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Culture 菌整理编辑，版权为艺术家本人所有 未经允许禁止转载复制  Blending Instrument – Knife No. 1, 2016 Porcelain, knife 14 × 11 2/5 × 1 3/5 in | 35.6 × 29 × 4 cm
 Wall Instrument - The Surging Waves Chronicles Vol. 8, 2021-2022 Porcelain, used clothes 36 × 35 4/5 × 2 4/5 in | 91.5 × 91 × 7 cm
 Ceremonial Instruments No. 11, 2015-2016Porcelain, used clothes 15 × 16 1/2 × 11 2/5 in | 38 × 42 × 29 cm
 Action No.2, 2019 Porcelain, used clothes 36 4/5 × 34 3/5 × 1 3/5 in | 93.5 × 88 × 4 cm
 Traffic Barrier - Lights No.2, 2013 Acrylic, wooden board, used clothes 21 1/8 × 19 11/16 × 11 13/16 in | 53.7 × 50 × 30 cm
 Traffic Barrier - Yellow Fog, 2013 Acrylic, wooden board, used clothes 21 1/8 × 19 11/16 × 11 13/16 in | 53.7 × 50 × 30 cm
 Temperature No. 7, 2010 Clothing fragments and aluminum panel 38 2/5 × 37 2/5 × 3 9/10 in | 97.5 × 95 × 10 cm
 Temperature No. 6, 2010 Clothing fragments and aluminum panel 85 4/5 × 25 2/5 × 3 9/10 in | 218 × 64.6 × 10 cm
 Lamp, 2022 Lamp, dry cement powder 8 7/10 × 8 7/10 × 21 7/10 in | 22 × 22 × 55 cm
 Bookshelf No. 7, 2009-2013 Used clothes and wood 76 × 42 1/10 × 11 4/5 in | 193 × 107 × 30 cm
 Bookshelf No. 24, 2009-2013Clothes, wood, and bookshelf 102 × 56 × 23 in | 259.1 × 142.2 × 58.4 cm
Bookshelf No. 3, 2009-2013 Worn clothes and wood 59 1/10 × 37 × 11 in | 150 × 94 × 28 cm
尹秀珍目前在北京生活和工作。尹于1989年从首都师范大学美术系获得文学学士学位后开始了她的职业生涯。她最出名的是她的雕塑和装置，包括衣服、鞋子和手提箱等二手物品。在家乡北京迅速变化的文化环境的启发下，尹对这些回收物品进行了整理和重新配置，以绘制出它们的个人和集体历史。她收集的材料是记忆的雕塑文献，暗指在快速发展、过度城市化和全球经济增长的过程中经常被忽视的个人的生活。Yin Xiuzhen currently lives and works in Beijing. Yin began her career after earning a BA from Capital Normal University’s Fine Arts Department, Beijing, in 1989. She is best known for her sculptures and installations comprising secondhand objects like clothing, shoes, and suitcases. Inspired by the rapidly changing cultural environment of her native Beijing, Yin arranges and reconfigures these recycled items to draw out their individual and collective histories. Her assembled materials operate as sculptural documents of memory, alluding to the lives of individuals who are often neglected in the drive toward rapid development, excessive urbanization, and the growing global economy.自20世纪90年代以来，尹参加了许多具有里程碑意义的展览和演讲。她的作品曾在世界各地的博物馆和艺术机构广泛展出，包括在亚洲学会和纽约MoMA PS1上展出的《Inside-Out:New Chinese art》（1998-2009），然后前往旧金山现代艺术博物馆和亚洲艺术博物馆；第52届威尼斯双年展中国馆（2007年）；第58届威尼斯双年展国际艺术展（2019）；MoMA的Elaine Dannheisser项目系列（2010年）；以及2012年在荷兰格罗宁格博物馆和德国杜塞尔多夫美术馆举办的大型回顾展。Yin has participated in many milestone exhibitions and presentations since the 1990s. Her works have been widely exhibited in museums and art institutions around the world, including in Inside Out: New Chinese Art (1998—99), which was presented at the Asia Society and MoMA PS1 in New York and then traveled to SFMOMA and the Asian Art Museum; the China Pavilion of the 52nd Venice Biennale (2007); the International Art Exhibition of the 58th Venice Biennale (2019); the Elaine Dannheisser Projects Series at MoMA (2010); and a large-scale retrospective exhibition held in 2012 at the Groninger Museum in the Netherlands and the Düsseldorf Art Museum in Germany.©尹秀珍 排版：Culture菌
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