艺术家 / Artist 策展人 / Curato 王友江 / Wang Youjiang 艺术的发展史是人类文明共同交融发展而成，不可能是一枝独秀，当代艺术家应该站在人类文明的视野去思考问题，才能知道本国的文明高度。对生命的悲悯与尊重是现代文明社会的基本内核，也是艺术家的基本心质。艺术家的作品体现了对生命的关爱，对社会的体验，对世界的认知。在疫情不便之际我通过线上交流展的方式，以"各境与相望"作为展览的主题，让艺术家用艺术作品来沟通彼此、传递关爱、融合文明，让艺术拥抱世界。 The development history of art is the integration and development of human civilization, which can not stand alone. Contemporary artists should think from the perspective of human civilization in order to know the height of their own civilization. Compassion and respect for life is not only the basic core of modern civilized society, but also the basic essence of artists. The artist's works embody the love for life, the experience of society and the cognition of the world. At a time when the epidemic situation is inconvenient, I use the online exchange exhibition to take "all environments and facing each other" as the theme of the exhibition, so that artists can use their works of art to communicate with each other, convey love, integrate civilization, and let art embrace the world. 
艺术家 / Artist 季 平 / ji ping 中国 艺术家 1956年生于上海，中国画院画师、上海美术家协会会员、上海林风眠艺术研究协会会员，现任上海大学美术学院水墨缘工作室副主任、水墨缘画刊副主编。 2002年 “第九届海平线绘画雕塑联展”（刘海粟美术馆） 2003年 参加“第三届全国画院双年展”（北京·中国美术馆）作品由上海中国画院收藏。 2004年 “第十届全国美术作品展上海展”（上海美术馆） 2006年“非常水墨-2005当代中国画名家邀请展”（北京·今日美术馆） 2007年 “中国画观摩个展”(上海中国画院） 2009年 “第十一届全国美术作品展”(上海展览中心） 2012年 “上海中国画院作品展”（巴黎中国文化中心、柏林中国文化中心），作品由上海中国画院收藏 2013年“上海美术作品进京展”（中国美术馆） 2013年“样式—上海水墨的十个个案”（上海张江当代艺术馆），作品由张江当代艺术馆收藏 2014年 参加“节点——明圆水墨艺术年度邀请展”（上海明圆美术馆） 2017年2月 《城市人物系列》等参加“五届全国画院美术作品展“江苏南京 2017年“水墨·季—季平都市水墨画展”（程十发艺术馆） 2017年 作品《都市人物系列组画》获第九届上海美术大展暨第五届白玉兰美术奖沈柔坚艺术基金奖（中华艺术宫） 2018年“《穹林》季平花鸟画作品展” （张桂铭艺术馆） 2018年《穹林·2》季平都市花鸟新作展（朵云轩） 2019年 作品参加《艺术新世界》胡润艺术荟2019国际巡回展澳洲悉尼站 2019年 作品参加《意象江南—庆祝新中国成立70周年艺术大展》（苏州美术馆） 2019年 作品《春不遥远》参加第十届上海美术大展 （中华艺术宫） 2020年羽衣·霓裳一2020季平纸本作品展（上海鸿一美术馆） Chinese artist Born in Shanghai in 956. He is a painter of Shanghai Chinese Academy of painting, a member of Shanghai Artists Association and Shanghai Lin Fengmian Art Research Association. He is now the deputy director of the ink edge studio of the Academy of fine arts of Shanghai University and the deputy editor in chief of the ink edge magazine. 2002 "the 9th joint exhibition of painting and sculpture on the sea level" (Liu Haisu Art Museum) In 2003, he participated in the third National Academy of painting Biennale (Beijing · China Art Museum), and his works were collected by Shanghai Academy of Chinese painting. 2004 "the 10th National Art Exhibition Shanghai Exhibition" (Shanghai Art Museum) 2006 "extraordinary ink painting - 2005 invitation exhibition of famous contemporary Chinese painters" (Beijing Today Art Museum) 2007 "solo exhibition of Chinese painting" (Shanghai Academy of Chinese painting) 2009 "the 11th National Art Exhibition" (Shanghai Exhibition Center) 2012 "Shanghai Chinese Painting Academy Works Exhibition" (Paris Chinese culture center, Berlin Chinese culture center), the works are collected by Shanghai Chinese Painting Academy 2013 "Shanghai Art Exhibition in Beijing" (China Art Museum) In 2013, "style - ten cases of Shanghai ink painting" (Shanghai Zhangjiang Contemporary Art Museum), the works were collected by Zhangjiang contemporary art museum In 2014, he participated in the "node - Mingyuan ink art annual Invitation Exhibition" (Shanghai Mingyuan Art Museum) In February 2017, the series of urban characters and others participated in the "Fifth National Academy of Fine Arts Exhibition" Nanjing, Jiangsu Province 2017 "ink painting season - Jiping urban ink painting exhibition" (Cheng Shifa Art Museum) In 2017, the series of urban figures won the Shen roujian Art Fund Award (China Art Palace) of the 9th Shanghai Art Exhibition and the 5th Magnolia Art Award 2018 "dome forest" Jiping flower and bird painting exhibition "(Zhang Guiming Art Museum) New works exhibition of Jiping urban flowers and birds in 2018 (duoyunxuan) In 2019, his works participated in the "new world of art" Hurun Art Fair 2019 International Tour Exhibition Sydney, Australia In 2019, his works participated in the "image of Jiangnan - art exhibition celebrating the 70th anniversary of the founding of new China" (Suzhou Art Museum) In 2019, his work "spring is not far away" participated in the 10th Shanghai Art Exhibition (China Art Palace) 2020 feather clothes and neon clothes season I flat paper works exhibition (Shanghai Hongyi Art Museum)  季平 作品: 心语 / The language of the heart . 纸本水墨 / Lnk painting on paper. 180X90cm . 2020  季平 作品：宋词略说 / Song Ci trans;lation . 纸本水墨 / Lnk painting on paper 113x200cm 2020 《无人之境》 文/王劼音 我观察一个艺术家首先看他有没有独立思考的能力，有没有敢为天下先的反潮流精神。这种能力和精神来自艺术家自身生命的需要，几乎是优秀艺术家的一种本能，完全不同于那些头脑活络之人为博取快速成功而赶时髦制造出来的噱头。 季平的花鸟画完全打破了固定的程式。自古以来直至今日画坛似乎从未见过这种“季平模式”的写意花鸟画。其实对他而言形成这种风格是自然的事。是从内心深处自然流淌而出，也是他长期艺术探索的自然结果。并不是为了追求“可识别性”而生硬造将出来的东西。 花鸟画是完全不同于西方的一种艺术样式。中国花鸟画家以平等的心态去描绘一茎小草或一虫一鸟。在这里人不再是主宰世界，傲视万物的霸王，普世博爱的精神跃然纸上，反映了中国人的自然观和价值观，我们可以从中体悟到中国哲学之魅力。 季平笔下的花鸟显然出自传统。我们甚至可从他的某些画面中找出古画中的原型。然而，他又不是在照搬复传统。他从传统出发，却走上了一条自己的路径。 简而言之，季平的花鸟画属于“瞎画”一路。他在人物画领域中就有“瞎画”的实践基础，一旦运用到花鸟画中似乎更是得心应手，恣意纵横，无拘无束，真正进入了“无人之境”，有痛快、直率、淋漓之感。 季平笔下的花鸟，有时甚至有些难看，但画面是美的。这是很奇怪的矛盾组合。很多人无法接受这种“难看的美”。人们乐于看画中所描绘对象之美，而从不关注画面之美。这种对画面结构之美、气韵之美、内蕴之美的漠视，正是我们今天欣赏现代美术作品中的一个“坎儿”。设想一下，让我们跳出欣赏绘画作品的思维定势，或许就能获得进入现代艺术王国的签证。 艺术家所取得的成就，往往和他的学术选择有很大的关系。有的艺术家本该坚持自己的学术定位，却心猿意马，朝三暮四，尝试着各种新的花样，这样的“创新”其实和他的基因并不匹配，却又丢失了原先拥有的深厚基础，两头落空，一事无成。 有的艺术家经过长期努力，形成了自己的风格语言和塑造手段。但有了一套之后却再也不敢越雷池半步，束手束脚，跳不出自己固有的窠臼，变成一个没有活力的艺术家，终究淹没在习惯的守势之中。 a place where there is no one Text / Wang Jieyin I observe an artist first to see whether he has the ability to think independently and whether he has the anti trend spirit of daring to be the first in the world. This kind of ability and spirit comes from the needs of the artist's own life. It is almost an instinct of excellent artists. It is completely different from the gimmicks made by those active minded people to catch up with the fashion for quick success. Ji Ping's flower and bird painting completely broke the fixed procedure. From ancient times to today, the painting world seems to have never seen this "Ji Ping mode" freehand flower and bird painting. In fact, it is natural for him to form this style. It flows naturally from the depths of his heart and is also the natural result of his long-term artistic exploration. It's not something that's hard to make in pursuit of "recognizability". Flower and bird painting is an art style completely different from the West. Chinese flower and bird painters depict a stalk of grass or a worm and a bird with an equal attitude. Here, people are no longer the overlord who dominates the world and despises all things. The spirit of universal love is on paper, which reflects the Chinese people's outlook on nature and values, from which we can understand the charm of Chinese philosophy. Ji Ping's flowers and birds are obviously from tradition. We can even find the archetypes in ancient paintings from some of his pictures. However, he is not copying tradition. Starting from tradition, he embarked on his own path. In short, Ji Ping's flower and bird paintings belong to "blind painting". He has the practical basis of "blind painting" in the field of figure painting. Once applied to flower and bird painting, he seems to be more handy, arbitrary and unrestrained. He really entered the "no man's land" and has a pleasant, straightforward and incisive feeling. The flowers and birds in Ji Ping's works are sometimes even ugly, but the picture is beautiful. This is a strange combination of contradictions. Many people cannot accept this "ugly beauty". People are happy to see the beauty of the objects depicted in the painting, but never pay attention to the beauty of the picture. This indifference to the beauty of picture structure, charm and connotation is just a "Kaner" in our appreciation of modern art works today. Imagine that if we jump out of the mindset of appreciating paintings, we may be able to get a visa to enter the kingdom of modern art. The achievements of an artist are often closely related to his academic choice. Some artists should have insisted on their own academic orientation, but they were distracted and tried all kinds of new tricks. In fact, such "innovation" did not match his genes, but lost the deep foundation they had, and failed at both ends. Some artists have formed their own style language and shaping means after long-term efforts. However, after having a set, he never dared to step beyond the thunder pool, tied his hands and feet, unable to jump out of his inherent pattern and become an inactive artist, which was eventually submerged in the defensive of habit.  季平 作品: 残照花开之二 / The second of flowers blooming in the afterglow 纸本水墨 / Lnk painting on paper 200x113cm 2020  季平 作品: 依依素影 / Yiyisu shadow 纸本水墨 / Lnk painting on paper 96x168cm 2020  艺术家 / Artist 艾 伦 / Alan Skalaski 美国 艺术家 Fall 2016 - Spring 2020 中央美术学院(CAFA) Fall 2014 - Spring 2016 芝加哥艺术学院(SAIC) Fall 2012 - Fall 2013 Raritan Valley Community College (RVCC) 展览 2021 TB Artbyss 网上 后网络/前矩阵 2021 赤金美术馆 网上 跳出三界外，不在五行中年 2020 济南双年展 网上 家园一一融合之境 2020 I+Media 网上 不一样的希望与重生 2019 维欧美术馆 北京 老师展览 2019 Buraby Exhibition Center 哈萨克 Legends of Buraby 2019 所见画廊 北京 Taxi Scheme 2019 十方艺术中心 重庆 驻留展览 2019 上海艺诺美术馆 上海 大艺家夏李展 2019 奥地利大使馆 北京 Maslows Dream 2018 威尼斯售货机 利物浦 泰特利物浦美术馆 2018 炎黄美术馆 北京 正经的外乡人 2018 韩国文化中心 北京 色 2017 RVCC Gallery 新泽西 Alumni Exhibition 2017 Crystal Gallery 芝加哥 Path of Totality 2017 中国美术学院画廊 杭州 中国经历 2017 炎黄美术馆 北京 合法的外乡人 2016 Charlie James Gallery 洛杉矶 The Fourth Wall 2016 Nippon Steel 芝加哥 Juried Exhibition American artist EducationFall 2016 - Spring 2020 Central Academy of Fine Arts(CAFA) Fall 2014 - Spring 2016 The School of the Art Institiute Of Chicago(SAIC) Fall 2012 - Fall 2013 Raritan Valley Community College (RVCC) Selected Exhibitions July 2021 TopBidder Artbyss Cryptovoxels Post-internet MatrixMarch 2021 Chi Jin Museum Cryptovoxels Not Here Not There December 2020 Jinan Biennial Online Home Realm of He April 2020 I+Media Online Hope and Rebirth December 2019 VO Art Museum Beijing Teacher’s Exhibition September 2019 Buraby Exhibition Center Kazakhstan Legends of Buraby August 2019 Visible Gallery Beijing Taxi Scheme August 2019 Dimensions Art Center Chongqing Solo Exhibition June 2019 Shanghai Yinuo Art Museum Shanghai Summer Show March 2019 Austrian Embassy Beijing Maslow’s Dream July 2018 Venice Vending Machine Liverpool Tate Liverpool May 2018 Yanhuang Art Museum Beijing Legal Aliens May 2018 Korean Cultural Center Beijing Se October 2017 RVCC Gallery Branchberg Alumni Exhibition September 2017 Crystal Gallery Chicago Path of Totality June 2017 China Academy of Art Gallery Hangzhou Experience China April 2017 Yanhuang Art Museum Beijing Alienation September 2016 Charlie James Gallery Los Angeles The Fourth Wall May 2016 Nippon Steel Chicago Juried Exhibition  艾伦 作品: 社区音乐会 / Community Concert Acrylic and wax marker on tar paper . 51 cm x 92 cm 2021  艾伦 作品: 命运黑帮 / Fate Gangsters Acrylic and wax marker on tar paper . 163 cm x 92 cm . 2021 艺术思考： 我的作品以抽象的字体开始，作为更复杂成分的结构基础。这些信件构成了单词和句子，将故事作为我个人历史的交替记录。梦幻般地扭曲着我所知道的人和地方，哀叹着那些已经改变和消失的人，把他们的记忆保存在这些理想化的、但暂时的空间里。我是一个沟通艺术家，了解物理和数字公共空间。在这两个层面之间漂泊，我的作品既为档案的永恒而奋斗，也为适时的衰败而奋斗。从这个意义上说，短暂的绘画行为产生了比我更长久的东西，而记录过程产生了比艺术对象更长久的记忆。 Artistic Thinking: My work begins as abstract letterforms which serve as a structural basis for more complex compositions. These letters form words and sentences, to make stories as alternate records of my personal history. A dreamlike warping of people and places I have known, laments those that have changed and disappeared, preserving their memory in these idealized, yet temporary spaces. I am a communication artist, informed by physical and digital communal spaces. Drifting in between these planes, my work strives for both an archival eternity, and a timely decay. In this sense the ephemeral act of drawing produces something which can outlive me, and the process of documentation produces a memory which can outlive the art object. 艾伦 作品: 可能是什么 / What Might Have Been . What Might Have Been Wax marker on tar paper . 92 cm x 52 cm. 2021 艾 伦 作品； 雪夜的记忆 / Memories of Nights in the Snow . Acrylic and wax marker on tar paper 147 cm x 92 cm 2021 艺术家 / Artist 刘 军 / liu jun 中国艺术家 1991年天津美院油画系本科毕业获学士学位 1995--1997年就读于中央美术学院第九届油画创作高研班 天津美术学院油画系教授、硕士生导师 个展 2008年北京酒厂国际艺术园举办“对话失语”个展 2012年北京今日美术馆举办“风花雪月”个展 联展 2021年 川美国际邀请展——2020年以来的自画像 2021年 《众妙之间》上海中欧艺术邀请展 2020年 《中国表现大展》中国上海 2020年 阜阳绘事/国际艺术邀请展 2019年 《艺术承德》国际当代艺术展——双个展 2019年 《艺术山西》当代名家邀请展 2019年 《表现的形状》中国美术馆——天津美术学院油画系教师进京展 2018年 《日出·日入》布拉格中欧国际艺术双年展 2018年 中国山东威海《无界—走近当代艺术史》 2017年 中国内蒙古呼和浩特《中国西部国际双年展》 2016年 中国北京欧盟使馆区《第二届欧盟艺术展》 2016年 中国广东《艺术未来2016（中山）第三届青年艺术博览会》 2016年 中国山西《心灵之舟·人说山西好风光》当代油画邀请展 2016年 中国北京悦美术馆《归途—当代艺术家蔚县之行邀请展》 2016年 中国北京中国美术馆《天津美院110周年教师作品展》 2016年 中国北京798 闳约当代艺术中心《“C-语言”中国当代油画艺术家联展》 2015年 中国北京798 圣之空间美术馆《国风·中国当代艺术国际巡展启动仪式展》北京、瑞典、俄罗斯 2015年 《美丽中国·2015中国当代艺术联展》北京、上海、广州、石家庄 2015年 中国天津美术馆《第四届中国油画展》 2015年 中国广东《2015国际青年艺术博览会》（广东） 2015年 中国宁波《春有约新当代艺术展》（浙江） 2014年 中国山东美术馆《吾土吾民》中国油画协会油画艺术邀请展（山东） 2011年台湾《移动的社会主义》邀请展（中国） 2009年 马来西亚吉隆坡第24届亚洲国际艺术展（马来西亚） 收藏作品 《舞动中国》 收藏单位：中国奥林匹克委员会 《对话融合三》 收藏单位：第24届亚洲国际艺术展组委会 多件作品被中外美术馆及私人收藏 Chinese artist In 1991, he graduated from the Oil Painting Department of Tianjin Academy of Fine Arts with a bachelor's degree From 1995 to 1997, he studied in the 9th Oil Painting Creation Advanced Research Class of the Central Academy of Fine Arts Professor of oil painting department of Tianjin Academy of Fine Arts, master tutor Solo exhibitions In 2008, Beijing Distillery International Art Park held a solo exhibition of "Dialogue Aphasia" In 2012, The Today Art Museum in Beijing held a solo exhibition of "Wind and Snow Moon" Exhibition 2021 Chuanmei International Invitational Exhibition - Self-portrait since 2020 2021 "Between the Wonderful" Shanghai Sino-European Art Invitational Exhibition 2020 China Performance Exhibition, Shanghai, China 2020 Fuyang Painting /International Art Invitational Exhibition 2019 "Art Chengde" International Contemporary Art Exhibition - double solo exhibition 2019 "Art Shanxi" Contemporary Masters Invitation Exhibition 2019 "The Shape of Expression" National Art Museum of China - Tianjin Academy of Fine Arts Oil Painting Department Teachers Enter beijing exhibition 2018 Sunrise Nichiren" Prague Central European International Art Biennale 2018 Weihai, Shandong, China, Boundless: Approaching the History of Contemporary Art 2017 Hohhot, Inner Mongolia, China 2016 The 2nd EU Art Exhibition in the EU Embassy District, Beijing, China 2016 Guangdong, China "Art Future 2016 (Zhongshan) 3rd Youth Art Fair" 2016 Shanxi, China, "The Boat of the Heart" People say that Shanxi is a good scenery" contemporary oil painting invitation exhibition 2016 Yue Art Museum, Beijing, China, "Homecoming - Invitation Exhibition of Contemporary Artists' Trip to Weixian" 2016 National Art Museum of China, Beijing, China, "Exhibition of Teachers' Works for the 110th Anniversary of Tianjin Academy of Fine Arts" 2016 798 Hong Yue Contemporary Art Center, Beijing, China, ""C-Language" Group Exhibition of Chinese Contemporary Oil Painting Artists 2015 798 Shengzhi Space Art Museum, Beijing, China,"Guofeng, China Contemporary Art International Tour Exhibition Launching Ceremony Exhibition", Beijing, Sweden, Russia 2015 Beautiful China: 2015 Group Exhibition of Chinese Contemporary Art, Beijing, Shanghai, Guangzhou, Shijiazhuang 2015 The 4th China Oil Painting Exhibition, Tianjin Art Museum, China 2015 Guangdong, China "2015 International Youth Art Fair" (Guangdong). 2015 Ningbo, China "Spring Covenant New Contemporary Art Exhibition" (Zhejiang). 2014 Shandong Art Museum, China "My Soil and My People" Invitation Exhibition of Oil Painting Art of China Oil Painting Association (Shandong). 2011 Taiwan "Mobile Socialism" Invitation Exhibition (China) 2009 24th Asia International Art Exhibition in Kuala Lumpur, Malaysia (Malaysia) Collect works "Dancing China" collection unit: China Olympic Committee Collection unit of "Dialogue and Fusion III": Organizing Committee of the 24th Asian International Art Exhibition Many of his works are in the collection of Chinese and foreign art museums and private individuals 刘军 作品 ： 冷幻之一 / Cold fantasy one. 钛金综合材料 / Comprehensive materials 200×100 2017 刘军 作品 ： 冷幻之二 / Cold Fantasy II . 钛金综合材料 / Comprehensive materials 200×100cm 2017 艺术思考： 刘军画中的情境，有着人与人，亲情与亲情之间的那种陌生关系。这正是人们所忽略的一个问题，刘军试着把这些融入画中，期待着引起人们的理解和关注。正是这个有着敏感神经的人，给我们带来了全新的视觉境界，窥探着摸不着的灵魂，进行深层次的心理发掘，这种心灵的揭示，正是一种弥补，是一个艺术家的真情回报来弥补现代文明所造成的心理裂痕和创伤。 Artisic thinking: The situation in Liu Jun's paintings has the strange relationship between people, between family and affection. This is exactly a problem that people overlook, and Liu Jun tries to integrate these into the painting, hoping to attract people's understanding and attention. It is this person with sensitive nerves that brings us a new visual realm, peering into the untouchable soul, carrying out deep psychological exploration, and the revelation of this soul is exactly a kind of compensation, an artist's true return to make up for the psychological cracks and trauma caused by modern civilization. 刘军 作品： 冷幻之五 / Cold fantasy five . 布面油彩综合材料 / Comprehensive materials . 180×100cm 2019 刘军 作品： 冷幻之六 / Coldfantast six . 布面油彩综合材料 / Comprehensive materials . 180×100cm 2019 艺术家 / Artist 金善姬 / Kim, Sunhee 韩国艺术家 1973 出生于韩国忠北永同 2015 全南大学研究生院美术系西洋画专业毕业 个展 12回 首尔，光州，全州，高兴，长城，潭阳 等 主要群展 2021 金善姬 & 洪恩標双个展，010画廊，光州，韩国 2021 广域市+济州特别自治道 文化艺术交流展，大田艺术家之家，大田，韩国 2021 风之气息，诗画村金凤美术馆，光州，韩国 2020 Good Morning 2021 收藏，仁寺洞 Ruben画廊，首尔，韩国 2020 五月来临，杨林美术馆，光州，韩国 2019 Juan美术馆策划5人展 - Artkiga，Juan美术馆，光州，韩国 2019 艺术光州: 19，金大中会展中心，光州，韩国 2019 为成年人的动物幻想展 - 狼 EYE，无等画廊，光州，韩国 2018 戊戌年年画展 - 只走花路，光州市立美术馆，光州，韩国 2016 日韩艺术交流展，江之子岛文化艺术中心，大阪，日本 2016 越南国际展，光州市立美术馆 常绿展馆，光州，韩国 获奖及驻地项目 2020 光州市立美术馆北京创作中心 驻地艺术家 2011 Usquare文化馆 锦湖画廊 轻年艺术家 评选 2011 大邱摄影双年展财团 青年美术项目征集 评选 2010 Art Value艺术展 评选艺术家 Korean artist 1973 Born in Yeongdong, Chungcheongbuk-do, Korea 2015 Graduated from Chonnam National University Graduate School, Department of Fine Arts (M.F.A) Solo Exhibition-12 individual matches Seoul, Gwangju, Jeonju, Goheung, Jangseong, Damyang, etc. Major Group Exhibition 2021 Kim Sunhee and Hong Eunpyo's Two-person exhibition, 010gallery, Gwangju, Korea 2021 Six major metropolitan cities ＋ Jeju Special Self-Governing Province Culture and Arts Exchange Exhibition, Daejeon Artist's House, Daejeon, Korea 2021 Breath of the Wind, Geumbong Museum of Art, Gwangju, Korea 2020 Good Morning 2021 Art Collection Exhibition, Ruben Gallery in Insa-dong, Seoul, Korea 2020 May is Coming Exhibition, Yanglim Museum of Art, Gwangju, Korea 2019 Planned by the Juan art museum “Art Kiga” five - member exhibition, Juan artmuseum, Gwanju, Korea 2019 Mudeung gallery exhibition Support Project - “Wolf Child” five - member exhibition, Mudeung gallery, Gwangju, Korea 2018 New Year's planning exhibition “Bless you (dog-related)”exhibition, Gwanju Shinsegae gallery, Gwanju, Korea 2016 Japen ,Korea exchange Exhibition, center, Osaka, Japan 2016 Vietnam international exhibition, Gwangju Museum of Art Sangnok annex, Gwangju, Korea Career 2020 Gwangju Museum of Art, Beijing Residency 2011 Selected Artist by Mudeung Gallery Selected Young Artist by KUMHO Gallery in U․square Cultural Center 2011 Awardee of Young Artist Project Portfolio by Daegu Photography Biennale Foundation 2010 Selected Artist by 'Art Value' Exhibition 金善姬 作品： 胡说 / nonsense 布面油画/ Oil on canvas 53×53cm 2017 金善姬 作品： 妈妈不在的时候 / When mom is away . 布面油画 / Oil on canvas 90.9×72.7cm 2017 艺术思考： 人与动物的交流所具有的美的价值 宠物不知不觉地进入了我们的生活，而且已有很多人把它们当作同伴。我们给宠物起名，一起分享温暖，和它们交流从人身上感受不到的特殊的感情。有些人会用不太友善的眼光看待这种景象，认为这是一种奢侈，但有些人却说，应该更加尊重宠物。我觉得现在正是要考虑如何与宠物自然共存的时机。 小狗不只是单纯的宠物狗，它已经超越了人和狗这一物种的界限，是能够沟通和交流的家庭一员。诺贝尔文学奖获得者'阿纳托尔·法朗士’说；“在爱上一个动物之前，我们的灵魂都还未觉醒。” Artistic thinking: Companion animal is recognized as being incorporated to family. We give a name to companion animal, share warmth and exchange special emotion that cannot be felt among people. Some see it in an unfavorable perspective and consider it a lavish. But, some say that we must respect companion animal more. Now is the time to consider and find a way to coexist with companion animal naturally. Puppy is not a simple pet. Beyond the border of species between human and dog, it is a member of family that enables to communicate and to sympathize.'Anatole France’ a winner of Nobel Prize in Literature, once remarked that “Until one has loved an animal a part of one’s soul remains unawakened.” 金善姬 作品：完美的日子 / Perfect day 布面油画 / Oil on canvas 100×100cm 2018 金善姬 作品：尽管如此 / Nevertheless 布面油画 / Oil on canvas . 45.4×53cm 2020 艺术家 / Artist 仲清华 /zhong qinghua 中国艺术家 1981年生于江苏海安；2007年毕业于中央美术学院油画系第二工作室获硕士学位，2016年毕业于中央美术学院研究生院（当代油画方向）获博士学位，清华大学美术学院博士后经历，清华大学吴冠中艺术研究中心研究员，民进大兴第二届青年工作委员会委员，北京市朝阳区油画家协会理事，副教授，硕士生导师，任教于北京化工大学艺术与设计系。作品曾被中国美术馆、恭王府博物馆、文化部艺术服务中心、北京市政协等重要单位收藏。 展览： 2021 新学院主义-全国80后油画学术邀请展 纳得美术馆 宁波 2018 有风吹过—仲清华绘画作品展 (个展) 恭王府博物馆 北京 2017 “艺术星河”名家写生油画作品展 深圳星河国风艺术馆 深圳 2017 2017新写实油画展 保利艺术博物馆 北京 2017 灵·境— 当代青年油画家邀请展 798桥舍画廊 北京 2017 色彩中华-2017中国百家金陵画展 江苏省美术馆 南京 2016 青春盛绘-南通籍青年艺术家邀请展 南通现代美术馆 南通 2016 金陵有约-中国当代实力派青年写实油画精品展 南京江东美术馆 南京 2016 首届中国美术馆收藏青年美术家作品展 中国美术馆 北京 2016 可见之诗—第二届中国油画风景作品展 十笏园美术馆 山东 2015 2015年中国国际文化艺术博览会 全国农业展览馆 北京 2013 绘画的品格·2013中国油画展 大都美术馆 北京 2013 十全十美 ：青年油画家十人作品展 美丽道国际艺术机构 北京 2013 能动的结构 — 80后新一代年轻艺术家邀请展 芳草地画廊 北京 2012 2012新写实油画展 中国美术馆 北京 2010 油画艺术与当代社会—中国油画展 中国美术馆 北京 Chinese artist Born in 1981 in Hai'an, Jiangsu Province; He graduated from the second studio of the oil painting department of the Central Academy of Fine Arts in 2007 and received a master's degree. In 2016, he graduated from the Graduate School of the Central Academy of Fine Arts (direction of contemporary oil painting) and received a doctor's degree. He has postdoctoral experience in the Academy of fine arts of Tsinghua University, a researcher of Wu Guanzhong art research center of Tsinghua University, a member of the second youth working committee of Minjin Daxing, and a director of Beijing Chaoyang District Oil Painters Association, Associate Professor, master supervisor, teaches in the Department of art and design of Beijing University of chemical technology. His works have been collected by the China Art Museum, Prince Gong's mansion Museum, the art service center of the Ministry of culture, the Beijing Municipal CPPCC and other important units. 仲清华 作品：苍石图 / Cangshi map 布面油画 / Oil on canvas . 120×80cm 2021 仲清华 作品：园林暮色 / Garden Twilight 布面油画 / Oil on canvas . 170X150cm 2021 艺术思考： 在我的内心我一直在寻找一个理想式的画面，她是中国的。作为西方的绘画表现语言形式之一的油画，在当代语境下如何将她和中国的绘画语言相融合是我们当下可以研究的课题。我衷爱西方的古典绘画，同时我又非常迷恋宋、元、明时期的山水画和文人画。我试图在我的绘画中找到一个契合点—意境与形式的完美融合。叙事性日常场景、古典式静谧格调以及现代建筑空间的巧妙融合，这是我常用的表现手法之一。这种现代古典意识与唯美情节，作品并不刻意追求西方绘画透视的同时又减弱画面的空间和时间的关系，以光线，色彩，和画面的二维分割为手法来诠释的画面关系使我自由地游走在视觉与文化的桃花源中。 Artistic thinking In my heart, I have been looking for an ideal picture. She is Chinese. As one of the language forms of Western painting, oil painting, in the contemporary context, how to integrate it with Chinese painting language is a topic we can study at present. I love western classical painting. At the same time, I am very infatuated with landscape painting and literati painting in the song, yuan and Ming Dynasties. I try to find a coincidence point in my painting - the perfect integration of artistic conception and form. The ingenious integration of narrative daily scenes, classical quiet style and modern architectural space is one of my commonly used techniques. This modern classical consciousness and aesthetic plot do not deliberately pursue the perspective of Western painting, but weaken the relationship between space and time of the picture. The picture relationship interpreted by means of light, color and two-dimensional segmentation of the picture makes me walk freely in the Peach Blossom Land of vision and culture. 仲清华 作品：归夜 / Return 布面油画 / Oil on canvas . 160X110cm 2018 仲清华 作品：山居 / House in a mountain area 布面油画 / Oil on canvas150X80cm 2013 联系我们 /contact us E-mail : youjiang09@qq.com |
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