 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints
澳大利亚新南威尔士州美术馆
作品介绍
With its gold-ground and tempera technique, this devotional
altarpiece is an example of the international Gothic style that
survived in Siena well into the fifteenth century. Noted for the
richness and variety of his palette, Sano di Pietro was a
successful master who ran a busy workshop in that city. He seems to
have been familiar with Venetian religious painting, a certain
Byzantine preciousness being part of his repertoire. A number of
Sano's subjects focused on the life and works of San Bernardino, a
controversial local saint the painter had known personally. It was
Bernardino who conceived the device of the Holy Name in the Sun, an
emblem in which twelve solar rays represented twelve articles of
faith promulgated by the Apostles. For this doctrinal innovation he
was charged with heresy. In this panel, Bernardino's participation
is restricted to that of an auxiliary figure. Appropriately, it is
the blue-mantled Virgin and her delightful infant who hold our
attention.
AGNSW Handbook, 1999.
参考译文
凭借其金色画板和蛋彩画技术，这个灵修的祭坛画是在锡耶纳直到十五世纪幸存下来的国际哥特式风格的一个范例。萨诺·迪·皮特罗以其丰富多彩的色调而闻名，是一位成功的大师，在该城市经营着一个繁忙的工作室。他似乎熟悉威尼斯的宗教绘画，某种拜占庭式的珍贵品质是他的保留节目的一部分。萨诺·迪·皮特罗的一些主题集中在圣博娜迪诺（San
Bernardino）的生活和作品上，圣博娜迪诺是一位画家亲自认识的有争议的当地圣人。正是贝纳迪诺构想了太阳中圣名的装置，这是一个象征，其中十二个太阳光代表了使徒们颁布的十二条信仰。对于这种教义创新，他被指控为异端邪说。在这件作品中，圣博娜迪诺参与仅限于辅助人物的参与。恰当地，正是蓝色的圣母玛利亚和她令人愉快的婴儿引起了我们的注意。
AGNSW手册，1999年。
作品细节
 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints  萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints 萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with
Saints
画家简介
萨诺·迪·皮特罗（Sano di Pietro或Ansano di Pietro di
Mencio，1406-1481），文艺复兴早期意大利锡耶纳绘画画派画家。在十五世纪欧洲文艺复兴初期活跃了大约半个世纪，他的同时代人包括保罗·迪·乔凡尼·菲（Paolo
di Giovanni Fei，约1345年-1411）和萨塞塔（Stefano di Giovanni或萨塞塔（il
Sassetta，1392-1451）。萨诺所处的这个世纪，锡耶纳的画派已成为佛罗伦萨画派的竞争对手。这两个画派的风格明显不同。佛罗伦萨更为现实，而锡耶纳更为幻想。锡耶纳画的是人的梦想。锡耶纳画家以鲜艳的色彩而闻名。他们经常使用之前从未见过的色调和丰富的细节，衣服的帷幔优雅而细致。既华丽又轻盈的人物和风景，是锡耶纳画派的主要标志。
萨诺·迪·皮特罗的名字最早见诸记载是在1428年。除了他自己的画作并监督他的工作室中的学生和助手，他也是公民的一部分。锡耶纳的城市记录显示他在1431年和1442年是锡耶纳圣多纳托区的领导人。他所经营的工作室制作了大量的艺术品。他不仅仅是祭坛画家，还制作了壁画、微缩模型和书中书脊上的精美小画作。萨诺于1481年去世时，他的死亡通知写到：Pictor
famosus et homo tous deditus Deo（一位著名画家和一个完全献身于上帝的人）。
萨诺·迪·皮特罗是色彩大师，他对颜色的掌握极为出色，在以使用色彩著称的耶锡纳画派中脱颖而出，是色彩运用最好的画家之一。他的作品不仅以色彩的丰富和细节的微妙作用展示了他对色彩的驾驭能力，还展示了他作为艺术家的多样性。
萨诺·迪·皮特罗的画被收藏于美国国家美术馆、锡耶纳大教堂博物馆、梵蒂冈美术馆、布鲁克林博物馆等著名博物馆。（阴山工作室根据维基百科编写）
作品资料
Other Title
Virgin and Child with Sts Jerome, John the Baptist, Bernard
and Bartholomew
Date
1450-1481
Media category
Painting
Materials used
gold leaf and tempera on poplar panel
Dimensions
60.5 x 43.2 cm panel; 93.5 x 52.2 x 9.0 cm frame
Signature & date
Not signed. Not dated.
Credit
Gift of John Fairfax and Sons Ltd. to commemorate the 140th
anniversary of the founding of the Sydney Morning Herald 1971
Location
15th–19th c European art
Accession number
151.1971
Reproduction requests
Provenance
Sir Thomas Neave, 19th century, Essex/England
Joanna Parsons, pre 10 Apr 1970, England, Sold Christie's
London, 10 April 1970, lot no. 92
Jocelyn Fielding, 10 Apr 1970-Oct 1970?, England, Purchased
Christie's London, 10 April 1970, lot no. 92
Agnew's, London, Oct 1970, London/England, Purchased by John
Fairfax and Sons Ltd from the exhibition 'Paintings and drawings
from Agnew's London', held at David Jones Art Gallery, Sydney 7-24
October 1970
展览历史
Paintings and drawings from Agnew's London, David Jones' Art
Gallery, Sydney, Sydney, 07 Oct 1970–24 Oct 1970
相关文献
Donald Brook, The Sydney Morning Herald, 'The Unmomentous Old
Masters', Sydney, 08 Oct 1970.
Sarah Cooper, Look, 'There's something about Mary', Sydney,
May 2018-Jun 2018, p 80.
David Jones' Art Gallery, Sydney, Paintings and drawings from
Agnew's, London, 1970. cat.no. 1
Renée Free, Art Gallery of New South Wales handbook,
'European', pg. 36-56, Sydney, 1988, 37 (colour illus.).
Bruce James, Art Gallery of New South Wales handbook, 'Western
Collection: Paintings and Sculpture', pg. 17-77, Sydney, 1999, 18
(colour illus.).
Michael Mohi (Editor), The many faces of Christ, Sydney, 2000,
36 (colour illus.).
Iris Origo, The World of San Bernardino, London, 1963.
John Pope-Hennessy, Siennese quattrocento painting, London,
1947.
Peter Tomory and Robert Gaston, European Paintings before 1800
in Australian and New Zealand public collections, Sydney, 1989, 92
(illus.). fig.no. 274
Editor Unknown (Editor), The Sydney Morning Herald, 'Art gift
marks 140 years', Sydney, 19 Apr 1971, 1 (illus.), 3 (illus.).
illustration on page one is a detail
阴山工作室
本文图片来源于Google
Art，英文资料来自澳大利亚新南威尔士州美术馆官方网站，局部细节图片及中文资料系阴山工作室所加。某些英文单词中的分割线和中文被大写拼音替代的词是为了规避网站非法字符审核。参考译文由Google翻译插件自动生成，或有疏谬在所难免。按博物馆资料，此作标题全称为《麦当娜与圣徒杰罗姆，施洗约翰，贝尔纳迪诺和巴塞洛缪》。
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萨诺·迪·皮特罗 圣母子和诸圣徒 Madonna and Child with Saints
澳大利亚新南威尔士州美术馆
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