乔治·巴塞利玆（Georg Baselitz）版画研究

德国画家、版画家和雕塑家乔治-巴塞利兹（Georg Baselitz）是战后艺术家的先驱，他摒弃抽象主义，转而追求可识别的主题，刻意采用原始的渲染风格和高调的色调，以传达直接的情感。巴塞利兹接受了被纳粹谴责的德国表现主义，将人物形象重新置于绘画的中心位置。

巴塞利兹曾就读于东柏林美术与艺术学院，1957 年因 '社会政治不成熟 '被开除。随后，他来到西柏林，就读于艺术学院，并于 1962 年完成了研究生学业。在此期间，他改姓巴塞利兹。从青年时代起，巴塞利茨就对德国表现主义艺术家使用民间艺术、儿童艺术和精神病患者艺术等 '原始 '素材的做法很感兴趣。为了从战后的流行艺术中独立出来，巴塞利茨和同为艺术家的欧根-舍内贝克（Eugen Schönebeck）写下了所谓的 '大流行宣言'（1960-62 年），以暴力和令人震惊的方式表达了在战后德国工作的挫败感。1963 年，巴塞利茨举办了他的首次个展，但随即引发了一场丑闻：画作《下水道的大夜》（Die große Nacht im Eimer）（1962-63 年）描绘了一个手持超大生殖器的扭曲人物，因被指控淫秽而从展览中撤下，直到漫长的审判结束后才归还给巴塞利茨。1965 年，巴塞利兹转向 '英雄 '主题。Helden（英雄）》（1965-66 年）--又名《Neue Typen（新类型）》--以厚重的浮雕手法描绘了站立在自然风景中的人物。这些被战争蹂躏的人物凌乱不堪、支离破碎，让人联想到近代历史事件，从而引起观者的情感共鸣。

Untitled

1966

Woodcut on Japan paper

42.2 x 32.7 cm

The New Type

1966

Woodcut on old laid paper

41.9 x 34.3 cm

The New Type

1966

Woodcut on old laid paper

42.2 x 34.3 cm

The New Type

1966

Woodcut on paper

42.2 x 35.2 cm

The New Type

1966

Woodcut on paper

42.7 x 34.3 cm

Dog

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.4 x 31.1 cm

Head

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.4 x 31.1 cm

Ear

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.4 x 31.1 cm

Untitled

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

18.4 x 24.4 cm

Idol

1964

Etching and soft-ground etching on zinc plate; on paper

30.5 x 25.1 cm

Idol

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

30.2 x 25.1 cm

Howling Dogs

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.8 x 30.5 cm

Greener on the tree

1965

Etching and soft-ground etching on zinc plate; on Richard de Bas paper

31.9 x 23.8 cm

Partisan

1966

Etching and drypoint on zinc plate; on yellow laid paper

36.4 x 29.8 cm

Untitled

1965

Etching and drypoint on zinc plate; on copper printing paper

32.4 x 24.4 cm

Untitled

1966

Etching，drypoint， and aquatint on zinc plate; on Rives laid paper

31.9 x 23.5 cm

Two Soldiers

1967

Etching and drypoint on zinc plate; on Richard de Bas paper

31.8x 23.8 cm

Heads

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

20.2 x 24.8 cm

The Trap

1965

Etching and drypoint on zinc plate; on Richard de Bas paper

31.8x 23.7 cm

Untitled

1965

Etching and drypoint etched on zinc plate; on Richard de Bas laid paper

31.1 x 24.4 cm

Paranoia March

1967

Drypoint on zinc plate; on paper

31.4 x 23.8 cm

Shepherd

1966

Etching and drypoint etched on zinc plate; red on copper printing paper

31.6 x 23.8 cm

The House

1966

Etching and soft-ground etching on zinc plate; on copper printing paper

31.1 x 24.1 cm

The Hunter

1967

Etching and drypoint on zinc plate; on copper printing paper

31.4 x 23.5 cm

The Hunter

1967

Etching and drypoint on zinc plate; red on copper printing paper

31.4 x 23.8 cm

Beatrice

1969

Etching and drypoint on zinc plate; on yellow laid paper

30.5 x 23.8 cm

Untitled

1966

Woodcut on Japan paper

42.2 x 32.7 cm

Mushrooms

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.4 x 32.7 cm

Deforestation

1964

Etching and soft-ground etching on zinc plate; on copper printing paper

24.4 x 30.2 cm

Untitled

1966

Woodcut in black/brown on factory printing paper

31.1 x 24.1 cm

Partisan

1966

Woodcut in green/black on different paper

37.8 x 30.5 cm

Partisan

1966

Woodcut in black/grey blue on endpaper

36.4 x 29.8 cm

Partisan

1966

Woodcut on factory printing paper

36.4 x 29.8 cm

Torso

1966

Woodcut on paper

50.2 x 41.3 cm

Untitled

1967

Woodcut in black / gray-olive / red-brown on endpaper

35.9 x 30 cm

Untitled

1967

Woodcut in black / gray-olive / red-brown on endpaper

35.9 x 30 cm

岩洞CAVEART官方介绍 | Who we are?