莫肇生莫里加山水画作品展

泊木沐 2019-09-06

展开全文

合人心

32cm×34cm

纸本水墨设色

莫肇生

在传承与发展方面，往往会走入一种误区，就是将其分割，孤立思考，这样阻碍了我们的视野，从而导致文化的断层。

莫肇生、莫里加父子这次在纽约艺术馆的水墨画展引起我们对上述问题的思考。

There is often amisunderstanding that inheritance and development is considered separately.Isolating these interlocking terms hinders our vision and eventually leads tocultural rupture. The ink painting exhibition of Mo Zhaosheng and his son MoLijia at the New York Arts Center leads us to consider the above factors.

净心尘

32cm×34cm

纸本水墨设色

莫肇生

莫肇生毕业于美术师范专业，从事过室内设计教学与实践，继而师从中国画名家研习山水。从他的作品中可以看出传统文化及传统笔墨的传承。其作品注重大块面的切割对比，注重以单一的调子去统一画面，在这明显体现其受设计理念的影响。而细品其笔墨，则淡然清透，运笔自如。其画面气息清逸空灵，虚淡恬静，深受老庄文化的影响。

Mo Zhaosheng graduatedfrom Zhaoqing University majoring in art education major and had engaged ininterior design teaching and practice before delving into traditional landscapepaintings. His works illustrates the inheritance of Chinese traditional cultureand style. His works emphasise on large blocks in high contrast unified withmonotone,which reflects his design techniques. He allows ink to flow naturally on paperto show a painting style with minimal artificial rendering. The paintings arepeaceful and tranquil, reflecting how he has been influenced by Laozi's andZhuangzi’sphilosophy.

山水之一

100cm×150cm

莫里加

而他的儿子莫里加从小就在一个艺术气氛浓厚的环境中成长，大学就读于广州美术学院中国画学院，研究生毕业于中央美术学院中国画学院，他的爱好广泛，玩乐队、跳街舞、演戏剧等都伴随着他的艺术之路。正是他们这代人的成长环境，能接触到多元的艺术文化，他除了在自己的专业里学习山水画之外，还涉及版画及实验水墨。观其山水画有着过硬的基本功，对宋画及没骨画法有着深入的研究。在实验水墨方面更多的是一种人与自然的思考，一种生命与成长的思考。这是新生代艺术家难能可贵的状态。

His son, MoLijia, hasgrown up in an artistic atmosphere. He obtained his Bachelor’s degree at the Guangzhou Academy of Fine Arts majoringin Chinese Painting and his Graduate degree at the Central Academy of Fine Arts,majoring in the same discipline. His wide range of hobbies,such as playing guitar, dancing, drama, has accompanied his path of art. His generation isnurtured by diverse art culture, which allows him to explore a variety of art forms otherthan his own major, such as print-making and experimental link painting. Onone hand, Hislandscape paintings demonstrate his solid skills and reflect his in-depthresearch on Song Dynasty painting and boneless-style painting. On the otherhand, hisexperimental ink painting shows his thoughts about human and nature,about growth and life. It’sextraordinary state for young artists.

山水二

100cm×150cm

2018

莫里加

从他们身上可以感受到艺术家的成长过程就是一种文化发展延伸的轨迹，中国的文化也是由一代代艺术家的努力才得以延续，时代的变迁同样成就艺术家新的思维，新的形式。我想中国画的千百年来流传有序而汇成大系，成为世界美术中最有辩识度的图谱，正是基于有无数的这样的家传、艺传的图谱，汇聚成独一无二的东方美术体系。

在此衷心祝愿他们展览成功！

From the Mo’s experience, it is seen that the growth of an artist is thedevelopment of his culture. The Chinese culture relies on the growth ofgenerations of artists in order to be inherited and evolved. The changes of thetimes also bring new ideas and forms to the stream of art. I think that Chinesepainting has been handed down generations after generations in an orderlymanner for thousands of years, and become one of the most remarkable art form in theworld of art. Streams of outstanding art forms from families and schools havefinally converged into the unique Oriental Art system.

I sincerely wish the Mo’s a successful exhibition.

李劲堃

中国美术家协会副主席

广东省文学艺术联合会主席

广东省美术家协会主席

广州美术学院院长

广东画院院长

岭南画派纪念馆馆长

Li Jingkun

Vice-chairman of the Chinese ArtistsAssociation

Chairman of the Guangdong Federationof Literature and Art

Chairman of Guangdong ArtistsAssociation

Dean of Guangzhou Academy of Fine Arts

Dean of Guangdong Painting Academy

Director of Lingnan Painting PartyMemorial Hall

莫肇生，中国美术家协会会员，中央文史研究馆书画院研究员，粤港澳大湾区美术家联盟副主席，广东省中国画学会理事，广东省美术家协会中国画艺委会委员，广东省政协书画院特邀理事，广东画院签约画家，中央美术学院继续教育学院特聘教师，广州美术学院中国画学院外聘教师，惠州学院兼职教授，珠海艺术职业学院客座教授，清华大学美术学院书画高研班导师，广东省珠江书画院院长，肇庆市政协书画院副院长，肇庆市美术家协会名誉主席，肇庆市中国画学会会长，高级工艺美术师。