|
 
何健君是一个学院派的艺术家，在吸收了西方和中国这两个雕塑体系的观念和语言精华时，却始终以中国思想为内核，艺术表达上讲求含蓄、委婉，言外传意，追求远而不尽的效果，并发展出个人的独特艺术语言。他的作品大致分为刚阳和阴柔两种倾向，这种反差在铸铜的勇士形象和汉白玉的少女形象两类作品中特别明显。他属于这一类艺术家：在平静如湖的内心中藏有一团火气。这种矛盾在他的作品中，表现为一种静态的感性。大多数时候是抒情的层层涟漪，有时却是令人窒息的惊涛骇浪。他认为艺术是一种创造，是艺术家在生活、生产等实践活动中提炼出来的美的创造。他对美有着一种执着和自信。无论是青铜系列还是汉白玉系列，现代样式还是汉唐风格，总体来说皆是唯美的。象征性的物品、组合、变形、几何概括等手法，无不体现着他对美的追求。
He Jianjun is an academic school artist. He absorbed the ideas and language essence of the two sculptural systems of the West and China, but always regarded Chinese thought as the core. He expressed his artistic expression with implicit, euphemistic, communicative, and far reaching effects, and developed a unique artistic language of human beings.His works can be roughly divided into two tendencies: masculine and feminine. This contrast is especially obvious in the two kinds of works, the image of the warrior cast in bronze and the image of the girl cast in white marble. He belongs to this kind of artist: there is a fire hidden in his calm heart like a lake. In his works, this kind of contradiction shows a kind of static sensibility. Most of the time it's lyrical ripples, sometimes it's suffocating waves.He thinks that art is a kind of creation, which is the beauty created by artists in their practical activities such as life and production. He has a kind of persistence and confidence in beauty. No matter bronze series or white marble series, modern style or Han Tang style, they are all aesthetical in general. Symbolic objects, combination, deformation, geometric generalization and other techniques all reflect his pursuit of beauty.
|
