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北大荒版画:从雁窝岛走向世界(中英文)

 llljjgg 2021-07-31

版画是以“版”为媒介来制作的一种绘画艺术。艺术家运用刀、笔或其他工具,在金属、石板、木板、纸板、麻胶板、塑料板、绢网等不同板材上进行绘制、雕刻、腐蚀等方法的制版过程,再通过印刷而完成的艺术作品称为版画。

Engraving is a kind of painting art using “wood block” as the medium. Artists use knife, pen, or other tools to draw, carve, and corrode metal, slabstone, wood block, paper board, hemp plywood, plastic board, and tulle, and print the patterns to create art works known as engraving.

北大荒版画:从雁窝岛走向世界(中英文)

《秋声》来志刚

北大荒版画:从雁窝岛走向世界(中英文)

《远雷》来志刚

北大荒版画起源于八五三农场。1958 年, 以晁楣为代表的第一代北大荒版画创作群体在黑龙江省雁窝岛以独特的体裁、独特的技法和独特的风格形成了北大荒版画学派。北大荒版画改变了我国木刻以黑白为主的艺术技法,开创了我国版画现代创作流派的新格局。

Beidahuang engraving originated in 853 Farm. In Yanwo Island in 1958, the first creation group of Beidahuang engraving , represented by Chao Mei, formed the Beidahuang engraving school featuring unique genre, techniques, and style. idahuang engraving has since transformed the artistic techniques of Chinese wood carving dominated by black and white, and ushered in a whole new pattern of modern creation genre in the landscape of Chinese wood carving.

北大荒版画:从雁窝岛走向世界(中英文)

《艳秋》来志刚

北大荒版画:从雁窝岛走向世界(中英文)

《第一道脚印》晁楣

第一代版画创作者写实北大荒开发的艰辛和荒原的壮美,第二代版画创作者描绘火热的青春激情、歌唱如诗的岁月,第三代创作者用刻刀,画出美好的生活、秀丽的山川。

The first generation of creators painted realistically the hardship in eveloping Beidahuang and the magnificence of wilderness; the second generation depicted the youthful passion and poetic years; the third generation carved out the wonderful life and picturesque landscape.

北大荒版画:从雁窝岛走向世界(中英文)

《歌与梦》张朝阳

经过半个多世纪、三代人的执着追求和勤奋创作,雁窝岛版画享誉国内外,在美术界多次获得重要奖项,数百幅雁窝岛版画作品和几十位版画艺术家使北大荒版画从北大荒雁窝岛走向全国和世界。

Over the more than half century, their persistence and dedication has earned fame for Yanwo Island engraving home and abroad, reaping a number of important awards in fine art circle. Hundreds of Yanwo Island Wood Block works and scores of Printartists have brought Beidahuang engraving and Yanwo Island to audience across the country and beyond.

北大荒版画:从雁窝岛走向世界(中英文)

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