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中国文化博大精深，其中茶文化占据重要一席。说到茶就要提到壶，茶和壶是紧密联系不可分割的。好马配好鞍，好茶配好壶。喝茶赏壶是历朝历代士大夫和文人墨客所喜欢的高雅活动。“万丈红尘三杯酒，千古大业一壶茶”。宜兴紫砂陶器在国际间闻名以来，将近有五百年的历史。紫砂陶在浩瀚的中华文物史上有着瑰丽的地位，人们称为高超的艺术品。在明清两代，地处江南人文荟萃之地的宜兴，所生产的紫砂器，更充满着丰富的文化气质。其所以成为名陶，实由于具有良好的实用性与独特的艺术性两大原因。 Extensive and profound Chinese culture, tea culture occupies an important seat. Said to will mentioned pot of tea, tea and pot is closely linked indivisible. A good horse matchs good saddle, good tea with good pot. Tea to watch pot is literary intelligentsia who lived in ages past and decorous letters like activities. 'The world of mortals three glasses of wine, historic great undertaking a pot of tea'. Yixing purple sand pottery in the international famous, nearly five hundred years of history. Violet sand earthenware in the middle of a vast has a magnificent place in the history of the Chinese cultural relic, known as superb works of art. In Ming and qing dynasties, is located in yixing jiangnan land of humanities ceremony, the production of purple pottery, more full of rich cultural temperament. Its so be contented, real because it has good practicability and unique artistic two reasons. 中国工艺美术大师汪寅仙，以超凡的境界，卓越的艺术成就，早已驰名遐迩，誉贯中西。作为大师级民间文化杰出传承人，肩担天降之大任，紫砂花器大作似立体的画、有形的诗而意境深远，耐人寻味，以文心雕龙，达天成之道，在陶艺界旗帜飘扬，独领风骚。她与张守智先生合作的“曲壶”，用辩证思维和梦幻般的想象力，“曲则全，枉则直”的理念，简约虚实的立意，气势如虹的架构，创作了无愧当代陶艺重器经典，一把壶震撼了一个时代。 Wang Yinxian of arts and crafts master of China, with extraordinary realm, outstanding artistic achievement, has long been famous for its penetration of Chinese and western. As a prominent master of folk cultural heritage, shoulders to the ears of heaven, purple flower implement work like a three-dimensional paintings, tangible poetry artistic conception far-reaching, afford for thought, by carving dragon, tiancheng road, in the ceramic art world flags, clueless. Her cooperation with Mr Zhang Shouzhi 'pot', using dialectical thinking and fantastic imagination, ', baying piece is straight 'concept, the conception of contracted nakedness, majestic architecture, created a clear conscience of contemporary ceramic art jack classic, a pot of a shock. 此银制贴花喜鹊登梅提樑紫砂壶正是出自汪女士之手，整个壶由各种不同方向和曲度的曲线组成。无论从线条还是造型都无不显示出一种珠圆玉润、骨肉亭匀、比例协调、敦庞周正、转折圆润、隽永耐看的美感。完美诠释紫砂壶的“圆、稳、匀、正”的造型规则。口、盖、的、嘴、把、肩、腰的配置比例协调和谐，匀称流畅，达到无懈可击，真可谓是：“柔中寓刚，圆中有变，厚而不重，稳而不笨，有骨有肉，骨肉亭匀”，极具鉴赏和审美价值，升值空间巨大。 The silver decals magpie on mei girder are recommended by Ms. Wang, the whole pot is made up of different direction and curvature of curve. No matter from the line or modelling, all without exception shows a kind of elegant and polished, flesh TingYun, proportion coordination, able to bear or endure look, jean-marie le pen that week, turning round, meaningful sense of beauty. Perfect interpretation of the recommended 'round, steady, uniform, is' the modelling rules. Mouth, cover, and the mouth, the proportion of configuration, shoulder, waist, coordinated and harmonious, well-balanced smooth, achieve seamless, true is: 'change in the softness in the soft, round, thick and not heavy, and stupid, not have flesh and bones, flesh TingYun', appreciation and aesthetic value, great appreciation of space. 蒋蓉曾经说过：“壶是人做的，壶与人又有不少相似之处，用心观察，你会发现同样造型的壶，不同人做，就会产生不同的韵味，有高雅、粗俗之分，有霸道、儒雅之别。做壶是做艺，做艺如做人，需要全身心的投入，要认真做人，认真做艺，不要把造型、工艺勉强带得过的作品给人，这样对收藏者是极不负责的，同时也是对自己的不负责。不要看今天带得过去，随着时间的推移，后人会评价这把壶，也会评价做壶人的艺品。艺术上对别人负责，实际上是对自己的负责。” |
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