究竟哪样更高贵,去忍受那狂暴的命运无情的摧残 还是挺身去反抗那无边的烦恼,把它扫一个干净。 去死,去睡就结束了,如果睡眠能结束我们心灵的创伤和肉体所承受的千百种痛苦,那真是生存求之不得的天大的好事。去死,去睡, 去睡,也许会做梦! 唉,这就麻烦了,即使摆脱了这尘世 可在这死的睡眠里又会做些什么梦呢?真得想一想,就这点顾虑使人受着终身的折磨,谁甘心忍受那鞭打和嘲弄,受人压迫,受尽侮蔑和轻视,忍受那失恋的痛苦,法庭的拖延,衙门的横征暴敛,默默无闻的劳碌却只换来多少凌辱。但他自己只要用把尖刀就能解脱了。 谁也不甘心,呻吟、流汗拖着这残生,可是对死后又感觉到恐惧,又从来没有任何人从死亡的国土里回来,因此动摇了,宁愿忍受着目前的苦难 而不愿投奔向另一种苦难。 以上是哈姆雷特的一段独白。 个人理解:奋斗的过程是痛苦的;无所事事庸庸碌碌的人生也是痛苦的。生存还是毁灭?确实是个问题。 生存还是毁灭,这是个问题?这句话似乎比这本书出名,每个人把这句话挂在嘴边,也许并不知道这句话的真正含义,只是因为它可作为炫耀的工具,炫耀你有些知识,肚子里有些墨水,仅此而已。曾几何时的我,也是这样,一味的背诵名句,不求甚解,为的只是在有人说上句时,我能接到下句,然后享受赞美之词。 莎士比亚创作的艺术特色可以归纳为如下几点: 第一,坚持现实创作原则,认为戏剧是反映人生的一面镜子。 第二,追求自然的表演理论,认为演剧要真实,切忌过火。 第三,情节生动丰富,一个剧里常有几条交织在一起的复杂线索,悲喜剧因素结合在一起。 第四,塑造了一系列具有鲜明个性的艺术形象。如哈姆雷特、福斯塔夫。 第五,人物语言性格化,如哈姆雷特的话富有哲理和诗意,御前大臣波洛涅斯的语言矫揉造作,伊阿古的语言充满秽言秽语。据电子计算机统计,莎士比亚创作的词汇量有29066个。 Things base and vile, holding no quantity, love can transpose to form and dignity: love looks not with the eyes, but with mind. (A Midsummer Night’s Dream 1.1) The course of true love never did run smooth. (A Midsummer Night’s Dream 1.1) 真爱无坦途。 ——《仲夏夜之梦》 Lord, what fools these mortals be! (A Midsummer Night’s Dream 3.2) The lunatic, the lover and the poet are of imagination all compact. (A Midsummer Night’s Dream 5.1) Since the little wit that fools have was silenc’d, the little foolery that wise men have makes a great show. (As You Like It, 1.2) as you like it,All the world's a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts.(As You Like It) 世界是一个舞台,所有的男男女女不过是一些演员,他们都有下场的时候,也都有上场的时候。一个人的一生中扮演着好几个角色。 ——《皆大欢喜》 Beauty provoketh thieves sooner than gold. (As You Like It, 1.3) Sweet are the uses of adversity. (As You Like It, 2.1) Do you not know I am a woman? When I think, I must speak. (As You Like It, 3.2) Love is merely a madness. (As You Like It, 3.2) O, how bitter a thing it is to look into happiness through another man’s eyes! (As You Like It) It is a wise father that knows his own child. (A Merchant of Venice 2.2) Love is blind and lovers cannot see the pretty follies that themselves commit. (A Merchant of Venice 2.6) All that glisters is not gold. (A Merchant of Venice 2.7) So is the will of a living daughter curb’d by the will of a dead father. (A Merchant of Venice 1.2) Some rise by sin, and some by virtue fall. (Measure for Measure 2.1) O, it is excellent to have a giant’s strength; but it is tyrannous to use it like a giant.(Measure for Measure 2.1) I’ll pray a thousand prayers for thy death but no word to save thee. (Measure for Measure 3.1) O, what may man within him hide, though angel on the outward side! (Measure for Measure 3.2) Beauty, wit, high birth, vigour of bone, desert in service, love, friendship, charity, are subjects all to envious and calumniating time. (Troilus and Cressida 3.3) You gods divine! Make Cressida’s name the very crown of falsehood, if ever she leave Troilus. (Troilus and Cressida 4.2) Beauty! Where is thy faith? (Troilus and Cressida 5.2) Take but degree away, untune that string, and, hark, what discord follows! (Troilus and Cressida 1.3) O, she dothe teach the torches to burn bright! (Romeo and Juliet 1.5) My only love sprung from my only hate ! (Romeo and Juliet 1.5) What’s in a name? That which we call a rose by any other word would smell as sweet. (Romeo and Juliet 2.2) Young men’s love then lies not truly in their hearts, but in their eyes. (Romeo and Juliet 2.3) It is the east, and Juliet is the sun. (Romeo and Juliet 2.2) A little more than kin, and less than kind. (Hamlet 1.2) Frailty, thy name is woman! (Hamlet 1.2) This above all: to thine self be true. (Hamlet 1.3) The time is out of joint – O, cursed spite, that ever I was born to set it right! (Hamlet 1.5) Brevity is the soul of wit. (Hamlet 2.2) There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy. (Hamlet 1.5) There is nothing either good or bad, but thinking makes it so. (Hamlet 2.2) To be or not to be: that is a question. (Hamlet 3.1) There’s a special providence in the fall of a sparrow. (Hamlet 5.2) The rest is silence. (Hamlet 5.2) Keep up your bright swords, for the dew will rust them. (Othello 1.2) O, beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on. (Othello 3.3) Good name in man and woman, dear my lord, is the immediate jewel of their souls: Who steals my purse steals trash; ’tis something, nothing. (Othello 3.3) O, curse of marriage, that we can call these delicate creatures ours, and not their appetites! (Othello 3.3) We cannot all be masters, nor all masters cannot be truly followed. (Othello 1.3) Nothing will come of nothing. (King Lear 1.1) Love’s not love when it is mingled with regards that stands aloof from th’entire point. (King Lear 1.1) How sharper than a serpent's tooth is to have a thankless child. (King Lear 1.4) Blow, winds, and crack cheeks! Rage! Blow! (King Lear 3.2) Tis this times’ plague, when madmen lead the blind. (King Lear 4.1) Why should a dog, a horse, a rat, have life, and thou no breath at all? (King Lear 5.3) Fair is foul, and foul is fair. (Macbeth 1.1) I fear thy nature; it is too full o’the milk of human kindness. (Macbeth) What’s done cannot be undone. (Macbeth 5.1) Out, out, brief candle, life is but a walking shadow. (Macbeth) No matter how dark long, may eventually in the day arrival.(Macbeth) 黑暗无论怎样悠长,白昼总会到来。——《麦克白》 Cowards die many times before their deaths; the valiant never taste of death but once. (Julius Caesar 2.2)
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