【原】约尔格·伊门道夫｜艺术家的拳头也是拳头

一甸艺术 2023-01-13 发布于山东

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约尔格·伊门道夫×JORG IMMENDORFF

「艺术家的拳头也是拳头」

“ 艺术家 · 约尔格·伊门道夫 ”

ARTIST JORG IMMENDORFF

伊门道夫属于德国新表现主义流派艺术家。德国新表现主义是80年代欧洲艺术中最有影响力的流派，这个流派70年代末80年代初是作为对美国波普艺术和极少主义的一种反动。而他依循的传统更多是出于哲学和伦理的思考，以及达达派社会批判的态度。

欧洲在经历了美国的极少主义、后极少主义、意大利的贫困艺术、德国的新潮艺术后，80年代，是一个由贫困的艺术到渴望绘画的时代，德国的新表现主义绘画正当其时中断了抽象艺术在德国的直线发展。他们要重返画面，重返形象，在画面上追求一种粗犷的、原始稚拙的风格，而且他们所画的内容总与那个年代社会现实息息相关。

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Gyntiana - Gebur t Zwiebelmann

[Gyntiana - The Birth of Onionman] ,1992

Oil on canvas，300 x 300 cm

约尔格·伊门道夫

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德国新表现主义绘画大师。1945年生于德国布勒克得，1964年就读于杜塞尔多夫艺术学院，是大师瑟夫-博伊于斯的门生。60年代，伊门道夫参加了博伊于斯倡导的“行为艺术运动”，然而很快发现自己的才能和兴趣在别的地方，于1977年开始架上绘画的创作。

ARTIST-JORG IMMENDORFF 艺术家约尔格·伊门道夫

约尔格·伊门道夫

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艺术家的拳头也是拳头

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■Imendorf belongs to the German new expressionist school of artists. German new expressionism was the most influential school of European art in the 1980s. This school was a reaction to American pop art and minimalism in the late 1970s and early 1980s. The tradition he followed was more based on philosophical and ethical thinking and the attitude of social criticism of Dada.After experiencing American minimalism, post-minimalism, Italian poverty art, and German trendy art, Europe in the 1980s was an era from poverty art to yearning for painting. At that time, German neo-expressionist painting interrupted the linear development of abstract art in Germany. They want to return to the picture, return to the image, and pursue a rough, primitive and naive style on the picture, and the content of their paintings is always closely related to the social reality of that era.