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The Red House Mystery(上)

 昵称3359418 2010-11-21
The Red House Mystery
The Red House Mystery

by A.A. Milne
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The Red House Mystery
TO JOHN VINE MILNE MY DEAR FATHER,
Like all really nice people, you have a weakness for detective stories,
and feel that there are not enough of them. So, after all that you have
done for me, the least that I can do for you is to write you one. Here it
is: with more gratitude and affection than I can well put down here.
A.A.M.
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The Red House Mystery
CHAPTER I
Mrs. Stevens is Frightened
In the drowsy heat of the summer afternoon the Red House was
taking its siesta. There was a lazy murmur of bees in the flower-borders,
a gentle cooing of pigeons in the tops of the elms. From distant lawns
came the whir of a mowing-machine, that most restful of all country
sounds; making ease the sweeter in that it is taken while others are
working.
It was the hour when even those whose business it is to attend to the
wants of others have a moment or two for themselves. In the
housekeeper's room Audrey Stevens, the pretty parlourmaid, re-trimmed
her best hat, and talked idly to her aunt, the cook-housekeeper of Mr. Mark
Ablett's bachelor home.
"For Joe?" said Mrs. Stevens placidly, her eye on the hat. Audrey
nodded. She took a pin from her mouth, found a place in the hat for it,
and said, "He likes a bit of pink."
"I don't say I mind a bit of pink myself," said her aunt. "Joe Turner
isn't the only one."
"It isn't everybody's colour," said Audrey, holding the hat out at arm's
length, and regarding it thoughtfully. "Stylish, isn't it?"
"Oh, it'll suit you all right, and it would have suited me at your age.
A bit too dressy for me now, though wearing better than some other people,
I daresay. I was never the one to pretend to be what I wasn't. If I'm
fifty-five, I'm fifty-five - that's what I say."
"Fifty-eight, isn't it, auntie?"
"I was just giving that as an example," said Mrs. Stevens with great
dignity.
Audrey threaded a needle, held her hand out and looked at her nails
critically for a moment, and then began to sew.
"Funny thing that about Mr. Mark's brother. Fancy not seeing your
brother for fifteen years." She gave a self-conscious laugh and went on,
"Wonder what I should do if I didn't see Joe for fifteen years."
"As I told you all this morning," said her aunt, "I've been here five
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The Red House Mystery
years, and never heard of a brother. I could say that before everybody if I
was going to die to-morrow. There's been no brother here while I've been
here."
"You could have knocked me down with a feather when he spoke
about him at breakfast this morning. I didn't hear what went before,
naturally, but they was all talking about the brother when I went in - now
what was it I went in for - hot milk, was it, or toast? - well, they was all
talking, and Mr. Mark turns to me, and says - you know his way
'Stevens,' he says, 'my brother is coming to see me this afternoon; I'm
expecting him about three,' he says. 'Show him into the office,' he says,
just like that. 'Yes, sir,' I says quite quietly, but I was never so surprised
in my life, not knowing he had a brother. 'My brother from Australia,' he
says - there, I'd forgotten that. From Australia."
"Well, he may have been in Australia," said Mrs. Stevens, judicially; "I
can't say for that, not knowing the country; but what I do say is he's never
been here. Not while I've been here, and that's five years."
"Well, but, auntie, he hasn't been here for fifteen years. I heard Mr.
Mark telling Mr. Cayley. 'Fifteen years,' he says. Mr. Cayley having
arst him when his brother was last in England. Mr. Cayley knew of him,
I heard him telling Mr. Beverley, but didn't know when he was last in
England - see? So that's why he arst Mr. Mark."
"I'm not saying anything about fifteen years, Audrey. I can only
speak for what I know, and that's five years Whitsuntide. I can take my
oath he's not set foot in the house since five years Whitsuntide. And if
he's been in Australia, as you say, well, I daresay he's had his reasons."
"What reasons?" said Audrey lightly.
"Never mind what reasons. Being in the place of a mother to you,
since your poor mother died, I say this, Audrey - when a gentleman goes
to Australia, he has his reasons. And when he stays in Australia fifteen
years, as Mr. Mark says, and as I know for myself for five years, he has his
reasons. And a respectably brought-up girl doesn't ask what reasons."
"Got into trouble, I suppose," said Audrey carelessly. "They were
saying at breakfast he'd been a wild one. Debts. I'm glad Joe isn't like
that. He's got fifteen pounds in the post-office savings' bank. Did I tell
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The Red House Mystery
you?"
But there was not to be any more talk of Joe Turner that afternoon. The
ringing of a bell brought Audrey to her feet - no longer Audrey, but now
Stevens. She arranged her cap in front of the glass.
"There, that's the front door," she said. "That's him. 'Show him into
the office,' said Mr. Mark. I suppose he doesn't want the other ladies and
gentlemen to see him. Well, they're all out at their golf, anyhow
Wonder if he's going to stay - P'raps he's brought back a lot of gold from
Australia - I might hear something about Australia, because if anybody can
get gold there, then I don't say but what Joe and I -"
"Now, now, get on, Audrey."
"Just going, darling." She went out.
To anyone who had just walked down the drive in the August sun, the
open door of the Red House revealed a delightfully inviting hall, of which
even the mere sight was cooling. lt was a big low-roofed, oak-beamed
place, with cream-washed walls and diamond-paned windows, blue-
curtained. On the right and left were doors leading into other living-
rooms, but on the side which faced you as you came in were windows
again, looking on to a small grass court, and from open windows to open
windows such air as there was played gently. The staircase went up in
broad, low steps along the right-hand wall, and, turning to the left, led you
along a gallery, which ran across the width of the hail, to your bedroom.
That is, if you were going to stay the night. Mr. Robert Ablett's
intentions in this matter were as yet unknown.
As Audrey came across the hall she gave a little start as she saw Mr.
Cayley suddenly, sitting unobtrusively in a seat beneath one of the front
windows, reading. No reason why he shouldn't be there; certainly a
much cooler place than the golf-links on such a day; but somehow there
was a deserted air about the house that afternoon, as if all the guests were
outside, or - perhaps the wisest place of all - up in their bedrooms,
sleeping. Mr. Cayley, the master's cousin, was a surprise; and, having
given a little exclamation as she came suddenly upon him, she blushed,
and said, "Oh, I beg your pardon, sir, I didn't see you at first," and he
looked up from his book and smiled at her. An attractive smile it was on
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The Red House Mystery
that big ugly face. "Such a gentleman, Mr. Cayley," she thought to
herself as she went on, and wondered what the master would do without
him. If this brother, for instance, had to be bundled back to Australia, it
was Mr. Cayley who would do most of the bundling.
"So this is Mr. Robert," said Audrey to herself, as she came in sight of
the visitor.
She told her aunt afterwards that she would have known him anywhere
for Mr. Mark's brother, but she would have said that in any event. Actually
she was surprised. Dapper little Mark, with his neat pointed beard and
his carefully curled moustache; with his quick-darting eyes, always
moving from one to the other of any company he was in, to register one
more smile to his credit when he had said a good thing, one more
expectant look when he was only waiting his turn to say it; he was a very
different man from this rough-looking, ill-dressed colonial, staring at her
so loweringly.
"I want to see Mr. Mark Ablett," he growled. It sounded almost like a
threat.
Audrey recovered herself and smiled reassuringly at him. She had a
smile for everybody.
"Yes, sir. He is expecting you, if you will come this way."
"Oh! So you know who I am, eh?"
"Mr. Robert Ablett?"
"Ay, that's right. So he's expecting me, eh? He'll be glad to see me,
eh?"
"If you will come this way, sir," said Audrey primly.
She went to the second door on the left, and opened it.
"Mr. Robert Ab-" she began, and then broke off. The room was
empty. She turned to the man behind her. "If you will sit down, sir, I will
find the master. I know he's in, because he told me that you were coming
this afternoon."
"Oh!" He looked round the room. "What d'you call this place, eh?"
"The office, sir."
"The office?"
"The room where the master works, sir."
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The Red House Mystery
"Works, eh? That's new. Didn't know he'd ever done a stroke of
work in his life."
"Where he writes, sir," said Audrey, with dignity. The fact that Mr.
Mark "wrote," though nobody knew what, was a matter of pride in the
housekeeper's room.
"Not well-dressed enough for the drawing-room, eh?"
"I will tell the master you are here, sir," said Audrey decisively.
She closed the door and left him there.
Well! Here was something to tell auntie! Her mind was busy at
once, going over all the things which he had said to her and she had said to
him - quiet-like. "Directly I saw him I said to myself -" Why, you
could have knocked her over with a feather. Feathers, indeed, were a
perpetual menace to Audrey.
However, the immediate business was to find the master. She walked
across the hall to the library, glanced in, came back a little uncertainly, and
stood in front of Cayley.
"If you please, sir," she said in a low, respectful voice, "can you tell me
where the master is? It's Mr. Robert called."
"What?" said Cayley, looking up from his book. "Who?"
Audrey repeated her question.
"I don't know. Isn't he in the office? He went up to the Temple after
lunch. I don't think I've seen him since."
"Thank you, sir. I will go up to the Temple."
Cayley returned to his book.
The "Temple" was a brick summer-house, in the gardens at the back of
the house, about three hundred yards away. Here Mark meditated
sometimes before retiring to the "office" to put his thoughts upon paper.
The thoughts were not of any great value; moreover, they were given off at
the dinner-table more often than they got on to paper, and got on to paper
more often than they got into print. But that did not prevent the master of
The Red House from being a little pained when a visitor treated the
Temple carelessly, as if it had been erected for the ordinary purposes of
flirtation and cigarette-smoking. There had been an occasion when two
of his guests had been found playing fives in it. Mark had said nothing at
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The Red House Mystery
the time, save to ask with a little less than his usual point - whether they
couldn't find anywhere else for their game, but the offenders were never
asked to The Red House again.
Audrey walked slowly up to the Temple, looked in and walked slowly
back. All that walk for nothing. Perhaps the master was upstairs in his
room. "Not well-dressed enough for the drawing-room." Well, now,
Auntie, would you like anyone in your drawing-room with a red
handkerchief round his neck and great big dusty boots, and - listen! One of
the men shooting rabbits. Auntie was partial to a nice rabbit, and onion
sauce. How hot it was; she wouldn't say no to a cup of tea. Well, one
thing, Mr. Robert wasn't staying the night; he hadn't any luggage. Of
course Mr. Mark could lend him things; he had clothes enough for six.
She would have known him anywhere for Mr. Mark's brother.
She came into the house. As she passed the housekeeper's room on
her way to the hall, the door opened suddenly, and a rather frightened face
looked out.
"Hallo, Aud," said Elsie. "It's Audrey," she said, turning into the
room.
"Come in, Audrey," called Mrs. Stevens.
"What's up?" said Audrey, looking in at the door.
"Oh, my dear, you gave me such a turn. Where have you been?"
"Up to the Temple."
"Did you hear anything?"
"Hear what?"
"Bangs and explosions and terrible things."
"Oh!" said Audrey, rather relieved. "One of the men shooting rabbits.
Why, I said to myself as I came along, 'Auntie's partial to a nice rabbit,' I
said, and I shouldn't be surprised if -"
"Rabbits!" said her aunt scornfully. "It was inside the house, my
girl."
"Straight it was," said Elsie. She was one of the housemaids. "I
said to Mrs. Stevens - didn't I, Mrs. Stevens? - 'That was in the house,' I
said."
Audrey looked at her aunt and then at Elsie.
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The Red House Mystery
"Do you think he had a revolver with him?" she said in a hushed voice.
"Who?" said Elsie excitedly.
"That brother of his. From Australia. I said as soon as I set eyes on
him, 'You're a bad lot, my man!' That's what I said, Elsie. Even before he
spoke to me. Rude!" She turned to her aunt. "Well, I give you my
word."
"If you remember, Audrey, I always said there was no saying with
anyone from Australia." Mrs. Stevens lay back in her chair, breathing
rather rapidly. "I wouldn't go out of this room now, not if you paid me a
hundred thousand pounds.".
"Oh, Mrs. Stevens!" said Elsie, who badly wanted five shillings for a
new pair of shoes, "I wouldn't go as far as that, not myself, but -"
"There!" cried Mrs. Stevens, sitting up with a start. They listened
anxiously, the two girls instinctively coming closer to the older woman's
chair.
A door was being shaken, kicked, rattled.
"Listen!"
Audrey and Elsie looked at each other with frightened eyes.
They heard a man's voice, loud, angry.
"Open the door!" it was shouting. "Open the door! I say, open the
door!"
"Don't open the door!" cried Mrs. Stevens in a panic, as if it was her
door which was threatened. "Audrey! Elsie! Don't let him in!"
"Damn it, open the door!" came the voice again.
"We're all going to be murdered in our beds," she quavered. Terrified,
the two girls huddled closer, and with an arm round each, Mrs. Stevens sat
there, waiting.
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The Red House Mystery
CHAPTER II
Mr. Gillingham Gets Out at the Wrong Station
Whether Mark Ablett was a bore or not depended on the point of
view, but it may be said at once that he never bored his company on the
subject of his early life. However, stories get about. There is always
somebody who knows. It was understood - and this, anyhow, on Mark's
own authority - that his father had been a country clergyman. It was said
that, as a boy, Mark had attracted the notice, and patronage, of some rich
old spinster of the neighbourhood, who had paid for his education, both at
school and university. At about the time when he was coming down from
Cambridge, his father had died; leaving behind him a few debts, as a
warning to his family, and a reputation for short sermons, as an example to
his successor. Neither warning nor example seems to have been effective.
Mark went to London, with an allowance from his patron, and (it is
generally agreed) made acquaintance with the money-lenders. He was
supposed, by his patron and any others who inquired, to be "writing"; but
what he wrote, other than letters asking for more time to pay, has never
been discovered. However, he attended the theatres and music halls very
regularly - no doubt with a view to some serious articles in the "Spectator"
on the decadence of the English stage.
Fortunately (from Mark's point of view) his patron died during his
third year in London, and left him all the money he wanted. From that
moment his life loses its legendary character, and becomes more a matter
of history. He settled accounts with the money-lenders, abandoned his
crop of wild oats to the harvesting of others, and became in his turn a
patron. He patronized the Arts. It was not only usurers who discovered
that Mark Ablett no longer wrote for money; editors were now offered free
contributions as well as free lunches; publishers were given agreements
for an occasional slender volume, in which the author paid all expenses
and waived all royalties; promising young painters and poets dined with
him; and he even took a theatrical company on tour, playing host and
"lead" with equal lavishness.
He was not what most people call a snob. A snob has been defined
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The Red House Mystery
carelessly as a man who loves a lord; and, more carefully, as a mean lover
of mean things - which would be a little unkind to the peerage if the first
definition were true. Mark had his vanities undoubtedly, but he would
sooner have met an actor-manager than an earl; he would have spoken of
his friendship with Dante - had that been possible - more glibly than of his
friendship with the Duke. Call him a snob if you like, but not the worst
kind of snob; a hanger-on, but to the skirts of Art, not Society; a climber,
but in the neighbourhood of Parnassus, not Hay Hill.
His patronage did not stop at the Arts. It also included Matthew
Cayley, a small cousin of thirteen, whose circumstances were as limited as
had been Mark's own before his patron had rescued him. He sent the
Cayley cousin to school and Cambridge. His motives, no doubt, were
unworldly enough at first; a mere repaying to his account in the Recording
Angel's book of the generosity which had been lavished on himself; a
laying-up of treasure in heaven. But it is probable that, as the boy grew
up, Mark's designs for his future were based on his own interests as much
as those of his cousin, and that a suitably educated Matthew Cayley of
twenty-three was felt by him to be a useful property for a man in his
position; a man, that is to say, whose vanities left him so little time for his
affairs.
Cayley, then, at twenty-three, looked after his cousin's affairs. By this
time Mark had bought The Red House and the considerable amount of
land which went with it. Cayley superintended the necessary staff. His
duties, indeed, were many. He was not quite secretary, not quite land-
agent, not quite business-adviser, not quite companion, but something of
all four. Mark leant upon him and called him "Cay," objecting quite
rightly in the circumstances to the name of Matthew. Cay, he felt was,
above all, dependable; a big, heavy-jawed, solid fellow, who didn't bother
you with unnecessary talk - a boon to a man who liked to do most of the
talking himself.
Cayley was now twenty-eight, but had all the appearance of forty,
which was his patron's age. Spasmodically they entertained a good deal
at The Red House, and Mark's preference - call it kindliness or vanity, as
you please - was for guests who were not in a position to repay his
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The Red House Mystery
hospitality. Let us have a look at them as they came down to that
breakfast, of which Stevens, the parlourmaid, has already given us a
glimpse.
The first to appear was Major Rumbold, a tall, grey-haired, grey-
moustached, silent man, wearing a Norfolk coat and grey flannel trousers,
who lived on his retired pay and wrote natural history articles for the
papers. He inspected the dishes on the side-table, decided carefully on
kedgeree, and got to work on it. He had passed on to a sausage by the
time of the next arrival. This was Bill Beverly, a cheerful young man in
white flannel trousers and a blazer.
"Hallo, Major," he said as he came in, "how's the gout?"
"It isn't gout," said the Major gruffly.
"Well, whatever it is."
The Major grunted.
"I make a point of being polite at breakfast," said Bill, helping himself
largely to porridge. "Most people are so rude. That's why I asked you.
But don't tell me if it's a secret. Coffee?" he added, as he poured himself
out a cup.
"No, thanks. I never drink till I've finished eating."
"Quite right, Major; it's only manners." He sat down opposite to the
other. "Well, we've got a good day for our game. It's going to be
dashed hot, but that's where Betty and I score. On the fifth green, your
old wound, the one you got in that frontier skirmish in '43, will begin to
trouble you; on the eighth, your liver, undermined by years of curry, will
drop to pieces; on the twelfth-"
"Oh, shut up, you ass!"
"Well, I'm only warning you. Hallo; good morning, Miss Norris. I
was just telling the Major what was going to happen to you and him this
morning. Do you want any assistance, or do you prefer choosing your
own breakfast?"
"Please don't get up," said Miss Norris. "I'll help myself. Good
morning, Major." She smiled pleasantly at him. The Major nodded.
"Good morning. Going to be hot."
"As I was telling him," began Bill, "that's where- Hallo, here's Betty.
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The Red House Mystery
Morning, Cayley."
Betty Calladine and Cayley had come in together. Betty was the
eighteen-year-old daughter of Mrs. John Calladine, widow of the painter,
who was acting hostess on this occasion for Mark. Ruth Norris took
herself seriously as an actress and, on her holidays, seriously as a golfer.
She was quite competent as either. Neither the Stage Society nor
Sandwich had any terrors for her.
"By the way, the car will be round at 10.30," said Cayley, looking up
from his letters. "You're lunching there, and driving back directly
afterwards. Isn't that right?"
"I don't see why we shouldn't have - two rounds," said Bill hopefully.
"Much too hot in the afternoon," said the Major. "Get back
comfortably for tea."
Mark came in. He was generally the last. He greeted them and sat
down to toast and tea. Breakfast was not his meal. The others chattered
gently while he read his letters.
"Good God!" said Mark suddenly.
There was an instinctive turning of heads towards him. "I beg your
pardon, Miss Norris. Sorry, Betty."
Miss Norris smiled her forgiveness. She often wanted to say it
herself, particularly at rehearsals.
"I say, Cay!" He was frowning to himself - annoyed, puzzled. He
held up a letter and shook it. "Who do you think this is from?"
Cayley, at the other end of the table, shrugged his shoulders. How
could he possibly guess?
"Robert," said Mark.
"Robert?" It was difficult to surprise Cayley. "Well?"
"It's all very well to say 'we1l?' like that," said Mark peevishly. "He's
coming here this afternoon."
"I thought he was in Australia, or somewhere."
"Of course. So did I." He looked across at Rumbold. "Got any
brothers, Major?"
"No."
"Well, take my advice, and don't have any."
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The Red House Mystery
"Not likely to now," said the Major.
Bill laughed. Miss Norris said politely: "But you haven't any
brothers, Mr. Ablett?"
"One," said Mark grimly. "If you're back in time you'll see him this
afternoon. He'll probably ask you to lend him five pounds. Don't."
Everybody felt a little uncomfortable.
"I've got a brother," said Bill helpfully, "but I always borrow from
him."
"Like Robert," said Mark.
"When was he in England last?" asked Cayley.
"About fifteen years ago, wasn't it? You'd have been a boy, of
course."
"Yes, I remember seeing him once about then, but I didn't know if he
had been back since."
"No. Not to my knowledge." Mark, still obviously upset, returned
to his letter.
"Personally," said Bill, "I think relations are a great mistake."
"All the same," said Betty a little daringly, "it must be rather fun
having a skeleton in the cupboard."
Mark looked up, frowning.
"If you think it's fun, I'll hand him over to you, Betty. If he's
anything like he used to be, and like his few letters have been - well, Cay
knows."
Cayley grunted.
"All I knew was that one didn't ask questions about him."
It may have been meant as a hint to any too curious guest not to ask
more questions, or a reminder to his host not to talk too freely in front of
strangers, although he gave it the sound of a mere statement of fact. But
the subject dropped, to be succeeded by the more fascinating one of the
coming foursome. Mrs. Calladine was driving over with the players in
order to lunch with an old friend who lived near the links, and Mark and
Cayley were remaining at home - on affairs. Apparently "affairs" were
now to include a prodigal brother. But that need not make the foursome
less enjoyable.
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The Red House Mystery
At about the time when the Major (for whatever reasons) was fluffing
his tee-shot at the sixteenth, and Mark and his cousin were at their
business at The Red House, an attractive gentleman of the name of Antony
Gillingham was handing up his ticket at Woodham station and asking the
way to the village. Having received directions, he left his bag with the
station-master and walked off leisurely. He is an important person to this
story, so that it is as well we should know something about him before
letting him loose in it. Let us stop him at the top of the hill on some
excuse, and have a good look at him.
The first thing we realize is that he is doing more of the looking than
we are. Above a clean-cut, clean-shaven face, of the type usually
associated with the Navy, he carries a pair of grey eyes which seem to be
absorbing every detail of our person. To strangers this look is almost
alarming at first, until they discover that his mind is very often elsewhere;
that he has, so to speak, left his eyes on guard, while he himself follows a
train of thought in another direction. Many people do this, of course;
when, for instance, they are talking to one person and trying to listen to
another; but their eyes betray them. Antony's never did.
He had seen a good deal of the world with those eyes, though never as
a sailor. When at the age of twenty-one he came into his mother's money,
400 pounds a year, old Gillingham looked up from the "Stockbreeders'
Gazette" to ask what he was going to do.
"See the world," said Antony.
"Well, send me a line from America, or wherever you get to."
"Right," said Antony.
Old Gillingham returned to his paper. Antony was a younger son,
and, on the whole, not so interesting to his father as the cadets of certain
other families; Champion Birket's, for instance. But, then, Champion
Birket was the best Hereford bull he had ever bred.
Antony, however, had no intention of going further away than London.
His idea of seeing the world was to see, not countries, but people; and to
see them from as many angles as possible. There are all sorts in London
if you know how to look at them. So Antony looked at them - from
various strange corners; from the view-point of the valet, the newspaper
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The Red House Mystery
reporter, the waiter, the shop-assistant. With the independence of 400
pounds a year behind him, he enjoyed it immensely. He never stayed
long in one job, and generally closed his connexion with it by telling his
employer (contrary to all etiquette as understood between master and
servant) exactly what he thought of him. He had no difficulty in finding
a new profession. Instead of experience and testimonials he offered his
personality and a sporting bet. He would take no wages 'the first month,
and - if he satisfied his employer - double wages the second. He always
got his double wages.
He was now thirty. He had come to Waldheim for a holiday, because
he liked the look of the station. His ticket entitled him to travel further,
but he had always intended to please himself in the matter. Waldheim
attracted him, and he had a suit-case in the carriage with him and money
in his pocket. Why not get out?
The landlady of "The George" was only too glad to put him up, and
promised that her husband would drive over that afternoon for his luggage.
"And you would like some lunch, I expect, sir."
"Yes, but don't give yourself any trouble about it. Cold anything-
you've-got."
"What about beef, sir?" she asked, as if she had a hundred varieties of
meat to select from, and was offering him her best.
"That will do splendidly. And a pint of beer."
While he was finishing his lunch, the landlord came in to ask about the
luggage. Antony ordered another pint, and soon had him talking.
"It must be rather fun to keep a country inn," he said, thinking that it
was about time he started another profession.
"I don't know about fun, sir. It gives us a living, and a bit over."
"You ought to take a holiday," said Antony, looking at him
thoughtfully.
"Funny thing your saying that," said the landlord, with a smile.
"Another gentleman, over from The Red House, was saying that only
yesterday. Offered to take my place 'n all." He laughed rumblingly.
"The Red House? Not the Red House, Stanton?"
"That's right, sir. Stanton's the next station to Waldheim. The Red
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The Red House Mystery
House is about a mile from here - Mr. Ablett's."
Antony took a letter from his pocket. It was addressed from "The
Red House, Stanton," and signed "Bill."
"Good old Bill," he murmured to himself. "He's getting on."
Antony had met Bill Beverley two years before in a tobacconist's shop.
Gillingham was on one side of the counter and Mr. Beverley on the other.
Something about Bill, his youth and freshness, perhaps, attracted Antony;
and when cigarettes had been ordered, and an address given to which they
were to be sent, he remembered that he had come across an aunt of
Beverley's once at a country-house. Beverley and he met again a little
later at a restaurant. Both of them were in evening-dress, but they did
different things with their napkins, and Antony was the more polite of the
two. However, he still liked Bill. So on one of his holidays, when he
was unemployed, he arranged an introduction through a mutual friend.
Beverley was a little inclined to be shocked when he was reminded of
their previous meetings, but his uncomfortable feeling soon wore off, and
he and Antony quickly became intimate. But Bill generally addressed
him as "Dear Madman" when he happened to write.
Antony decided to stroll over to The Red House after lunch and call
upon his friend. Having inspected his bedroom which was not quite the
lavender-smelling country-inn bedroom of fiction, but sufficiently clean
and comfortable, he set out over the fields.
As he came down the drive and approached the old red-brick front of
the house, there was a lazy murmur of bees in the flower-borders, a gentle
cooing of pigeons in the tops of the elms, and from distant lawns the whir
of a mowing-machine, that most restful of all country sounds....
And in the hall a man was banging at a locked door, and shouting,
"Open the door, I say; open the door!"
"Hallo!" said Antony in amazement.
17


The Red House Mystery
CHAPTER III
Two Men and a Body
Cayley looked round suddenly at the voice.
"Can I help?" said Antony politely.
"Something's happened," said Cayley. He was breathing quickly. "I
heard a shot-it sounded like a shot - I was in the library. A loud bang - I
didn't know what it was. And the door's locked." He rattled the handle
again, and shook it. "Open the door!" he cried. "I say, Mark, what is it?
Open the door!"
"But he must have locked the door on purpose," said Antony. "So
why should he open it just because you ask him to?"
Cayley looked at him in a bewildered way. Then he turned to the
door again. "We must break it in," he said, putting his shoulder to it.
"Help me."
"Isn't there a window?"
Cayley turned to him stupidly.
"Window? Window?"
"So much easier to break in a window," said Antony with a smile. He
looked very cool and collected, as he stood just inside the hall, leaning on
his stick, and thinking, no doubt, that a great deal of fuss was being made
about nothing. But then, he had not heard the shot.
"Window - of course! What an idiot I am."
He pushed past Antony, and began running out into the drive.
Antony followed him. They ran along the front of the house, down a
path to the left, and then to the left again over the grass, Cayley in front,
the other close behind him. Suddenly Cayley looked over his shoulder
and pulled up short.
"Here," he said.
They had come to the windows of the locked room, French windows
which opened on to the lawns at the back of the house. But now they
were closed. Antony couldn't help feeling a thrill of excitement as he
followed Cayley's example, and put his face close up to the glass. For the
first time he wondered if there really had been a revolver shot in this
18


The Red House Mystery
mysterious room. It had all seemed so absurd and melodramatic from the
other side of the door. But if there had been one shot, why should there
not be two more? - at the careless fools who were pressing their noses
against the panes, and asking for it.
"My God, can you see it?" said Cayley in a shaking voice. "Down
there. Look!"
The next moment Antony saw it. A man was lying on the floor at the
far end of the room, his back towards them. A man? Or the body of a
man?
"Who is it?" said Antony.
"I don't know," the other whispered.
"Well, we'd better go and see." He considered the windows for a
moment. "I should think, if you put your weight into it, just where they
join, they'll give all right. Otherwise, we can kick the glass in."
Without saying anything, Cayley put his weight into it. The window
gave, and they went into the room. Cayley walked quickly to the body,
and dropped on his knees by it. For the moment he seemed to hesitate;
then with an effort he put a hand on to its shoulder and pulled it over.
"Thank God!" he murmured, and let the body go again.
"Who is it?" said Antony.
"Robert Ablett."
"Oh!" said Antony. "I thought his name was Mark," he added, more
to himself than to the other.
"Yes, Mark Ablett lives here. Robert is his brother." He shuddered,
and said, "I was afraid it was Mark."
"Was Mark in the room too?"
"Yes," said Cayley absently. Then, as if resenting suddenly these
questions from a stranger, "Who are you?"
But Antony had gone to the locked door, and was turning the handle.
"I suppose he put the key in his pocket," he said, as he came back to the
body again.
"Who?"
Antony shrugged his shoulders.
"Whoever did this," he said, pointing to the man on the floor. "Is he
19


The Red House Mystery
dead?"
"Help me," said Cayley simply.
They turned the body on to its back, nerving themselves to look at it.
Robert Ablett had been shot between the eyes. It was not a pleasant sight,
and with his horror Antony felt a sudden pity for the man beside him, and
a sudden remorse for the careless, easy way in which he had treated the
affair. But then one always went about imagining that these things didn't
happen - except to other people. It was difficult to believe in them just at
first, when they happened to yourself.
"Did you know him well?" said Antony quietly. He meant, "Were
you fond of him?"
"Hardly at all. Mark is my cousin. I mean, Mark is the brother I
know best."
"Your cousin?"
"Yes." He hesitated, and then said, "Is he dead? I suppose he is.
Will you - do you know anything about - about that sort of thing? Perhaps
I'd better get some water."
There was another door opposite to the locked one, which led, as
Antony was to discover for himself directly, into a passage from which
opened two more rooms. Cayley stepped into the passage, and opened
the door on the right. The door from the office, through which he had
gone, remained open. The door, at the end of the short passage was shut.
Antony, kneeling by the body, followed Cayley with his eyes, and, after he
had disappeared, kept his eyes on the blank wall of the passage, but he was
not conscious of that at which he was looking, for his mind was with the
other man, sympathizing with him.
"Not that water is any use to a dead body," he said to himself, "but the
feeling that you're doing something, when there's obviously nothing to be
done, is a great comfort."
Cayley came into the room again. He had a sponge in one hand, a
handkerchief in the other. He looked at Antony. Antony nodded.
Cayley murmured something, and knelt down to bathe the dead man's face.
Then he placed the handkerchief over it. A little sigh escaped Antony, a
sigh of relief.
20


The Red House Mystery
They stood up and looked at each other.
"If I can be of any help to you," said Antony, "please let me."
"That's very kind of you. There will be things to do. Police, doctors

-I don't know. But you mustn't let me trespass on your kindness.
Indeed, I should apologise for having trespassed so much already."
"I came to see Beverley. He is an old friend of mine."
"He's out playing golf. He will be back directly." Then, as if he had
only just realized it, "They will all be back directly."
"I will stay if I can be of any help."
"Please do. You see, there are women. It will be rather painful. If
you would -" He hesitated, and gave Antony a timid little smile, pathetic
in so big and self-reliant a man. "Just your moral support, you know. It
would be something."
"Of course." Antony smiled back at him, and said cheerfully, "Well,
then, I'll begin by suggesting that you should ring up the police."
"The police? Y-yes." He looked doubtfully at the other. "I suppose
-"
Antony spoke frankly.
"Now, look here, Mr-er -"
"Cayley. I'm Mark Ablett's cousin. I live with him."
"My name's Gillingham. I'm sorry, I ought to have told you before.
Well now, Mr. Cayley, we shan't do any good by pretending. Here's a
man been shot - well, somebody shot him."
"He might have shot himself," mumbled Cayley.
"Yes, he might have, but he didn't. Or if he did, somebody was in the
room at the time, and that somebody isn't here now. And that somebody
took a revolver away with him. Well, the police will want to say a word
about that, won't they?"
Cayley was silent, looking on the ground.
"Oh, I know what you're thinking, and believe me I do sympathize
with you, but we can't be children about it. If your cousin Mark Ablett
was in the room with this" - he indicated the body - "this man, then -"
"Who said he was?" said Cayley, jerking his head up suddenly at
Antony.
21


The Red House Mystery
"You did."
"I was in the library. Mark went in - he may have come out again - I
know nothing. Somebody else may have gone in -"
"Yes, yes," said Antony patiently, as if to a little child. You know
your cousin; I don't. Let's agree that he had nothing to do with it. But
somebody was in the room when this man was shot, and - well, the police
will have to know. Don't you think -" He looked at the telephone.
"Or would you rather I did it?"
Cayley shrugged his shoulders and went to the telephone.
"May I - er - look round a bit?" Antony nodded towards the open
door.
"Oh, do. Yes." He sat down and drew the telephone towards him.
"You must make allowances for me, Mr. Gillingham. You see, I've
known Mark for a very long time. But, of course, you're quite right, and
I'm merely being stupid." He took off the receiver.
Let us suppose that, for the purpose of making a first acquaintance
with this "office," we are coming into it from the hall, through the door
which is now locked, but which, for our special convenience, has been
magically unlocked for us. As we stand just inside the door, the length of
the room runs right and left; or, more accurately, to the right only, for the
left-hand wall is almost within our reach. Immediately opposite to us,
across the breadth of the room (some fifteen feet), is that other door, by
which Cayley went out and returned a few minutes ago. In the right-
hand wall, thirty feet away from us, are the French windows. Crossing
the room and going out by the opposite door, we come into a passage,
from which two rooms lead. The one on the right, into which Cayley
went, is less than half the length of the office, a small, square room, which
has evidently been used some time or other as a bedroom. The bed is no
longer there, but there is a basin, with hot and cold taps, in a corner; chairs;
a cupboard or two, and a chest of drawers. The window faces the same
way as the French windows in the next room; but anybody looking out of
the bedroom window has his view on the immediate right shut off by the
outer wall of the office, which projects, by reason of its greater length,
fifteen feet further into the lawn.
22


The Red House Mystery
The room on the other side of the bedroom is a bathroom. The three
rooms together, in fact, form a sort of private suite; used, perhaps, during
the occupation of the previous owner, by some invalid, who could not
manage the stairs, but allowed by Mark to fall into disuse, save for the
living-room. At any rate, he never slept downstairs.
Antony glanced at the bathroom, and then wandered into the bedroom,
the room into which Cayley had been. The window was open, and he
looked out at the well-kept grass beneath him, and the peaceful stretch of
park beyond; and he felt very sorry for the owner of it all, who was now
mixed up in so grim a business.
"Cayley thinks he did it," said Antony to himself. "That's obvious. It
explains why he wasted so much time banging on the door. Why should
he try to break a lock when it's so much easier to break a window? Of
course he might just have lost his head; on the other hand, he might - well,
he might have wanted to give his cousin a chance of getting away. The
same about the police, and - oh, lots of things. Why, for instance, did we
run all the way round the house in order to get to the windows? Surely
there's a back way out through the hall. I must have a look later on."
Antony, it will be observed, had by no means lost his head.
There was a step in the passage outside, and he turned round, to see
Cayley in the doorway. He remained looking at him for a moment,
asking himself a question. It was rather a curious question. He was
asking himself why the door was open.
Well, not exactly why the door was open; that could be explained
easily enough. But why had he expected the door to be shut? He did
not remember shutting it, but somehow he was surprised to see it open
now, to see Cayley through the doorway, just coming into the room.
Something working sub-consciously in his brain had told him that it was
surprising. Why?
He tucked the matter away in a corner of his mind for the moment; the
answer would come to him later on. He had a wonderfully retentive
mind. Everything which he saw or heard seemed to make its
corresponding impression somewhere in his brain; often without his being
conscious of it; and these photographic impressions were always there
23


The Red House Mystery
ready for him when he wished to develop them.
Cayley joined him at the window.
"I've telephoned," he said. "They're sending an inspector or some
one from Middleston, and the local police and doctor from Stanton." He
shrugged his shoulders. "We're in for it now."
"How far away is Middleston?" It was the town for which Antony
had taken a ticket that morning - only six hours ago. How absurd it
seemed.
"About twenty miles. These people will be coming back soon.
"Beverley, and the others?"
"Yes. I expect they'll want to go away at once."
"Much better that they should."
"Yes." Cayley was silent for a little. Then he said, "You're staying
near here?"
"I'm at 'The George,' at Waldheim."
"If you're by yourself, I wish you'd put up here. You see," he went on
awkwardly, "you'll have to be here - for the - the inquest and - and so on.
If I may offer you my cousin's hospitality in his - I mean if he doesn't - if
he really has -"
Antony broke in hastily with his thanks and acceptance.
"That's good. Perhaps Beverley will stay on, if he's a friend of yours.
He's a good fellow."
Antony felt quite sure, from what Cayley had said and had hesitated to
say, that Mark had been the last to see his brother alive. It didn't follow
that Mark Ablett was a murderer. Revolvers go off accidentally; and
when they have gone off, people lose their heads and run away, fearing
that their story will not be believed. Nevertheless, when people run away,
whether innocently or guiltily, one can't help wondering which way they
went.
"I suppose this way," said Antony aloud, looking out of the window.
"Who?" said Cayley stubbornly.
"Well, whoever it was," said Antony, smiling to himself. "The
murderer. Or, let us say, the man who locked the door after Robert Ablett
was killed."
24


The Red House Mystery
"I wonder."
"Well, how else could he have got away? He didn't go by the
windows in the next room, because they were shut."
"Isn't that rather odd?"
"Well, I thought so at first, but -" He pointed to the wall jutting out
on the right. "You see, you're protected from the rest of the house if you
get out here, and you're quite close to the shrubbery. If you go out at the
French windows, I imagine you're much more visible. All that part of the
house -" he waved his right hand - "the west, well, north-west almost,
where the kitchen parts are - you see, you're hidden from them here.
Oh, yes! he knew the house, whoever it was, and he was quite right to
come out of this window. He'd be into the shrubbery at once."
Cayley looked at him thoughtfully.
"It seems to me, Mr. Gillingham, that you know the house pretty well,
considering that this is the first time you've been to it."
Antony laughed.
"Oh, well, I notice things, you know. I was born noticing. But I'm
right, aren't I, about why he went out this way?"
"Yes, I think you are." Cayley looked away -towards the shrubbery.
"Do you want to go noticing in there now?" He nodded at it.
"I think we might leave that to the police," said Antony gently. "It's
well, there's no hurry."
Cayley gave a little sigh, as if he had been holding his breath for the
answer, and could now breathe again.
"Thank you, Mr. Gillingham," he said.
25


The Red House Mystery
CHAPTER IV
The Brother from Australia
Guests at the Red House were allowed to do what they liked within
reason - the reasonableness or otherwise of it being decided by Mark. But
when once they (or Mark) had made up their minds as to what they wanted
to do, the plan had to be kept. Mrs. Calladine, who knew this little
weakness of their host's, resisted, therefore, the suggestion of Bill that they
should have a second round in the afternoon, and drive home comfortably
after tea. The other golfers were willing enough, but Mrs. Calladine,
without actually saying that Mr. Ablett wouldn't like it, was firm on the
point that, having arranged to be back by four, they should be back by
four.
"I really don't think Mark wants us, you know," said the Major. Having
played badly in the morning, he wanted to prove to himself in the
afternoon that he was really better than that. "With this brother of his
coming, he'll be only too glad to have us out of the way."
"Of course he will, Major." This from Bill. "You'd like to play,
wouldn't you, Miss Norris?"
Miss Norris looked doubtfully at the hostess.
"Of course, if you want to get back, dear, we mustn't keep you here.
Besides, it's so dull for you, not playing."
"Just nine holes, mother," pleaded Betty.
"The car could take you back, and you could tell them that we were
having another round, and then it could come back for us," said Bill
brilliantly.
"It's certainly much cooler here than I expected," put in the Major.
Mrs. Calladine fell. It was very pleasantly cool outside the golf-
house, and of course Mark would be rather glad to have them out of the
way. So she consented to nine holes; and the match having ended all-
square, and everybody having played much better than in the morning,
they drove back to The Red House, very well pleased with themselves.
"Halo," said Bill to himself, as they approached the house, "isn't that
old Tony?"
26


The Red House Mystery
Antony was standing in front of the house, waiting for them. Bill
waved, and he waved back. Then as the car drew up, Bill, who was in
front with the chauffeur, jumped down and greeted him eagerly.
"Hallo, you madman, have you come to stay, or what?" He had a
sudden idea. "Don't say you're Mark Ablett's long-lost brother from
Australia, though I could quite believe it of you." He laughed boyishly.
"Hallo, Bill," said Antony quietly. "Will you introduce me? I'm
afraid I've got some bad news."
Bill, rather sobered by this, introduced him. The Major and Mrs.
Calladine were on the near side of the car, and Antony spoke to them in a
low voice.
"I'm afraid I'm going to give you rather a shock," he said. "Robert
Ablett, Mr. Mark Ablett's brother, has been killed." He jerked a thumb
over his shoulder, "In the house."
"Good God!" said the Major.
"Do you mean that he has killed himself?" asked Mrs. Calladine.
"Just now?"
"It was about two hours ago. I happened to come here," - he half-
turned to Beverley and explained - "I was coming to see you, Bill, and I
arrived just after the - the death. Mr. Cayley and I found the body. Mr.
Cayley being busy just now - there are police and doctors and so on in the
house - he asked me to tell you. He says that no doubt you would prefer,
the house-party having been broken up in this tragic way, to leave as soon
as possible." He gave a pleasant apologetic little smile and went on, "I
am putting it badly, but what he means, of course, is that you must consult
your own feelings in the matter entirely, and please make your own
arrangements about ordering the car for whatever train you wish to catch.
There is one this evening, I understand, which you could go by if you
wished it."
Bill gazed with open mouth at Antony. He had no words in his
vocabulary to express what he wanted to say, other than those the Major
had already used. Betty was leaning across to Miss Norris and saying,
"Who's killed?" in an awe-struck voice, and Miss Norris, who was
instinctively looking as tragic as she looked on the stage when a
27


The Red House Mystery
messenger announced the death of one of the cast, stopped for a moment
in order to explain. Mrs. Calladine was quietly mistress of herself.
"We shall be in the way, yes, I quite understand," she said; "but we
can't just shake the dust of the place off our shoes because something
terrible has happened there. I must see Mark, and we can arrange later
what to do. He must know how very deeply we feel for him. Perhaps
we -" she hesitated.
"The Major and I might be useful anyway," said Bill. "Isn't that what
you mean, Mrs. Calladine?"
"Where is Mark?" said the Major suddenly, looking hard at Antony.
Antony looked back unwaveringly - and said nothing.
"I think," said the Major gently, leaning over to Mrs. Calladine, "that it
would be better if you took Betty back to London to-night."
"Very well," she agreed quietly. "You will come with us, Ruth?"
"I'll see you safely there," said Bill in a meek voice. He didn't quite
know what was happening, and, having expected to stay at the Red House
for another week, he had nowhere to go to in London, but London seemed
to be the place that everyone was going to, and when he could get Tony
alone for a moment, Tony no doubt would explain.
"Cayley wants you to stay, Bill. You have to go anyhow, to-morrow,
Major Rumbold?"
"Yes. I'll come with you, Mrs. Calladine."
"Mr. Cayley would wish me to say again that you will please not
hesitate to give your own orders, both as regard the car and as regard any
telephoning or telegraphing that you want done." He smiled again and
added, "Please forgive me if I seem to have taken a good deal upon myself,
but I just happened to be handy as a mouthpiece for Cayley." He bowed
to them and went into the house.
"Well!" said Miss Norris dramatically.
As Antony re-entered the hall, the Inspector from Middleston was just
crossing into the library with Cayley. The latter stopped and nodded to
Antony.
"Wait a moment, Inspector. Here's Mr. Gillingham. He'd better
come with us." And then to Antony, "This is Inspector Birch."
28


The Red House Mystery
Birch looked inquiringly from one to the other.
"Mr. Gillingham and I found the body together," explained Cayley.
"Oh! Well, come along, and let's get the facts sorted out a bit. I like
to know where I am, Mr. Gillingham."
"We all do."
"Oh!" He looked at Antony with interest. "D'you know where you
are in this case?"
"I know where I'm going to be."
"Where's that?"
"Put through it by Inspector Birch," said Antony with a smile.
The inspector laughed genially.
"Well, I'll spare you as much as I can. Come along."
They went into the library. The inspector seated himself at a writing-
table, and Cayley sat in a chair by the side of it. Antony made himself
comfortable in an armchair and prepared to be interested.
"We'll start with the dead man," said the inspector. "Robert Ablett,
didn't you say?" He took out his notebook.
"Yes. Brother of Mark Ablett, who lives here."
"Ah!" He began to sharpen a pencil. "Staying in the house?"
"Oh, no!"
Antony listened attentively while Cayley explained all that he knew
about Robert. This was news to him. "I see. Sent out of the country
in disgrace. What had he done?"
"I hardly know. I was only about twelve at the time. The sort of
age when you're told not to ask questions."
"Inconvenient questions?"
"Exactly."
"So you don't really know whether he had been merely wild or - or
wicked?"
"No. Old Mr. Ablett was a clergyman," added Cayley. "Perhaps
what might seem wicked to a clergyman might seem only wild to a man of
the world."
"I daresay, Mr. Cayley," smiled the inspector. "Anyhow, it was more
convenient to have him in Australia?"
29


The Red House Mystery
"Yes."
"Mark Ablett never talked about him?"
"Hardly ever. He was very much ashamed of him, and - well, very
glad he was in Australia."
"Did he write Mark sometimes?"
"Occasionally. Perhaps three or four times in the last five years."
"Asking for money?"
"Something of the sort. I don't think Mark always answered them. As
far as I know, he never sent any money."
"Now your own private opinion, Mr. Cayley. Do you think that Mark
was unfair to his brother? Unduly hard on him?"
"They'd never liked each other as boys. There was never any
affection between them. I don't know whose fault it was in the first place
- if anybody's."
"Still, Mark might have given him a hand?"
"I understand," said Cayley, "that Robert spent his whole life asking
for hands."
The inspector nodded.
"I know that sort. Well, now, we'll go on to this morning. This
letter that Mark got - did you see it?"
"Not at the time. He showed it to me afterwards."
"Any address?"
"No. A half-sheet of rather dirty paper."
"Where is it now?"
"I don't know. In Mark's pocket, I expect."
"Ah!" He pulled at his beard. "Well, we'll come to that. Can you
remember what it said?"
"As far as I remember, something like this: 'Mark, your loving brother
is coming to see you to-morrow, all the way from Australia. I give you
warning so that you will be able to conceal your surprise, but not I hope,
your pleasure. Expect him at three, or thereabouts.'"
"Ah!" The inspector copied it down carefully. "Did you notice the
postmark?"
"London."
30


The Red House Mystery
"And what was Mark's attitude?"
"Annoyance, disgust -" Cayley hesitated.
"Apprehension?"
"N-no, not exactly. Or, rather, apprehension of an unpleasant
interview, not of any unpleasant outcome for himself."
"You mean that he wasn't afraid of violence, or blackmail, or anything
of that sort?"
"He didn't appear to be."
"Right.... Now then, he arrived, you say, about three o'clock?"
"Yes, about that."
"Who was in the house then?"
"Mark and myself, and some of the servants. I don't know which. Of
course, you will ask them directly, no doubt."
"With your permission. No guests?"
"They were out all day playing golf," explained Cayley. "Oh, by the
way," he put in, "if I may interrupt a moment, will you want to see them at
all? It isn't very pleasant for them now, naturally, and I suggested -" he
turned to Antony, who nodded back to him. "I understand that they want
to go back to London this evening. There's no objection to that, I
suppose?"
"You will let me have their names and addresses in case I want to
communicate with them?"
"Of course. One of them is staying on, if you would like to see him
later, but they only came back from their golf as we crossed the hall."
"That's all right, Mr. Cayley. Well, now then, let's go back to three
o'clock. Where were you when Robert arrived?"
Cayley explained how he had been sitting in the hall, how Audrey had
asked him where the master was, and how he had said that he had last seen
him going up to the Temple.
"She went away, and I went on with my book. There was a step on
the stairs, and I looked up to see Mark coming down. He went into the
office, and I went on with my book again. I went into the library for a
moment, to refer to another book, and when I was in there I heard a shot.
At least, it was a loud bang, I wasn't sure if it was a shot. I stood and
31


The Red House Mystery
listened. Then I came slowly to the door and looked out. Then I went
back again, hesitated a bit, you know, and finally decided to go across to
the office, and make sure that it was all right. I turned the handle of the
door and found it was locked. Then I got frightened, and I banged at the
door, and shouted, and - well, that was when Mr. Gillingham arrived."
He went on to explain how they had found the body.
The inspector looked at him with a smile.
"Yes, well, we shall have to go over some of that again, Mr. Cayley.
Mr. Mark, now. You thought he was in the Temple. Could he have
come in, and gone up to his room, without your seeing him?" "There are
back stairs. He wouldn't have used them in the ordinary way, of course.
But I wasn't in the hall all the afternoon. He might easily have gone
upstairs without my knowing anything about it."
"So that you weren't surprised when you saw him coming down?"
"Oh, not a bit."
"Well, did he say anything?"
"He said, 'Robert's here?' or something of the sort. I suppose he'd
heard the bell, or the voices in the hall."
"Which way does his bedroom face? Could he have seen him
coming down the drive?"
"He might have, yes."
"We11?"
"Well, then, I said 'Yes,' and he gave a sort of shrug, and said, 'Don't go
too far away, I might want you'; and then went in."
"What did you think he meant by that?"
"Well, he consults me a good deal, you know. I'm his sort of
unofficial solicitor in a kind of way."
"This was a business meeting rather than a brotherly one?"
"Oh, yes. That's how he regarded it, I'm sure."
"Yes. How long was it before you heard the shot?"
"Very soon. Two minutes, perhaps."
The inspector finished his writing, and then regarded Cayley
thoughtfully. Suddenly he said:
"What is your theory of Robert's death?"
32


The Red House Mystery
Cayley shrugged his shoulders.
"You've probably seen more than I've seen," he answered. "It's your
job. I can only speak as a layman - and Mark's friend."
"Well?"
"Then I should say that Robert came here meaning trouble, and
bringing a revolver with him. He produced it almost at once, Mark tried
to get it from him, there was a little struggle perhaps, and it went off.
Mark lost his head, finding himself there with a revolver in his hand and a
dead man at his feet. His one idea was to escape. He locked the door
almost instinctively, and then, when he heard me hammering at it, went
out of the window."
"Y-yes. Well, that sounds reasonable enough. What do you say, Mr.
Gillingham?"
"I should hardly call it 'reasonable' to lose your head," said Antony,
getting up from his chair and coming towards them.
"Well, you know what I mean. It explains things."
"Oh, yes. Any other explanation would make them much more
complicated."
"Have you any other explanation?"
"Not I."

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