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语言成为审美的踪迹 ——罗敏近期的绘画 Tracing Aesthetics Through Expression - Recent works of Luo Min 何桂彦 He Guiyan 在罗敏较为早期的创作中，艺术家侧重于现实性的题材，注重主题，强调叙事，并且以具象性的语言为主。在近期的创作中，艺术家明显调整了自己的创作方向：从对外部现实的关照转向个人内心的情感表达，从强调主题性转向绘画行为的日常性，从具象的描述性语言转向书写性。以《花间集》《游春记》系列为代表，先前的现实主义题材被以花鸟、植物等为对象的主题所取代。在中国的绘画传统中，花鸟画不仅有完备的发展谱系，更积淀着东方的、古典时期的审美趣味。罗敏钟情于花鸟，在绘画中描绘梅、兰、竹、菊，不仅因为这些题材承载着东方化的自然意识，而且，还被赋予了浓郁的人文气息。 Artist Luo Min engages herself in mostly realistic subjects in her early works, emphasizing themes and narratives in predominantly figurative language. However, her recent works highlight a shift in her practice. Her concern of external reality evolves to express her innate emotions; the emphasis on subject matter moves toward the everyday nature of painting; her descriptive literary style transforms to an expressive inscription. The appearance of subjects such as flowers, birds, and plants in her series “Amid Flowers” and “A Journey to Spring” shows wane in her focus on realism. Bird-and-flower is a well-established genre in traditional Chinese painting that embodies the oriental aesthetic appeal during the classical period. Luo Min certainly holds the subject in a privileged place, depicting plums, orchids, bamboo, and chrysanthemums in her painting for their symbolic oriental representation of nature and strong literati qualities. 《蜻蜓4》 纸本设色 20*80cm 《dragonfly No.4》 watercolor and ink on paper 20*80cm 对于罗敏来说，题材的转变与语言的转向几乎是同步的。就拿作品中花卉、植物的处理来说，既符合西方绘画的审美习惯，也有中国传统绘画的韵味，既有再现的、写实的，也有写意的、表现性的。语言在传统与当代之间不断的转换，不管是西方的还是东方的、或具象或表现，互为参照，相得益彰。当然，语言的转向既涉及到修辞，最终也会主宰画面的趣味。在最新的作品中，观众一方面会感受到厚重的笔触，油画媒介所形成的肌理；另一方面，画面中也有大量的类似于传统中国画中的“飞白”，以及纯粹的线性表达。总体来说，新作更强调诗化的语言、意象的表达，追求逸笔草草，直抒胸臆。可以看到，罗敏希望立足于当代文化的语境，积极地寻求对传统的绘画与视觉资源予以转换，注重审美趣味向传统、向东方化的审美观念的回归。 This shift in subject matter and artistic language occurs almost simultaneously for the artist. Using a hybrid approach of reinterpretation, realism, abstraction and expressiveness, her portrayal of flower and plant pays homage to the conventional aesthetic appeal in Western painting as well as the charm of traditional Chinese painting. Her artistic language is fluid. It alternates between traditional and contemporary, the West and the East, the figurative and the symbolic, yet pays mutual reference and reinforces the other at the same time. Undoubtedly, each decision marks a difference in technique and dictates the overall sensibility of the canvas. In Luo Min's latest works, viewers could trace the heaviness of brushwork and the textural quality of the oil medium. Furthermore, the paintings are charged with ink wisps that resemble the 'feibai' technique in Chinese painting and lyrical linework. Altogether, these new works add a more significant focus on the poetics of expressiveness and the manifestation of imagery-- the sweeping brushwork lunges towards us as sincere reflections from the heart. It harnesses her attempt to reinterpret traditional painting and visual motifs through a contemporary stylistic expression, and her assertion on the return of classic oriental view of aesthetics. 《骑木马》 纸本设色 19*19cm 《Riding a Wooden Horse 》 watercolor and ink on paper 19*19cm 当然，在另一些作品中，罗敏也十分重视作品的观念表达。比如，在《川南忆》系列中，画面时常会出现各种类似于“拼贴”的色块与图像。这些色块既对画面进行分割，也制造了不同的视觉区域。图像既是一种提示，使其与个人的记忆或生活经历相关，同时，它让时间凝固，使其定格于画面。所谓的观念化，在于语言成为了审美的踪迹，既是一种视觉的提示，也让叙事的连贯性被迫中断。事实上，语言的观念化与语言转向的背后，实质源于罗敏自身艺术追求的变化。在语言与修辞的层面，罗敏希望既与传统相连，又使其具有当代气息。减弱社会学的叙事，源于对绘画性的倚重。对绘画性的捍卫，也是希望绘画走向纯粹，即绘画只关乎绘画自身。如此以来，绘画创作犹如修禅，如果剥离掉语言，那么，绘画完全成为一种个人化的行为。通过《花间集》《川南忆》《心经》等系列作品，绘画的推进本质上是罗敏不断与自然、与生命、与自我的一次次对话。虽然本次展览以小幅纸本为主，但它们以点构成面，从微观出发，让我们可以近距离感受到艺术家的语言变化与创作轨迹。 Luo Min also reveals an attention toward conceptual expression in her other series, notably in 'Memories of Southern Sichuan' series, which consists works that are collaged in colour blocks and images. The colour blocks appear to render the overall pictorial composition and create a variety of visual areas. While the images allude to an individual's memories or personal life experiences, each seemingly has the capacity to freeze time into a frame. Conceptualisation resides in the visual language becomes an aesthetic trail, acting both as a visual cue and disruption to narrative coherence. The conceptualisation and shift in Luo Min's artistic language derived from the change in her creative pursuit. Luo Min seeks to knead tradition with contemporary qualities in terms of visual language and technical expression, minimise the socio-narrative aspect to focus on the painterly. This stance is also a desire to return painterliness to its fundamentals, i.e., painting for what it essentially is. In this way, painting is like practising Zen; if language is stripped away, painting becomes an entirely personal act. Through her series 'Amid Flowers', 'Memories of Southern Sichuan,' and 'Heart Sutra,' Luo Min continues the dialogue of nature, life, and self, thereby transcending the essence of painting. While most of the works in this exhibition comprise small paper works, they coalesce to form a mass. Just as all creation process begins from a single point, they draw us into a closer experience of the artist's everchanging language and creative trajectory. （批评家、策展人、四川美院艺术人文学院教授） 2021年12月13日于四川美院虎溪校区 （Critic, curator, professor in the school of humanities at Sichuan Fine Arts Institute） On December 13,2021 at Huxi Campus of Sichuan Fine Arts Institute 《花鸟图册No.5》 纸本设色 77*72cm 《Flower and Bird Atlas No.5》 watercolor and ink on paper 77*72cm 《我们和妈妈No.4》 纸本设色 35*35cm 《Mother and Us No.4》 watercolor and ink on paper 35*35cm 《春游No.13》 纸本设色 27*45cm 《Spring tour No.13》 watercolor and ink on paper 27*45cm ▃ 罗敏简历 出生于四川泸州，毕业于西南师范大学、解放军艺术学院，获硕士学位,现北京画院专职画家，国家一级美术师, 中国油画学会理事。 Resume of Luo Min: Born in Luzhou, Sichuan Province, graduated from Southwest Normal University and obtained her master degree in Art Academy of Liberation Amy. She is now a professional painter of Beijing Academy of Painting, awarded as national first-class artist, also a member of the China Oil Painting Society. 重要个展 2021 花间·慢——罗敏作品展，北京画院美术馆，北京，中国 2020 观看——罗敏个展，纽约时代画廊，纽约，美国 Observe, Timearts Gallery, America,New York 2018 幸存的诗意——罗敏绘画作品展，米格画廊，巴塞罗那，西班牙 2017 它界之花——罗敏个展，阿拉劳林罗宾松文化中心，马拉加，西班牙 2016 看见时光——罗敏作品展，復言社，北京，中国 2015 归心两畅——罗敏油画作品展，北京画院美术馆，北京，中国 2013 路过 既成为风景——罗敏纸本绘画展，今日美术馆，北京，中国 2011 日常之镜——2011罗敏绘画展，今日美术馆，北京，中国 1995 罗敏油画作品展，西南师范大学大学图书馆，重庆，中国 The main Solo Exhibitions: 2021 'Leisure amid Flwers -An Exhibition of Works by Luo Min ', Art Museum of Beijing Fine Art Academy, Beijing, China 2020 'Watch - Luo Min's Solo Exhibition', Time Arts Gallery, New York, America 2018 'The Surviving Poetry - Luo Min's Painting Artworks Exhibition', Miguel Marcos Gallery, Barcelona, Spain 2017 'Flowers of Another World - Luo Min Solo Exhibition', Robinson Cultural Center of Alhaurín de la Torre, Malaga, Spain 2016 'Seeing the Time - Exhibition of Luo Min's Artworks', Fuyan Association, Beijing, China 2015 'Back to the Heart - Luo Min's Oil Painting Exhibition', Art Museum of Beijing Fine Art Academy, Beijing, China 2013 'Passing by, It Becomes a Scenery - Luo Min's Paper Art Exhibition', Today Art Museum, Beijing, China 2011 'Mirror of Daily Life - Luo Min's Painting Exhibition in 2011', Today Art Museum, Beijing, China 1995 'Luo Min's Oil Painting Exhibition', Southwest Normal University Library, Chongqing, China 近五年群展情况 2021 超融体——2021成都双年展，成都市美术馆，成都，中国 2021 一居幽采真—园林主题展，北京画院美术馆，北京，中国 2021 西岸艺术与设计博览会，西岸艺术中心，上海，中国 2021 深圳国际艺术博览会，深圳（福田）会展中心，深圳，中国 2021 逆光与凝望，沪申画廊，成都，中国 2021 新锦灰堆——当代绘画的新感知，广东美术馆，广州，中国 2020 绘画不死——线上展览，库艺术 2020 一幅画的诞生——北京画院画家作品展，北京画院美术馆，北京，中国 2020 自·长物志——第五届苏州金鸡湖双年展主题展，苏州，中国 2020第39届马德里国际当代艺博会，马德里会展中心，马德里，西班牙 2020 孤岛（The Island）——2020艺讯网线上展览第三期（Reflecting the Sharing Moment | Section Three)，中央美院艺讯网英文版 2019 第38届马德里国际当代艺博会，马德里会展中心，马德里，西班牙 2019 艺术成都博览会，静草画室，成都，中国 2019 无声的面孔从这里飘过——岳敏君 罗敏 袁武作品展，伦比略宫艺术博物馆，古巴 2019 镜·艺术和Ta的朋友们，境·艺术空间，成都，中国 2019 心灵之光——当代名家邀请展及庆祝中华人民共和国成立70周年特展，济宁市美术馆，济宁，中国 2019 又见白鹭飞——中国当代名家邀请展及湖州美术馆开馆展，湖州美术馆，湖州，中国 2019 境界·遇见经典——油画名家邀请展，乐山市美术馆，乐山，中国 2018 第37届马德里国际当代艺博会，马德里会展中心，马德里，西班牙 2018 视·界——2018中国当代女性艺术研究展，炎黄艺术馆，北京，中国 2018 她们，我们——2018女性艺术邀请展，成都市美术馆，成都，中国 2018 静草画室收藏展——第一回，静草画室，成都，中国 2018 锦绘第二回：弥散与停留——陈淑霞 罗敏 朱雅梅 杨燕来纸上作品展，静草画室，成都，中国 2018 艺术深圳 深圳会展中心6号馆米格画廊，深圳，中国 2018 第二十六届马德里当代平面艺术博览会，马德里会展中心，马德里，西班牙 2018 第十回中日美术交流展，北京画院美术馆，北京，中国 2017 马德里国际当代国际艺博会，马德里会展中心，马德里，中国 2017 艺术北京，全国农业展览馆，北京，中国 2017 锦绘：闫平、章燕紫、罗敏、彭薇四人展，静草画室，成都，中国 2017 第十三届中艺博国际画廊博览会，国家会议中心，北京，中国 Group Exhibitions in the past five years: 2021 Super Fusion - 2021 Chengdu Biennale, Chengdu Museum of Art, Chengdu, China 2021 Being Seclusive and Genuine - Garden Theme Exhibition, Gallery of Beijing Art Academy, China 2021 West Bund Art & Design Expo, West Bund Art Center, Shanghai, China 2021 Shenzhen International Art Fair, Shenzhen (Futian) Convention and Exhibition Center, Shenzhen, China 2021 Light Facing and Gazing, Hushen Gallery, Chengdu, China 2021 New Brocade Ash Pile: A New Perception of Contemporary Painting, Guangdong Museum of Art, Guangzhou, China Beijing Fine Art Academy, Beijing, China 2020 'Painting Never Dies - Online Exhibition', Ku Art 2020 'The Birth of a Painting - An Exhibition of Painters from Beijing Fine Art Academy', Art Museum of 2020 'Ego · Superfluous Things - Theme Exhibition of the 5th Suzhou Jinji Lake Biennale', Suzhou, China 2020 'The 39th Madrid International Contemporary Art Fair', Convention and Exhibition Center, Miguel Marcos Gallery, Madrid, Spain 2020 'The Island - Reflecting the Sharing Moment Section Three', English version of cafa.com.cn of Central Academy of Fine Arts 2019 'The 38th Madrid International Contemporary Art Fair', Convention and Exhibition Center, Miguel Marcos Gallery, Madrid, Spain 2019 'Art Chengdu Fair', Chengdu Convention and Exhibition Center, Herb Gallery, Chengdu, China 2019 'Silent Faces Drift through Here - Exhibition of Works by Yue Minjun, Luo Min and Yuan Wu', Lumbillo Palace Art Museum, Cuba 2019 'Mirror · Art and Friends', Mirror - Art Gallery, Chengdu, 2019 2019 'Light of the Heart - Invitational Exhibition of Contemporary Masters and Special Exhibition to Celebrate the 70th Anniversary of the Founding of the People's Republic of China', Jining Art Museum, Jining, China 2019 'Seeing the White Heron Fly Again - Invitational Exhibition of Contemporary Chinese Masters and Opening Exhibition of Huzhou Art Museum', Huzhou Art Museum, Huzhou, China 2019 'Realm · Meet Classics - Invitational Exhibition of Famous Oil Painters', Leshan Art Museum, Leshan, China 2018 'The 37th Madrid International Contemporary Art Fair', Convention and Exhibition Center, Miguel Marcos Gallery, Madrid, Spain 2018 'Views: 2018 Research Exhibition of Chinese Female Contemporary Art', Yanhuang Art Museum, Beijing 2018 'They, We: Invitational Exhibition of Women's Art', Chengdu Art Gallery, Chengdu, China 2018 'Jingcao Studio Collection Exhibition - First Round', Jingcao Studio, Chengdu, China 2018 'Brocade Collection, Second Round: Dispersion and Stay - Exhibition of Works on Paper by Chen Shuxia, Luo Min, Zhu Yamei and Yang Yanlai', Jingcao Studio, Chengdu, China 2018 'Art Shenzhen Exposition', MiG Gallery, Hall 6, Shenzhen Convention and Exhibition Center, Shenzhen, China 2018 'The 26th Madrid Contemporary Graphic Art Fair', Madrid Convention Center, Madrid, Spain 2018 'The 10th China-Japan Art Exchange Exhibition', Art Gallery of Beijing Fine Art Academy, Beijing, China 2017 'Madrid International Contemporary International Art Fair', Madrid Conference & Convention Center, Madrid, Spain 2017 'Art Beijing', National Agricultural Exhibition Hall, Miguel Marcos Gallery, Beijing, China 2017 'Painting of Flowers: Four - person exhibition of Yan Ping, Zhang Yan-zi, Luo Min, Peng Wei', Herb Gallery, Chengdu, China 2017 'The 13th China International Gallery Exposition', National Agricultural Exhibition Center, Miguel Marcos Gallery, Beijing, China END 关注我们 获取更多艺术精彩内容 |
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