王瑋《中国“她”艺术》代表性艺术家

阿特网 2022-02-16

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王瑋

现居成都。现为国家一级美术师，中国美术家协会会员，西南民族大学教授，硕士研究生导师

Wang Wei

Currently lives in Chengdu. a national first-class artist, a member of Chinese Artists Association, a professor of Southwest University for Nationalities, and postgraduate tutor

桃花的诱惑纸本设色 2011

The Lure of Peach Blossoms

Ink and color on paper

134×66cm

王瑋：无声沉静千万言

王瑋女士善作中国画的工笔，也喜欢画油画。她的思绪与情感在中西艺术中游走、丰富，创作跨越在中西的桥上，来来去去的相互浸染，有着新鲜的灵性，有了混血儿一样的靓丽。品尝她的作品，通常有着简洁而富于微妙情绪的西方色彩与质感；又有优雅、大方，富于东方精神的关照。加之题材常常关乎女性内心的敏感，于是就有了别具风味的雅丽与细腻的情绪，有着单纯与灰色相组汇的画面。

Wang Wei: Silent quiet such as thousands of words

Ms. Wang Wei is good at fine brushwork of Chinese painting and likes oil painting. Her thoughts and emotions swim and enrich in Chinese and Western art. Her creation spans the bridge between China and the West. Come and go mutual immersion, with fresh intelligence, with the same beautiful Mestizos. Tasting her works, they usually have simple and subtle Western colors and textures; And elegant, generous and full of Oriental spirit. In addition, the theme is often related to women's inner sensitivity, so there is a unique elegant and delicate emotion, with a combination of simplicity and gray.

湛蓝纸本设色 2011

Azure Blue

Ink and color on paper

134×66cm

《这个夏天》系列自由通畅的气韵与《人间四月天》系列的恬静空寂，同样透出一种动人的雅逸、虚静和生命的从容。作品在无声沉静中透出千万言的禅语，作品很有品质与意趣，看这样的作品内心可以充盈平静之意，让人内生欢喜，也有了安境与空灵。

The free and unobtrusive charm of "This Summer" series and the quiet and empty of "April Days of the World" series also reveal a moving elegance, empty quietness and life's ease. The works reveal thousands of words of Zen language in silence. The works are of great quality and interest. Looking at such works, the heart can be filled with the meaning of peace, which makes people internally happy and has a peaceful environment and emptiness.

寂寞梧桐绢本设色 2020

Lonely Buttonwood

Ink and color on silk

50x40cm

青鸟绢本设色 2012
Blue Bird

Ink and color on silk

50x40cm

王瑋早年是从初习传统绘画开始的艺术修炼，尔后又兼修西画的观念与色彩，后来又在岩彩、天然取彩等东西合并的绘画材料领域里研究，虽然不少收获，但是她并不期望像科学家一样去探求材料，只是偶有尝试。东方、西方、再东方、再西方……正是因为她的艺术经历一直在中与西的形式中跳跃，因此培养了她在绘画塑造能力上的自由把控，也在材料掌握中与作品内容需要之间互相转换。这种绘画造型、材料把控、艺术运用合在一起，技术上的自由使得她的作品又较为容易的在艺术观念上也获得自由。她从不在意材料本身的文化意义，而更加醉心于构建作品氛围上的中式风情。正是因为她在油画和国画间的游走，在当代与传统中的探寻，在材料取法上的广博与中庸，赋予了她作品中的平衡之美，这种平衡之美正是目前人们蜂拥追寻的，内心宁静与悟道而“禅心”脱演的答案。

In her early years, Wang Wei began her artistic practice by learning traditional painting. thereafter, she also studied the concept and color of Western painting. Later, she studied in the field of painting materials combined with rock color, natural color and other things. Although she gained a lot, she did not expect to explore materials like scientists, but only made occasional attempts. The East, the west, the East and the West... It is precisely because her artistic experience has been jumping in the form of China and the West that she has cultivated her free control over the shaping ability of painting, and also transformed each other in the mastery of materials and the needs of the content of her works. This combination of painting modeling, material control and artistic application makes it easier for her works to obtain freedom in artistic concept. She never cares about the cultural significance of the material itself, but is more obsessed with building the Chinese style in the atmosphere of her works. It is precisely because of her wandering between oil painting and traditional Chinese painting, her exploration in contemporary and tradition, and her extensive and golden mean in material selection, that gives her the beauty of balance in her works. The beauty of this balance is the answer to the "zen mind" that people are now flocking to seek, peace of mind and enlightenment.

这个夏天纸本设色 2015

This Summer

Ink and color on paper

173×93cm

艺术终究是以个人立场来展现情绪的，王瑋的立场便是从容与谈定。她的作品内在构架是高度单纯，外在面貌则颇具意形、意色、意境的形式趣味。她善于在色相很接近的调和色彩中求变化，极大地弱化光影显现，营造起朦胧精致的东方气氛。哪怕是那些乍看之下很有视觉冲击力的作品，细细观摩亦不乏东方女人的含蓄意蕴，这些作品让你从西方的色彩体系进入其中，慢慢安静下来，又走进东方艺术“禅”的境界。缥缈的色相慢慢融化在作者的精神情绪里，以个人立场来感染观众，完成了她的艺术立场与观众的观看获得之间的转化。

After all, art shows emotions from a personal standpoint, and Wang Wei's position is calm and settled. The internal structure of her works is highly simple, and the external appearance has the formal interest of meaning form, meaning color and artistic conception. She is good at seeking change in harmonious colors with close hues, greatly weakening the appearance of light and shadow, and creating a hazy and exquisite Oriental atmosphere. Even those works with great visual impact at first glance, there is no lack of implicit connotations of Oriental women after careful observation. These works let you enter from the western color system, slowly calm down and enter the realm of "Zen" of Oriental Art. The ethereal hue slowly melted into the author's spiritual emotion, infected the audience with her personal position, and completed the transformation between her artistic position and the audience's viewing gain.

四月天纸本设色 2015

April

Ink and color on paper

134×67cm

她近期的一组工笔小品，更是将这种朦胧的意境注入了情感与意趣基因，完美地抒发了天然真纯的内心情感。在那些大尺幅的创作之后，她收敛心绪，演化了最近的小品系列。这个系列在题材上既有室内静物的组合、也有人与幻想空间的小景营造，整个系列的表达并不拘泥在形与物之间，而在营造绘画气氛。物与物的空间关系虽刻意趋于平面，但构图也因此更自由、洒脱。这些作品中留出的空白，使得画面如同东方艺术在高古时期的人物画一般，飘散着虚实相生的意趣；也如同在佛语的天国，无画处皆成妙境，空灵而具东方意蕴。即使偶尔画其投影，也不只是光影和空间的照搬誊录，而是艺术家为了增加画面层次的巧思设计。

Her recent group of fine brushwork sketches injected this hazy artistic conception into the gene of emotion and interest, and perfectly expressed the natural and pure inner emotion. After those large-scale creations, She reined in her mood and evolved her latest sketch series. The theme of this series includes not only the combination of indoor still life, but also the creation of small scenes of people and fantasy space. The expression of the whole series is not confined to form and object, but to create a painting atmosphere. Although the spatial relationship between objects deliberately tends to be flat, the composition is therefore more free and easy. The blank space in these works makes the picture like the figure painting of Oriental Art in the high ancient period, with the interest of the combination of emptiness and reality; It is also like in the heaven of Buddhism, where there is no painting, it becomes a wonderful place, ethereal and Oriental. Even if the projection is occasionally painted, it is not just a copy of light, shadow and space, but the artist's ingenious design to increase the picture level.

四月天之一纸本设色 2015

April No.1

Ink and color on paper

134×67cm

王瑋的作品总是有着和谐、宁静、整体、妥贴的“悟禅”氛围，就像她给人的印象一般，即温婉又热情，不以物喜不以己悲，又以物喜又以己悲，不放喜悲执念的是俗欲，而袒露喜悲好恶的是赤子之心。她的画也是，其中既有反复的拿捏，更有纯净的自觉。所以当看到她作品里的沉静无声时，总是能感受到那背后的千言万语。

Wang Wei's works always have a harmonious, quiet, overall and appropriate "Comprehend Zen" atmosphere, just like the impression she gives people, that is, gentle and warm, Not to be happy with things and not to be sad, but also to be happy with things and to be sad with yourself, not to be happy and sad obsession is vulgar desire, and bare the likes and dislikes is pure heart. Her paintings, too, have both repeated manipulation and pure consciousness. So when you see the silence in her works, you can always feel the thousands of words behind it.