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Pride and Prejudice

 仓汉码头 2016-06-02
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  Pride and Prejudice 傲慢与偏见

Pride and Prejudice by Jane Austen
简奥斯丁的傲慢与偏见

A Novel in Three Volumes by the Author of "Sense and Sensibility"
一种新的 三卷 作者 《理智与情感》


First published in 1813, Pride and Prejudice has consistently been JaneAusten's most popular novel. It portrays life in the genteel ruralsociety of the day, and tells of the initial misunderstandings and later mutual enlightenment between Elizabeth Bennet (whose liveliness and quick wit have often attracted readers) andthe haughty Darcy. The title Pride and Prejudice refers (among other things) to the ways in which Elizabeth and Darcy first view each other. Theoriginal version of the novel was written in 1796-1797 under the title First Impressions, and was probably in theform of an exchange of letters.
首次出版于1813,傲慢与偏见一直是最流行的小说,但。它描写了生活在一天上流社会的乡村社会,并讲述了最初的误解和后来的相互启示之间的伊丽莎白(其活泼、机智常常吸引读者)和傲慢的达西。标题的傲慢与偏见是指在伊丽莎白和达西彼此第一次认为彼此的方式中的一种方式。原小说的版本是写在1796-1797标题的第一印象,和可能的换文形式。

  Jane Austen's own tongue-in-cheek opinion ofher work, in a letter to her sister Cassandra immediately after its publication, was: 'Upon the whole... I amwell satisfied enough. The work is rather too light, and bright, andsparkling; it wants [i.e. needs] shade; it wants to be stretched out here andthere with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or thehistory of Buona parté, or anything that would form a contrast and bringthe reader with increased delight to the playfulness and general epigrammatism of the general style'.
简奥斯丁自己的舌头在脸颊看来她的工作,在她的姐姐卡桑德拉信出版后立即被:“在整个…我美佳很满意。工作太轻,明亮,晶莹剔透;它希望[需要]即阴;要伸出到处有长章的意义,如果有可能的话;如果不是,庄严的似是而非的废话,一些与故事无关的:在写一篇文章,在沃尔特史葛批判,或者很好的部分é史,或任何会形成对比,将读者增加高兴、好玩的一般风格一般警句体”。

  Jump to the Pride and Prejudice table of contents.Document structure:
跳转到内容的傲慢与偏见表:

  This Pride and Prejudice e-text is fairly thoroughly hypertexted, but there are no cross references from one partof the main body of the text to another part. Instead, links go into or out ofthe main text, either to or from one of five indexes: Thelist of characters, thelist of events in chronological order, thecomments on random topics, theindex to the motifs of 'pride' and 'prejudice', or thelist of important places (with a map).
这种傲慢与偏见E是相当彻底的超文本预处理,但没有交叉引用的文本的一部分到另一部分的主体。相反,链接进入或离开的主要文本,或从五个指标:单字符,按时间顺序的事件列表,随机的话题的评论,确定“骄傲”的主题和“偏见”,或把重要的地方(有图)。

  It has been pointed out that since Chapter 1 is marked up pretty much thesame way as any other chapter, those who have never read Pride andPrejudice before may find a confusing plethora of links in the first fewchapters -- don't feel you have to click on everything.

  How to use this Document

  If you have a graphics browser, then you will see little mini-iconspreceding links in some menus in the Pride and Prejudicehypertext (and elsewhere in the Jane Austen pages):

  A down-arrow indicates a link to the next subdocument in a series (or toa later point, often the end, in the current subdocument).

  An up-arrow indicates a link to the preceding subdocument in a series (orto an earlier point, often the beginning, in the current subdocument).

  A curvy back-arrow indicates a jump back to a superordinate document(often a higher-level table of contents).

  A rightwards-pointing arrow indicates all other links (i.e. links to asubdocument subordinate to the current one, or random 'sideways' links).

  One practical point is that when web browsers follow a link, they tend toput the text referenced by the link at the extreme top of the screen orwindow, which can be a little awkward for a document which includes manylinks which go to the middle of a paragraph, as this one does. When you havefollowed a link, and the promised topic of the link doesn't seem toimmediately leap into prominence, look near or at the top of the window, andthen scroll back a few lines if necessary to get the immediate context of thereference. On the other hand, when there is a reference to a location nearthe end of an HTML file, some browsers (including the mostfrequently used graphic browsers!) will put the end of the file at the bottomof the window, with no indication of where in the window the target locationis. (Complain to the software companies about these annoying browserpeculiarities.)

  Pride and Prejudice Shorter Table of Contents

  How to use this document.

  Pride and Prejudice e-text: Volume I (Chapters 1-23)

  Volume II (Chapters 24-42)

  Volume III (Chapters 43-61)

  Supplementary information: MacKinnon and Chapman's chronology, withhypertext links.

  List of characters, with detailed informationand hypertext links. Brief, Organized Index of Characters

  Genealogical Charts

  Links to passages illustrating the themes of 'pride' and'prejudice'.

  Notes on random topics Notes on Education, Marriage, Status ofWomen, etc.

  List of important places in Pride and Prejudice,and in Jane Austen's life, with map of England.

  1895 Charles E. Brock illustrations for Pride and Prejudice [JPEG images] (includes notes on Regency clothing styles)


  New larger clearer scans

  Latest version of my plain ASCII e-text of Pride and Prejudice, compressed in binary .zip format [See explanation of '.zip' here.]

  Pemberley e-text of Pride and Prejudice (divided into chapters).

  About this document.

  Picture of JaneAusten

  BBC and other film/video adaptations of JaneAusten's novels, (including the 1995 TV version of Pride andPrejudice).

  Go to Jane Austen info page.

  Longer Table of Contents

  Roman-numeral chapter numbers are relative to each volume, whileparenthesized chapter numbers are continuous throughout the whole work.

  How to use this document.

  VOLUME I Chapter I (1) (The Bennets at home.)

  Chapter II (2) (The Bennets at home.)

  Chapter III (3) (Meryton assembly.)

  Illustration

  Chapter IV (4) (Meryton assembly post-mortem.)

  Chapter V (5) (Meryton assembly post-mortem.)

  Chapter VI (6) (Charlotte; evening atSir William's.)

  Illustration

  Chapter VII (7) (Jane to Netherfield.)

  Chapter VIII (8) (Elizabeth andJane at Netherfield.)

  Chapter IX (9) (Mrs. Bennet visitsNetherfield.)

  Chapter X (10) (Elizabeth andJane at Netherfield.)

  Chapter XI (11) (Elizabeth andJane at Netherfield.)

  Chapter XII (12) (Elizabeth andJane to home.)

  Chapter XIII (13) (Arrival ofMr. Collins.)

  Illustration

  Chapter XIV (14) (Mr. Collins atLongbourn.)

  Chapter XV (15) (Excursion to Meryton.)

  Illustration

  Chapter XVI (16) (Elizabeth andWickham.)

  Chapter XVII (17) (The Netherfield ball impends.)

  Chapter XVIII (18) (Netherfield ball.)

  Illustration

  Chapter XIX (19) (Mr. Collins proposes.)

  Illustration

  Chapter XX (20) (Proposal aftermath.)

  Chapter XXI (21) (The Bingleys leaveNetherfield.)

  Chapter XXII (22) (Mr. Collins andCharlotte.)

  Chapter XXIII (23) (Mr. Collins returns.)

  VOLUME II Chapter I (24) (Elizabeth andJane.)

  Chapter II (25) (The Gardiners atLongbourn.)

  Chapter III (26) (Jane to London.)

  Chapter IV (27) (Elizabeth to London.)

  Chapter V (28) (Elizabeth to Kent.)

  Illustration

  Chapter VI (29) (Elizabeth at Rosings.)

  Chapter VII (30) (Darcy to Rosings.)

  Illustration

  Chapter VIII (31) (Elizabeth andDarcy at Rosings.)

  Illustration

  Chapter IX (32) (Darcy calls onElizabeth.)

  Chapter X (33) (Elizabeth andColonel Fitzwilliam.)

  Chapter XI (34) (Darcy's proposal.)

  Chapter XII (35) (Darcy'sletter.)

  Chapter XIII (36) (Letter post-mortem.)

  Chapter XIV (37) (Rosings after Darcy'sdeparture.)

  Illustration

  Chapter XV (38) (Elizabeth to London.)

  Chapter XVI (39) (Elizabeth andJane to home.)

  Chapter XVII (40) (Elizabeth andJane.)

  Chapter XVIII (41) (Lydia's Brighton scheme.)

  Chapter XIX (42) (Elizabeth and theGardiners to Derbyshire.)

  VOLUME III Chapter I (43) (Elizabeth and theGardiners at Pemberley.)

  Illustration

  Chapter II (44) (The Darcys call onElizabeth at Lambton.)

  Chapter III (45) (Elizabeth andMrs. Gardiner at Pemberley.)

  Chapter IV (46) (Letters fromJane.)

  Chapter V (47) (Elizabeth and theGardiners to Longbourn.)

  Illustration

  Chapter VI (48) (Mr. Gardiner to London;Mr. Bennet to Longbourn.)

  Chapter VII (49) (Letter fromMr. Gardiner.)

  Chapter VIII (50) (Lydia's wedding impends.)

  Chapter IX (51) (Lydia andWickham at Longbourn.)

  Illustration

  Chapter X (52) (Letter fromMrs. Gardiner toElizabeth.)

  Chapter XI (53) (Darcy and Bingleyreturn to Netherfield.)

  Chapter XII (54) (Darcy and Bingley atLongbourn.)

  Chapter XIII (55) (Jane's engagement.)

  Illustration

  Chapter XIV (56) (Lady Catherine'svisit.)

  Illustration

  Chapter XV (57) (Mr. Bennet andElizabeth.)

  Chapter XVI (58) (Elizabeth andDarcy.)

  Chapter XVII (59) (Familial approbation.)

  Chapter XVIII (60) (Wrap-up.)

  Illustration

  Chapter XIX (61) (The weddings, and conclusion.)

  Search text of Pride and Prejudice

  MacKinnon and Chapman's chronology,, withhypertext links.

  List of characters, with hypertext links.

  Genealogical Charts The Bennets:Mr. Bennet,Mrs. Bennet,Jane,Elizabeth,Mary,Kitty,Lydia.

  The Bingleys:Bingley,Louisa Hurst,Caroline.

  Mr. Collins.

  The Darcys: Old Mr. Darcy,Lady Anne Darcy,Darcy,Georgiana Darcy.

  LadyCatherine, her daughter Annede Bourgh.

  Colonel Fitzwilliam.

  Mr. Gardiner,Mrs. Gardiner.

  The Lucases: Sir William,Lady Lucas,Charlotte,Maria.

  Old Mr. Wickham,Wickham.

  Minor Characters:Mrs. Annesley,Captain Carter,Mr. Chamberlayne,Dawson,Mr. Denny,Colonel Forster,William Goulding,Miss Grantley,Haggerston,The Harringtons,Mrs. Hill,Mr. Hurst,Mrs. Jenkinson,Mr. Jones,Miss Mary King,Mrs. Long,Lady Metcalfe,Mr. Morris,Mrs. Nicholls,Mr. Philips,Miss Pope,Mr. Pratt,Mrs. Reynolds,Mr. Robinson,Mr. Stone,Miss Watson,The Miss Webbs,Mrs. Younge.

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