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有幸征集到內地知名大收藏家幾件知名藏品，有喜歡的朋友可咨詢！ Have the honor to collect a few well-known mainland big collector well-known collection, have the friend that likes to be able to consult! 藍瑛（1585-1664），壹說（1585-約1666），明代杰出畫家，字田叔，號蝶叟，晚號石頭陀、山公、萬篆阿主者、西湖研民，又號東郭老農，所居榜額曰“城曲茅堂” ，钱塘（今浙江杭州）人，是浙派後期代表畫家之一。 工書善畫，長於山水、花鳥、梅竹，尤以山水著名。其山水法宗宋元，又能自成壹家。師畫家沈周，落筆秀潤，臨摹唐、宋、元諸家，師黃公望尤為致力。晚年筆力蓊蒼勁，氣象峻 ，與文征明、沈周并重。作品有《秋山紅葉圖》、《江雲話古圖》、《白雲紅樹圖》、《松嶽高秋圖》、《蒼巖嘉樹圖》等，其畫派在晚明影響甚大，傳其畫法者甚多，具有很高投資收藏價值。 LAN Ying (1585-1664), yi said (1585-1666), the Ming Dynasty outstanding painter, the word Tian Shu, the number Butterfly Old, late number Stone Tuo, Shan Gong, Wan Zhuan A Lord, West Lake yan min, also named Dongguo old farmer, living on the list of "City Qumao Tang", Qiantang (today's Hangzhou, Zhejiang) people, is one of the late representative of the Zhejiang school of painters. Good at painting, landscape, flowers and birds, plum bamboo, especially famous landscape. Its landscape law zong Song Yuan, and can become a family. Shen Zhou, a master painter, painted the tang, Song and Yuan dynasties, and Huang Gongwang, a master painter, devoted himself to it. Late pen-power jungjin, severe weather, and text zhengming, Shen Zhou. His works include Red Leaves of Autumn Hills, Ancient pictures of Jiangyun Dialect, Mangroves of white clouds, High Autumn Pictures of Pine Mountain and Cang Yan Jiayu Trees, etc. His painting school had a great influence in the late Ming Dynasty, and there were many painters who passed on his painting techniques, which had high investment and collection value. 萬历三年（1575）李元芳出生於嘉定南翔壹戶官宦人家。原籍南直隶 中坐者為唐時升，前立者為李流芳，後立者為程嘉燧 中坐者為唐時升，前立者為李流芳，後立者為程嘉燧 [1] 徽州府歙縣（今安徽歙縣南豐），祖父李文邦為迁翔始祖，任成山衛指揮使，封贈公爵。父親李汝筠系縣學生。伯父李汝節是嘉靖進士，官至安吉知州。堂兄李先芳，萬历進士，四川參議。李元芳兄弟四人：長兄李元芳，諸生，詩人；仲兄李名芳萬歷進士，翰林院庶吉士；弟李三芳，定海縣丞。李流芳排行第三，人稱李三長蘅。 李流芳青少年時，潛身東林庵中，認真讀書，企求科舉入仕。萬歷三十四年(1606)，32歲中舉，後又兩度赴京參加殿試皆不第。時朝廷為太監魏忠贤及其党羽把持，仕途凶吉難料。他感到氣馁，回到家鄉，自建“檀園”，絕意仕途。他經常遊覽杭州西湖，壹邊遊湖壹邊作畫，並提筆寫下壹系列題跋，壹派高人逸士之風度。為人耿直，詩風清新自然，文品為士林翘楚。魏忠贤建生祠不忘拜，與人雲：“拜，壹時事，不拜，千古事。” 李流芳和程嘉燧，詩文書畫齊名，曾對好友錢謙益說：“精舍輕舟，晴窗明己，看孟陽（程嘉燧）吟詩作畫乃是生平第壹快事。”钱謙益曰：“吾卻有二快，兼看兄與孟陽耳。”崇祯元年（1628），錢謙益被放，坐帳論U，病中的李流芳聞訊，扶枕浩嘆：“不可為矣！” 崇祯二年 (1629)閏四月三日李流芳卒於檀園，享年五十五歲。錢謙益作《李長蘅墓誌銘》，程嘉燧書丹，宋玨篆蓋，侯峒曾作《祭李長蘅先生文》。清嘉定詩人林大中有詩誇其“憶當晚明時，官途亦多術。高士多鄙之，堅臥獨不出。詩筆能清真，畫品亦超佚。不拜千古事，名言殊簡質。孝廉忧國家，呕血遂以卒。”大書畫家董其昌曰：“其人千古其藝千古！”具有很高投資收藏價值。 Wanli three years (1575) Li Yuanfang was born in nanxiang, Jiading, a family of an official. Native place: Southern Zhili province In the middle was Tang Shisheng, in the front was Li Liufang, and in the rear was Cheng Jiasui The one sitting in the middle was Tang Shisheng, the one standing in front was Li Liufang, and the one standing behind was Cheng Jiasu [1] She County, Huizhou (today in Shexian Nanfeng, Anhui Province), grandfather Li Wenbang for the removal of the ancestors, as a commander into the mountains, the duke. Father Li Ruyun is a county student. Uncle Li Rujie is jiajing jinshi, official to anji magistrate. Cousin Li Xianfang, Wan Li Jinshi, Sichuan councillor. Li Yuanfang four brothers: elder brother Li Yuanfang, Zhusheng, poet; The middle brother Li Mingfang wanli Jinshi, Hanlin Courtyard Shuji; Younger brother Li Sanfang, Dinghai County Cheng. Li Liufang, also known as Li Sanchang, ranked the third. When li Liufang was a teenager, she went to Donglin Nunnery and studied hard, hoping to be admitted to the imperial examinations. Wanli thirty-four years (1606), 32 years old in the middle, after twice to Beijing to participate in the temple test were unsuccessful. When the court for the eunuch Wei Zhongxian and his party members control, political career is difficult to predict. He felt discouraged, returned to his hometown, self-built "Danyuan", no idea of official career. He often visited the West Lake in Hangzhou, and painted along the side of the lake, and wrote a series of inscriptions, one school elegant demeanor. Honest, fresh and natural poetic style, literary products for the Shilin Chu. Wei Zhongxian built a memorial hall not forget to worship, and people cloud: "Worship, one current affairs, do not worship, forever things." Li Liufang and Cheng Jiasu, both famous for poetry, writing, painting and calligraphy, once said to qian Xiangyi, her good friend, "It is the first pleasure in my life to watch Meng Yang recite poems and paint pictures with clear Windows and clear eyes. Qian Xiangyi said, "But I have two things going for me, my brother and Meng Yang." In the first year of the Chongzhen Reign (1628), Qian Xiaoyi was set free and sat in the tent to discuss with U. Hearing the news, Li Liufang, who was ill, sighed: "It is not right!" In the second year of Chongzhen (1629), Li Liufang died in Danyuan on April 3 at the age of 55. Qian Xiangyi wrote "The Epitaph of Li Changheng", Cheng Jiasui Shudan, Song Jue zhuan cover, hou Dong wrote "The sacrifice to Mr. Li Changheng". Lin Dazhong, a poet from Jiading in the Qing Dynasty, has a poem praising him. Many a scholar is contemptible, and he alone cannot be found. The poem pen can be halal, the painting is also super lost. Do not worship the past, quote simple. Filial piety care country, vomit blood then to die." Dong Qichang, a great painter and calligrapher, said, "A man whose art endures through the ages!" Has the very high investment collection value. 清代觀音像琥珀站像就是佛教七寶之壹，將其精美雕刻成觀音像，更是寶妙無穷！ 雕工壹流，包浆碩厚！收藏價值極大喜歡的朋友可以咨詢我公司市場部工作人員。 Amber station of Qing Dynasty guanyin is one of the seven treasures of Buddhism, and carving it into guanyin is more wonderful! Carver flow, thick pulp! The friend that collects value to like greatly can consult my company Marketing Department staff member. 該琥珀觀音佛為清代時期風格，造型極致端莊優美，品相完好，大慈大悲的觀音菩薩像，在中國以及東南亞國家壹些頂級的收藏家收藏供奉，寓意保平安，具有極高的收藏價值。目前是收藏界中比較熱門的藏品，有需求可以联系市場部。 This amber Guanyin Buddha is the style of Qing Dynasty, the shape is extremely dignified and graceful, the product appearance is intact, the great mercy Guanyin Bodhisattva image, in China and southeast Asian countries a number of top collectors to collect and offer, meaning to protect peace, has a very high collection value. At present is the collection in the more popular collection, there is a demand can contact the Marketing Department. 該清代琥珀獸面纹爵杯，器型端正大方，品相完好，包漿自然，市場升空間大，是不可多得壹件精美的酒器，有喜歡的朋友，可以出價或諮詢。 The qing Dynasty amber animal face grain goblet, decent and generous, product phase intact, natural pulp, the market rise space, is a rare to get a beautiful wine, there are like friends, you can bid or consult. 造型古樸、典雅，設計精巧，工藝精細，是珍貴的官用陳設器，器物輪廓圓潤有度，器物小但氣度不凡，體現出高雅凝重的神韻，各部分衔接自然，比例非常協調，超凡脱俗，極具审美價值，充分體現了宋人的審美理念，凝聚了龍泉青瓷工藝技術的精華，具有極高的藝術品位。現代人制作這種器型，因時空、審美的不同，不論怎樣仿制，造型與整體還欠板滯，線條不夠圓潤柔美，缺乏古器那種恰到好處的神韻，即形似而神不似，絕無古代那種線條與釉色，和諧與淡雅完美結合的美感。 二、胎質致密堅硬。黑胎墨綠釉出現於南宋中晚期，正值龍泉青瓷的鼎盛時期，胎料加工精細，黑胎青瓷的胎土加有大量的紫金土等高鐵原料，胎色呈鐵黑、黑灰、深灰、紫黑等顏色，在胎色的映襯下釉色凝重沉靜。由於加工精細，胎泥質量很高，胎骨很薄仍不變形，密度大孔隙小，黑胎器胎質是龍泉青瓷中最好的，壹般燒成溫度很高。現代仿品的胎質原料加工較好，雜質少，瓷胎燒結成度很好，堅硬致密，瓷化程度高於古代，在視覺的感覺上黑胎器的胎骨致密堅硬，仿品胎骨的感覺則是硬梆梆如顽石，黑胎墨綠釉真品胎骨較薄，重量適中，上手感覺輕而不飄，沒有下墜感，而類似器物仿品胎骨較厚的，上手有下墜感，胎骨薄的上手有輕飄感。 三、釉質如墨綠美玉。釉色呈墨綠色，柔和淡雅，玉質感強，極顯名貴高雅，釉層不薄不厚，燒成溫度高，已呈玻化狀態，釉面光潤細膩，平滑如鏡，釉光內蘊外發，釉質之美已達南宋龍泉青瓷之巔。該器物釉質呈半透明狀，釉面亮潤光滑，通透凝潤，釉光含蓄，故觀察墨綠色釉器物，給人的感覺是滋潤深沈、幽光弥漫，叫人嘆為觀止。如此的釉質與極具內涵的質感，現代仿品目前還做不出，燒成溫度高玻化程度好的，釉質過於透明釉光淺浮刺目，燒成溫度不高，又缺乏那種滋潤油亮的玉質感，現代仿品為去火光常用化學腐蝕，土埋等方法，結果是釉光斑滯或是酸孔斑駁，不見古代龍泉青瓷特有的“寶光”。殊不知，古瓷之“寶光”，尤其是墨綠色釉那種彌漫狀的寶光，無論現代高仿如何模仿或者做舊，都很難亂真，有喜欢该藏品买家可询问我公司的工作人员。 Modelling of primitive simplicity, elegance, exquisite design, fine craftsmanship, is precious officer with a display device, implements outline fruity and implements is small but distinguished, manifests the elegant and dignified, natural cohesion, each part proportion is very harmonious, free from vulgarity, aesthetic value, fully reflects the poets in the aesthetic idea, condensed the essence of longquan celadon technology, has a very high artistic quality. Modern makes this kind of implement model, because spatio-temporal, aesthetic different, no matter how imitate, modelling and whole still lack static, line is not fruity soft beauty, lack ancient ware that kind of proper divine charm, be like namely and god is not similar, absolutely ancient time of that kind of line and glaze, harmonious and quietly elegant the aesthetic feeling of perfect union. Second, the fetal quality is dense and hard. Black fetal black green glaze appeared in the middle and late Southern Song Dynasty, which was the peak period of Longquan celadon. The tire material was processed with fine processing. The tire soil of black fetal celadon has a large number of purple and gold raw materials such as high-speed iron. Due to the fine processing, the fetal mud quality is very high, the fetal bone is very thin and still does not deform, the density is large pore small, the black fetal quality is the best in longquan celadon, one burning temperature is very high. Modern replicas TaiZhi raw material processing, less impurity, porcelain body burn up and hard and dense, vitrified degree higher than that of the ancient, feeling on the vision of black tire fetal bone density is hard, replicas of fetal bone feeling is hard as stone, black tire blackish green glaze genuine fetal bone thin, medium weight, started feeling light and not gone with the wind, without straining feeling, and similar items replicas fetal bone thicker, get started with straining feeling, fetal bone thin to fit a light feeling. Three, enamel as dark green jade. The glaze color is dark green, soft quietly elegant, the jade quality feeling is strong, extremely show precious and elegant, the glaze layer is not thin and not thick, the firing temperature is high, has shown the vitreous state, the glaze is smooth and exquisite, smooth such as mirror, the glaze light inside and outside hair, the beauty of enamel has reached the top of southern Song Longquan celadon. The enamel is translucent, the glaze surface is bright and smooth, transparent and coagulate, and the glaze light is implicit, so the observation of the dark green glaze gives people a feeling of nourishing the deep and diffuse light, which is amazing. So the enamel and the simple sense of connotation, extremely modern replicas are still can't figure out, high sintering temperature vitrified degree good, enamel too transparent glaze shallow float harsh light, sintering temperature is not high, lacks the kind of the jade moist deep feeling, modern replicas to fire commonly used chemical corrosion, soil buried method, the result is glaze flare sluggish or acid hole, see ancient longquan celadon "bao guang". Little do we know that the "precious light" of ancient porcelain, especially the diffuse light of dark green glaze, is hard to be authentic no matter how modern high imitation is imitated or aged. Anyone who likes this collection can ask the staff of our company. 大清乾隆年制澄泥硯臺，尺寸具大，為乾隆時期宮庭禦用，初步估價市場價值在3000萬-8000萬港幣左右，有興趣藏友可以联系咨詢我公司客服工作人員。 榮寶齋（香港）國際拍賣有限公司從成立至今，獲得國際古玩藝術品拍賣競投資格。 主要從事國內外古今藝術品拍賣、展覽、評鑒、收藏及古玩交流會策劃服務業務。 公司旨在通過鑒賞、展覽、拍賣活動，弘揚中華民族文化，提高中國藝術品在世界上的地位和影響；為海內外收藏家和機構提供一個物暢其流、物盡其用的高層次、高品質的文化交流空間 。 業務遍布大陸、香港、臺灣、新加坡、印度、法國等多個國家和地區。配有多個功能齊全的展示廳、評估鑒定室及現代化辦公區域。 公司軟硬件設施一流，人才匯聚，現有員工200多人，並已擁有拍賣師、鑒定師、估價師、中（高）級古玩藝術品投資者、專業管理人才近百人。 公司主要提供藝術品委托拍賣服務、藝術品委托展覽銷售服務、藝術品電子商務服務、藝術品服務、藝術品鑒定估價服務、高端客戶資源共享等壹系列專業化服務。 榮寶齋（香港）國際拍賣有限公司充分利用藝術品资本化運作的方式，積極開拓，取得了优异的成績，獲得了國內外藏家、眾多藝術品投資人的一致好評和认可。 公司與眾多國際和國內知名私人收藏家及國內外藝術品相關從業機構，提供專業、優質、便捷的服務，致力於藝術品的流通環節，真正為客戶服務，為藏家構建一個健康、良性、高效的流通平臺。 榮寶齋（香港）國際拍賣有限公司始終秉承“求真、求實、誠信、和諧”的企業宗旨，努力打造成中國藝術品文化產業中的知名品牌。 從政去北京，金融到上海，藝術品出手來香港，這是壹句古話。 榮寶齋（香港）國際拍賣有限公司是聯合全球知名實力大拍賣行所成立的，可送拍海外高端市場拍賣，澳門，台灣，新加坡，迪拜，紐約，德國，長期與國際前五名知名拍賣公司。 精品藏品送拍推薦。 Qianlong qianlong system in qing Dynasty, the size of large, for the emperor qianlong imperial court, the preliminary valuation of the market value of 30 million -80 million Hong Kong dollars, interested in collecting friends can contact our customer service staff. Rongbaozhai (Hong Kong) International Auction Co., LTD has been qualified for international antique art auction since its establishment. Mainly engaged in domestic and foreign ancient and modern art auction, exhibition, evaluation, collection and antique exchange planning services. The company aims to promote Chinese national culture and enhance the status and influence of Chinese artworks in the world through appreciation, exhibition and auction activities. It provides collectors and institutions at home and abroad with a high-level, high-quality cultural exchange space where everything flows smoothly and makes full use of everything. Our business covers the mainland, Hong Kong, Taiwan, Singapore, India, France and other countries and regions. Equipped with a number of fully functional exhibition hall, evaluation room and modern office area. The company has one flow of hardware and software facilities, talent pool, existing staff of more than 200 people, and has auctioneers, appraisers, appraisers, middle (high) level antique art investors, professional management personnel nearly 100 people. The company mainly provides a series of professional services, such as art auction service, art exhibition and sales service, art e-commerce service, art service, art appraisal and evaluation service, high-end customer resource sharing and so on. Rongbaozhai (Hong Kong) International Auction Co., Ltd. makes full use of the way of capitalized operation of artworks, actively develops, and has achieved excellent results, and has been praised and recognized by collectors and many art investors at home and abroad. The company and a number of international and domestic well-known private collectors and art related institutions at home and abroad, to provide professional, quality, convenient services, committed to the art of the circulation, the real customer service, for collectors to build a healthy, benign, efficient circulation platform. Rongbaozhai (Hong Kong) International Auction Co., Ltd. has always been adhering to the "true-seeking, true-seeking, integrity, harmony" corporate purpose, and strive to become a well-known brand in the Chinese art and cultural industry. Politics to Beijing, finance to Shanghai, art to Hong Kong, this is an old saying. Rongbaozhai (Hong Kong) International Auction Co., LTD. Is established in cooperation with global famous strength auction houses, which can be sent for auction in overseas high-end market, Macao, Taiwan, Singapore, Dubai, New York, Germany, and long-term international top five famous auction companies. Boutique collection to be recommended. |
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蓝瑛山水手卷册页上下册
蓝瑛山水卷图一
蓝瑛山水卷图二
李流芳山水手卷上下册
李流芳山水卷图一
李流芳山水卷力图二
清代观音琥珀观音站像图一
清代观音琥珀观音站像图二
清代琥珀观音像图一
清代琥珀观音像图二
清代琥珀观音像图三
