painting mood：High style is the one who gets nature 墨 华 之 炫 Dazzle of Ink Expressions 中华文化中所蕴含的哲学亦是“阴阳”，“阴阳”二字贯穿着民族文化整个部分，其文化内涵培育出独有的美学思想，从而为中国绘画奠定了美学及笔墨形式，构建了中华绘画艺术之体系，完成了内美养于外美的绘画思考，使其民族绘画达到了艺术的高度。The outstanding expression of philosophy in Chinese culture is about "Yin and Yang" in understanding the nature. It contributes greatly to the national culture and develops the unique aesthetic thoughts. Such dialectic philosophical ideas laid the foundation for the aesthetic and ink expressions and constructed the art system of Chinese painting. It generated and completed the thinking of the inner beauty from the outer and made the national painting an art peak.“墨华之炫”四字，正是基于这样一种文化内涵所蕴育形成的中国水墨画之赞辞，它是发自我内心表达。The four characters "Mo Hua Zhi Xuan 墨华之炫" (Dazzle of Ink Expressions) are a tribute to Chinese ink painting based on such a cultural connotation, which also comes from my heart. 这里将此四字中三字作以阐述，便于理解颂水墨画之词。“墨”会意形声字，从土从黑，莫北切，古玺文中的墨字，上黑下土，表示墨汁是用黑灰制成的，《说文》中“墨”指写字绘画用的黑色颜料。Here, it is expected to explain three of the four Chinese characters to better understand the poeticization of ink painting. In China, we call ink "Mo"（墨）, which is a pictophonetic character, connecting the black with the earth. And in the ancient seals, the character black (黑）is above and the earth （土）below, indicating that the ink is made of black ash. In "the Interpretation of Words", "Mo" refers to the black pigment for writing and painting. 
“华”出现于西周时期，金文字形像花朵，本义指草木之花，花有灿烂光彩之美，因此，“华”有七彩之炫。形声兼会意字，户瓜切。“炫”燿燿也。光彩炫目之意，从火玄声，胡畎切。解三字之内涵述中国水墨画之大美。And the second character “华”, in Chinese we call it "Hua", appeared in the Western Zhou Dynasty (1046B.C.-771B.C.). Its original meaning refers to the flowers of herbs, which indicates the beauty of splendid radiance. Thus its pictophonetic character "Hua" also means colorful dazzle. And dazzle in Chinese is called "Xuan", meaning brilliance dazzling. The interpretation of the three characters helps us better understand the great beauty of Chinese ink painting. 
我国绘事于黑白中探索发展，其表达的物象在哲学、文学、书法中呈现，作品虽然出现意象与工细之分，然而蕴含的美学、意境、笔墨亦是从人文中学来的，《云庐论画》载：“画之道，贯穿于阴阳之中，则可笔墨生发，变幻无穷，不失物象本来面目，超越化之，成就其事”。苏轼评唐人王维诗画云：“味摩诘之诗，诗中有画；观摩诘之画，画中有诗。”我们从苏轼这句评语中亦能感受到诗画本一律的妙境。Chinese painting explores and develops in black and white, and the images it expresses are presented in philosophy, literature and calligraphy. Although the works are divided into free hand images and fine painting, the aesthetics, artistic conception and brushwork it contains are also learned from the humanities. It is said in On Painting "If the application of Yin and Yang goes freely through the painting, it can give birth to brush and ink with endless variations in expression. Therefore the works not only preserve its original nature, but transcend it to achieve its goals".Su Shi in Northern Song Dynasty (960-1127) commented on the poetry and painting by Wang Wei in Tang Dynasty (618-907) : "Read the poems by Mojie reflect pictures in mind; while his painting is appreciated you can taste a poem in it." We can also feel its amazing of the uniformity of poetry and painting from his comment.而书法与绘画的关系，元人赵孟頫亦诗论，“石如飞白木如籀，写竹还于八法通。若也有人能会此，方知书画本来同”。阐述了绘画与书法之间的关系。中国绘画艺术孕育出的内美与外华，是文、史、哲等诸多学科积淀之大成，加之作者对大自然的认识与心性融合，转化成所要表达的笔墨形态，从而完成创作。As far as the relationship between the calligraphy and painting is concerned, Zhao Mengfu in Yuan Dynasty (1271-1368) ever said in his poem, "paint rocks with half-dry brushstrokes, paint trees with even brushes, while painting bamboo requires excellent knowledge of the eight methods in writing. If one is to appreciate this, he must know that calligraphy and painting are originally one and that the brushwork is essentially the same". The inner and outer beauties of Chinese painting art are the result of the accumulation of literature, history, philosophy and other disciplines, combined with the integration of the painter's understanding of nature and their minds, transforming them into the forms of ink so as to complete the creation.了解中国水墨画，首先要了解中国人文思想，既哲学与绘画的关系，文学与绘画的关系，书法与绘画的关系，不然很难理解中国绘画的核心价值。因此，不了解中国人文学，就谈不上品鉴中国水墨画之内涵、精神、思想矣。 To appreciate Chinese ink painting, firstly we are required to understand Chinese humanistic thought, namely the relationship between philosophy and painting, literature and painting, calligraphy and painting, or it is difficult to grasp the core value of Chinese painting. Otherwise, it is impossible to appreciate the connotation, spirit and thought of Chinese ink painting.纵观历代遗留之画迹，从中无不感受作者所呈现出的人文修养，笔墨、构图、画意、诗境等所赋予宇宙万物及作者二次生命的呈现，这些鲜活赋有生命温度的作品，赏之令人难以忘怀。Throughout all the generations left, we can feel the humanistic cultivation presented by the painters and the representation of all things in the universe and the author's second life endowed by the brushwork, composition, painting, and poetry, etc.. It is unforgettable to enjoy these fresh and vital works. 中国花鸟画，成熟于五代时期，徐熙，黄荃开创了野逸、富贵之面貌，一时两家作品交相辉映，奠定了中国花鸟画千年来总体之风格，其间名家辈出，至于明中晚白阳青藤的出现，“以意写形”将花鸟画创作推到了一个历史的高峰，把物像观照融于自己意识之中，将强烈的思想情感化为笔墨，尽情挥洒，达到逸态妙趣的笔墨化境，其思想精神文化内涵成为人们陶冶情操，热爱自然的依托。 Chinese painting of plants and animals matured in the Five Dynasties period（AD907-960）, in which Xu Xi and Huang Quan created a freehand and noble look. Their works laid the overall style of this kind of painting for more than a thousand years. During that time, there were many famous artists. Especially the emergence of Xu Wei and Chen Chun in the late Ming Dynasty, their freehand style of "Intention in Shape" pushing the creation of Chinese painting of plants and animals to a historical peak. The ink and wash painting, which integrated the image of objects into their consciousness, allowed them freely turning strong thoughts and emotions into painting, achieving an elegant and exquisite realm, the ideological and spiritual cultural connotation of which became a sustenance for people's love of nature.——（摘自张继刚纽约华美协进社 中国美术馆所作学术报告部分） Excerpt from the academic report section delivered by Jigang Zhang from the China Institute Gallery in New York 
张继刚 《秋意正浓》 168x60cm 纸本设色 2007年Jigang Zhang "Autumn is thick" 168x60cm Ink and color on paper 2007
张继刚 《新霜又染故园秋》 168x60cm 纸本设色 2008年 Jigang Zhang "The new frost has colored the old autumn again" 168x60cm Ink and color on paper 2007 
张继刚 《草堂深秋》 153x84cm 纸本设色 2012年
Jigang Zhang "Cottage late autumn" 153x84cm Ink and color on paper 2012 
张继刚 《读经图》 110x37cm 纸本设色 2014年
Jigang Zhang "study the Confucian classics picture" 110x37cm Ink and color on paper 2014 
张继刚 《自在观心图》110x37cm 纸本设色 2014年
Jigang Zhang "Be comfortable with your mind picture" 110x37cm Ink and color on paper 2014 
张继刚 《溪水险峰图》 267x67cm 纸本水墨 2020年Jigang Zhang "Stream dangerous peak picture"267x67cm Paper-based ink 2020
张继刚 《过杨家岭》 67x68cm 纸本水墨 2021年 Jigang Zhang "Crossing Yangjialing "67x68cm Paper-based ink 2021
张继刚 《山溪秋色图》 134x67cm 纸本水墨 2021年 Jigang Zhang "Mountain creek autumn picture"134x67cm Paper-based ink 2021
张继刚 《秋山诗意》 67x33cm 纸本水墨 2021年
Jigang Zhang "Autumn mountain poetic flavou"67x33cm Paper-based ink 2021
张继刚 《归舟图》 132x44cm 纸本水墨 2021年 Jigang Zhang "Boat Return picture"132x44cm Paper-based ink 2021
张继刚 《吾有诗意化山川》 132x44cm 纸本水墨 2021年 Jigang Zhang "My poetry can blend into the mountains and rivers"132x44cm Paper-based ink 2021
张继刚 《秋山诗境》 107x33cm 纸本水墨 2021年 Jigang Zhang "Autumn Mountain Poetry Scenery"107x33cm Paper-based ink 2021
张继刚 《故乡秋色》 132x44cm 纸本水墨 2021年 Jigang Zhang "Autumn in hometown"132x44cm Paper-based ink 2021
张继刚 《秋山入梦》 107x33cm 纸本水墨 2021年 Jigang Zhang "Fall asleep in autumn"107x33cm Paper-based ink 2021
张继刚 《无题》 107x33cm 纸本水墨 2021年 Jigang Zhang "notitle"107x33cm Paper-based ink 2021
张继刚 《梦里秋山》 107x33cm 纸本水墨 2021年 Jigang Zhang "Autumn Mountain in Dream"107x33cm Paper-based ink 2021
张继刚 《秋山烟雨》 143x45cm 纸本水墨 2021年 Jigang Zhang "Misty autumn rain"143x45cm Paper-based ink 2021
张继刚 《云山无尽》 143x45cm 纸本水墨 2021年 Jigang Zhang "Cloud mountain endless"143x45cm Paper-based ink 2021
张继刚 《秋山空濛诗意奇》 136x38cm 纸本水墨 2021年 Jigang Zhang "The autumn sky is poetic"136x38cm Paper-based ink 2021
张继刚 《秋暝梦境图》 116x66cm 纸本水墨 2021年 Jigang Zhang "Autumn night dream picture"116x66cm Paper-based ink 2021
张继刚 《云山流溪图》 116x66cm 纸本水墨 2021年 Jigang Zhang "Cloud Mountain Stream picture"116x66cm Paper-based ink 2021
张继刚 《秋山入梦图》 116x66cm 纸本水墨 2021年 Jigang Zhang "Autumn mountain into the dream picture"116x66cm Paper-based ink 2021
张继刚 《溪山寻梦图》 116x66cm 纸本水墨 2021年 Jigang Zhang "Autumn mountain into the dream picture"116x66cm Paper-based ink 2021
张继刚 《野水秋山入诗梦》 116x66cm 纸本水墨 2021年 Jigang Zhang "Wild water, autumn and mountains fall into poetic dreams"116x66cm Paper-based ink 2021 张继刚《青山无尘》 70x46cm 纸本水墨 2022年Jigang Zhang "Dustless Green mountains"70x46cm Paper-based ink 2022张继刚《故乡秋色》 70x46cm 纸本水墨 2022年Jigang Zhang "Hometown autumn"70x46cm Paper-based ink 2022张继刚《龙溪草堂图》 70x46cm 纸本水墨 2022年Jigang Zhang "Longxi Thatched Cottage picture"70x46cm Paper-based ink 2022张继刚《龙溪山居图》 70x46cm 纸本水墨 2022年Jigang Zhang "Longxi Mountain residence picture"70x46cm Paper-based ink 2022张继刚《秋山雨过》 70x46cm 纸本水墨 2022年Jigang Zhang "Rain in autumn"70x46cm Paper-based ink 2022张继刚《故乡山色》 70x46cm 纸本水墨 2022年Jigang Zhang "Hometown mountain scenery"70x46cm Paper-based ink 2022张继刚《龙溪奇景图》 70x46cm 纸本水墨 2022年Jigang Zhang "Longxi strange scene picture"70x46cm Paper-based ink 2022张继刚《听溪》 70x46cm 纸本水墨 2022年Jigang Zhang "Listen to the stream"70x46cm Paper-based ink 2022张继刚《时峦图》 70x46cm 纸本水墨 2022年Jigang Zhang "Time Mountain picture"70x46cm Paper-based ink 2022张继刚《雨后山色新》 70x46cm 纸本水墨 2022年Jigang Zhang "The mountain looks new after the rain"70x46cm Paper-based ink 2022 张继刚《畅秋》 70x46cm 纸本水墨 2022年Jigang Zhang "Feel relaxed in autumn"70x46cm Paper-based ink 2022张继刚《龙溪雨过》 46x35cm 纸本水墨 2022年Jigang Zhang "After rain the Longxi "46x35cm Paper-based ink 2022张继刚《龙溪秋色》 46x35cm 纸本水墨 2022年Jigang Zhang "Autumn in Longxi"46x35cm Paper-based ink 2022张继刚《龙溪雨过》 46x35cm 纸本水墨 2022年Jigang Zhang "After rain the Longxi "46x35cm Paper-based ink 2022张继刚《龙溪雨》 46x35cm 纸本水墨 2022年Jigang Zhang " Longxi rain "46x35cm Paper-based ink 2022
张继刚 《山水画册页》03 58x44cm 纸本水墨 2019年 Jigang Zhang "Album of mountains-and-waters painting "03 58x44cm Paper-based ink 2019 张继刚 《过雨图》46x35cm 纸本水墨 2022年Jigang Zhang "It's raining picture" 46x35cm Paper-based ink 2022张继刚 《纪游图》 46x35cm 纸本水墨 2022年Jigang Zhang "Record travel picture" 46x35cm Paper-based ink 2022张继刚 《半亩小景图》 46x35cm 纸本水墨 2022年Jigang Zhang "Small landscape of half an acre picture" 46x35cm Paper-based ink 2022张继刚《无题》 46x35cm 纸本水墨 2022年Jigang Zhang "no title " 46x35cm Paper-based ink 2022张继刚《龙溪纪游》46x35cm 纸本水墨 2022年Jigang Zhang "Longxi Period Tour " 46x35cm Paper-based ink 2022张继刚《草堂听松风》46x35cm 纸本水墨 2022年 Jigang Zhang "The Thatched Cottage listens to the wind" 46x35cm Paper-based ink 2022 张继刚《洞庭纪游》46x35cm 纸本水墨 2022年 Jigang Zhang "Dongting Period Tour" 46x35cm Paper-based ink 2022 张继刚《无题》 46x35cm 纸本水墨 2022年Jigang Zhang "no title " 46x35cm Paper-based ink 2022张继刚《古寺纪游》46x35cm 纸本水墨 2022年Jigang Zhang "Ancient temple Period Tour" 46x35cm Paper-based ink 2022张继刚《故乡纪游图》46x35cm 纸本水墨 2022年Jigang Zhang "native place Period Tour picture" 46x35cm Paper-based ink 2022张继刚《寒溪》46x35cm 纸本水墨 2022年 Jigang Zhang "A cold stream" 46x35cm Paper-based ink 2022 张继刚《无题》 46x35cm 纸本水墨 2022年Jigang Zhang "no title " 46x35cm Paper-based ink 2022张继刚《纪游图》 46x35cm 纸本水墨 2022年Jigang Zhang "Record travel picture" 46x35cm Paper-based ink 2022继张继刚《继刚纪游》 46x35cm 纸本水墨 2022年Jigang Zhang "Jigang Record travel " 46x35cm Paper-based ink 2022
张继刚《莲花山纪游》46x35cm 纸本水墨 2022年Jigang Zhang "Lianhua Mountain Period Tour" 46x35cm Paper-based ink 2022
张继刚《龙溪》46x35cm 纸本水墨 2022年Jigang Zhang "Longxi" 46x35cm Paper-based ink 2022
张继刚《龙溪草堂图》46x35cm 纸本水墨 2022年Jigang Zhang "Longxi humble cottage picture" 46x35cm Paper-based ink 2022
张继刚《龙溪古寺图》46x35cm 纸本水墨 2022年 Jigang Zhang "Longxi Ancient temple picture" 46x35cm Paper-based ink 2022 张继刚《继刚粤西纪游》46x35cm 纸本水墨 2022年Jigang Zhang "Jigang the western part of Guang-dong province Period Tour" 46x35cm Paper-based ink 2022张继刚《秋山纪游图》46x35cm 纸本水墨 2022年Jigang Zhang "Autumn Mountains Period Tour picture" 46x35cm Paper-based ink 2022
张继刚 《吾心似兰幽》 纸本水墨 71x37cm 2015年 Jigang Zhang "My heart is like a secluded orchid" 71x37cm Paper-based ink 2015
张继刚 《五月芳菲》 68x35cm 纸本设色 2019年 Jigang Zhang "May fragrance of flowers and grass" 68x35cm Paper color setting 2019
张继刚 《梅花》 69x46cm 纸本设色 2020年 Jigang Zhang "plum blossom" 69x46cm Paper color setting 2020
张继刚 《冷香》 69x46cm 纸本设色 2020年 Jigang Zhang "Cold fragrance" 69x46cm Paper color setting 2020
张继刚 《秋味》 69x46cm 纸本设色 2020年 Jigang Zhang "Autumn flavor" 69x46cm Paper color setting 2020
张继刚 《七月有趣》 69x46cm 纸本设色 2020年 Jigang Zhang "July is interesting" 69x46cm Paper color setting 2020
张继刚 《醉人》 69x46cm 纸本设色 2020年 Jigang Zhang "Intoxicating" 69x46cm Paper color setting 2020
张继刚 《素心寒影》 69x46cm 纸本设色 2020年 Jigang Zhang "Cold shadow of plain heart" 69x46cm Paper color setting 2020
张继刚 《紫藤》 69x46cm 纸本设色 2021年 Jigang Zhang "Chinese wistaria" 69x46cm Paper color setting 2021
张继刚 《紫雪生香》 69x46cm 纸本设色 2021年 Jigang Zhang "Purple snow is fragrant" 69x46cm Paper color setting 2021
张继刚《枇杷》 69x46cm 纸本设色 2021年 Jigang Zhang "loquat" 69x46cm Paper color setting 2021
张继刚《无题》 69x46cm 纸本设色 2022年 Jigang Zhang "no title " 69x46cm Paper color setting 2022
张继刚《玉環真态》 69x46cm 纸本设色 2022年 Jigang Zhang "Yuhuan true state" 69x46cm Paper color setting 2022
张继刚《春艳图》 69x46cm 纸本设色 2022年Jigang Zhang "The gorgeous of spring" 69x46cm Paper color setting 2022张继刚《草堂春色图》 69x46cm 纸本设色 2022年Jigang Zhang "The spring scenery of the cottage picture" 69x46cm Paper color setting 2022张继刚《草堂春色》 69x46cm 纸本设色 2022年Jigang Zhang "The spring scenery of the cottage" 69x46cm Paper color setting 2022
张继刚《一庭秋色》 69x46cm 纸本设色 2022年 Jigang Zhang "A court of autumn scenery" 69x46cm Paper color setting 2022
张继刚《春风含露》 69x46cm 纸本设色 2022年Jigang Zhang "Dew in spring breeze" 69x46cm Paper color setting 2022张继刚《春风过草堂一树花争先》 69x46cm 纸本设色 2022年Jigang Zhang "The spring breeze blew through the grass house, but was preempted by a tree of flowers" 69x46cm Paper color setting 2022张继刚《草堂迎秋》 69x46cm 纸本设色 2022年Jigang Zhang "The cottage welcomes autumn" 69x46cm Paper color setting 2022
张继刚《无题》 69x46cm 纸本设色 2022年Jigang Zhang "no title" 69x46cm Paper color setting 2022张继刚《草堂秋色正浓》 69x46cm 纸本设色 2022年Jigang Zhang "Autumn is thickening in the cottage" 69x46cm Paper color setting 2022 张继刚《小斋清味》 69x46cm 纸本设色 2022年Jigang Zhang "xizhai Fresh taste" 69x46cm Paper color setting 2022 张继刚《吾有美人君子相伴》 69x46cm 纸本设色 2022年Jigang Zhang "I am accompanied by beauty and gentleman" 69x46cm Paper color setting 2022张继刚《澹清味矣》 69x46cm 纸本设色 2022年Jigang Zhang "It has a pure taste" 69x46cm Paper color setting 2022张继刚《草堂秋趣图》 69x46cm 纸本设色 2022年Jigang Zhang "Cottage autumn interesting picture" 69x46cm Paper color setting 2022张继刚《拾趣图》 69x46cm 纸本设色 2022年Jigang Zhang "Pickup fun picture" 69x46cm Paper color setting 2022张继刚《戏春》 69x46cm 纸本设色 2022年Jigang Zhang "Play Spring" 69x46cm Paper color setting 2022张继刚《春风过草堂》69x46cm 纸本设色 2022年Jigang Zhang "Spring breeze crosses the grass house" 69x46cm Paper color setting 2022张继刚《雪葩图》 69x46cm 纸本设色 2022年Jigang Zhang "Snow flower picture" 69x46cm Paper color setting 2022张继刚《一丈红图》69x46cm 纸本设色 2022年Jigang Zhang "Hollyhock picture" 69x46cm Paper color setting 2022张继刚《春色艳雪》69x46cm 纸本设色 2022年Jigang Zhang "Spring is more dazzling than snow" 69x46cm Paper color setting 2022张继刚《山中归来野梅香》69x46cm 纸本设色 2022年Jigang Zhang "Come back from the mountains with the fragrance of wild plum" 69x46cm Paper color setting 2022
· END · 编辑 | 叶燃燃
1966年生，辽宁师范大学毕业，师从杨仁恺先生三十年。集目鉴、比较、分析、考订、心性学等综合学科，建立“书画鉴定与心性学”学理。古书画鉴定家，书画家、学者，涉猎文、史、哲、诗、词等，创建“云庐艺社”学术机构。出版专著多种，发表论文百余篇，作品先后陕西历史博物馆、四川博物院、海南博物馆、三峡博物馆等国内外博物馆收藏，并应邀个展。从上个世纪2000年起张继刚应邀参加国内外学术会议，著作《沐芦草堂丛稿》四川美术出版社出版，《砚池滴音》安徽美术出版社版，《词画研究》香港中文大学出版社出版，《西泠问话》西泠出版社出版，《书画鉴》《竹窗记》《止韴声》《眠鹤诗》《云歌词》由中华书局出版社版编辑出版中，《江晚清晖》人民大学出版社编辑出版中。2016成功的组织了中国古书画鉴定修复保护国际高峰论坛，创造性的将书画鉴定修复保护三个领域集中为一个论坛，开启了国际学术界之先河，推动由中国人民大学之主持邀请，国际间四十余家博物馆共同成立中国古书画鉴定修复与保护国际学术委员会。中国人民大学文献书画保护与鉴定研究中心副主任、教授，中国古书画鉴定修复与保护国际学术委员会主任、云庐艺社社长，享受国务院专家津贴。· END · 相關章節：
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