 在文章栏仅上传部分照片，关键性和精彩部分的信息还是需要从视频号上去浏览，否则那些照片都满天飞了。敬请见谅。
电子地图上区分了钟和公寓和希勒公寓旧址，并没有标识爱达公寓。
1947年的老地图上这个位置的标识也是比较模糊。
从南昌路一侧看过来钟和公寓是这样的
从茂名南路一侧看过来钟和公寓是这样的 在茂名南路南昌大楼对面可以看到一栋小型的公寓，大家都称之为钟和公寓，也看到过文章写过它原来是两个公寓组合在一起的，这在上海其他地方也有过先例，比如南阳路西康路转角的派拉蒙公寓；武康路湖南路转角的开普敦公寓、国富门公寓；四川北路上的中行大楼，于是也没有深究。
这几天住在南昌大楼的赵先生发了几张里面的楼梯照片给我，一下子惊艳到我了，由于正恰逢大修完工，进进出出也就方便了，于是趁机也进去拍了一组照片，同时也搞清楚这栋公寓与边上希勒公寓的分界线在哪里。
回来找了原来这个位置的航拍图，因为当时没当回事，所以没有拍到它的特写，细节并不清楚，于是不甘心，重新又飞了一次，恰好是冬季树叶凋零时，建筑的立面相当清楚，也可以从俯视图上细辨出两栋公寓的体量和差异。
衡山路700号贝当公寓的楼梯是往相反方向旋转，扶手和墙饰有所不同。
爱达公寓的楼梯墙饰和南昌大楼、陕南邨极为相似，这才是同一设计师的手笔。 在拍摄这栋公寓的楼梯时中总觉得它和我曾经拍过的某栋建筑的楼梯极为相似，一是却想不起来，后来恰好看到瞿老师发了衡山路上贝当公寓的楼梯，才知道原来的出处在这里，当然这两栋公寓的体量完全不同，建筑的外立面也差别很大，但是里面的楼梯居然会相同（旋转方向不同），真的没想到，难道它们有同样的血统（同一设计师）。 从目前可以了解到的信息知道爱达公寓的设计师是与南昌大楼同一位俄罗斯建筑设计师列文（楼道墙面装饰与陕南邨也极为相似），但是贝当公寓是公和洋行的设计作品，那么谁抄了谁的作业？也许看看它们谁先建成就可以知晓了。
赵杰先生特意提供了他所拍摄两栋公寓分界线的示意图
由于原来并不清楚它俩的分界线在哪里？所以它们的实际体量有多大？通过赵先生的指点和航拍的俯视图可以清晰地分辨两栋公寓的具体构成，这样就可以知道这两个公寓完全不在一个等级上，其实也可以知道双方当时也都是各不相让，否则爱达公寓的地皮转让给希勒公寓，这就解决问题了，当然设计出来的效果也就不同了。 也正因为有了当时的各不相让，让我们看到了这座迷你型公寓的精彩。它虽然算不上刀片楼，但肯定属于一栋袖珍型的经典公寓。 还有就是上海这样小型的公寓里居民都基本上是老上海人，从当时可以入住的条件来看，身份也不一般（无论是否原住民），现在可能会有部分出租、转让，但是总体上还是属于生活层次较高的。
取景器里看出去的效果就如此诱人，那么视频内的照片就更加不容错过哦，那才是关键内容。 看看别人怎么写的： 《品读上海 | 转角遇见老上海风情，打卡南昌路茂名南路上的公寓建筑》 钟和公寓实际上是由爱达公寓与希勒公寓两幢建筑组成的，2005年入选上海市第四批优秀历史建筑。位于南昌路、茂名南路转角处，与南昌大楼遥遥相对的是爱达公寓，建造于1930年代，现代建筑风格，设计者为俄国建筑师列文。其平面沿道路布置，呈现不规则形状，中间设圆弧形楼梯，底层为商铺，二至四层为住宅。立面采用黄色光面砖，密缝，造型简洁，无多余装饰，转角立面左右对称，中部设凸窗。 希勒公寓平面呈矩形，四层钢筋混凝土结构，建造于20世纪30年代，现代派风格，由法商赖安洋行设计。立面为釉面砖，有竖向纹理，浅红色平缝，窗洞周围做仿石装饰线脚，阳台出挑较大，形式简洁。从立面设计上来看，无论是简明的形体、平整光洁的面砖，还是水平向的阳台、圆形窗洞、转角窗的设计，都是赖安洋行在立面处理上常用的手法。 关于上海的刀片楼或小型公寓的探寻，我还写过："梦想改造家"片中的刀片楼在哪？、#老寿读图#第40集眼见为实的刀片楼、#老寿读图#第192集武康路上刀片楼、
Opposite the Maoming South Road Nan Chang Building stands a small apartment building known as the Zhonghe Apartment. I have read articles mentioning that it was originally two separate apartments combined into one, a concept not uncommon in other parts of Shanghai. For example, the Paramount Apartment at the corner of Nanyang Road and Xikang Road; the Cape Town Apartment and Guofu Gate Apartment at the corner of Wukang Road and Hunan Road; and the Bank of China Building on Sichuan North Road. However, I did not delve deeper into this matter.
Recently, Mr. Zhao, who resides in the Nan Chang Building, sent me a few staircase photos from inside the Zhonghe Apartment, which left me amazed. As the building had just undergone renovations, access in and out became more convenient. Seizing the opportunity, I went inside and took a series of photos while also determining the boundary between this apartment building and the neighboring Hille Apartment. Upon returning, I searched for aerial photographs of the original location.
Since I had not paid much attention to it at the time, I did not capture any
detailed shots, so I was unsatisfied. I flew over the area again,
coincidentally during the winter when the leaves had fallen, making the
building's facade quite clear. From the bird's-eye view, I could also
distinguish the volume and differences between the two apartments. While capturing the staircase of this apartment building, I couldn't shake the feeling that it bore a striking resemblance to a staircase in a building I had photographed before. I couldn't recall which building it was until I saw Professor Qu's post of the staircase in the Beidang Apartment on Hengshan Road. It dawned on me that the similarity lay there. Of course, these two apartments differ greatly in size and architectural facade, but surprisingly, their staircases are similar (albeit with different spiral directions). Could it be that they share the same lineage (perhaps the same designer)?
Based on the information available, it is known that the designer of the
Aida Apartment is the same Russian architect, Levien, as the Nan Chang Building
(the corridor wall decoration is also remarkably similar to Shan Nan Village).
However, the Beidang Apartment is a design work by Gonghe Foreign Firm. So, who
copied whose homework? Perhaps by examining which one was built first, we can
uncover the answer. Due to the initial ambiguity regarding their demarcation, the true extent of their volume remained uncertain. With Mr. Zhao's guidance and the aerial view, the distinct composition of the two apartments became apparent, revealing that these two apartments were indeed not on the same echelon. It also became evident that both parties were resolute at the time. If the land of the Aida Apartment had been transferred to the Hille Apartment, the issue would have been resolved, altering the design outcome significantly.
It was precisely due to the unwavering stances taken back then that we are
able to witness the splendor of this miniature apartment. While it may not
qualify as a "blade-like" structure, it certainly falls into the
category of a classic pocket-sized apartment. Furthermore, residents of such small-scale apartments in Shanghai are
predominantly long-time Shanghai locals. Judging from the conditions required
for occupancy at the time, their status was undoubtedly exceptional (regardless
of whether they were native residents). While some units may now be rented out
or transferred, overall, they still cater to a higher standard of living. The Zhonghe Apartment, in reality, comprises two buildings: the
Aida Apartment and the Hille Apartment. It was selected as one of Shanghai's
fourth batch of outstanding historical buildings in 2005. Situated at the
corner of Nanchang Road and Maoming South Road, facing the Nanchang Building
from a distance, the Aida Apartment, constructed in the 1930s in a modern
architectural style, was designed by the Russian architect Levien. Its layout
follows the alignment of the road, presenting an irregular shape with a curved
staircase in the middle. The ground floor houses shops, while the second to
fourth floors are residential units. The facade features glossy yellow bricks
with tight joints, showcasing a simple and unadorned design, symmetrical
corners, and protruding windows in the central section. On the other hand, the Hille Apartment boasts a rectangular
floor plan, a four-story reinforced concrete structure built in the 1930s in a
modernist style by the French firm Laian. The facade is adorned with glazed
bricks displaying vertical textures, light red horizontal joints, faux stone
decorative moldings around the window openings, and generously sized balconies,
all embodying a sleek and straightforward form. From the perspective of facade
design, whether it be the concise forms, smooth glazed bricks, horizontal
balconies, circular windows, or corner window designs, these are all common
techniques employed by Laian in their facade treatments. Regarding the exploration of Shanghai's blade-like structures or small-scale apartments, I have also penned my thoughts on the matter. |
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