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奥斯卡王尔德的名言 篇1：奥斯卡王尔德名言 1、我们的梦想必须足够宏大，这样，在追寻的过程中，她才不会消失。 2、我迟早要成名的，没有美名也有恶名在外。 3、艺术之所以为艺术，就是因为它不自然。 4、青春微笑无须原因，这是它最主要的魅力之一。 5、如今是这样的时代，看得太多而没有时间欣赏，写得太多而没有时间思想。 6、经验是每个人为自己所犯的错误取的名字。 7、除了感官，什么也不能治愈灵魂的创痛，就如感官的饥渴也只有灵魂解除得了。 8、成为自己生活的旁观者，可以避免生活中烦恼。 9、一个愤世嫉俗的人，知道所有事物的价格，而不知道任何事物的价值。 10、你的错误不是对生活所知太少，而是知道得太多了。你已把童年时期曙光中所拥有的那种精美的花朵纯洁的光天真的希望，快快乐乐地抛在后面了，你已经迅捷地奔跑着，经过了浪漫进入了现实。 11、离婚的最主要原因是结婚。 12、自恋是一个人一生浪漫的开端。 13、美丽的东西有了过失，要不分青红皂白地原谅它;丑陋的东西有了过失要不顾天地良心地鄙视它。 14、我并没有为了钱出卖自己，我不过用重大的代价买到了成功。 15、现在我很快乐，所以我很肯定，我的人格已荡然无存。 16、好人会激怒人的理性，坏人则引发人的想象力。 17、邪恶与美德是艺术家艺术创作的素材。 18、关心行为的正确与否表明理智的发展已经停滞不前。 19、一切艺术都是毫无用处的。 20、大多女人如此虚伪，以至了无艺术感觉，大多男人是如此自然，以至了无美的感觉。 21、时尚就是一种丑，丑得我们无法忍受，以至每不到六个月就必须换一次。 22、个性善良不如长相美丽，不过个性善良总比生得丑好。 23、艺术永远不应尝试去变得流行，是公众自己得试着变得艺术化才行。 24、一个人要么成为一件艺术品，要么戴一件艺术品。 25、当爱到了终点，软弱者哭泣，精明者马上去发现一个，聪明的早就预备了一个。 26、一生只爱一次的人是肤浅的，他们把那叫做忠贞不渝，我却叫做习惯性懒惰或是缺乏想象力。情感生活的忠贞不渝就如同智力生活的一成不变一样，简直是承认失败。 27、你不应该说那是你生命中最浪漫的经历，倒应该说那是你生命中第一次的浪漫经历。 28、在人的生活中的每一瞬间，人都只能是他将要成为的人，而不是他曾经成为的人 29、爱的目的就是爱，不多也不少。 30、我不想谋生，我想生活。 31、我能抵抗一切，除了诱惑。 32、活着是珍贵的，大多数人只是存在，仅此而已。 33、生活中有两个悲剧：一个是得不到想要的，另一个是得到了不想要的。 34、享乐是人生唯一的目标。 35、成为一件艺术品是生活的目的。 36、执着是缺乏想象力最后的遁词。 37、爱情是多无聊的东西，它的用处比不上逻辑的一半，因为它什么都不能证明，它总是告诉人一些不会有的事，并且总是教人相信一些并不是实有的事， 38、一个自己的灵魂还有他朋友们的感情，这是生活中最有魅力的东西。 39、与其去结交可靠的朋友，倒不如使自己的朋友可靠。 40、人真正的完美不在于他拥有什么，而在于他是什么。 篇2：奥斯卡王尔德的经典名言 奥斯卡王尔德的经典名言 奥斯卡·王尔德(Oscar Wilde，1854~1900)，19世纪出生在英国(准确来讲是爱尔兰，但是当时由英国统治。)最伟大的作家与艺术家之一，以其剧作、诗歌、童话和小说闻名。唯美主义代表人物，19世纪80年代美学运动的主力和90年代颓废派运动的先驱。 1.Most people discover when it is too late that the only things one never regrets are one's mistakes.大多数人发现他们从未后悔的事情只是他们的错误，但发现时已经太晚了。 2.What seems to us as bitter trials are often blessings in disguise看似痛苦的试炼的往往是伪装的祝福。 3.When a love comes to an end, weaklings cry, efficient ones instantly find another love and wise already had one in reserve.当爱情走到尽头，软弱者哭个不停，有效率的马上去寻找下一个目标，而聪明的早就预备了下一个。 4.One can always be kind to people one cares nothing about.一个人总是可以善待他毫不在意的人。 5.The well bred contradict other people. The wise contradict themselves.教养良好的人处处和他人过不去，头脑聪明的人处处和自己过不去。 6.Society exists only as a mental concept; in the real world there are only individuals.社会仅仅以一种精神概念而存在，真实世界中只有个体存在。 7.To live is the rarest thing in the world. Most people exist, that is all.生活是世上最罕见的事情，大多数人只是存在，仅此而已。 8.Children begin by loving their parents; as they grow older they judge them; sometimes, they forgive them孩子最初爱他们父母，等大一些他们评判父母;然后有些时候，他们原谅父母。 9.A gentleman is one who never hurts anyone's feelings unintentionally.绅士就是从不无心伤害别人感觉的人。 10.The only way to get rid of temptation is to yield to it... I can resist everything but temptation.摆脱诱惑的唯一方式是臣服于诱惑……我能抗拒一切，除了诱惑。 11.I don't want to earn my living; I want to live.我不想谋生;我想生活。 12.The heart was made to be broken.心是用来碎的。 13.“Life is never fair...And perhaps it is a good thing for most of us that it is not.”生活从来不是公平的……而且，或许对我们大多数人来说，这是件好事。《一个理想的丈夫》 14.Ordinary riches can be stolen, real riches cannot. In your soul are infinitely precious things that cannot be taken from you.平常的财宝会被偷走，而真正的财富则不会。你灵魂里无限珍贵的东西是无法被夺走的。 15.What is a cynic? A man who knows the price of everything and the value of nothing一个愤世嫉俗的人知道所有东西的价格，却不知道任何东西的价值。 16.The only difference between a caprice and a life-long passion is that the caprice lasts a little longer.逢场作戏和终身不渝之间的区别只在于逢场作戏稍微长一些。 17.Discontent is the first step in the progress of a man or a nation不满是个人或民族迈向进步的第一步。 18.Hatred is blind, as well as love.恨是盲目的，爱亦然。 19.The very essence of romance is uncertainty.浪漫的精髓就在于它充满种种可能。 20.Always forgive your enemies - nothing annoys them so much.永远宽恕你的敌人，没有什么能比这个更让他们恼怒的`了。 21.What is the chief cause of divorce? Marriage.什么是离婚的主要原因?结婚。 22.Nothing is so aggravating than calmness.没有比冷静更让人恼火的。 23.A true friend stabs you in the front.真朋友才会当面中伤你。 24.I have nothing to declare except my genius.除了我的天才，我没什么好申报的。 25.Why was I born with such contemporaries为什么我会和这样同时代的人一块出生呢? 26.To do nothing at all is the most difficult thing in the world, the most difficult and the most intellectual什么也不做是世上最难的事情，最困难并且最智慧。 27.There are only two tragedies in life: one is not getting what one wants, and the other is getting it.生活中只有两种悲剧:一个是没有得到我们想要的，另外一个是得到我们想要的。 28.Popularity is the one insult I have never suffered.声望是我从未经受的侮辱之一。 29.Religions die when they are proved to be true. Science is the record of dead religions.宗教一旦被证明是正确时就会消亡。科学便是已消亡宗教的记录。 30.My wallpaper and I are fighting a duel to the death. One or other of us has to go.墙纸越来越破，而我越来越老，两者之间总有一个要先消失。——1911月30日，于左岸旅店，他的遗言。 31.I like persons better than principles, and I like persons with no principles better than anything else in the world.我喜欢人甚于原则，此外我还喜欢没原则的人甚于世界上的一切。 32.How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being.如果男人坚持把她当作一个完全正常的人，女人如何能期望会从他那里获得幸福。 33.We Irish are too poetical to be poets; we are a nation of brilliant failures, but we are the greatest talkers since the Greeks.我们爱尔兰人太诗意以至不能做诗人，我们的国家里充满才华横溢的失败者，可我们是自希腊人以来最伟大的说空话之人。 34.Conversation about the weather is the last refuge of the unimaginative谈论天气是无趣人类最后的避难所。 35.One's real life is often the life that one does not lead.真实生活就通常就是我们无法掌控的生活。 36.Pessimist: One who, when he has the choice of two evils, chooses both.悲观主义者是这种人：当他可以从两种罪恶中选择时，他把两种都选了。 37.Over the piano was printed a notice: Please do not shoot the pianist. He is doing his best.Personal Impressions of America (Leadville) (1883)钢琴上贴着一条告示：请不要枪杀钢琴师，他已经尽力了。 38.The public is wonderfully tolerant. It forgives everything except genius.公众惊人地宽容。他们可以原谅一切，除了天才。 39.A poet can survive everything but a misprint.诗人可以从任何事件中存活，印刷错误除外。 40.Man is a rational animal who always loses his temper when he is called upon to act in accordance with the dictates of reason.人是理性动物，但当他被要求按照理性的要求行动时，可又要发脾气了。 41.Quotation is a serviceable substitute for wit.格言是智慧耐用的替代品。 42.Looking good and dressing well is a necessity. Having a purpose in life is not.注意穿着打扮是必要的。而拥有生活目标却并非如此。 43.Moderation is a fatal thing. Nothing succeeds like excess.适度是极其致命的事情。过度带来的成功是无可比拟的。 44.Every saint has a past and every sinner has a future.每个圣人都有过去，每个罪人都有未来。 45.Only the shallow know themselves.只有浅薄的人才了解自己。 46.When one is in love, one always begins by deceiveing one's self, and one always ends by deceiving others. That is what would calls a romance.爱，始于自我欺骗，终于欺骗他人。这就是所谓的浪漫。 47.No man is rich enough to buy back his own past.没有人富有到可以赎回自己的过去。 48.No great artist ever sees things as they really are. If he did he would cease to be an artist.伟大的艺术家所看到的，从来都不是世界的本来面目。一旦他看透了，他就不再是艺术家。 49.The truth is rarely pure and never simple.——The Importance of Being Earnest (1895)真相很少纯粹，也决不简单。——《不可儿嬉》 50.All charming people, I fancy, are spoiled. It is the secret of their attraction我想所有迷人的人都是被宠爱着的，这是他们吸引力来源的秘密。 51.When the gods wish to punish us, they answer our prayers当神想惩罚我们时，他们就回应我们的祈祷。《一个理想的丈夫》 52.It is the confession, not the priest, that gives us absolution给我们赦免的，是忏悔而不是牧师。 53.A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.梦想家只能在月光下找到前进的方向，他为此遭受的惩罚是比所有人提前看到曙光。 54.We are all in the gutter, but some of us are looking at the stars.我们都生活在阴沟里，但仍有人仰望星空。 55.I like men who have a future and women who have a past我喜欢有未来的男人和有过去的女人。 56.Wickedness is a myth invented by good people to account for the curious attractiveness of others邪恶是善良的人们编造的谎言，用来解释其他人的特殊魅力。 57.The only thing worse than being talked about is not being talked about.世上只有一件事比被人议论更糟糕，那就是没有人议论你。 58.To love oneself is the beginning of a lifelong romance.爱自己就是开始延续一生的罗曼史。 59.The advantage of the emotions is that they lead us astray.情感的好处就是让我们误入歧途。 60.I like to do all the talking myself. It saves time, and prevents arguments.我喜欢自言自语，因为这样节约时间，而且不会有人跟我争论。 61.I represent to you all the sins you have never had the courage to commit.我给你们讲述的是所有你们没勇气去犯的罪孽。 62.Ridicule is the tribute paid to the genius by the mediocrities.奚落是庸才对天才的颂歌。 篇3：奥斯卡王尔德的名言 奥斯卡王尔德的名言大全 1、所有的女人最后都变得像她的母亲。这正是她们的悲剧。男人从来不会这样。这正是他们的悲剧。 2、手握王牌，勿须出千。 3、个人如一己之愿，未为自私；众人如一己之愿，方为自私。 4、一个不危险的想法都不值得我们把它叫做是想法。 5、上帝造人，过于逞能。 6、我不想改变英国的任何东西，除了天气。 7、当今社会无用信息如此之少，实为憾事。 8、宽恕不争，气死仇人。 9、争辩当避；低俗平庸，逼异趋同。 10、艺术作品是独特脾性的独特结果。 11、雄心壮志是失败最后的避难所。 12、人同我见，我必误见。 13、一个极其优秀的人。他没有敌人，而他的朋友也没有一个喜欢他的。 14、些许坦诚，埋下祸根；毫无心机，即是火坑。 15、与不列颠四分之三公众观点相左，乃是保持理智的首要之选。 16、出身草莽，不经文明，直堕颓废，唯美一国。 17、如果世界上少一些同情，世界上也就会少一些麻烦。 18、男人交友不动情，个个女人皆称心。 19、赤诚爱国，恶人之德。 20、在农村，任何人都可以成为好人。那儿又没什么物质诱惑。 21、已过年少时，难晓天下事。 22、我只想指出这么一个一般性的原则，就是生活模仿艺术的程度远胜过艺术模仿生活的程度。 23、一定要原谅你的敌人——再没什么比这个更让他们心烦意乱了。 24、幻觉乃快乐之首。 25、吃穿不愁，神思不游。 26、现代年历搅人清闲，天天提醒若干周年。 27、一个女人与一个坚持要把她当成完美正常的人的男人一起，怎么能指望获得快乐呢？ 28、一个男人的脸是他的自传。一个女人的.脸是她自己的幻想作品。 29、梦想家是那种只能依靠月光才能找到路的人。他受到的惩罚是比整个世界都提早看到黎明。 30、神罚生灵，便是显灵。 31、世界因你而改变，因为你是象牙和黄金所造，你嘴唇的曲线将重写历史。 32、美国是唯一一个从野蛮时代直接进入了颓废时代，中间没经过文明时代的国家。 33、好言相劝耳边风，与己无益任人用。 34、所有糟糕的诗歌都来自真情实感。自然化的作品其内涵是显而易见的，而显而易见的内涵并不艺术。 35、被人谈论已够糟，不被谈论更糟糕。 36、渺视他人，方可生存；此种性情，自幼习成。 37、他人营生不知难，自身行当心中烦。 38、使儿童们从善的方法，是使他们快乐。 39、一个人在选择敌人的时候无论再谨慎都不为过。 40、一个人倘若不为自己思考，那就从未思考过。 41、我检查诗集校样，上午删除一个逗号，下午还原一个逗号。 42、真正的朋友当面捅你一刀。 43、音不在准，准不为精，精在传神。钢琴之道，情操之妙。科学养命，音乐养性。 44、无形之物不玄奥，有形之物真玄奥。 45、绅士是一个从来不在无意中去伤害别人感情的人。 46、一点点真诚是危险的，很多真诚则绝对是致命的。 47、人生的首要任务是变得尽可能的矫揉造作，何为第二任务至今尚无人发现。 48、倘若穷人有鲜明的个性，解决贫困问题就不会困难重重。 49、何为时装？丑陋无比，半年一易。 50、所有的艺术都是没什么用的。 51、酒酿之辈，工作是累。 52、一个诗人可以在一切恶劣条件下生存，但是一个印刷错误就是致命的。 53、何为传记？风云人物，再入死地。 篇4：奥斯卡王尔德英语名言 1.“If one cannot enjoy reading a book over and over again, there is no use in reading it at all.”D Oscar Wilde 2.“Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”D Oscar Wilde, The Critic as Artist 3.“Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.” 4.“You will always be fond of me. I represent to you all the sins you never had the courage to commit.” 5.“You don't love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.” 6.“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.” 7.“Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” 8.“Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one's head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.” 9.“Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.” 10.“Anybody can sympathise with the sufferings of a friend, but it requires a very fine nature to sympathise with a friend's success.” 11.“Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.” 12.“I choose my friends for their good looks, my acquaintances for their good characters, and my enemies for their good intellects.” 13.“How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being” 14.“There are only two kinds of people who are really fascinating: people who know absolutely everything, and people who know absolutely nothing.” 15.“Never marry at all, Dorian. Men marry because they are tired, women, because they are curious: both are disappointed.”D Oscar Wilde 篇5：奥斯卡王尔德名言集结 关于奥斯卡王尔德名言集结 1、所有人类的重大问题都有一个共同点：没有点幽默和疯狂是没办法解决的。 2、何为传记？风云人物，再入死地。 3、些许坦诚，埋下祸根；毫无心机，即是火坑。 4、有文化教养的人能在美好的事物中发现美好的含义。这是因为这些美好的事物里蕴藏着希望。 5、来自敌人的困难可以忍，来自朋友的成功则无可忍。 6、人生的首要任务是变得尽可能的矫揉造作，何为第二任务至今尚无人发现。 7、我喜欢对一堵墙说话，世界上只有它不会反驳我。 8、一个人总是可以善待他毫不在意的人。 9、我不想谋生，我想生活。 10、所有的艺术都是没什么用的。 11、何为时装？丑陋无比，半年一易。 12、老年人相信一切，中年人怀疑一切，青年人什么都懂。 13、女人再嫁是因为讨厌自己的前夫。男人再娶则是因为他钟爱自己的前妻。女人是试试自己的运气，而男人却是拿运气来冒险。 14、失去一个父母可以看成是一种不幸；失去双亲看上去就像是一种粗心了。 15、世界上只有两种悲剧，一种是一个人没有得到他想要的，另一种是他得到了。 16、争论者损失的只是智力。 17、悬念是可怕的。我希望它一直延续下去。 18、当面扎刀的是真朋友。 19、对于忠告，你所能做的，就是把它奉送给别人，忠告从来就不是给自己准备的。 20、与不列颠四分之三公众观点相左，乃是保持理智的首要之选。 21、你不知羞耻地索取，毫无感激地接受。 22、亚当不过是凡人这就解释了一切。 23、我喜欢有未来的男人和有过去的女人。 24、要避免争论，争论总是俗不可耐，而且常常令人信服。 25、愤世嫉俗者是一个知道所有东西的价格、却不知道它们的价值的人。 26、美国是唯一一个直接从野蛮进入颓废、中间没有经过文明阶段的社会。 27、爱自己就是开始一场延续一生的罗曼史。 28、年轻人想要有信仰，但他们却没有；老年人不想要有信仰，但却办不到。 29、女人是用耳朵恋爱的，而你们男人如果会产生爱情的话，却是用眼睛来恋爱。 30、永远要宽恕你的敌人。没有什么比这更能让他们心烦的了。 31、使儿童们从善的方法，是使他们快乐。 32、乐观的基础完全是恐惧。 33、生活在阴沟里，依然有仰望星空的权利。 34、宽恕不争，气死仇人。 35、我可以抗拒一切，诱惑除外。 36、演出相当成功，但观众则是一场灾难。 37、我认为所有漂亮的人都是被庞坏了，而这就是他们能够吸引他人的秘密所在。 38、世界因你而改变，因为你是和黄金所造，你嘴唇的曲线将重写历史。 39、所有女人都会变得像她们的母亲一样，这是女人的悲剧。但没有男人变得像他们的父亲，这是男人的悲剧。 40、如果世界上少一些同情，世界上也就会少一些麻烦。 41、报纸和文学的区别是，报纸没法读，而文学则没人读。 42、世界上只有一件事比被人议论还要糟糕，那就是不被议论。 43、教育是一件可敬的事，但要时刻牢记，没有什么值得知道的`事是教得会的。 44、如果你浪费了自己的年龄，那是挺可悲的。因为你的青春只能持续一点儿时间——很短的一点儿时间。 45、坦率地说出自己的心里话不仅是一种道德上的责任，而且还是一种令人快慰的事。 46、每个圣人都有不可告人的过去，每个罪人都有洁白无瑕的未来。 47、这是一件很悲哀的事——如今几乎没有无用的信息。 48、我有一个重大发现——如果摄入足量酒精，就会产生各种陶醉的效果。 49、老年的悲剧不在于一个人已经衰老，而在于他依旧年轻。 50、人生就是一件蠢事追着另一件蠢事而来，而爱情则是两个蠢东西追来追去。 51、现代年历搅人清闲，天天提醒若干周年。 52、女人因为男人的缺点而爱男人；如果男人的缺点足够多，女人什么事都可以原谅他们，哪怕是他们的智力。 53、一个人倘若不为自己思考，那就从未思考过。 54、渺视他人，方可生存；此种性情，自幼习成。 55、每个人生来都是君王，但大多数在流亡中死去。 56、恭维话从来没有让女人缴械，但可以让男人缴械。这就是性别差异。 57、在农村，任何人都可以成为好人。那儿又没什么物质诱惑。 58、只要一个女人看上去比她自己的女儿小十岁，她就一定会心满意足。 59、一个人决不应该相信说出自己真实年龄的女人。如果她把这都说出来了，那她什么都会说。 60、该死，先生，结婚是你的职责，你不能总是逍遥快活。 篇6：奥斯卡王尔德经典语录 1、音不在准，准不为精，精在传神。钢琴之道，情操之妙。科学养命，音乐养性。 2、生活是世上最罕见的事情，大多数人只是存在，仅此而已。 3、我喜欢人甚于原则，此外我还喜欢没原则的人甚于世界上的一切。 4、女人倘若不能使她的过错显得十分可爱，那她就仅仅是个女人而已。 5、人生的首要任务是变得尽可能的矫揉造作，何为第二任务至今尚无人发现。 6、一个愤世嫉俗的人知道所有东西的价格，却不知道任何东西的价值。 7、永远宽恕你的敌人，没有什么能比这个更让他们恼怒的了。 8、所谓道德抑或不道德的书是不存在的。书就只有分写得好写得差，仅此而已。 9、坦率地说出自己的心里话不仅是一种道德上的责任，而且还是一种令人快慰的事。 10、老年人相信一切，中年人怀疑一切，青年人什么都懂。 11、倘若穷人有鲜明的个性，解决贫困问题就不会困难重重。 12、一定要原谅你的敌人——再没什么比这个更让他们心烦意乱了。 13、社会仅仅以一种精神概念而存在，真实世界中只有个体存在。 14、年轻人想要有信仰，但他们却没有;老年人不想要有信仰，但却办不到。 15、现在每个伟人都有自己的信徒，而他们的传记总由叛徒来写。 16、孩子最初爱他们父母，等大一些他们评判父母;然后有些时候，他们原谅父母。 17、老年人相信每一件事物;中年人猜疑每一件事物;青年人什么都懂。 18、摆脱诱惑的唯一方式是臣服于诱惑……我能抗拒一切，除了诱惑。 19、我认为所有漂亮的人都是被庞坏了，而这就是他们能够吸引他人的秘密所在。 20、女人代表着物质战胜了理智，正如男人代表着理智战胜了道德。 21、生活中只有两种悲剧：一个是没有得到我们想要的，另外一个是得到我们想要的。 22、我想所有迷人的人都是被溺爱的，这是他们吸引力来源的秘密。 23、今时今日我们真的所有东西都与美国的一模一样，当然，除了语言之外。 24、诗是强烈感情的自然迸发，其源泉是静静的回想的感动。 25、当美国的好人死了，他们就去巴黎。当美国的坏蛋死了，他们就去美国。 26、女人如何能期望会从男人那里获得幸福，如果他坚持把她当作一个完全正常的人。 27、老年的悲剧不在于一个人已经衰老，而在于他依旧年轻。 28、个人如一己之愿，未为自私;众人如一己之愿，方为自私。 29、一个诗人可以在一切恶劣条件下生存，但是一个印刷错误就是致命的。 30、世界因你而改变，因为你是象牙和黄金所造，你嘴唇的曲线将重写历史。 31、生活从来不是公平的……而且，或许对我们大多数人来说，这是件好事。 32、的韵事使女人变成一片废墟，20年的婚姻使女人变成一座公共建筑。 33、注意穿着打扮是必要的。而拥有生活目标却并非如此。 34、男人的爱情如果不专一，那他和任何女人在一起都会感到幸福。 35、教养良好的人处处和他人过不去，头脑聪明的人处处和自己过不去。 36、教育事业是值得钦佩的，但请不时想起：并没有什么值得知道的事是能够被传授的。 37、世界上只有一件事比被人议论还要糟糕，那就是不被议论。 38、适度是极其致命的事情，过度带来的成功是无可比拟的。 39、请把你的心给我，与我为伍，这个世界太残酷了，我有些害怕。 40、大多数人发现他们从未后悔的事情只是他们的错误，但发现时已经太晚了。 41、人生有两个悲剧，第一是想得到的得不到，第二是想得到的得到了。 42、世上只有一件事比被人议论更糟糕，那就是没有人议论你。 43、我喜欢自言自语，因为这样节约时间，而且不会有人跟我争论。 44、摆脱诱惑的唯一方法是向诱惑屈服。我能抵御一切——除了诱惑。 45、该死，先生，结婚是你的职责，你不能总是逍遥快活。 46、男人因厌倦而结婚，女人因好奇而结婚，双方都会失望。 47、在考试里，愚昧的人总提问一些会令睿智的人答不上的问题。 48、悲观主义者是这种人：当他可以从两种罪恶中选择时，他把两种都选了。 49、美国是唯一一个从野蛮时代直接进入了颓废时代，中间没经过文明时代的国家。 50、男人因疲倦而结婚，女人因好奇而结婚;最终他们都会失望。 51、宗教一旦被证明是正确时就会消亡。科学便是已消亡宗教的记录。 52、只有两种人最具有吸引力，一种是无所不知的人，一种是一无所知的人。 53、生活中只有两个悲剧：一个是没有得到你想要的，另外一个是得到了你想要的。 54、教育是一件可敬的事，但要时刻牢记，没有什么值得知道的事是教得会的。 55、只有感官才能解救灵魂，正如只有灵魂才能解救感官。 56、梦想家只能在月光下找到前进的方向，他为此遭受的惩罚是比所有人提前看到曙光。 57、艺术是世间唯一需要认真看待的事，艺术家却是社会上唯一拒绝认真的人。 58、百折不挠的决心若与科学法则相抵触，犹如江心补漏劳而无益。。 59、生活并不复杂，复杂的是我们人自己。生活是单纯的，单纯的才是正确的。 60、音乐让人感觉非常浪漫，至少让人感觉不安，如今两者是一回事。 61、假如一个人听到差劲的音乐，他的责任就是用谈话把它压下去。 62、邪恶是善良的人们编造的谎言，用来解释其他人的特殊魅力。 63、结婚这件事，所有女人的看法都一致，所有男人的看法都不同。 64、女人是用耳朵恋爱的，而你们男人如果会产生爱情的话，却是用眼睛来恋爱。 65、每个圣人都有不可告人的过去，每个罪人都有洁白无瑕的未来。 篇7：奥斯卡王尔德语录 奥斯卡王尔德语录 1、所有的女人最后都变得像她的母亲。这正是她们的悲剧。男人从来不会这样。这正是他们的悲剧。 2、手握王牌，勿须出千。 3、个人如一己之愿，未为自私；众人如一己之愿，方为自私。 4、一个不危险的想法都不值得我们把它叫做是想法。 5、上帝造人，过于逞能。 6、我不想改变英国的任何东西，除了天气。 7、当今社会无用信息如此之少，实为憾事。 8、宽恕不争，气死仇人。 9、争辩当避；低俗平庸，逼异趋同。 10、艺术作品是独特脾性的独特结果。 11、雄心壮志是失败最后的避难所。 12、人同我见，我必误见。 13、一个极其优秀的人。他没有敌人，而他的朋友也没有一个喜欢他的。 14、些许坦诚，埋下祸根；毫无心机，即是火坑。 15、与不列颠四分之三公众观点相左，乃是保持理智的首要之选。 16、出身草莽，不经文明，直堕颓废，唯美一国。 17、如果世界上少一些同情，世界上也就会少一些麻烦。 18、男人交友不动情，个个女人皆称心。 19、赤诚爱国，恶人之德。 20、在农村，任何人都可以成为好人。那儿又没什么物质诱惑。 21、已过年少时，难晓天下事。 22、我只想指出这么一个一般性的原则，就是生活模仿艺术的程度远胜过艺术模仿生活的程度。 23、一定要原谅你的敌人——再没什么比这个更让他们心烦意乱了。 24、幻觉乃快乐之首。 25、吃穿不愁，神思不游。 26、现代年历搅人清闲，天天提醒若干周年。 27、一个女人与一个坚持要把她当成完美正常的人的男人一起，怎么能指望获得快乐呢？ 28、一个男人的'脸是他的自传。一个女人的脸是她自己的幻想作品。 29、梦想家是那种只能依靠月光才能找到路的人。他受到的惩罚是比整个世界都提早看到黎明。 30、神罚生灵，便是显灵。 31、世界因你而改变，因为你是象牙和黄金所造，你嘴唇的曲线将重写历史。 32、美国是唯一一个从野蛮时代直接进入了颓废时代，中间没经过文明时代的国家。 33、好言相劝耳边风，与己无益任人用。 34、所有糟糕的诗歌都来自真情实感。自然化的作品其内涵是显而易见的，而显而易见的内涵并不艺术。 35、被人谈论已够糟，不被谈论更糟糕。 36、渺视他人，方可生存；此种性情，自幼习成。 37、他人营生不知难，自身行当心中烦。 篇8：奥斯卡王尔德英语简介 奥斯卡·王尔德人物思想 Wilde's devotion to the philistine philosophy and hypocritical morality of British society, he used the “beauty” of art to confront the “ugly” in the vulgar reality. He believes that the United States above all else, art is higher than life, the beauty of art and value does not exist in life and nature, art should be detached from life. He said: “All the bad art is returned to life and nature caused by, and is the life and the natural rise to the ideal results.” Also said: “The only thing that is beautiful is nothing to do with us.” “Art more abstract , Super-idealized, the more we reveal the characteristics of the times. ”He opposed materialism, but also against the naturalism and realism of the creative principles. He said: “The abomination of realism in the nineteenth century is like the wrath of the Kleban classes who see their faces from the mirror.” And as a way, realism is a complete failure. One of the two things that an artist should avoid is the modernity of the form and the modernity of the subject. “Thus he advocates writing” beautiful and untruthful stories “, the so-called” lying “works, the hero of his aesthetic works, Whether it is Dorian Gray, Salome, or Happy Prince, are unrealistic, fictional, and exotic; the background of these people's activities are also surreal, man-made imagination, away from life. Wilde firmly believes that the independent life of the art and their own value, follow the decadent faction, against the utilitarian nature, advocate that art is not subject to moral constraints, the artist should be absolute freedom and pride independent. He said: ”The purpose of the art is to show the art itself,“ ”the artist is the creator of the works of the United States ... the artist is not ethical and evil, ⋯ ⋯ book does not matter moral immorality. ⋯ all art is useless“ In addition to the performance of their own art, do not show anything, it and thought, like an independent life, and purely according to their own line of development. So he was obsessed with the pursuit of art form beauty, and asserted that only the style can make the art immortal. Since the purpose of art is to create beauty, and the purpose of beauty is only their own, then how can we create this ”pure art“, ”pure“ to come? He ”under the socialist soul“ to answer that the beauty of art Is a unique temperament without any constraints of the artist just to enjoy the creative purpose of pure, imagined to create out. He emphasized the beauty of the United States, subjectivity and enjoyment. This beauty is beyond the beauty, sublimation of the United States, ethereal beauty, mysterious beauty, but also Kant's aesthetics with the ”attachment beauty“ against the ”free beauty“. This kind of beauty produced by the joy, not simply the function, the feeling of happiness, but the joy of free life, for the beauty of the paradise and immersed in which the joy. In the theme of ”the portrait of Dorian Gray“ and the spiritual and flesh clamor revealed by Salome, what we see is the claim of Wilde's spirituality. There is an aestheticism in the indulgence of Salome's persistent pursuit of beauty and love and embracing death. This philosophy is a sharp criticism of the material society and mediocrity at that time. It can be seen that Oscar Wilde's aesthetic claim is, in fact, not entirely super-utilitarian and artistic self-contained. ”Life is imitation of art, life is in fact a mirror, and art is real.“ That is to say, not art reflects life, but life imitates art. Naturally only after the artist's transformation can exist, so the natural is the imitation of art. In his view, with Hamlet's ”pessimism“, modern pessimistic thinking, with the poet, the painter wrote the fog of London, people realized that London has ”beauty“ fog. So he advocated life to art, rather than art to be biochemical. So he fell to the top of the art and life, the relationship between art and nature. From the point of view of the surface, this view enhances the position of art, but from the deep analysis, it denies the value of the art of cognition, and thus denies the meaning of art itself. But Wilde's point of view is not complete, and he recognizes the interrelationship of art and life in another place and the existence of ”art for life imitation“. The tragedy of Wilde is that his series of aesthetic claims lack the inherent unity of materialism, and finally leads to a series of errors and contradictions in theory and practice. But this is not to say that Wilde's aesthetic claims, theory, practice, and his aesthetic exploration are of no value and worthy of study. On the contrary, it is a positive idea to reject the degeneration of art and to defend the purity and independence of art. 奥斯卡·王尔德写作特点 fairy tale Although Wilde's tragic fairy tale works regardless of the story is hidden behind the same sex or the opposite sex of the affair, his language used to modify the language of love almost a flashy beauty, but this beauty for the secular love of the ultimate disillusionment and disappearance of the matter , To be able to achieve the perfect only love of Christ and supreme art. As Wilde himself says, ”the purpose of art is not simply real, but complex beauty.“ He presents a tragic story of aestheticism in a unique narrative way, creating an unspeakable beauty. Compared to the tragic fate of the Greek tragedy, Shakespearean drama humanist lonely pain, Hemingway's never-ending tragedy heroic spirit, he narrates is the beauty of life and sorrow - the ordinary life of love, the spirit of the world Beauty, and the destruction of the two to the great pain of the human mind, highlighting the divine salvation and fate of Christ. Wilde did not repeat the prince and the princess happy to live a hundred years of cliche, do not express good and good evil evil report of the good wishes, only a kind of indifferent tone to describe the tragedy, with the characters staggered perspective and vision Let the reader hear the long sigh of the fish, the nightingale last life if the hairspring song, the dwarf mourn cry and his heart rupture sound. As an implied author, he has always been silent on the story of the characters, so that Christ's death in the call to become a farewell tragic fate of the best end of the ceremony. He repeatedly inquired about the contradictions and paradoxes that existed in life in an imperfect fairy tale, and fascinated the difficulties and complexities of the real society, showing his perfect and pure pursuit of art, love and life in a tortuous way and using his own works Predicted his unique line of life: walking in the hedonism and sensibility of the edge, swinging between the material and the spirit of love both desire and despair, dying in the lonely converted to the Catholic Church, into the embrace of Christ, and he The tragedy of the characters in general, get his true peace of mind. Poetry Aestheticism is not only the inheritance and development of romantic poetry, more importantly, its innovation. The most famous slogan of the aesthetic movement is ”art for art“, which is one of the reasons why this literary movement can develop in the middle and late stages of Victorian Victorian feud. In 1895 Wilde was jailed for the so-called ”guilty conscience“, even though his inspiration was not affected during his sentence. In a classic work entitled ”From Deep“, he wrote more than once that ”I am a symbol of art and culture in this era,“ and even muttered in his mouth before his death, Beauty, only the beauty is like this. ” Wilde's dedication to art, the rebellion and innovation of the practice of traditional poetry, the poem “Riding Prison Songs” is the best embodiment. “Lyon Prison Song” by Oscar Wilde in prison after the start of creation in 1897 and completed in 1898, is his last great poem. The whole poem is divided into six parts, a total of 660 lines, six lines a poem, which he changed the traditional narrative lines, expressed the feelings of other prisoners, especially described the evil university, moral decay and prison system of non-human abuse The This poem is to commemorate the situation of a royal guard soldier who will be hanged for murdering his wife. In this poem, he tried to use the words that could better express his thoughts, seemingly felt and improvised, and in fact included the examination and judgment of the whole society, which was inseparable from his two years of prison life Relationship. In the whole poem, he used the repetitive rhetorical means, the slight syllable changes. In verses 443 and 444, “fear is striding forward in front of us; terror is treading behind us”, which increasingly adds to the horrific atmosphere that is creepy. This poetic realistic description of the situation so that readers feel the same, really achieve the purpose of aesthetics. Fiction Wilde created a lot of work in his life. He is rich in materials, covered a wide range. There are reviews, fairy tale, there is drama. But his novel is only one - “the portrait of Dorian Gray” (1890). In this novel, Wilde in this novel, with rich imagination, bizarre plot, beautiful writing, full of philosophical language, exposing the British high society of spiritual emptiness and moral sink, intertwined with good and evil, beauty and ugliness, soul The tragedy of the destruction of the flesh, the image of the author's own outlook on life, morality and art. This novel, with a unique artistic conception of the visualization of the “art first” theory. The painter Bessel does not create portraits for fame and fortune, because of his pursuit of “beauty” in the process, in the portrait into their own “all effort”, so that the portrait has an unusual “beauty” and peculiar vitality. The author through such an arrangement to explain: only the implementation of “art for art and art” to create the works of art can be counted as eternal lofty perfection to the works of art. It is reflected in the “aestheticism”, “art for art” and other views, with Marxist-Leninist view of literature and art is certainly not biased, but we should see that this time the intellectuals trying to escape the capitalist system Under the evil of the kind of naive idea, can be considered that this is a negative reaction to the capitalist system. Drama Wilde's great achievement in the drama is the language of the dialogue dialogue, and every word is worth considering. Wilde is a brave playwright, his humorous language reveals the decay and chaos of the upper class society. Many famous aphorisms even come from some negative roles, which makes the conversation even more interesting, but also makes the characters more full and true shape. It is the use of rhetorical devices that make Wilde's play meaningful and flourishing. For Wilde, contradictory rhetoric fully embodies his witty language style. He uses a pair of semantics, opposite words are used together to express more complex thoughts and feelings or to explain a meaningful philosophy. The magical effect of contradictory rhetoric is to reveal the complex psychological contradictions and philosophy of life in the inner world. “In the” ideal husband “, Mabel Chilton said:” I really like London! This has been fully proved, the whole city is a beautiful fool and outstanding madman. “Muller said she loved London and it was well proved, but her argument was that London was full of beautiful fools and outstanding madmen.” Beautiful “,” fool “,” outstanding “,” madman “ The contradictory statements reveal Wilde's irony to the upper classes. In the fourth act of Mrs. Windermere's fan, when Windermere misunderstood Mrs. Olin and satirical, Mrs. Olin said, ”I am in the fourth act of Mrs. Windermere's play. Dear Windermere, the first act of courtesy, after the German character! “(My Dear Wintermiere. Eloquel moarls!) The use of the first rhyme so that Mrs. Olin's answer is decent and humorous, showing her demeanor. The comparison is also a technique commonly used by Oscar Wilde. By using the control, Wilde's language is more fluent, the role is more vivid, more prominent. In the final scene of Mrs Windermere's fan, when the Duke of Windermere evaluated his wife, she said to her wife, ”My dear, you and she belong to two different worlds, there is no evil in your world.“ Replied: ”Arthur, do not say that this is our common world, good and evil, evil and innocence, are co-exist.“ Through the control, a profound reflection of the change of Windermere's attitude reflects the Her thought was mature, her eyes had been evil Lady Olin helped her, to prevent her elope with the lover and to maintain her original perfect marriage, after all this, she no longer with simple good and evil to look at this world, but To treat yourself with others in an inclusive manner. 奥斯卡王尔德相关 篇9：奥斯卡王尔德英语简介 Wilde's devotion to the philistine philosophy and hypocritical morality of British society, he used the ”beauty“ of art to confront the ”ugly“ in the vulgar reality. He believes that the United States above all else, art is higher than life, the beauty of art and value does not exist in life and nature, art should be detached from life. He said: ”All the bad art is returned to life and nature caused by, and is the life and the natural rise to the ideal results.“ Also said: ”The only thing that is beautiful is nothing to do with us.“ ”Art more abstract , Super-idealized, the more we reveal the characteristics of the times. “He opposed materialism, but also against the naturalism and realism of the creative principles. He said: ”The abomination of realism in the nineteenth century is like the wrath of the Kleban classes who see their faces from the mirror.“ And as a way, realism is a complete failure. One of the two things that an artist should avoid is the modernity of the form and the modernity of the subject. ”Thus he advocates writing“ beautiful and untruthful stories ”, the so-called“ lying ”works, the hero of his aesthetic works, Whether it is Dorian Gray, Salome, or Happy Prince, are unrealistic, fictional, and exotic; the background of these people's activities are also surreal, man-made imagination, away from life. Wilde firmly believes that the independent life of the art and their own value, follow the decadent faction, against the utilitarian nature, advocate that art is not subject to moral constraints, the artist should be absolute freedom and pride independent. He said: “The purpose of the art is to show the art itself,” “the artist is the creator of the works of the United States ... the artist is not ethical and evil, ⋯ ⋯ book does not matter moral immorality. ⋯ all art is useless” In addition to the performance of their own art, do not show anything, it and thought, like an independent life, and purely according to their own line of development. So he was obsessed with the pursuit of art form beauty, and asserted that only the style can make the art immortal. Since the purpose of art is to create beauty, and the purpose of beauty is only their own, then how can we create this “pure art”, “pure” to come? He “under the socialist soul” to answer that the beauty of art Is a unique temperament without any constraints of the artist just to enjoy the creative purpose of pure, imagined to create out. He emphasized the beauty of the United States, subjectivity and enjoyment. This beauty is beyond the beauty, sublimation of the United States, ethereal beauty, mysterious beauty, but also Kant's aesthetics with the “attachment beauty” against the “free beauty”. This kind of beauty produced by the joy, not simply the function, the feeling of happiness, but the joy of free life, for the beauty of the paradise and immersed in which the joy. In the theme of “the portrait of Dorian Gray” and the spiritual and flesh clamor revealed by Salome, what we see is the claim of Wilde's spirituality. There is an aestheticism in the indulgence of Salome's persistent pursuit of beauty and love and embracing death. This philosophy is a sharp criticism of the material society and mediocrity at that time. It can be seen that Oscar Wilde's aesthetic claim is, in fact, not entirely super-utilitarian and artistic self-contained. “Life is imitation of art, life is in fact a mirror, and art is real.” That is to say, not art reflects life, but life imitates art. Naturally only after the artist's transformation can exist, so the natural is the imitation of art. In his view, with Hamlet's “pessimism”, modern pessimistic thinking, with the poet, the painter wrote the fog of London, people realized that London has “beauty” fog. So he advocated life to art, rather than art to be biochemical. So he fell to the top of the art and life, the relationship between art and nature. From the point of view of the surface, this view enhances the position of art, but from the deep analysis, it denies the value of the art of cognition, and thus denies the meaning of art itself. But Wilde's point of view is not complete, and he recognizes the interrelationship of art and life in another place and the existence of “art for life imitation”. The tragedy of Wilde is that his series of aesthetic claims lack the inherent unity of materialism, and finally leads to a series of errors and contradictions in theory and practice. But this is not to say that Wilde's aesthetic claims, theory, practice, and his aesthetic exploration are of no value and worthy of study. On the contrary, it is a positive idea to reject the degeneration of art and to defend the purity and independence of art. 奥斯卡·王尔德写作特点 fairy tale Although Wilde's tragic fairy tale works regardless of the story is hidden behind the same sex or the opposite sex of the affair, his language used to modify the language of love almost a flashy beauty, but this beauty for the secular love of the ultimate disillusionment and disappearance of the matter , To be able to achieve the perfect only love of Christ and supreme art. As Wilde himself says, “the purpose of art is not simply real, but complex beauty.” He presents a tragic story of aestheticism in a unique narrative way, creating an unspeakable beauty. Compared to the tragic fate of the Greek tragedy, Shakespearean drama humanist lonely pain, Hemingway's never-ending tragedy heroic spirit, he narrates is the beauty of life and sorrow - the ordinary life of love, the spirit of the world Beauty, and the destruction of the two to the great pain of the human mind, highlighting the divine salvation and fate of Christ. Wilde did not repeat the prince and the princess happy to live a hundred years of cliche, do not express good and good evil evil report of the good wishes, only a kind of indifferent tone to describe the tragedy, with the characters staggered perspective and vision Let the reader hear the long sigh of the fish, the nightingale last life if the hairspring song, the dwarf mourn cry and his heart rupture sound. As an implied author, he has always been silent on the story of the characters, so that Christ's death in the call to become a farewell tragic fate of the best end of the ceremony. He repeatedly inquired about the contradictions and paradoxes that existed in life in an imperfect fairy tale, and fascinated the difficulties and complexities of the real society, showing his perfect and pure pursuit of art, love and life in a tortuous way and using his own works Predicted his unique line of life: walking in the hedonism and sensibility of the edge, swinging between the material and the spirit of love both desire and despair, dying in the lonely converted to the Catholic Church, into the embrace of Christ, and he The tragedy of the characters in general, get his true peace of mind. Poetry Aestheticism is not only the inheritance and development of romantic poetry, more importantly, its innovation. The most famous slogan of the aesthetic movement is “art for art”, which is one of the reasons why this literary movement can develop in the middle and late stages of Victorian Victorian feud. In 1895 Wilde was jailed for the so-called “guilty conscience”, even though his inspiration was not affected during his sentence. In a classic work entitled “From Deep”, he wrote more than once that “I am a symbol of art and culture in this era,” and even muttered in his mouth before his death, Beauty, only the beauty is like this. “ Wilde's dedication to art, the rebellion and innovation of the practice of traditional poetry, the poem ”Riding Prison Songs“ is the best embodiment. ”Lyon Prison Song“ by Oscar Wilde in prison after the start of creation in 1897 and completed in 1898, is his last great poem. The whole poem is divided into six parts, a total of 660 lines, six lines a poem, which he changed the traditional narrative lines, expressed the feelings of other prisoners, especially described the evil university, moral decay and prison system of non-human abuse The This poem is to commemorate the situation of a royal guard soldier who will be hanged for murdering his wife. In this poem, he tried to use the words that could better express his thoughts, seemingly felt and improvised, and in fact included the examination and judgment of the whole society, which was inseparable from his two years of prison life Relationship. In the whole poem, he used the repetitive rhetorical means, the slight syllable changes. In verses 443 and 444, ”fear is striding forward in front of us; terror is treading behind us“, which increasingly adds to the horrific atmosphere that is creepy. This poetic realistic description of the situation so that readers feel the same, really achieve the purpose of aesthetics. Fiction Wilde created a lot of work in his life. He is rich in materials, covered a wide range. There are reviews, fairy tale, there is drama. But his novel is only one - ”the portrait of Dorian Gray“ (1890). In this novel, Wilde in this novel, with rich imagination, bizarre plot, beautiful writing, full of philosophical language, exposing the British high society of spiritual emptiness and moral sink, intertwined with good and evil, beauty and ugliness, soul The tragedy of the destruction of the flesh, the image of the author's own outlook on life, morality and art. This novel, with a unique artistic conception of the visualization of the ”art first“ theory. The painter Bessel does not create portraits for fame and fortune, because of his pursuit of ”beauty“ in the process, in the portrait into their own ”all effort“, so that the portrait has an unusual ”beauty“ and peculiar vitality. The author through such an arrangement to explain: only the implementation of ”art for art and art“ to create the works of art can be counted as eternal lofty perfection to the works of art. It is reflected in the ”aestheticism“, ”art for art“ and other views, with Marxist-Leninist view of literature and art is certainly not biased, but we should see that this time the intellectuals trying to escape the capitalist system Under the evil of the kind of naive idea, can be considered that this is a negative reaction to the capitalist system. Drama Wilde's great achievement in the drama is the language of the dialogue dialogue, and every word is worth considering. Wilde is a brave playwright, his humorous language reveals the decay and chaos of the upper class society. Many famous aphorisms even come from some negative roles, which makes the conversation even more interesting, but also makes the characters more full and true shape. It is the use of rhetorical devices that make Wilde's play meaningful and flourishing. For Wilde, contradictory rhetoric fully embodies his witty language style. He uses a pair of semantics, opposite words are used together to express more complex thoughts and feelings or to explain a meaningful philosophy. The magical effect of contradictory rhetoric is to reveal the complex psychological contradictions and philosophy of life in the inner world. ”In the“ ideal husband ”, Mabel Chilton said:“ I really like London! This has been fully proved, the whole city is a beautiful fool and outstanding madman. ”Muller said she loved London and it was well proved, but her argument was that London was full of beautiful fools and outstanding madmen.“ Beautiful ”,“ fool ”,“ outstanding ”,“ madman ” The contradictory statements reveal Wilde's irony to the upper classes. In the fourth act of Mrs. Windermere's fan, when Windermere misunderstood Mrs. Olin and satirical, Mrs. Olin said, “I am in the fourth act of Mrs. Windermere's play. Dear Windermere, the first act of courtesy, after the German character! ”(My Dear Wintermiere. Eloquel moarls!) The use of the first rhyme so that Mrs. Olin's answer is decent and humorous, showing her demeanor. The comparison is also a technique commonly used by Oscar Wilde. By using the control, Wilde's language is more fluent, the role is more vivid, more prominent. In the final scene of Mrs Windermere's fan, when the Duke of Windermere evaluated his wife, she said to her wife, “My dear, you and she belong to two different worlds, there is no evil in your world.” Replied: “Arthur, do not say that this is our common world, good and evil, evil and innocence, are co-exist.” Through the control, a profound reflection of the change of Windermere's attitude reflects the Her thought was mature, her eyes had been evil Lady Olin helped her, to prevent her elope with the lover and to maintain her original perfect marriage, after all this, she no longer with simple good and evil to look at this world, but To treat yourself with others in an inclusive manner. 篇10：奥斯卡王尔德语录赏析 奥斯卡王尔德语录赏析 【1】、生活在阴沟里，依然有仰望星空的权利。 --王尔德 【2】、人生有两个悲剧，第一是想得到的得不到，第二是想得到的得到了。 --王尔德 【3】、每个圣人都有不可告人的过去，每个罪人都有洁白无瑕的未来。 --王尔德 【4】、We are all in the gutter, but some of us are looking at the stars. 我们都在阴沟里，但仍有人仰望星空。 --王尔德 【5】、To love oneself is the beginning of a lifelong romance. 爱自己是终身浪漫的开始。 --王尔德 【6】、烫痛过的孩子仍然爱火 --王尔德 《道林·格雷的画像》 【7】、你拥有青春的时候，就要感受它。不要虚掷你的黄金时代，不要去倾听枯燥乏味的东西，不要设法挽留无望的失败，不要把你的生命献给无知、平庸和低俗。这些都是我们时代病态的目标，虚假的理想。活着！把你宝贵的内在生命活出来。什么都别错过。 --奥斯卡·王尔德 《道林·格雷的画像》 【8】、你拥有青春的时候，就要感受它。不要虚掷你的黄金时代，不要去倾听枯燥乏味的东西，不要设法挽留无望的失败，不要把你的生命献给无知、平庸和低俗。这些都是我们时代病态的目标，虚假的理想。活着！把你宝贵的内在生命活出来。什么都别错过。 --奥斯卡·王尔德 《道林·格雷的画像》 【9】、为了自己，我必须饶恕你。一个人，不能永远在胸中养着一条毒蛇；不能夜夜起身，在灵魂的园子里栽种荆棘。 --王尔德 《自深深处》 【10】、There are only two tragedies in life: one is not getting what one wants, and the other is getting it. 生活中只有两个悲剧、一个是没有得到你想要的，另外一个是得到了你想要的。 --王尔德 【11】、To live is the rarest thing in the world. Most people exist, that is all. 生活是世上最罕见的事情，大多数人只是存在，仅此而已。 --王尔德 【12】、Be yourself; everyone else is already taken. 做你自己，因为别人都有人做了。 --王尔德 【13】、我们都生活在阴沟里，但其中依然有人在仰望星空 --王尔德 《自深深处》 【14】、One can always be kind to people one cares nothing about. 一个人总是可以善待他毫不在意的人。 --王尔德 【15】、A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal. 不够真诚是危险的，太真诚则绝对是致命的。 --王尔德 【16】、The heart was made to be broken. 心是用来碎的。 --王尔德 【17】、I like men who have a future and women who have a past 我喜欢有未来的男人和有过去的女人。 --王尔德 【18】、Everyone is born king, and most people die in exile. 每个人生来都是君王，但大多数在流亡中死去。 --王尔德 【19】、When gods wish to punish us, they answer our prayer. 若诸神要惩罚我等，必先让我等如愿以偿。 --王尔德 【20】、每个圣人都有过去 每个罪人都有未来 。 --奥斯卡·王尔德 【21】、Selfishness is not living as one wishes to live, it is asking others to live as one wishes to live. 过自己想要的生活不是自私，要求别人按自己的意愿生活才是。 --王尔德 【22】、我不想谋生，我想生活。 --王尔德 【23】、老年人相信一切，中年人怀疑一切，青年人什么都懂。 --王尔德 《道林·格雷的画像》 【24】、Always forgive your enemies - nothing annoys them so much. 永远宽恕你的敌人，没有什么能比这个更让他们恼怒的了。 --王尔德 【25】、I like to do all the talking myself. It saves time, and prevents arguments. 我喜欢自言自语，因为这样节约时间，而且不会有人跟我争论。 --王尔德 【26】、愚人创造了世界，智者不得不活在其中。 --奥斯卡·王尔德 【27】、只有两种人最具有吸引力，一种是无所不知的人，一种是一无所知的人。 --王尔德 《道连·葛雷的画像》 【28】、No man is rich enough to buy back his own past. -An Ideal Husband (1895) 没有人富有到可以赎回自己的过去。 --王尔德 《理想的丈夫》 【29】、Hatred is blind, as well as love. 恨是盲目的，爱亦然。 --王尔德 【30】、What is the chief cause of divorce? Marriage. 什么是离婚的主要原因？结婚。 --王尔德 【31】、你的错误不是你对生活所知甚少，而是你知道得太多了。你已把童年时期的曙光中所拥有的那种精美的花朵，纯洁的光，天真的希望的快乐远远地抛在后面了。你已迅捷地奔跑着经过了浪漫进入了现实。你开始着迷于阴沟及里面生长的东西。 --奥斯卡王尔德 《王尔德狱中记》 【32】、When one is in love, one always begins by deceiveing one's self, and one always ends by deceiving others. That is what would calls a romance. 爱，始于自我欺骗，终于欺骗他人。这就是所谓的浪漫。 --恋爱总是以自欺开始，以欺人结束。 --王尔德 【33】、请把你的心给我，与我为伍，这个世界太残酷了，我有些害怕。 --王尔德 《渔夫和他的灵魂》 【34】、The truth is rarely pure and never simple 真相很少纯粹，也决不简单。 --王尔德 《The Importance of Being Earnest 不可儿嬉》 【35】、It is only shallow people who do not judge by appearances. 只有肤浅的人才不会以貌取人 --Oscar Wilde 《the picture of Dorian Gray》 【36】、你不知羞耻地索取，毫无感激地接受。 --奥斯卡王尔德 《王尔德狱中记》 【37】、The very essence of romance is uncertainty. 浪漫的本质是不确定性。 --王尔德 【38】、做你自己，因为别人都有人做了 。 --王尔德 【39】、every saint has a past and every sinner has a future. （每个圣人都有过去，每个罪人都有未来） --王尔德 【40】、人真正的完美不在于他拥有什么，而在于他是什么。 --王尔德 【41】、Only the shallow know themselves 只有浅薄的人才了解自己。 --王尔德 【42】、我坐在自己曾拥有的美好生活的废墟上，几乎被痛苦摧垮。我因恐惧而不知所措，因痛苦而茫然，但我不会恨你。每天我都对自己说、“今天我必须把爱留在心里，否则我怎么活过这一天？” --奥斯卡王尔德 《王尔德狱中记》 【43】、很多东西如果不是怕别人捡去，我们一定会扔掉。 --王尔德 《道林·格雷的画像》 【44】、生活并不复杂，复杂的是我们人自己。生活是单纯的，单纯的才是正确的。 --奥斯卡王尔德 《王尔德狱中记》 【45】、世界上只有一件事比被人议论还要糟糕，那就是不被议论。 --王尔德 【46】、No great artist ever sees things as they really are. If he did he would cease to be an artist. 伟大的艺术家所看到的，从来都不是世界的本来面目。一旦他看透了，他就不再是艺术家。 --王尔德 【47】、The public is wonderfully tolerant. It forgives everything except genius. 公众惊人地宽容。他们可以原谅一切，除了天才。 --王尔德 【48】、The only difference between a caprice and a life-long passion is that the caprice lasts a little longer. 逢场作戏和终身不渝之间的区别只在于逢场作戏稍微长一些。 --王尔德 【49】、人想恢复青春，只消重演过去干的蠢事就够了。 --王尔德 《道林·格雷的画像》 【50】、Life is one fool thing after another whereas love is two fool things after each other. 人生就是一件蠢事追着另一件蠢事而来，而爱情则是两个蠢东西追来追去。 --Oscar Wilde [NextPage] 【51】、The only way to get rid of temptation is to yield to it... I can resist everything but temptation. 摆脱诱惑的唯一方法是向诱惑屈服。我能抵御一切--除了诱惑。 --王尔德 【52】、美是唯一不受时间伤害的东西。 --王尔德 《英国的艺术复兴》 【53】、We teach people how to remember, we never teach them how to grow. 我们教给人们如何记忆，却从来不教他们如何成长。 --王尔德 【54】、Children begin by loving their parents; as they grow older they judge them; sometimes, they forgive them 孩子最初爱他们父母，等大一些他们评判父母；然后有些时候，他们原谅父母。 --王尔德 【55】、男人的爱情如果不专一，那他和任何女人在一起都会感到幸福 --王尔德 【56】、自恋是一生浪漫的开始。 --王尔德 【57】、A man who does not think for himself does not think at all. 一个人倘若不为自己思考，那就从未思考过。 --王尔德 【58】、My wallpaper and I are fighting a duel to the death. One or other of us has to go. 墙纸越来越破，而我越来越老，两者之间总有一个要先消失。--1900年11月30日，于左岸旅店，他的遗言。 --王尔德 【59】、一旦你确实需要爱，你就会发现它正在等待着你 --王尔德 【60】、年轻的时候我以为钱就是一切，现在老了才知道，确实如此。 --奥斯卡王尔德 【61】、Fashion is usually a form of ugliness so intolerable that we have to alter it every six months. 时尚通常是丑陋的一种形式，以至于人们忍无可忍地每六个月便要把它修改一下。 --王尔德 【62】、渺小的忧伤和渺小的爱寿命很长，伟大的爱和伟大的忧伤却毁于自身的过于丰富强烈。 --王尔德 《道林·格雷的画像》 【63】、将人类以善恶来区分这根本就是愚蠢的想法。因为人类啊，要么就是有魅力的，要么就是无聊的，只可能是这两种的其中之一。 --王尔德 《少奶奶的扇子》 【64】、任何地方，只要你爱它，它就是你的世界。 --王尔德 【65】、我知道你不配得到我的爱，但爱是不能在市场上公开买卖的，商贩的天平对之也毫无用途。爱的快乐，就像思想的快乐一样，在于感觉到它的存在。爱的目的就是爱，不多也不少。 --奥斯卡王尔德 《王尔德狱中记》 【66】、我们谁也忍受不了和我们同样毛病的人。 --奥斯卡·王尔德 《道连·葛雷的画像》 【67】、Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul. 只有感官才能解救灵魂，正如只有灵魂才能解救感官。 --王尔德 《道林·格雷的画像》 【68】、我认为所有漂亮的人都是被宠坏了，而这就是他们能够吸引他人的秘密所在 --王尔德 【69】、我们往往只欣赏自然，很少考虑与自然共生存 --王尔德 【70】、把人分成好和坏的是荒谬的。人要么是迷人，或者乏味。 --王尔德 【71】、诗是强烈感情的自然迸发，其源泉是静静的回想的感动 --王尔德 【72】、一切皆须归于人自己的本性来认识，把一个人没有感觉或不理解的东西告诉给他是没有什么用的 --奥斯卡王尔德 《王尔德狱中记》 【73】、“当爱到了终点,软弱者哭泣,精明者马上去发现另外一个,聪明的早就预备了一个。” --奥斯卡·王尔德 【74】、性格的根基在于意志力。 --王尔德 《自深深处》 【75】、我不愿意暴露我的灵魂让那些好奇的凡夫俗子瞧个没完。 --奥斯卡·王尔德 《道连·葛雷的画像》 【76】、可我还相信，在创世纪的时候，上帝替我们每一个孤独分离的人都造了一个世界，而在那世界里--我们的内心世界--一个人应该寻求生存。 --奥斯卡王尔德 《王尔德狱中记》 【77】、才貌出众的人多半在劫难逃。 --奥斯卡·王尔德 《道连·葛雷的画像》 【78】、我爱他，是因为他像爱情本身应有的样子。 --奥斯卡·王尔德 《道连·格雷的画像》 【79】、哪怕是再平常的事，只要你把它隐藏起来，就显得饶有趣味。 --奥斯卡·王尔德 《道连·葛雷的画像》 【80】、恨，在思想上被看做是一种“永恒的虚无”，而从感情上则是一种“官能萎缩症”的形式，它会杀死除了它自己之外的一切。 --奥斯卡王尔德 《王尔德狱中记》 【81】、美丽的东西有了过失，要不分青红皂白的原谅他，丑陋的东西有了过失，要不顾天地良心的鄙视他 --王尔德 【82】、老年人的悲剧，不在于他身体的衰老，而在于他的心依然年轻。 --王尔德 【83】、如今是这样一个时代，看得太多而没有时间欣赏，写的太多而没有时间思想。 --王尔德 【84】、其实薄幸的人，更知晓爱的真相。 --王尔德 《道林·格雷的画像》 【85】、至于你那些梦，不要再去想它们。现世的担子太重了，不是一个人担得起的，人世的烦恼也太大了，不是一颗心受得了的。 --王尔德 《快乐王子》 【86】、恨使人盲目，你没有意识到这一点。爱能让人读到写在最遥远的星球上的文字，但恨使你如此盲目，你只能看到自己狭隘的、用墙封闭起来的、已经被贪欲烧枯了的平庸欲望的花园。你的想象力缺乏得可怕--这是你性格中一种真正致命的缺陷，它完全是你身上的恨所结的果实。恨微妙地、静静地、秘密地啮吃着你的本性，就像苔藓紧紧咬住某种灰黄色植物的根，直到你慢慢地除了最低俗的私利和最渺小的目的外什么也看不到。爱滋养你的才能，恨却毒害它，使其完全枯萎。 --奥斯卡王尔德 《王尔德狱中记》 【87】、天堂和地狱都在我们每个人自己身上。 --王尔德 《道连·格雷的画像》 【88】、青春是唯一值得拥有的东西 --王尔德 【89】、感情的长处在于会使我们迷失方向，而科学的长处就在于它是不动感情的。 --王尔德 【90】、世上只有一件事比被人议论更糟糕了，那就是没有人议论你。 --王尔德 《道林格雷的画像》 【91】、In a Temple every one should be serious, except the thing that is worshipped. --王尔德 《A Woman of No Importance》 【92】、我宽恕了你的过去，虽然我对我们的未来只字未提。 --奥斯卡·王尔德 《自深深处》 【93】、Don't be led astray into the paths of virtue. --王尔德 《Lady Windermere’s Fan》 【94】、It is the confession, not the priest, that gives us absolution 给我们赦免的，是忏悔而不是牧师。 --王尔德 【95】、恭维不会使女人飘然，却往往使男人丧志。 --王尔德 《理想丈夫》 【96】、Experience is the name every one gives to their mistakes. 每个人犯了错误，都自称是经验。 --经验是一个人给自己所犯的错误取的名字。 --王尔德 【97】、不要垂头丧气，即使失去一切，明天仍在你的手里。 --王尔德 【98】、Anybody can sympathise with the sufferings of a friend, but it requires a very fine nature to sympathise with a friend's success. 同情一个朋友的苦难是任何人都能做到的，但同情一个朋友的成功则需要具有十分出色的素质。 --王尔德 【99】、我把灵魂的珍珠投入酒杯，踏着长笛的音符走在享乐的路上。 --王尔德 《高秀娟翻译王尔德》 【100】、要是我对什么人骨子里喜欢了，我无论如何都不会把他们的名字告诉别人。那就像把他们的一部分交了出去。 --奥斯卡·王尔德 《道连·格雷的画像》 [NextPage] 【101】、女人再嫁是因为讨厌自己的前夫。男人再娶则是因为他钟爱自己的前妻。女人是试试自己的运气，而男人却是拿运气来冒险。 --王尔德 《道林·格雷的画像》 【102】、Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation. 大多数人都是属于别人的人。他们的思想是他人的观点，他们的生活是一种模仿，他们的激情是一种引证。 --王尔德 【103】、过去的事情唯一可爱之处就在于它已经过去。 --王尔德 【104】、Most people discover when it is too late that the only things one never regrets are one's mistakes. 大多数人发现他们从未后悔的事情只是他们的错误，但发现时已经太晚了。 --王尔德 【105】、每件赏心悦目的东西背后，总有一段悲哀的隐情，连最不起眼的小花要开放，世界也得经历阵痛。 --王尔德 【106】、你知道的比你认为知道的多，但比你想知道的少。 --王尔德 《道连·格雷的画像》 【107】、神是奇怪的。他们不但借助我们的恶来惩罚我们，也利用我们内心的美好、善良、慈悲、关爱，来毁灭我们。 --王尔德 《自深深处》 【108】、represent to you all the sins you have never had the courage to commit. 我给你们讲述的是所有你们没勇气去犯的罪孽。 --王尔德 【109】、And beauty is a form of genius - it is higher, indeed, than genius as it needs no explanation. --Oscar Wilde, The Picture of Dorian Gray 美是一种天赋，实际上，美超过了天赋，因为它不需要解释。 --王尔德 《道林·格雷的画像》 【110】、坦率地说出自己的心里话不仅是一种道德上的责任，而且还是一种令人快慰的事 --王尔德 【111】、美好的肉体是为了享乐，美好的灵魂是为了痛苦。 Pleasure for the beautiful body,but pain for the beautiful soul. --王尔德 【112】、爱是靠想像滋养的，因为爱，我们变得比我们所知道的还聪明，比我们的实际情形更高贵；用爱，我们可以把“生命”看做一个整体；靠爱，而且只靠爱，我们就能按照理想的方式理解处于现实关系中的其他人。只有美好的和精心想像出来的东西才能滋养爱，但一切都能滋养恨。 --奥斯卡王尔德 《王尔德狱中记》 【113】、但我最该谴责自己的是我允许你带给我彻底的道德堕落。性格的基础是意志力，而我的意志力则完全受你的意志力的支配 --奥斯卡王尔德 《王尔德狱中记》 【114】、女人是用耳朵恋爱的，而你们男人如果会产生爱情的话，却是用眼睛来恋爱。 --王尔德 【115】、一生只爱一次的人是肤浅的，他们把那叫做忠贞不渝，我却叫做习惯性懒惰或是缺乏想象力。情感生活的忠贞不渝就如同智力生活的一成不变一样，简直是承认失败。 --王尔德 【116】、The very essence of romance is uncertainty. 浪漫的精髓就在于它充满种种可能。 --王尔德 【117】、我们都在阴沟里，但仍有人仰望星空。 --奥斯卡·王尔德 【118】、别虚掷你的一寸光阴吧，别去听无聊的话，别试图补救无望的过失，别在愚昧、平庸和猥琐的事上消磨你的生命，这些东西都是我们这个时代病态的目标和虚假的理想。生活吧！过属于你的奇妙的生活！点滴都别浪费。 --奥斯卡·王尔德 【119】、良心会使每个人都成为利己主义者 --王尔德 【120】、一个不危险的想法不值得被称为想法。 --王尔德 【121】、不幸的是，我在你的身上花去了一生。 --王尔德 【122】、如果你浪费了自己的年龄，那是挺可悲的。因为你的青春只能持续一点儿时间--很短的一点儿时间。 --王尔德 【123】、生活中真正的悲剧发生得一点艺术性也没有，它们无情的暴力让我们受伤，它们绝对的支离破碎让我们受伤。它们伤害我们，一如世俗粗鄙腐蚀我们。 --奥斯卡·王尔德 《道连·格雷的画像》 【124】、Between men and women there is no friendship possible. There is passion, enmity, worship, love, but no friendship. 男女之间不可能存在友谊，有的只是爱恨情仇。 --王尔德 【125】、结婚的唯一美妙之处，就是双方都绝对需要靠撒谎过日子。 --奥斯卡·王尔德 《道连·葛雷的画像》 【126】、恶大莫过于浮浅。 --王尔德 《自深深处》 【127】、人们在生活中所犯的致命的错误不是由于人的不理智--不理智的时刻也许是人最美好的时刻--而是因为人是有逻辑性才，它们之间是有很大不同的。 --奥斯卡王尔德 《王尔德狱中记》 【128】、轻轻走路，她在近旁 雪地下面； 轻轻倾诉，她能听见 雏菊生长。 一袭明亮的金发 已光彩全无； 她那么年轻貌美 就委身尘土。 宛如百合，皓似白雪， 她不大清楚 自己何等风华绰约， 已长成少女。 棺椁盖板，沉重墓石， 压着她酥胸。 我徒自难解愁思， 她安眠墓中。 安宁，安宁，她听不见 琴声或诗句。 我的一生在此埋葬， 将泥土堆聚。 --王尔德 【129】、我觉得我把自己的整个心灵都给了一个人，这个却把它当作纽扣上的一朵花，当作满足虚荣的装饰品对待，只供夏天一日之用。 --奥斯卡·王尔德 《道连·葛雷的画像》 【130】、良心和胆怯其实是一回事，良心不过是胆怯的商号名称罢了。 --奥斯卡·王尔德 《道连·葛雷的画像》 【131】、人生因为有美，所以最后一定是悲剧。 --王尔德 【132】、要记住上帝眼中的傻瓜与人眼中的傻瓜是有很大区别的。一个对革新中的艺术形式或发展中的思想情绪、对拉丁诗的华丽或元音化了的希腊语的丰富音乐性、对托斯卡纳的雕刻或伊丽莎白时代的歌曲一无所知的人，仍然可能充满着最甜蜜的智慧。真正的傻瓜，如上帝所嘲弄、毁灭的那些人，是不了解自己的人。 --奥斯卡王尔德 《王尔德狱中记》 【133】、书无所谓道德的或不道德的。书有写得好的或写的糟的。仅此而已。 --王尔德 【134】、We make gods of men and they leave us. Others make brutes of them and they fawn and are faithful. --王尔德 《Lady Windermere’s Fan》 【135】、在欢乐和欢笑的后面，或许还有粗暴、生硬和无感觉的东西，但在悲哀之后始终是只有悲哀。痛苦与欢乐不同，它不戴面具。 --奥斯卡·王尔德 《自深深处》 【136】、我也有自己的幻想，我以为生活是一出辉煌的喜剧，你会成为其中许多高贵人物中的一个。我后来才发现，生活是一出令人悲哀、厌恶的悲剧，只有发生了在目的的集中性和狭隘的意志力的强度方面都很险恶的重大的生活灾难时（而导致灾难的就是你自己）才能撕破一切欢乐和欣喜的假面具，你与我都曾受到这种面具的欺骗而误人歧途。 --奥斯卡·王尔德 《自深深处》 【137】、It is a very dangerous thing to listen. If one listens one may be convinced; and a man who allows himself to be convinced by an argument is a thoroughly unreasonable person. --王尔德 《An Ideal Husband》 【138】、The history of women is the history of the worst form of tyranny the world has ever known. The tyranny of the weak over the strong. It is the only tyranny that lasts. --王尔德 《A Woman of No Importance》 【139】、我早应该摆脱你，我应该像人们掸掉衣服上的刺那样把你从我的生活中清扫出去。 --奥斯卡·王尔德 《自深深处》 【140】、Girls never marry the men they flirt with. It accounts for the extraordinary number of bachelors that one sees all over the place. --王尔德 《The Importance of Being Earnest》 【141】、You will never be in the best society unless you can stand on your heads. --王尔德 《The Devoted Friend》 【142】、When a man has once loved a woman, he will do anything for her, except continue to love her. --王尔德 《An Ideal Husband》 【143】、肉体的罪恶无足轻重，因为它们是该由医生治疗的病症，如果它们需要治疗的话；只有灵魂的罪恶是可耻的。 --奥斯卡·王尔德 《自深深处》 【144】、Men always want to be a woman's first love. That is their clumsy vanity. We women have a more subtle instinct about things. What we like is to be a man's last romance. --王尔德 《A Woman of No Importance》 【145】、In married life three is company and two is none. --王尔德 《The Importance of Being Earnest》 【146】、Travel improves the mind wonderfully, and does away with all one's prejudices. --王尔德 《The Remarkable Rocket》 【147】、你的问题有答案，可就是找不到。别说话，让我想一想，或者还不如让我尽量不去想。 --奥斯卡·王尔德 《道林·格雷的画像》 【148】、你一旦为自己找到一个错误的借口，你不久就会再为自己找到一百个借口。 --奥斯卡·王尔德 《自深深处》 【149】、你的错误不是对生活所知太少，而是知道得太多了，你已把童年时期曙光中所拥有的精美花朵，纯洁的天真和希望快快乐乐地抛在后面了，你已经迅捷的奔跑着，经过了浪漫而进入了现实。 --奥斯卡·王尔德 【150】、Modern women understand everything, except their husbands. --王尔德 《An Ideal Husband》 [NextPage] 【151】、They say that when good Americans die they go to Paris. Indeed? And when bad Americans die, where do they go to? Oh, they go to America. --王尔德 《A Woman of No Importance》 【152】、Do not accept a sacrifice so great. If you do, you will live to repent it bitterly. We men and women are not made to accept such sacrifices from each other. We are not worthy of them. --王尔德 《An Ideal Husband》 【153】、It is very romantic to be in love. But there is nothing romantic about a definite proposal. The very essence of romance is uncertainty. --王尔德 《The Importance of Being Earnest》 【154】、信中的每一处删改或替换，不管是多少微不足道，也不管是多么复杂，都是因为我在试图表达出我的真实印象，为我的情绪找到一个确切的对应词。无论什么，只要是以感情为主的，形式上往往是最糟糕的。 --奥斯卡·王尔德 《自深深处》 【155】、One should never take sides in anything. Taking sides is the beginning of sincerity, and earnestness follows shortly afterwards, and the human being becomes a bore. --王尔德 《A Woman of No Importance》 【156】、When one pays a visit it is for the purpose of wasting other people's time, not one's own. --王尔德 《An Ideal Husband》 【157】、教士们以及空谈的人，有时把痛苦说成一种神秘的东西，其实痛苦只是一种启示，只有痛苦，人们才能发现自己以前从未发现的东西，才能以一种不同的出发点来接近历史的全部。 --奥斯卡·王尔德 《自深深处》 【158】、Nowadays we are all of us so hard up, that the only pleasant things to pay ARE compliments. They're the only things we CAN pay. --王尔德 《Lady Windermere’s Fan》 【159】、Man, poor, awkward, reliable, necessary man belongs to a sex that has been rational for millions and millions of years. He can't help himself. It is in his race. The History of Woman is very different. We have always been picturesque protests against the mere existence of common sense. --王尔德 《A Woman of No Importance》 【160】、The Ideal Man! Oh, the Ideal Man should talk to us as if we were goddesses, and treat us as if we were children. He should refuse all our serious requests, and gratify every one of our whims. He should encourage us to have caprices, and forbid us to have missions. --王尔德 《A Woman of No Importance》 【161】、It was your ambition that led you astray. --王尔德 《An Ideal Husband》 【162】、你不得不知道，所谓荣花、快乐和成功可能会有粗糙的果实和低劣的质地，但悲哀才是天地万物间最敏感的东西。人眼看不到的、标示着力量方向的敏感的金箔，假如与悲哀相比，也是粗糙的。除了爱的手之外，无论什么手触到它，也是粗糙的。它都会是一个流血的伤口，即使是爱的手触到它，它也会流血，尽管人感觉不到痛苦。 --奥斯卡·王尔德 《自深深处》 【163】、To love oneself is the beginning of a lifelong romance. --王尔德 《An Ideal Husband》 【164】、She certainly has a wonderful faculty of remembering people's names, and forgetting their faces. --王尔德 《A Woman of No Importance》 【165】、All women become like their mothers. That is their tragedy. No man does. That is his. --王尔德 《A Woman of No Importance》 【166】、When a woman marries again, it is because she detested her first husband. When a man marries again, it is because he adored his first wife. Women try their luck; men risk theirs. --王尔德 《the picture of Dorian Gray》 【167】、Curious thing, plain women are always jealous of their husbands, beautiful women never are! Beautiful women never have time. They are always so occupied in being jealous of other people's husbands. --王尔德 《A Woman of No Importance》 【168】、One should never surrender. Not even to the Ideal Man? Certainly not to him. Unless, of course, one wants to grow tired of him. --王尔德 《A Woman of No Importance》 【169】、来自敌人的成功可以忍，来自朋友的成功却不能忍。 --王尔德 【170】、To get into the best society, nowadays, one has either to feed people, amuse people, or shock people - that is all! --王尔德 《A Woman of No Importance》 【171】、We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all. --王尔德 《the picture of Dorian Gray》 【172】、（A slave to the little King) By your pomp we are nurtured, and your vices give us bread. To toil for a hard master is bitter, but to have no master to toil for is more bitter still. --王尔德 《the young king》 【173】、Art has no influence upon action. It annihilates the desire to act. It is superbly sterile. --王尔德 《the picture of Dorian Gray》 【174】、The people who love only once in their lives are really the shallow people. --王尔德 《the picture of Dorian Gray》 【175】、We men know life too early. And we women know life too late. --王尔德 《A Woman of No Importance》 【176】、Youth has a kingdom waiting for it. Every one is born a king, and most people die in exile, like most kings. --王尔德 《A Woman of No Importance》 【177】、I never intend to grow old. The soul is born old but grows young. That is the comedy of life. And the body is born young and grows old. That is life's tragedy. --王尔德 《A Woman of No Importance》 【178】、拒绝或放弃自己的经历就是要阻止自己的发展，否认自己的经历就是自己对自己撒弥天大谎，这无异于否定灵魂。 --奥斯卡·王尔德 《自深深处》 【179】、爱的目的就是爱，不多也不少 --王尔德 《王尔德狱中记》 【180】、Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. --王尔德 《the picture of Dorian Gray》 【181】、The Divorce Court was specially invented for people whose memories are so curiously constituted. --王尔德 《The Importance of Being Earnest》 【182】、同一个灵魂里是不能同时容纳这两种感情的，它们不能在那个精心雕刻的房子里和睦相处。爱是靠想像滋养的，因为爱，我们变得比我们所知道的还聪明，比我们感觉到的还好，比我们的实际情形更高贵；用爱，我们可以把“生命”看做一个整体；靠爱，而且只靠爱，我们就能按照理想的方式理解处于现实关系中的其他人。只有美好的和精心想像出来的东西才能滋养爱，但一切都能滋养恨。你在那些年里喝过的每一杯香槟酒、吃过的每一道价格昂贵的菜，无不滋养了你的恨，并把它养肥。 --奥斯卡·王尔德 《自深深处》 【183】、Love is not fashionable any more, the poets have killed it. They wrote so much about it that nobody believed them. --王尔德 《The Remarkable Rocket》 【184】、被永远活动着的生命幻象所欺骗的人们，都是在监狱外的，他们随着生命旋转，并贡献给它的非实在。 --奥斯卡·王尔德 《自深深处》 【185】、The Book of Life begins with a man and a woman in a garden. It ends with Revelations. --王尔德 《A Woman of No Importance》 【186】、悲哀一个接着一个来敲打着我监狱的门寻找我，它们已经把门敞开，让自己进来。我的朋友很难来看我，但我的敌人却能一直畅通无阻地来到我的身边。 --奥斯卡·王尔德 《自深深处》 【187】、It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. --王尔德 《the picture of Dorian Gray》 【188】、我生活中还有比与一个醉鬼、傻瓜纠缠更好的事等着我去做。 --奥斯卡·王尔德 《自深深处》 【189】、We(men) have emancipated them(women), but they remain slaves looking for their masters, all the same. They love being dominated. --王尔德 《the picture of Dorian Gray》 【190】、我已成了供你取乐的工具，成了随时听从你吩咐的仆人。 --奥斯卡·王尔德 《自深深处》 【191】、When a man is old enough to do wrong he should be old enough to do right also. --王尔德 《A Woman of No Importance》 【192】、Misery wakes us in the morning, and Shame sits with us at night. --王尔德 《the young king》 【193】、Skepticism is the beginning of faith. --王尔德 《the picture of Dorian Gray》 【194】、You like every one; that is to say, you are indifferent to every one. --王尔德 《the picture of Dorian Gray》 【195】、我总以为，归根结底，一切交往中的义务，不管是在婚姻中还是在友谊中，都是一种交流，而交流就必须有一种共同的基础，而在两个教养迥然不同的人之间，惟一可能的共同基础必然是在最低层面上的。在思想和行动方面，微不足道的事是有其魅力的。 --奥斯卡·王尔德 《自深深处》 【196】、To define is to limit. --王尔德 《the picture of Dorian Gray》 【197】、Crying is the refuge of plain women but the ruin of pretty ones. --王尔德 《Lady Windermere’s Fan》 【198】、As a wicked man I am a complete failure. --王尔德 《Lady Windermere’s Fan》 【199】、Life is too important to be taken serious. --王尔德 【200】、你通过一种奇怪的固执，通过天天在我的生活中出现，成功地吸收了我的全部生活，并把我的生活击得粉碎。 --奥斯卡·王尔德 《自深深处》 ★ 奥斯卡·王尔德对于生活的精彩语录摘抄 ★ 王尔德语录 ★ 王尔德童话读后感 ★ 王尔德的语录摘录69条 ★ lady gaga 奥斯卡感言 ★ 奥斯卡颁奖获奖感言 ★ 莱昂纳多奥斯卡获奖感言英文 ★ 奥斯卡获奖感言搞笑的 ★ 奥斯卡最佳纪录片美国工厂》观后感 ★ 奥斯卡舞台上的华语歌手李玟 |
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