆不再为社区服务。在与一大群人聚集在一起观看现场音乐是一种冒险行为的时候，应该庆祝这些幸存的机构。 Artistic thinking: I am making art on tar paper, which is typically used underneath roofing shingles. I use acrylic paint and wax markers to build up layers of luminous color on top of this black surface. By carving spaces from the darkness, I am using something like the opposite of 空白空间，空黑空间. These compositions are filled with references to art history, film and other media. My work is informed by social structures and the architectural institutions which support these spaces. In the traditional hierarchy of western painting my work exists within the history painting genre, however it serves as a kind of near contemporary documentation of cultural anthropology. My latest work is a study of the rock live houses in Beijing, and the communities which frequent them. Since the Covid pandemic, many of these venues are no longer serving their communities. In a time when gathering together with a large group of people to see live music is something of a risky act, these surviving institutions should be celebrated. 艾 伦 / Alan Skalaskl 愚公移山 / Yu Gong Yi Shan 焦油纸上的丙烯酸和蜡标记 / Acrylic and wax marker on tar paper 27 x 36.25cm 2022 艾 伦 / Alan Skalaskl 北新桥街道 / The street of bei xin qiao 焦油纸上的丙烯酸和蜡标记 / Acrylic and wax marker on tar paper 25.25 x 36.25cm 2022 艾 伦 / Alan Skalaskl Seb和学校代码 / Seb and Code at School 焦油纸上的丙烯酸和蜡标记 / Acrylic and wax marker on tar paper 40.75 x 36.25cm 2022 联系我们 /contact us E-mail : youjiang09@qq.com |
|
|
